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By admin, on August 2nd, 2025
Let’s discuss the set of products coming straight from DJI — cameras and drones — we are going to discuss in this article. We have already seen some amazing releases. Let’s start from Matrix 400. It also includes the DJI Flip and Osmo 360. Now we look at 2025 and 2026 rumors — the leaks suggest new exciting drones and cameras that are coming. Let’s explore the list. But before that, an update — the list of products that DJI has already announced, so there should be no confusion.
Recent Releases of DJI Drones and Cameras in 2025
Yes, let’s explore the list of products that have already been announced by DJI — that includes cameras and drones.
DJI Matrice 400: It was launched in June 2025, and it’s a commercial-grade drone, so nothing to get excited about unless you belong to the commercial sector or a farming company. Then, of course, this particular drone will help you. So it is not for general-purpose use.
DJI Flip – The DJI Flip is a kind of beginner-friendly drone announced back in January 2025 with propeller guards and a 3,110 mAh battery that offers 20 minutes of flight time.
DJI Osmo 360 – It has been released recently, and we have already leaked the images and core specifications of the DJI Osmo 360 prior to its announcement. You can see more details about the DJI Osmo 360 here.
DJI Mavic 4 Pro – The DJI Mavic 4 Pro is already announced on May 13, 2025. It’s a pro drone that features a 100MP Hasselblad main camera alongside a triple camera system and 3 lenses. But this drone is hardly available in the US due to regulatory changes.
DJI Upcoming Drones List 2025 – 2026
Okay, these were the products that have already been announced. Now let’s explore the upcoming DJI drones of 2025–2026.
1. DJI Mini 5 Pro: Price and Arrival Date
Now we have the DJI Mini 5 Pro announcement on August 7, 2025, just after the Osmo 360 official announcement. This compact drone is a successor to the ultra-popular Mini 4 Pro. Despite being in the under-249-gram drone category, it will have a massive 25 km transmission range and a large 1-inch sensor for enhanced image quality and video recording. Take a look at more details below about the upcoming DJI Mini 5 Pro drone. August 7, 2025 is said to be the Arrival date of DJI Mini 5 Pro.
DJI Mini 5 Pro Specifications
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- Launch Date: August 7, 2025
- Camera: Upgraded camera system, potentially with a 1-inch sensor for enhanced image quality
- Obstacle Avoidance: Advanced obstacle avoidance with LiDAR sensors
- Design: New design with larger motors and fixed propellers for reduced noise
- Battery: Larger battery for extended flight time
- Range: Up to 25 km transmission range
- Weight: Under 249 grams, ensuring regulatory compliance
DJI Mini 5 Pro Price
-
- Base model price of $850–$950
- Fly More Combo price of $1,200–$1,300
- additional accessories could reach up to $1,500
The Mini 5 Pro is specifically designed to impress professionals. If you look at the core specifications, it no longer looks like an entry-level drone. The inclusion of LiDAR for obstacle avoidance and a large 1-inch sensor doesn’t make any sense to put it under the entry-level category. The DJI Mini 5 Pro is one of the most exciting drone releases of 2025.
2. DJI Air 4
Expected Release Date: Late 2025
Specification of DJI Air 4 – The DJI Air 4 will feature dual 1-inch sensors, improved flight time, and advanced autonomous features included in this drone.
Impact – As per the initial set of information, this drone is expected to fall somewhere between the Mini and Mavic series. So if it is true, and based on the initial set of specifications we have, it will surely become one of the favorite drones of travel photographers and videographers once it’s announced.
3. DJI Avata 3 Drone Rumored Specifications and Price
The DJI Avata 3 is the next generation of drones coming after the huge success of DJI’s original Avata FPV and FPV 2 (First Person View drone series).
The drone is rumored to be announced in Q4 of 2025. Initial leaks suggest the drone will have enhanced flight modes so you can do more maneuvers, as well as enhanced camera capabilities to improve the overall FPV experience for professionals. Take a look at the rumored specifications of the DJI Avata 3 Drone
DJI Avata 3 Specifications [Rumored]
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- Compact, Agile & FPV-Optimized (~145g–162g, Propeller Guards Included)
- Intuitive Motion Control with DJI RC Motion 3
- Control with DJI Fly App, DJI Goggles 4, or FPV Remote Controller
- 1-Inch CMOS Camera for 4K120 Video
- Ultra-Stabilized Video with RockSteady 3.0+ & HorizonSteady
- Omnidirectional Obstacle Avoidance with Enhanced Sensors
- Easy ACRO Modes for Flips, Rolls & 180° Drifts
- High-Speed Flight (Up to 140 km/h in Manual Mode)
- Extended Flight Time (~23–25 Minutes)
- O4 Video Transmission (Up to 13km FCC Range, Low Latency)
DJI Avata 3 Price
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- The DJI Avata 3 is expected to have a drone-only price of $549–$649
- a Fly More Combo (Single Battery) price of $1,099–$1,249, and
- a Fly More Combo (Three Batteries) price of $1,299–$1,499
4. DJI Neo 2
Expected Release Date – Late 2025 or Early 2026
DJI Neo 2 Specifications [Rumored]
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- Compact, Lightweight & Beginner Friendly (~135g, C0 Classification)
- Palm-Based Takeoff & Landing
- Control with DJI Fly App, Voice Commands, or DJI Goggles/RC Motion
- 1-Axis Camera for up to 4K30 Video
- Ultra-Stabilized Video with RockSteady & HorizonBalancing
- AI Subject Tracking with Improved GPS
- Six QuickShots Shooting Modes & Easy ACRO Flips/Rolls
- Full-Coverage Propeller Guards
- Level 4 Wind Resistance
- Enhanced O4 Transmission (Up to 10km FCC Range)
DJI Neo 2 Price [Expected]
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- Standard Combo price of approximately $229–$329,
- a Two-Battery Combo price of $279–$379,
- a Three-Battery Combo price of $329–$429, and
- a Motion Fly More Combo price of $429–$529.
