Is Nikon in revenge mode? Since a lot of unauthorised third-party lenses are just vanishing from the shelves of retail stores, and the online stocks of those lenses are also disappearing, and they’re not re-stocking again, and we are not able to realise why Nikon has suddenly started taking action against those who are not paying licensing for making Z-mount lenses. Although the situation is clear, and most of the affordable Chinese third-party lens makers for Z Mount are in panic mode, this is a different situation from two years ago when Nikon announced the Z Mount as an open mount like Sony E-Mount. A lot of third-party lens makers started making lenses for Nikon Z camerasThe Spark: Nikon’s Patent Lawsuit Against Viltrox Ignites the Fire
It all started in January 2026 when Nikon slapped Viltrox with a lawsuit in a Chinese court. Viltrox is one of the biggest third-party lens makers in China. Well, Viltrox is known for their aggressively priced prime lenses, which obviously turn down the sales of the native prime lenses. Viltrox is accused of reverse-engineering the Z-mount without a license—essentially cracking the code on Nikon’s innovations to flood the market with cheap alternatives.
Court proceedings officially launched on March 2, 2026, and Viltrox has vowed to fight back, claiming its roadmap remains unchanged. But Nikon’s not stopping there. Reports from industry insiders and Weibo leaks reveal the company issued stern warnings to all Chinese third-party lens manufacturers, demanding compliance or “compensatory remedies.” This isn’t just legalese – it’s a full-court press to enforce licensing and curb the “grey market” of unauthorised Z-mount optics.
There was a time when Nikon entered the market with the Z Mount and opened up the platform. The key word back then was specifically “open.” Just like Sony, it attracted a lot of consumers to Nikon. After Sony, Nikon was the only camera maker offering an open mount.
But Nikon has flipped its stance. From the beginning of 2026, the company has become very strict about third-party lenses. Literally, Nikon is no longer open with that mount unless a manufacturer has a license from Nikon and their lens aligns with the lenses Nikon already offers.
After paying the license fee and obeying the rules, they can produce the lens. But obviously, those heavy license fees paid to Nikon will affect the overall pricing—making the once super-affordable, budget-oriented lenses far less attractive for users specifically looking for budget solutions.
Key Allegations in the Nikon vs. Viltrox Battle
Autofocus Protocol Theft: Unauthorized use of Nikon’s electronic contacts for seamless AF and aperture control.
Mount Design Infringement: Reverse-engineering the physical and digital Z-mount specs without permission.
Market Harm: Undercutting Nikon’s premium lenses (e.g., NIKKOR Z 50mm f/1.8 S at $630) with Viltrox’s $400 equivalents, eroding brand value.
Viltrox isn’t alone in the crosshairs. The suit serves as a warning shot, echoing across the Chinese optics scene.
List of Third-Party Nikon Z-Mount Lenses Are in Trouble?
Now the real drama started when Sirui was forced to remove inventory from JD.com, Tmall, and physical distributors. Sirui, which is obviously one of the finest third-party lens makers specifically for cinematographers, On March 2, 2026, they officially stopped selling their lenses in mainland China.
Outside China? They are doing Business as usual—for now. US retailers like B&H Photo and Adorama still stock these gems, since they have to stop the production of Z Mount lenses from the beginning of March; all stock will be exhausted soon.
Here is the list of Third-Party Nikon Lens Makers in Trouble right now
Here’s the hit list of third-party Nikon Z-mount lenses facing immediate heat. Focus is on AF models, as manual-focus optics (which don’t tap into proprietary protocols) seem unscathed.
Brand
Status in China
Key Affected Lenses
Price Range (USD)
Sirui
Full halt; all AF stock removed (March 2, 2026)
– 27mm f/1.2 AF
– 50mm f/1.8 AF 1.8X
– 75mm f/1.8 AF
– Teleconverter AF adapters
$300–$500
Meike
Temporary sales freeze; relisting eyed for late March
– 85mm f/1.8 AF
– 50mm f/1.8 AF
– 35mm f/1.7 AF
– MK-Z-AF3A Speedbooster Adapter
$200–$400
Viltrox
No pulls; sales ongoing globally
– 20mm f/1.2 Pro AF
– 28mm f/1.4 AF
– 75mm f/1.2 AF
– Upcoming AF primes (e.g., 35mm f/1.4)
$350–$600
Brands on the Watchlist: Rumored Third-Party Nikon Z-Mount To be Banned soon?