Upcoming DJI Cameras for 2025–2026
DJI is getting a lot of market share in the video camera market. Recently, we posted about the DJI Osmo Pocket 3, which has gained approximately 50+ percent of the Japanese video camera market share.
1. DJI Mirrorless Camera
Expected Release Date – Not known yet
Rumored Specification
The camera will be inspired by existing Hasselblad camera designs.
It will use a DL mount.
Full-frame sensor with Hasselblad imaging technology.
Built-in stabilization and modular design for professional filmmakers.
Impact – Once it’s announced, users will migrate towards DJI, since we already have a lot of lenses for the DL mount and even Viltrox has joined the league now.
2. DJI Osmo Pocket 4
Expected Release: 2026
Rumored Features:
8K video resolution.
Enhanced stabilization and connectivity for vloggers.
Impact: The Osmo Pocket is already ruling the video camera market in Japan, and again, the Osmo Pocket 4 announcement will create a big impact on the user base.
DJI Osmo Action 6 Rumored Specifications
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- Compact, Rugged & Adventure-Ready (~145g, GoPro Mount Compatible)
- Gesture-Based Start/Stop Recording
- Control with DJI Mimo App or Voice Commands
- 1-Inch CMOS Sensor for 5.3K60 or 8K30 Video
- Ultra-Stabilized Footage with RockSteady 3.0+ & HorizonSteady
- AI-Powered Subject Tracking & Scene Detection
- Dual OLED Touchscreens (Front & Rear, High Brightness)
- 20m Waterproof Without Case, 60m+ with Dive Case
- Dual Battery Options (1770mAh & 1950mAh, Up to 4 Hours)
- Enhanced O4 Connectivity (Wi-Fi 6, Bluetooth 5.1, 10km FCC Range)
DJI Osmo Action 6 Price:
-
- Standard Combo price of $329–$429 and [approx]
- An Adventure Combo price of $479–$579 [approx]
These are the latest set of information we have related to the upcoming DJI cameras and drones as for now, and we will be updating this page time to time to update the existing listings with the latest set of information and updates.
ABout the author: The article “DJI Upcoming Drones and Cameras 2025 – 2026” written and updated by thenewcamera.com team on 11:25 am, Saturday, 2 August 2025, Greenwich Mean Time (GMT) | Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news
By admin, on August 1st, 2025
DJI Osmo 360 was announced on July 31, 2025, and believe me, it is one of the best 8K 360 cameras I have ever seen. The reason is DJI Osmo 360 camera uses dual 1-inch square HDR sensors that boost the entire video performance of the camera in terms of dynamic range, low-light performance, color reproduction – everything. The camera records 8K videos up to 50 frames per second and captures still images as high as 120-megapixel resolution.
So, either you are a professional filmmaker or you are a content creator, in this particular guide we will guide you to get the best possible accessories to elevate your content creation or filmmaking to the next level. From lens protectors to selfie sticks, everything is listed here. Let’s explore the list—but even before that, why accessories matter to the DJI Osmo 360, and why you need to buy them—first, understand this:
Why Accessories Matter to the DJI Osmo 360
We all know it’s a powerhouse camera with 8K video capability and dual fixed fisheye lenses for vibrant 8K video—we all know that. But at the very same time, if you are not going to protect those lenses, even a minor scratch will bring some anomaly in the video that you have recorded, and later on, in post, you will have to fix it, and that will be a big mess. So, having proper accessories is highly recommended.
Eventually, we have listed some of the best invisible selfie sticks + powerbank selfie sticks that will hold your camera rock solid and will not be visible in the entire footage + it will increase ur recording time, creating a kind of drone-like footage. And finally, the camera is IP68 waterproof—it can handle 10m of water. At the same time, we are listing here some of the best waterproof cases for long underwater shoots, since even DJI advises against prolonged water submersion.
Recommended DJI Osmo 360 Accessories and Lens Protectors
1. Lens Protectors for the DJI Osmo 360
These lens protectors are highly recommended. Protecting Osmo 360’s oval dual fisheye lenses is highly important. So, in the lens protection category, we have two options:
DJI Transparent Lens Protector ($12.99) – The DJI Transparent Lens Protector is available at a very reasonable price of $12. These lenses are multi-coated optical glasses which actually protect your camera while in use from scratches and impact. So, these are the must-have daily-use lenses for your Osmo 360 camera.
Rubber Lens Protector – The rubber lens protector is generally what you get in the combo boxes, and it protects the lenses when they are not in use. These are a kind of translucent protector.
2. DJI Osmo 360 Best Selfie Sticks
The main objective of the 360 selfie sticks is to get completely invisible while shooting 360-degree footage. At the very same time, it should hold the camera rock solid.
DJI Osmo Invisible Selfie Stick + Quick Release Mount Kit (3.9′, $59.99)
This stick disappears in 360° shots, ideal for vloggers seeking drone-like footage. The quick-release mount simplifies setup, making it perfect for dynamic shoots. Preorder at B&H.
DJI Osmo High-Strength Carbon Fiber Invisible Selfie Stick (3.3′, $49.99)
Lightweight and durable, this carbon fiber stick is perfect for travel vloggers. Its compact design fits easily in bags. Preorder at B&H.
DJI Osmo Extended Carbon Fiber Selfie Stick (8.2′, $99.99)
With an 8.2-foot reach, this stick is great for capturing expansive landscapes or group shots. Its sturdy carbon fiber build ensures stability. Preorder at B&H.