Not every Chinese maker has blinked yet, but Nikon’s warnings have the whole sector sweating. These outfits, heavy on reverse-engineered AF tech, could be next:
7Artisans: AF standouts like the 35mm f/1.4 and 50mm f/1.8. No actions, but forum buzz suggests royalty talks.
TTArtisan: The 27mm f/1.2 AF and 56mm f/1.4 AF are fan favorites—monitoring for delistings.
Laowa (Venus Optics): Mostly manual, but any AF experiments (e.g., 100mm f/2.8 2X Macro APO) are at risk. Venus has a stronger IP track record, potentially sparing it.
Non-Chinese players? Safe harbor. Sigma, Tamron, and Tokina hold official Nikon licenses, so their Z-mount lenses (e.g., Sigma 24-70mm f/2.8 DG DN Art) sail on undisturbed.
Nikon’s Endgame: Building a Licensed Future for Z-Mount
Nikon isn’t anti-third-party—it’s anti-thief. In statements, the company has reiterated support for “authorised partners” to grow the Z-mount family. Rumours swirl of a fresh licensing deal with an unnamed Chinese firm, which could flood the market with compliant AF zooms and telephotos.
This lawsuit might just be the tough love the ecosystem needs. After all, a robust Z-mount lineup benefits everyone—from entry-level shooters to wedding pros chasing that creamy bokeh.
Expert Advice: Should You Panic-Buy Third-Party Nikon Lenses?
Nikon isn’t anti-third-party.. But should you buy third party lenses from Nikon in 2026?
Yes, if… You’re on a budget and need AF for video (e.g., Sirui’s cine primes).
No, if… You prioritize longevity—stick to Sigma or Tamron- Authorize third party lens makers and wait for settlements.
Do not: Update your Z-body firmware (if ur using un lisasenced third party lenses).
Stay tuned to The New Camera for live updates on the Nikon vs. Viltrox saga. Drop it in the comments
Stay tuned, browse more Nikon Rumors – We will post an update soon as we get it
The article “Nikon in Revenge Mode: Third-Party Z-Mount Lenses Vanish from Shelves” was written by thenewcamera.com team on 11:14 am, Sunday, 8 March 2026, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM > get live news + Nikon Rumors 24X7
Just after the release of the Z9, it has created new standards in the mirrorless camera industry. Now we have a fresh set of rumours confirming that the Z9 II camera will come with groundbreaking technology updates. And if these rumours hold, then for sure the Z9 Mark II camera is going to redefine the meaning of flagship cameras again, and why we are saying this since the sensor will have upgraded image quality, as of todays medium format camera with its 45 megapixel of resolution and will be 3.5 X faster than the existing z9 camera sensor, obviously with more superior autofocus capability and high-end professional-level RED flagship–level video capabilities, which means a perfect camera for both worlds.
Let’s dive into the latest Nikon Z9II rumours, including speculated specifications, release date, and how it stacks up against the original Z9.
Rumoured Nikon Z9II Specifications: A Leap Forward in Sensor Technology
According to recent leaks, the Nikon Z9II is set to feature a brand-new 46-megapixel stacked CMOS sensor. This isn’t just a minor upgrade—it’s rumoured to offer a readout speed that’s 3.5 times faster than the original Z9’s sensor.Take a look at the set of rumored specification of the upcoming camera
Key sensor highlights include:
46MP Stacked CMOS Image Sensor: Instead of using a global shutter, it uses a new stacked sensor that is 3.5 times faster than the Z9, with a maximum sync speed of 1/720 seconds, achieving performance close to that of a global shutter camera.
New EXPEED processor.
Low minimum normal sensitivity of ISO 32: This makes it possible to provide image quality that is “medium format camera-like.”
New AF system: Tracking performance and focusing accuracy have been significantly improved.
RAW continuous shooting: up to 60fps at full resolution, 120fps in DX format.
Video Performance: Supports 12-bit R3DNE RAW video up to 8.3K 3:2 Open Gate 60p.
New Film Simulation LUTs: Nikon is introducing several new film simulation LUTs for the Z9II and older models that deliver more natural and appealing visuals in both photos and videos.
RED Video Features: The Z9II will come with a host of new RED video features.
5.76 million dot EVF: Same as the Nikon Z6 III.