DJI Invisible Selfie Stick (27.6″, $29.99) Collapsing to 7.1 inches, this budget-friendly option is ideal for travelers needing a compact, invisible stick for 360° shots. Preorder at B&H.
3. DJI Osmo 360 Mounts
To enable hands-free filming of videos without any worries, you must have a perfect magnetic quick release system that will also ensure the safety of the camera.
DJI Osmo Dual Heavy-Duty Clamp for Motorcycle ($54.99) – While riding motorcycles, it is highly essential to ensure the safety of your camera. That’s why the dual ball head and crab-style clamp are highly essential while riding the motorcycle.
DJI Osmo Multifunctional Bike Tube Mount Kit ($45.99) – The DJI Osmo Multifunction Bike Tube Mount Kit is actually made from carbon fiber and comes with a quick-release adapter.
DJI Osmo Third-Person Helmet Mount Kit ($39.00) Excellent tool –
Perfect for skiers or bikers, this kit includes a carbon fiber rod and quick-release adapter for third-person helmet shots. Preorder at B&H.
DJI Osmo Hanging Neck Mount Max ($24.99)
This hands-free mount fits around your neck for chest-level vlogging, with a chest strap for security. Preorder at B&H.
DJI Osmo Motorcycle Heavy-Duty Mount ($39.99) – A tilting mount with a 1/4″-20 screw, ideal for motorcyclists. Pair with the Dual Heavy-Duty Clamp for enhanced stability. Preorder at B&H.
4. DJI Osmo 360 Battery and Power
While you are out—specifically when you are traveling—it is always necessary to have power extension kits along with you.
DJI Power Extension Rod (35.4″, $99.99). It acts as a selfie stick, but it is a power bank that extends your shooting time up to 4.5 hours.
Multifunctional Battery Case (Included in Adventure Combo) – This allows you to charge 3 separate batteries simultaneously. It comes with the Adventure Combo.
5. Other Accessories That You Must Look After
DJI Osmo Tripod Selfie Stick – The DJI Osmo Tripod Selfie Stick, as the name says, is a multifunctional item. It’s a selfie stick but it with three legs so you can easily put it on the ground.
DJI Invisible Waterproof Case – That’s highly required when you want to create the invisible effect while shooting 360° underwater videos.
If you are going to compare Insta360 X5 accessories compared to the DJI Osmo 360, then the lens guards that we are talking about are set at $12.99, whereas X5 lens guards cost $29 to $49. So that’s the major difference we have in lens protection. Otherwise, the selfie stick prices are almost the same.
But one noticeable thing is that you can use DJI Osmo Audio, like the DJI Mic, without any receiver since the Osmo 360 has a built-in transmitter ready. So, you don’t need to invest much more in external mics—it’s already made for you. So the audio quality via DJI Mic provides a better option compared to the X5’s built-in mic.
By admin, on August 1st, 2025
ARRI Alexa 35 XTREME camera has been announced. ARRI is known for making high-end digital cinema cameras, redefining high speeds in cinematography, and the new ALEXA 35 XTREME redefines everything. So, let’s explore the core specifications, price, and major features of the recently announced camera.
ARRI Alexa 35 XTREME Price
The ARRI Alexa 35 XTREME Base Entry Set is priced at $54,590, and even though it is offering a cost-effective entry into the ARRI high-end ecosystem, good news for ARRI Alexa 35 owners — if you want to upgrade your existing setup to the XTREME, then you have to spend approximately $17,300 for that, so your camera will be updated to the 35 XTREME. Now let’s talk about the major core specifications of the camera.
ARRI Alexa 35 XTREME Specifications
The Alexa 35 XTREME uses a Super 35 format sensor. So, for those who are actually mirrorless users, let me help you understand that a Super 35 sensor is actually APS-C size — near about — not a full-frame. Now, jumping to the major core specs of the camera:
- Sensor: The Super 35mm sensor captures 4.6K super videos and delivers up to 17 stops of dynamic range. You can capture 4.6K videos up to 330 frames per second at 11 stops, and in Overdrive mode, the speed scales to 660 fps.
- Recording Formats: 19 ARRI RAW and Apple ProRes formats. The camera records in 422 and high-quality 4444, 4444 XQ, with supporting resolutions up to 4.6K. Also supports MXF/ARRICORE and MXF/Apple ProRes.
- Codec: ARRI CORE RGB codec (beta) that records high-quality videos at lower data rates, compatible with the existing Alexa 35 workflow.
- Pre-Recording Options: The camera records up to 30 seconds of 4.6K Open Gate clips at 24 frames per second in ProRes 4444, or up to 5 minutes in HD.
- ISO Range: EI from 160 to 6400, and in Enhanced Sensitivity Mode you are getting EI 2560 to 6400.
- Storage: Supports Codex Compact Drive (1TB, 2TB) and Codex Compact Drive Express 1TB (ProRes only).
- Lens Mount: LBUS LPL mount with PL-to-LPL adapter for compatibility with a wide range of cine-style lenses.
- Wireless Connectivity: Wi-Fi with 5GHz compatibility, mesh network roaming, and auto-reconnect features.
- Power Consumption: 10% lower than the ALEXA 35, with B-mount battery adapter for 12V/24V accessories.
- Interfaces: Includes 12G SDI outputs, Ethernet, timecode in/out, 12V/24V accessory power, and compatibility with AEM-1 audio module.
- Accessories in Base Entry Set: CCM-1 control monitor, BUD-1 utility dovetail, BPA-6 bridge plate adapter, CCH-4 top handle, UAP-3 plate, B-mount battery adapter.
ARRI Alexa 35 XTREME High-Speed Performance – Features Explained
The camera is able to record 4.6K videos up to 660 frames per second in Overdrive mode, which is literally impossible for pro cinema cameras out there, and at the very same time, it eliminates the need for having dedicated higher frame rate cameras like Phantom Flex. At 330 frames per second, it maintains up to 17 stops of dynamic range, so you will get an exceptional amount of details while shooting even at 330 fps.