Content Authentication: Nikon has already mentioned this.
It is scheduled to be released in 2026-2027.
These specs position the Z9II as a powerhouse for still photographers seeking top-tier resolution and speed. keeping in mind that early leaks are usually not 100% accurate.
Enhanced Autofocus and Burst Shooting for Pro Performance
Nikon was not known for its autofocus system before the Z9 system. Obviously, Nikon system cameras are always admired by professionals for their excellent image detail and better dynamic range, and the reason is quite obvious: Nikon system cameras don’t come with an optical low-pass filter. The most interesting thing that we are seeing in the core specifications is not that the camera can capture full-resolution RAW at 60 frames per second, but that in DX format, you can switch up to 120 frames per second in RAW, which was not possible with the Z9, and it was limited to JPEG only.
Obviously, the camera will be powered by the next-gen EXPEED 8 image processor, and we do hope and expect that after it comes in the Z9 Mark II, the EXPEED 8 will flow up to the lower variants as well, like the Z8 II, as well as the upcoming Z7 III.
Video Capabilities: 8.3K RAW and RED Integration
Nikon Z9 does have the capability to record 8K video at 30 and 60 FPS, and the RAW recording option is also available, but the big issue was that the camera was not able to utilise its entire sensor area, which means no open-gate recording option. But here, in the case of the Z9 II, with a faster sensor as well as a faster image processor, the camera can now support open-gate 8K recording in 3:2 format (8.3K 3:2 open gate recording at 60p in 12-bit R3DNE RAW format.)
For sure, this will open up creative possibilities for cinematic workflows, especially with the inclusion of many new RED video functions—likely a nod to Nikon’s acquisition of RED Digital Cinema.
Additional video enhancements:
New film simulation LUTs for more natural and appealing colors in both photos and videos.
Compatibility with older Nikon models for these LUTs, ensuring a seamless ecosystem.
If accurate, these features could make the Z9II a hybrid monster, rivaling dedicated cinema cameras while excelling in stills.
Nikon Z9II Release Date and Price Expectations
As we have already said, Nikon Z9 II is delayed and will arrive sometime at the end of 2026., aligning with Nikon’s typical flagship update cycle. Pricing details haven’t leaked yet, but expect it to be in the premium range, similar to the Z9’s launch price around $5,500. As with all rumors,.
Why the Nikon Z9II Could Be Worth the Wait
The specifications above do paint the larger picture of the upcoming Nikon Z9II camera that’s not just an incremental update but comes with a revolutionary upgrade. With its 3.5X faster New Sensor, AI advanced AF, and pro video tools, it could appeal to sports photographers, wildlife enthusiasts, wedding pros, and filmmakers alike. Features like content authentication (already teased by Nikon) add value for journalists and content creators needing verifiable media.
Compared to the original Z9, the Z9II seems focused on refining speed and quality without reinventing the wheel—perfect for those invested in the Nikon Z ecosystem. Stay tuned to TheNewCamera.com for more updates on Nikon Z9II specs, leaks, and official announcements.
What do you think of these Nikon Z9II rumours? Share your thoughts in the comments below!
The article “Nikon Z9II Specifications Leaked: 46MP Stacked Sensor, 8.3K Video, and Blazing Fast Performance” was written by thenewcamera.com team on 11:10 am, Thursday, 5 February 2026, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM > get live news + Nikon Rumors 24X7
As Nikon lovers, we are waiting for the Nikon Z9 II camera, but the fresh information coming related to the Z9 Mark II indicates a potential delay in its release date. Originally, the Nikon Z9 II camera development announcement was planned for late 2025 or early 2026, but the announcement may slip even further, not only missing the Olympics, but it may also miss the FIFA World Cup event, which is going to happen in June and July. For sure, we may see some glimpse of the camera in the hands of professionals during the FIFA World Cup, but still the official announcement is likely to happen in the fourth quarter of 2026.
The Nikon Z9, launched in 2021, set a high bar with its stacked CMOS sensor, blackout-free shooting, and pro-grade video capabilities. Its successor, the Z9 II, is expected to build on this foundation, incorporating advancements from Nikon’s recent RED acquisition and improved AI-driven features. However, according to a trusted source, while Nikon has been diligently working on the Z9 II with “bits and pieces of information trickling in,” key components are arriving later than planned. This could push the release beyond initial expectations, with some reports now eyeing a post-March 2026 debut.