With the XTREME 35 edition, ARRI also announced the ARRI CORE codec (beta version). While using this particular codec, it significantly reduces the data rates compared to the traditional codecs that we use, and at the very same time, it doesn’t affect the quality or the flexibility in post-production — by maintaining all its compatibility with the Alexa 35 workflow. That also includes ARRI Textures, metadata, and MXF wrappers. Even though it supports most of the third-party tools, the integration is completely seamless.
The breakthrough technology that arrives with the XTREME version is the pre-recording — 4.6K in ProRes 4444, HD videos up to 5 minutes in ProRes high quality. Now, the thing that I like about the wireless connectivity in this particular edition is the auto-reconnect functionality. If the camera gets disconnected from the network, it automatically tries to reconnect with the network every single minute.
ARRI RAW is Not Free — Neither is Open Gate / Anamorphic or Even Pre-Record
Yes, you heard it right — the Base Entry Set comes with a Base License, and in the Base License, you are only getting ProRes recording up to 60 frames per second in 4K 16:9 format. Now, if you want to record ARRI RAW 120 fps @ 4.6K, or even if you want to record Open Gate / Pre-Record functionality — all these things require subscription. The plans start from 7 days to 30 days, or even they have annual plans and some permanent licenses are also available. But you have to pay extra.
What we have in this particular edition is that it is not very much cost-effective — even if you have invested $54,000 in a camera body, you still have to invest in software subscription to use all the set of features of the camera. And that’s really not a good thing.
Alexa 35 XTREME is a Powerhouse Addition – Without a doubt, it has loads of features that a professional cinematographer may even think to have in their camera. But it comes at a price tag of $54,590 — and it is being called the Base Entry Level model. After that, you have many customizations available here at B&H Store and ARRI Store. You can explore them at different price sets. But as we have discussed, to experience the full core specifications of the camera, you have to subscribe to each and every set of features you require — and that’s going to cost you again, much and much more.
I hope this kind of subscription idea should not reach Canon, Nikon, and Sony in either way — otherwise, using a mirrorless camera will become a nightmare.
Stay tuned for more updates
ABout the author: The article “ARRI Alexa 35 XTREME Price, Specification, and Major Features Explained” written and updated by thenewcamera.com team on 12:13 pm, Friday, 1 August 2025, Greenwich Mean Time (GMT) | Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news
By admin, on July 31st, 2025
 creative image of Nikon Z MC DX 35mm F1.8 We have some very exciting rumors related to the upcoming Nikon DX lenses, and these are not just standard DX lenses — these are Pro-DX lenses. According to the latest renders we have from the rumor mill, Nikon is about to announce a 35mm f/1.8 Macro as well as a 16-50mm f/2.8 equivalent lens. These two lenses are in the announcement pipeline and will elevate the DX camera user experience to the next level. Let’s discuss the set of information we have related to the upcoming lenses.
Both of these lenses are coming for professionals or high-end APS-C DX camera users. Although, you can even use these lenses on your Nikon Z30, Z50, Zfc, or any of the existing APS-C DX cameras.
The Nikon Z DX MC 35mm f/1.8 Macro – A Versatile Prime Lens for Close-Ups and Portraits
The 35mm f/1.8 Macro lens will be an amazing prime lens for DX camera users. With the f/1.8 fast aperture, the lens will be an excellent tool for low-light photography, as well as creating creamy bokeh background blur. At the very same time, with the help of a 1:1 capture ratio, you can capture extreme close-ups of your subjects — ideal for capturing macro and portraits.
Nikon Z DX MC 35mm f/1.8 Lens Specification [Expected]
- Normal-length prime lens is designed for DX-format Nikon Z-mount cameras and provides a 52.5mm equivalent focal length.
- Bright f/1.8 maximum aperture for working in low-light conditions and also affords increased control over depth of field for working with selective focus techniques.
- ED and aspherical lens elements provide optimal correction of coma and chromatic aberration, and a fluorine coating reduces dirt, water, and smudges from sticking to the surface of the lens.
- Rounded seven-blade diaphragm promotes a pleasing out-of-focus quality that benefits the use of shallow depth of field and selective focus techniques.
Advanced Autofocus:
- Fast, accurate, and virtually silent STM autofocus system with suppressed hunting and breathing.
- Electromagnetic diaphragm mechanism in the lens barrel provides highly accurate electronic diaphragm or aperture blade control when using auto exposure during continuous shooting.
- Unique front-focusing design minimizes the size and weight of the lens for easy and comfortable carrying.
Nikon Z DX MC 35mm f/1.8 Lens Price
- Estimated Price of Nikon DX f/1.8 Lens: $400 to $500 USD
Nikon’s pricing trend for their lenses starts from the Nikon 24mm f/1.7 budget prime lens, available at $297. Then the Nikon 50mm f/2.8 Z MC Macro for full-frame cameras is available at $650 USD. But obviously, the DX version will be cheaper due to a smaller image circle and, of course, a more affordable design. So, we are expecting the price of the upcoming 35mm F1.8 Macro to be between $400 – $500.
Nikon DX 16-50mm f/2.8 – A Premium Zoom Lens for All-Purpose Shooting
The Nikon 16-50mm f/2.8 zoom lens — we don’t know at this moment whether it includes VR inside it, since it’s less likely to have VR in such a short focal length. The 16-50 will be one of the favorite lenses for professionals, since you’re getting an equivalent focal length of 24-75mm on full-frame — and obviously, with a constant f/2.8 aperture.
Nikon Z DX 16-50mm f/2.8 Specification [Expected]
- Focal Length: 16-50mm, equivalent to 24-75mm full-frame (Standard zoom covers wide-angle to portrait-length focal lengths)
- Bright constant f/2.8 maximum aperture affords consistent illumination throughout the zoom
- Greater control over depth of field for working with selective focus techniques
- Three aspherical elements are used to reduce spherical aberrations and distortion
- Three extra-low dispersion elements greatly reduce color fringing and chromatic aberrations
- A Super Integrated Coating has been applied to individual elements to suppress internal reflections, flare, and ghosting for improved contrast and color accuracy when working in strong lighting conditions
- Rounded nine-blade diaphragm promotes a pleasing out-of-focus quality
Nikon Z DX 16-50mm f/2.8 Price
The expected price range of 16-50mm F2.8 Lens is $700 – USD $900
The lens is expected to be a bit more expensive than the existing kit lens. We are getting a constant f/2.8 aperture in the lens, and if the Tamron 17-70mm f/2.8 lens costs around $800 USD, it should be priced similarly. Although in the Tamron we are getting a broader range as well as OIS, since this is a native lens, we can expect a bit higher price tag or similar to the Tamron 17-70mm price.
Nikon Z Lenses Roadmap 2025
Yes, we have spotlight on DX Lenses, but these lenses are also in the announcement pipeline of Nikon, according to the Rumor mill,
- 14-24mm or 14mm: an f/4 version of the existing 14-24mm f/2.8 for astrophotography.
- 24-105mm: A versatile standard zoom, potentially with an f/4-5.6 aperture
- 100-300mm or 120-300mm f/2.8: A high-end telephoto zoom priced around $8,000, May Fall Under the Z Cine Lens Category
- 85mm f/1.4: A portrait lens to complete Nikon’s f/1.4 trio, alongside the 35mm f/1.4 and 50mm f/1.4.
Stay tuned for more updates
ABout the author: The article “Nikon 35mm F1.8 Macro and 16-50mm F2.8 Price and Specifications – Upcoming DX Lenses 2025 Update” written and updated by thenewcamera.com team on 6:56 pm, Thursday, 31 July 2025,Greenwich Mean Time (GMT) | Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news + Nikon Rumors 24X7
source – Nikonrumor.com
By admin, on July 28th, 2025
Finally, a closer view and full video of the upcoming Insta360 Prototype Drone, thanks to Igor Bogdanov, the drones have a 360 camera placed just like we have in the Insta360 camera to capture the 360 view. Although this is an image and video of a prototype under test. The design that you see now will completely change once the drone gets approved for production.
Finally, the first video of the upcoming Insta360 Drone leaked
More Specifications of Insta360 Drones [Read full post here ]
- 360-Degree Camera: Yes, it’s almost confirmed that the Pro model with dual fisheye lenses is designed to capture immersive 360-degree footage and will be a flagship model of Insta360 drones. You can easily reframe the shots as per your requirement.
- Innovative Design: The professional model’s arms and motors are strategically placed to remain completely invisible while recording footage.
- Modular: The drone features a modular design, and it is visible from the pictures. The drone has attachable propeller guards and modular components, suggesting its main focus is on easy repairability and portability.
- Weight: The weight of both drones is expected to fall under the micro category [Under 250 Grams]. This is a critical factor to avoid strict drone regulations in many countries.
- Additional Features: Insta360 already has a lot of technology ready to be implemented in the drone — this includes AI-powered editing tools, advanced image stabilization, and FlowState technology already used in the X5.
Antigravity Drone Price [Updated on September 7, 2025]
| Bundle Tier |
Inclusions |
Estimated Price Range (USD) |
Notes |
| Standard Bundle |
Drone + Grip controller + Vision goggles |
$1,199–$1,399 |
Entry-level |
| Fly More Combo |
Standard bundle + 2 extra batteries + spare props + carrying case |
$1,300–$1,499 |
Mid-tier bundle aligning |
| Creator/Pro Kit |
Fly More bundle + creative mounts + ND filters + editing software voucher + premium case |
$1,500–$1,699 |
Premium consumer bundle |
| Enterprise Add-Ons |
Pro Kit + commercial extras (e.g., SDK access, extended warranty) |
$1,700–$1,999 |
Niche tier for business users |
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By admin, on July 28th, 2025
Update on: 6:36 pm, Friday, 26 December 2025, Greenwich Mean Time (GMT)
The Nikon ZR camera has already been mentioned in our earlier article. The Nikon Z9 Mark II is currently expected to arrive in 2026, alongside the Nikon Z7 Mark III camera. The full-frame camera announcement timeline for both models is expected to be almost the same.
The Nikon Z9 Mark II is expected to carry a 45MP enhanced sensor. At this moment, it is still not entirely clear what “enhanced” exactly means, since it is already a stacked sensor, while the Nikon Z7 Mark III is expected to feature a higher-resolution sensor, possibly 61MP or even 80MP. Nikon wants to clearly define and separate its lineup.
If someone wants a higher-resolution sensor for better dynamic range, landscape photography, or commercial work, they can opt for the Nikon Z7 Mark III. On the other hand, if someone wants speed, reliability, resolution, and all-in-one flagship-level performance, they can go with the Nikon Z9 Mark II.
Some unverified YouTube channels are spreading rumors that the Nikon Z9 Mark II will arrive with a higher-resolution sensor, which could overlap with the Z7 series. This is not true. The Nikon Z7 Mark III has its own clear position, and it is expected to arrive in 2026.
It’s already 3 months since the registration of the Nikon N2410 Model (the camera was registered back in April 2025). Generally, camera makers like Nikon announce their products 3 – 4 months after registration in the wireless certification agency, so we can expect the Nikon Camera announcement of August – September 2025
N2410 registration details show that it’s not an entry-level model. It supports 5 gigahertz of Wi-Fi bandwidth, so if a camera supports 5 gigahertz of Wi-Fi bandwidth, then without a doubt, it’s an FX series or DX series premium camera.