Why the Nikon Z9 II Delay?
The Nikon Z9, announced back in 2021, already created a very high bar with the introduction of a stacked sensor and completely blackout-free shooting. Not only that, the Z9 camera also carries pro-grade video capabilities. Now, it is time for the Nikon Z9 Mark II. According to trusted sources, Nikon is working tirelessly on the Z9 Mark II camera, and if you keep this in mind, all the bits of information we are receiving suggest that the announcement date can be pushed beyond our initial expectations.
But what is the exact reason behind this delay, and why the announcement is being rescheduled, is still unclear. Industry whispers suggest that the Z9 II is “still moving forward,” but delays in procuring essential components—such as advanced sensors or processors—have slowed its progress.
According to the inside information we are receiving, the launch has been further delayed due to ongoing technological development. This is all we know so far from theinformation shared by the source.
Impact on 2026 Events: Olympics, World Cup, and Prototype Sightings
Nikon never announces any product in a hurry. They do intensive testing before the launch, and specifically if a major technological upgrade is coming inside a camera, they are going to take as much time as possible to ensure each and everything is working as perfectly as they want it to.
Now that said, we have to keep an eye on the prototypes, specifically during the FIFA World Cup, as that’s the best place for Nikon engineers to collect real-world data, and this is not new. This tactic has been used before, as we have already seen pre-launch Nikon Z9 testing at the 2020 Tokyo Olympics.
Stay tuned, browse more Nikon Rumors – We will post an update soon as we get it
The article “Nikon Z9 II Rumors: 2026 Release Date Delayed – Will It Miss the Winter Olympics and World Cup?” was written by thenewcamera.com team on 5:02 am, Wednesday, 7 January 2026, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM > get live news + Nikon Rumors 24X7
Nikon Z RC rumours are now heating up, and fresh leaks suggest that the Nikon video powerhouse’s budget entry-level APS-C dedicated expert video camera is set to arrive in 2026. If we discuss the camera ZRC, it carries forward the video-first DNA of the ultra-popular Nikon Z50 II, featuring an ultra-portable body design similar to that of the Nikon Z30. To reduce production costs and simplify the production line, it does not feature any mechanical shutters or electronic viewfinders. The camera is equipped with 4K 60p recording capability, the same as found in the Nikon Z50 II, and supports 10-bit internal recording simultaneously. Red colour profile supports professional recording demands. If the whispers hold, expect a Nikon Z RC release date in Q4 2026, priced at a creator-friendly $649-799 body-only—mirroring the Canon EOS R50V launch tag for maximum market disruption.
Nikon Z RC Design Rumours: Z30 Slimness, No Compromises on Portability
The Nikon Z RC camera body will be approximately the same as what we have already seen with the Nikon Z30, but will be much improved in terms of control, overall design, and heat management, refined for 2026 creators.Better to say it’s a mini ZR,
Nikon ZRC Key rumoured design perks:
Front weather-sealing for light-duty adventures.
ZR-inspired dials and a dedicated video button for intuitive handling.
Front / Rear Tally lamp to signal recording—bye-bye awkward cuts.
SD slot and USB-C PD charging for seamless workflows.
Battery? The same EN-EL25a as the Z50 II, promising ~330 CIPA shots or 75 minutes of 4K video.
Nikon Z RC Sensor and Processor Leaks: 20.9MP DX with EXPEED 7 Muscle
Then the Nikon Z RC is expected to use the same 20.9MP sensor that we have already seen in the Nikon Z50 II, but this time, much much-improved AF by using the Nikon Z9 AF algorithms to process faster AI AF tracking of moving subjects and stick to the subject’s face despite multiple distractions while capturing video.
To make it very clear, it has been reported several times that Nikon is testing prototypes of a 20.0 Mp Dedicated Entry Level Cinema camera to compete against the Canon R50V, as well as 26 – 33MP class DX-format camera for hybrid shooters and photographers (A6700 competitor), which we have also covered in our Nikon Z90 camera post. So, for now, a higher-resolution sensor is expected to arrive in a Nikon Z90 body in 2026, but not in the Z RC
No IBIS (in-body stabilization) per the leaks, but lens VR compatibility covers you. Noise reduction algorithms promise cleaner high-ISO files, making it a steal for low-light environments.