Based on Rumors – The Next Announcement: Nikon
If we take a look at the list of upcoming Nikon cameras in 2025 and 2026, then we have two different sets of probabilities:
- Z9 Mark II camera: The first probability is the development announcement of the Nikon Z9 Mark II camera in late 2026. Its announcement is expected to happen before the 2026 Winter Olympics.
- Nikon ZR / Z video camera: The name is not confirmed yet, said to use the same partially stacked CMOS sensor that we have seen in the Nikon Z6 III camera. Right now, check more details about the Nikon ZR
- Nikon Z7 III is long long-rumored camera, and it’s also in the announcement pipeline of Nikon, the camera is also expected to arrive with a 61MP sensor. More details here
So, as per the latest set of rumors, we have all three of these cameras expected to arrive in Q4 of 2025 and Q1 of 2026, as we get any information related to that we will post it soon.
Nikon Next Registration N24XX
One more Nikon camera in the registration pipeline: According to the latest rumours we have from a trusted source E88_8888, Nikon is about to register a new camera in the Chinese wireless certification agency. Once the model code and other details are revealed, we will be publishing a post soon on our website.
Stay tuned for more updates
ABout the author: The article “Nikon Next Announcement in August – September 2025” written and updated by thenewcamera.com team on 9:42 am, Monday, 28 July 2025, Greenwich Mean Time (GMT) | Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news + Nikon Rumors 24X7
By admin, on July 27th, 2025
Canon R6 Mark II versus the Nikon Z5 II — selecting the best camera for your requirements is quite a challenging task, as both are very rich in features. And as we all know, the Nikon Z5 II is an incredible camera, and it was announced in April 2025. On the other side, we have the Canon R6 II, which is a Mid-range Mirrorless camera that was launched back in November 2022. It is a very high-performing hybrid camera. So, in this particular specification comparison, we are going to compare the major specifications of both the cameras — so let’s dive in.
Design Specifications
| Specification |
Canon EOS R6 Mark II |
Nikon Z5 II |
| Lens Mount |
Canon RF |
Nikon Z |
| Media/Memory Card Slot |
Dual Slot: SD/SDHC/SDXC (UHS-II) |
Dual Slot: SD/SDHC/SDXC (UHS-II) |
| Video I/O |
1x Micro-HDMI Output |
1x Micro-HDMI Output |
| Audio I/O |
1x 3.5 mm TRS Stereo Headphone Output
1x 3.5 mm TRS Stereo Microphone Input |
1x 3.5 mm TRS Stereo Headphone Output
1x 3.5 mm TRS Stereo Microphone Input |
| Power I/O |
1x USB-C Input |
1x USB-C Input/Output |
| Other I/O |
1x 2.5 mm Sub-Mini Remote Input
1x USB-C (USB 3.2 / 3.1 Gen 2) Data Output |
1x 3.5 mm Remote Input
1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output |
| Wireless |
2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 |
2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 |
| Mobile App Compatible |
Yes: Canon Camera Connect (Android & iOS) |
Yes: SnapBridge (Android & iOS) |
| Global Positioning |
GPS via Connected Smartphone |
GPS via Connected Smartphone |
| Monitor Size |
3.0″ |
3.2″ |
| Monitor Resolution |
1,620,000 Dot |
2,100,000 Dot |
| Monitor Type |
Articulating Touchscreen LCD |
3-Way Tilting Touchscreen LCD |
| Viewfinder Type |
Electronic (OLED) |
Electronic (OLED) |
| Viewfinder Size |
0.5″ |
0.5″ |
| Viewfinder Resolution |
3,690,000 Dot |
3,690,000 Dot |
| Viewfinder Eye Point |
23 mm |
21 mm |
| Viewfinder Coverage |
100% |
100% |
| Viewfinder Magnification |
Approx. 0.76x |
Approx. 0.8x |
| Diopter Adjustment |
-4 to +2 |
-4 to +2 |
| Battery |
1x LP-E6NH Rechargeable Lithium-Ion, 7.2 VDC, 2130 mAh (Approx. 760 Shots) |
1x EN-EL15c Rechargeable Lithium-Ion (Approx. 380 Shots) |
| Shoe Mount |
1x Intelligent Hot Shoe |
1x Hot Shoe |
| Tripod Mounting Thread |
1x 1/4″-20 Female (Bottom) |
1x 1/4″-20 Female (Bottom) |
| Dimensions (W x H x D) |
5.4 x 3.9 x 3.5″ / 138.4 x 98.4 x 88.4 mm |
5.3 x 4 x 2.8″ / 134 x 100.5 x 72 mm |
| Weight |
1.3 lb / 588 g (Body Only) |
1.5 lb / 700 g (With Battery, Recording Media) |
| Operating Conditions |
Not Specified |
32 to 104°F / 0 to 40°C up to 85% Humidity |
| Package Weight |
2.765 lb |
2.555 lb |
| Box Dimensions (LxWxH) |
11.9 x 8.9 x 4.9″ |
7.9 x 7.8 x 5.1″ |
Design and Build Quality
Both of the camera bodies are made from aluminium alloy, and both of them are weather-sealed cameras. So you can use them in rain/dust environments — don’t have to worry. But yeah, you have to choose weather-sealed lenses too.
The noticeable difference in both of these cameras is the Nikon Z5 II body is slightly heavier and you are getting a 3.2-inch large display screen with a higher-resolution display. Other than that, both of them are professionally built for pro users.