Nikon Z RC Video Specs Rumors: 4K/60p 10-Bit from Z50 II, No Overheating Drama
The report that we are getting from someone who has already used the prototypes of this DX-format camera, but keep in mind these are early prototypes being tested in the wild and are not part of the final production line. Its is yet to be approved by Nikon’s marketing team,
The Nikon Z RC rumours confirm a full transplant of the Z50 II’s cinematic toolkit into this tiny body. Say goodbye to the Z30’s 8-bit limits—hello, 4K UHD 60p (1.5x crop for gimbal stability) or uncropped 30p in 10-bit H.265. N-Log and HLG profiles enable pro grading, while Full HD 120p unlocks 4x slow-mo silkiness.
Nikon ZRC Standout rumoured video features:
125-minute max recording without thermal throttling.
Waveform/zebra monitors and focus peaking for exposure ninjas.
Product Review mode: AI auto-framing for effortless vlogs.
Mic/headphone jacks—no external rig required.
These Nikon Z RC Additonal video specs could make it the go-to for 2026 content creators, outpacing rivals in bit-depth without the bulk.
Nokia OZO Audio (5 Pickup Patterns): Software-driven spatial audio with omnidirectional, cardioid, supercardioid, bidirectional, and figure-8 patterns for immersive soundscapes in H.265/H.264 modes; integrable via app/firmware like existing wind noise reduction.
Breathing Compensation: Automatically corrects lens “breathing” (focal length shifts during focus pulls) for smoother, cinematic focus transitions.
Advanced LUT Management (Up to 10 Custom LUTs): Load and apply multiple 17/33/65-point LUTs for real-time color grading in Log modes (e.g., N-Log, RED Log3G10) at various frame rates.
Dual Base ISO: Two native ISO settings (800/6400) for optimal low-light noise performance in Log profiles, reducing grain in shadows/highlights.
Autofocus and Connectivity: AI Tracking Meets Creator Tools
Nikon’s 209-point hybrid AF with 9-subject detection (people, animals, birds, vehicles)—Eye-Detection locks onto eyes even in video chaos. Touch AF on the flip screen keeps it beginner-proof, while customizable Fn buttons speed up quick tweaks. Using inherited algorithms and deep-learning technology from the Nikon Z9, the Nikon Z RC will also feature an improved 3D-tracking system that seamlessly follows moving subjects, along with the introduction of more vlogging-speci
Nikon Z RC Price and Release Date
The Nikon Z RC price rumour? A body-only $649.99-$799spot-on spot-on with the Canon EOS R50 V’s April 2025 debut. Kit with the 16-50mm VR lens? Around $849. This aggressive pricing slots it below the Z50 II while undercutting Sony and Canon in the APS-C video wars.
As for the Nikon Z RC release date, leaks point to Q3/Q4 of 2026. With bundles including extra batteries.
Still, a lot of things are being kept as a surprise, and it is not the right time to reveal every detail about the camera in public. The information we have now is coming from someone who has tested the prototype; once the review units get distributed among photographers and cinematographers, more information via various leaks and sources is expected to surface across different channels.
About Nikon’s full-frame camera lineup, our sources say that two more professional full-frame cameras are currently being developed inside Nikon’s labs, and most probably we may see a glimpse of one at the very end of 2026. It could come in the form of a teaser, not an official announcement, but yes, after the successful market response of the Nikon ZR, Nikon has decided to expand its cinematography lineup.
The article “Nikon Z RC Rumors 2026: Leaked Specs, Price, and Arrival Time” was written by thenewcamera.com team on 9:01 am, Sunday, 21 December 2025, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM > get live news + Nikon Rumors 24X7
Let’s talk about the Nikon Z90 camera. According to Ordinary Filmmaker trusted sources, the camera is in work, and the prototypes are approved for the production line, ready to replace the old-school Nikon D500 camera. The specification is not new, similar to what we have shared with you a while ago: the Nikon Z90 will carry a 33MP APS-C/DX-format hybrid CMOS autofocus sensor and advanced AI autofocus algorithms, very similar to what we have seen in the Nikon FX-format full-frame cameras
Latest Information about Nikon Z90?
Simon kicks off his video by saying: “Our trusted source has come forward once again to tell us that the Nikon Z90, a direct replacement for the Nikon D500, is now in the works and coming to the market.”