Photography Specifications
| Specification |
Canon EOS R6 Mark II |
Nikon Z5 II |
| Sensor Resolution |
Actual: 25.6 MP
Effective: 24.2 MP (6000 x 4000) |
Actual: 25.28 MP
Effective: 24.5 MP (6048 x 4032) |
| Image Sensor |
35.9 x 23.9 mm (Full-Frame) CMOS |
35.9 x 23.9 mm (Full-Frame) CMOS |
| Sensor Crop |
Crop Factor: 1x
Additional Modes: 1.6x |
Crop Factor: 1x |
| Image Stabilization |
Sensor-Shift, 5-Axis |
Sensor-Shift, 5-Axis |
| TYPE |
FSI |
BSI |
| Capture Type |
Stills & Video |
Stills & Video |
| Shutter Type |
Mechanical Focal Plane Shutter and Electronic Rolling Shutter |
Mechanical Focal Plane Shutter and Electronic Rolling Shutter |
| Shutter Speed |
Electronic: 1/16000 to 30 Seconds
Mechanical: 1/8000 to 30 Seconds |
1/8000 to 30 Seconds |
| Bulb/Time Mode |
Bulb Mode |
Bulb & Time Mode |
| ISO Sensitivity |
Native: 100 to 102,400 (50 to 204,800 Extended) |
Photo Native: 100 to 64,000 (50 to 204,800 Extended) |
| Metering Method |
Center-Weighted Average, Evaluative, Partial, Spot |
Center-Weighted Average, Highlight Weighted, Matrix, Spot |
| Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority |
Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Exposure Compensation |
-3 to +3 EV (1/3, 1/2 EV Steps) |
-5 to +5 EV (1/3, 1/2 EV Steps) |
| Metering Range |
-3 to 20 EV |
-4 to 17 EV |
| White Balance |
Presets: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten |
Presets: Auto, Cloudy, Color Temperature, Direct Sunlight, Flash, Fluorescent, Incandescent, Preset Manual, Shade |
| Continuous Shooting |
Up to 40 fps (75 Raw / 190 JPEG) |
Up to 30 fps |
| Interval Recording |
Yes |
Yes |
| Self-Timer |
2/10-Second Delay |
2/5/10/20-Second Delay |
| Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
1:1, 3:2, 16:9 |
| Image File Format |
C-RAW, HEIF, JPEG |
HEIF, JPEG, Raw |
| Bit Depth |
14-Bit |
14-Bit |
| Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
| Focus Mode |
Continuous-Servo AF, Manual Focus, Single-Servo AF |
Continuous-Servo AF, Full-Time Servo, Manual Focus, Single-Servo AF |
| Autofocus Points |
Contrast Detection, Phase Detection: 1053 AF Zones |
Phase Detection: 273 |
| Autofocus Sensitivity |
-6.5 to +21 EV |
-10 to +19 EV |
| Built-In Flash/Light |
No |
No |
| Maximum Sync Speed |
1/250 Second |
1/200 Second |
| Flash Compensation |
-3 to +3 EV (1/3, 1/2 EV Steps) |
-3 to +1 EV (1/3, 1/2 EV Steps) |
| Dedicated Flash System |
eTTL |
iTTL |
| External Flash Connection |
Shoe Mount |
Shoe Mount |
Image Quality Comparison
Both of these cameras feature 24MP full-frame CMOS sensors, but we do have technological differences between them. The Canon R6 Mark II camera features an FSI CMOS sensor and the Nikon Z5 Mark II uses a BSI CMOS sensor. Now, if you are going to compare both of them side by side, even in the base ISO range, you will clearly notice the Nikon Z5 Mark II can capture more details in the images, and here is the reason:
First Image Compared at the base ISO 100, in RAW mode. The pencil sketches in the Nikon Z5 II image file is clearly visible
2nd Image Compared at the base ISO 100, in JPEG mode. The pencil sketches in the Nikon Z5 II image file is clearly visible
The Nikon Z5 II does not have an optical low-pass filter, and the camera maker has done very well in controlling the moiré pattern. So the MORE details that you are getting from the Nikon Z5 II at base ISO range are really very noticeable. On the other side, we have the Canon R6 Mark II with an optical low-pass filter over the sensor. Maybe the reason Canon is not able to manage the moiré patterns at the base level, so they use a strong low-pass filter to avoid that, and due to the presence of a strong OPLF (optical low pass filter), the details get lost.
The Nikon Z5 II camera, equipped with BSI technology, can capture clearer images at higher ISO settings. For example, suppose you compare the two cameras at ISO 51200. What we will notice is that the Nikon Z5 II sensor preserves a bit more colour compared to the Canon R6 II, where the colour lines and boundaries merge into each other.
If you are going to compare the image quality of both the cameras, then the Nikon Z5 Mark II is a clear winner since the camera is using a BSI CMOS sensor with a good sensitivity range. At the very same time, due to the absence of optical low-pass filter, the camera can capture a bit more detail at the base ISO range.
Autofocus Performance Comparison
The Nikon Z5 Mark II camera uses a hybrid-style focus sensor manufactured by Sony, designed by Nikon engineers. In the sensor, we have 273 hybrid autofocus points fabricated. With the help of these 273 autofocus points, the camera acquires and tracks its subject.
The Canon R6 Mark II camera sensor uses Dual Pixel CMOS autofocus sensor technology. In Canon’s 24MP sensor, we have 1053 AF zones, which can be divided further into points, and the number of DPAF points you can say is more than 4000.
So even if we technically compare the two cameras, then the Canon R6 Mark II does have an upper hand with the number of autofocusing points. And at the very same time, Canon and Sony are the market leaders in terms of autofocusing performance, but Nikon is not far behind. The new generation Nikon EXPEED 7 image processor helps them to acquire the same AI AF as the Nikon Z8 camera.
So now the Nikon Z5 Mark II camera has a dedicated product review mode just like Sony’s product showcase mode, and at the very same time, we have 9 different types of automatic subject detection modes inside the camera that automatically track subjects.