No exact date from Simon – he notes Nikon’s super secretive ( “Nikon is very quiet. Too quiet.” ) and focused on other stuff like cinema gear. But based on his chat, it’s close enough to get excited about. More on timing below.
Nikon Z90 Specs: The Key Details Simon Shared
Simon keeps it real and rumour-free from wild guesses. Here’s what he says about the Z90, broken down easily:
Sensor Size: It’s a DX (APS-C) camera with 32-33 megapixels. So, in terms of sensor resolution, information remains the same as we also have shared previously in our post
Speed: Up to 15 frames per second (fps). Most probably, he is talking about the MAX mechanical shutter speed.
Who It’s For: obviously photographers looking for a mini Z9 camera, an Multipurpose camera made for DX pro., Wildlife photographers who want “more reach” (the crop sensor makes lenses feel longer, like turning a 400mm into 600mm) but don’t need top low-light skills or the pricey Nikon Z9. If you’re pro-level and chasing magazine covers in dim light, stick with Z9. But for sunny safaris? Z90 shines.
Nikon Z90 Release Timeline
According to Simon from Ordinary Filmmaker in his video, the Nikon Z90 release timeline remains uncertain and delayed, with no imminent announcement expected before 2026. He reports from a trusted source that the camera “is now in the works and coming to the market,” but stresses Nikon’s extreme secrecy and heavy focus on the ZR Cinema line, including four new cine lenses within the next six months. Simon explicitly states that “I wouldn’t expect any other new Nikon announcements in the short term that don’t fall under the ZR Cinema line,” and with the February 2026 Olympics approaching too quickly for a Z9 Mark II refresh (as per rumors), stills cameras like the Z90 appear sidelined for several months. This suggests a potential launch in mid-to-late 2026 at the earliest
Stick with TheNewCamera for updates – we’ll ping you day one. What’s your must-have Z90 feature? Drop a comment!
Big thanks to Ordinary Filmmaker (Simon) for his honest video breakdown on the Z90 – your source-driven style keeps us all sane in rumor season!
The article “Nikon Z90 rumors update: 33MP APS-C sensor, 15fps, early 2026 release?” was written by thenewcamera.com team on 10:45 am, Thursday, 11 December 2025, Greenwich Mean Time (GMT). | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM > get live news + Nikon Rumors 24X7
Nikon has finally announced the Nikon Zr camera, which comes at a very reasonable price and is loaded with exciting features. The best part of the camera is that it records 6K at 60FPS and DCI 4 K/UHD 4 K at 120FPS, features REDCODE RAW R3D + N-RAW Recording, and you’re getting 32-bit float audio, dual-base ISO. It’s sure to become highly popular as a Nikon camera in the upcoming days.
Key Specs:
24.5MP full-frame ‘partially Stacked’ CMOS sensor
Nikon Z-mount
7.5EV IBIS
Up to 6K 60p
R3D (NE) Raw video codec
4″ 1000 nit display
CFexpress Type B / microSD
Autofocus subject detection for people, animals, vehicles and planes
Internal 32-bit float
No mechanical shutter
The ZR will retail for $2199 B&H Store – $500 cheaper than the Z6III, and will be available starting October 20th.
Nikon Zr Press Release
The first Nikon Camera in the Z Cinema Series Combines Nikon’s Optical expertise and High-Performance AF with RED’s Color Science and Cinematic DNA
Today, Nikon announced its first cinema camera, the ZR, designed for filmmakers. The ZR is an ultra-lightweight, full-frame camera that marks an audacious introduction to the Z Cinema series, a collection that invokes the best technologies and philosophies of both companies. Designed for emerging cinematographers and high-end content producers, the supremely capable Nikon ZR packs an unparalleled amount of professional video production features at a price that puts cinematic quality within reach for all types of filmmakers.
The Nikon ZR is as versatile as it is powerful, with a multitude of original and class-leading capture and workflow features never seen before in this level of camera. The new Nikon ZR can record up to 6K/60p (59.94p) and incorporates the new R3D NE1 RAW video file format with RED color science based on RED’s popular R3D RAW codec, with 15+ stops2 of dynamic range. This new codec uses color science and exposure standards of RED cameras to ensure accurate color matching, even for multi-cam shoots. The impressively huge 4 in. DCI-P3 LCD is nothing short of stunning, and bright enough to be used even in direct sunlight, while often eliminating the need for an external monitor. It also has class-leading audio capabilities such as 32-bit float audio from built-in and external microphones, plus OZO3 directional audio. The ZR also has 7.5 stops of built-in image stabilization (IBIS) and unlocks a whole new world of optical versatility, since the wide Nikon Z mount enables a large variety of lenses to be adapted using third-party lens adaptors4.