Autofocus sensitivity — due to the presence of a better low-light handling BSI CMOS sensor, the Nikon Z5 Mark II camera can track subjects up to -10 EV autofocus sensitivity, whereas Canon can detect subjects up to -6.5 EV sensitivity.
The autofocus performance doesn’t end here. The continuous shooting speed of both cameras, the Canon can push its boundaries up to 40 frames per second, whereas the Nikon Z5 II camera remains limited to 30 frames per second in JPEG easy mode. At the very same time, while you are tracking and shooting, Canon’s large number of autofocusing points will surely help you a lot more.
Due to the number of autofocusing points and AF zones, the tracking performance of the Canon R6 Mark II camera will remain better compared to the Nikon Z5 Mark II. But if you are shooting in low-light scenarios without the help of any external light, then the autofocus sensitivity of the Nikon Z5 Mark II will be more helpful to you.
So, if you are more into sports and wildlife photography, then having the Canon R6 Mark II will be more helpful to you.
Video Specifications Comparison
| Specification |
Canon EOS R6 Mark II |
Nikon Z5 II |
| Capture Type |
Video |
Video |
| Internal Recording |
H.264/H.265/MPEG-4 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [60 to 340 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/150 fps [12 to 270 Mb/s] |
H.264/MOV/MP4
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/25/29.97/50/59.94/100/120 fps |
| Video Output |
Raw via HDMI
6144 x 4032 up to 59.94 fps |
8-Bit via HDMI
UHD 4K (3840 x 2160) up to 29.97 fps |
| Fast-/Slow-Motion Support |
Slow-Motion Only |
No |
| Gamma Curve |
Canon Log 3, HDR-PQ |
NLog, RED Luts |
| Recording Limit |
No |
2-Hour 5-Minute Maximum |
| IP Streaming |
No |
No |
| Built-In Microphone |
Stereo |
Stereo |
| Audio Recording |
LPCM Audio 24 Bit
AAC Audio |
MOV, Raw: 24-Bit 48 kHz AAC Audio
MP4: 16-Bit 48 kHz LPCM Audio |
Video Performance of the Camera
For the video part, we have to prefer Canon R6 Mark II — and the reason is very simple: we are getting uncropped 4K 60 FPS footage from the camera. And the maximum resolution of the Canon R6 Mark II camera goes up to 6K 60 frames per second.
The Nikon Z5 II, being an entry-level camera, remains limited to uncropped 4K 30 FPS recording. And while you are recording 4K 60 FPS videos with the Z5 II, you have to face a 1.5x crop — the DX crop.
Both of the cameras are able to record 10-bit 4K videos, and with Nikon, you’re also getting N-RAW support available at 4K.
So, overall, for high-quality video work, you can prefer the R6 Mark II camera with higher frame rates and resolution.
Price Comparison
If you compare the price of both the cameras, then Canon R6 Mark II camera comes at approx. $2000, and the Nikon Z5 II is approximately available at $1700 with offers. At the very same time, the lenses of both the cameras are a little different, and with the Nikon Z5 II, we get a lot of third-party lens makers. But unfortunately, the R6 Mark II camera (or any other Canon full-frame) third-party lensesn’t have that…
Nikon Z5 II vs Canon R6 II – Pros and Cons
Canon EOS R6 Mark II
Pros:
- Faster continuous shooting (40 fps vs. 30 fps) with larger burst buffers.
- Superior autofocus system with 1053 AF Zones
- No video recording time limit and supports 10-bit 4:2:2 internal recording.
- 6K raw video output via HDMI and advanced gamma curves (Canon Log 3, HDR-PQ).
- Lighter body (588 g vs. 700 g)
- Faster USB-C data transfer (USB 3.2 Gen 2).
Cons:
- FSI Sensor, limited dynamic range, and ISO performance
- Smaller monitor (3.0″ vs. 3.2″) with lower resolution (1.62M vs. 2.1M dots).
- Less flexible exposure compensation (±3 EV vs. ±5 EV).
- Weaker autofocus sensitivity in low light (-6.5 EV vs. -10 EV).
- Slightly lower viewfinder magnification (0.76x vs. 0.8x).
Nikon Z5 II
Pros:
- BSI sensor with improved DR range
- Larger, higher-resolution monitor (3.2″, 2.1M dots) with 3-way tilting LCD.
- Better low-light autofocus sensitivity (-10 EV vs. -6.5 EV).
- More flexible exposure compensation (±5 EV vs. ±3 EV).
- Higher viewfinder magnification (0.8x vs. 0.76x).
- Additional metering mode (Highlight Weighted) and more self-timer options.
- Slightly smaller and lighter packaging.
Cons:
- Slower continuous shooting (30 fps vs. 40 fps) with unspecified burst buffers.
- Fewer autofocus points (273 vs. 1053).
- Limited video capabilities (8-bit HDMI, 2-hour 5-minute recording limit, no slow-motion).
- Shorter battery life (380 shots vs. 760 shots).
- Slower USB-C data transfer (USB 3.2 Gen 1)
Verdict:
Canon R6 Mark II is superior in video core specification and autofocusing performance, but comes at a price. Nikon Z5 II features a subtle core specification with superior image quality, and the lens ecosystem is more affordable than of Canon RF Fullframe.
-
Choose the Canon R6 Mark II if you need top-tier video features, fast autofocus, and extended battery life.
-
Choose the Nikon Z5 II if you’re on a budget and prioritize stills with solid low-light autofocus and Image Quality
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Nikon Z5 II vs Nikon Z6 II | Nikon Z5 II vs Canon R8 | Nikon Z5 II vs Nikon Zf | Nikon Z5 II vs Sony A7 III
image credit: dpreview.com
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