“We aren’t holding anything back – our first Nikon camera developed with RED has all the creative controls that filmmakers need, with features that have never been seen in this level of handheld cinema camera,” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc. “The Nikon ZR is the camera that will challenge the established video market and will demonstrate Nikon’s commitment to advancing the tools available to video production professionals.”
Legendary RED Color Science, Built-In
The new ZR features a full-frame sensor for excellent depth of field and video quality and supports internal recording up to 12-bit RAW 6K/60p. This is the first camera to use the new 12-bit R3D NE RAW codec, a new RAW format which REDCODE RAW users will find familiar. By leveraging its broad 15+ stop dynamic range, it achieves well-balanced image quality from highlights to shadows. Support for Log3G10 and the REDWideGamutRGB gamut reproduces exposure standards and colors consistent with RED color science, with true RED color tonality, skin tone integrity and tonal roll-off – similar to the output of RED’s cinema cameras such as the V-RAPTOR [X] and KOMODO-X. Two base ISO sensitivities are available, ISO 800 and ISO 64005, allowing users to choose the best option for a particular scene or situation such as bright daylight or low-light interior scenes. However, just like REDCODE RAW, ISO in R3D NE files is fully adjustable in post for maximum flexibility.
Furthermore, users also have the option to shoot in N-RAW, ProRes RAW, and other formats to best suit their production and workflow. The camera also features a new view assist function which allows the user to store and select from up to ten LUTs in the camera. This will let the filmmaker preview the effect of the color grade in real time using the monitor. Three types of LUT data (17-point, 33-point, 65-point6) can be loaded into the camera. RED’s Creative LUT Kit is available for free via the RED website here.
The ZR features a new Cinematic video mode, a user preset for those who want to easily enjoy the RED cinematic look with a faster workflow in less data-intensive non-RAW formats. Cinematic mode automatically adjusts the shutter angle to 180 degrees, changes the frame rate to 24 fps, and applies the RED Cine Bias Picture Control for gorgeous yet simple cinematic color. What’s more, nine RED-curated cinematic Picture Controls based on RED creative LUTs will be available for free download via Nikon Imaging Cloud, expanding possibilities for more diverse imaging expression.
Incredible Audio: 32-Bit Float Audio Recording + OZO Audio Support for Built-In Mic
With uncompromising attention to audio capabilities, the ZR is the world’s first7 cinema camera to support 32-bit float audio recording with both built-in and external microphones, as well as through the 3.5mm microphone jack. This unique ability enables the recording of clear, distortion-free sound from quiet to loud, without requiring on-location gain adjustment. It supports recording a wide range of sound sources, from interviews to live concerts, with maximum audio flexibility in post. The three high-performance mics built into the camera use Nokia’s OZO Audio technology to realize cutting-edge audio recording. Filmmakers can choose from one of the five polar pickup patterns8 — [Front (Super directional)], [Front], [All directions], [Rear], and [Stereo (binaural)] — that best suits the situation, from interviews or product tutorials to immersive audio applications.
The ZR is also the first Nikon camera to feature a digital accessory shoe, which enables two-way digital communication between the camera and compatible accessories, allowing for advanced functionality such as tally lamp and microphone LED control. Additionally, the camera can supply power directly to supported accessories, eliminating the need for separate batteries or cables. The newly designed rubber shoe cover provides excellent dust and drip resistance, ensuring reliable performance in a variety of shooting environments. Going forward, Nikon will collaborate with third-party accessory manufacturers to offer a wide range of solutions that meet the diverse needs of filmmakers.
High-Performance Autofocus with Nikon’s Deep Learning-Based AI Technology
The impressive processing power of the EXPEED 7 image-processing engine installed in Nikon’s flagship camera Z9 and AI technology that utilizes deep learning, enables more accurate subject detection and tracking for optimal image processing in accordance with the subject, scene and situation. This makes capturing the intended subject with greater accuracy much easier, significantly expanding possibilities for film production. The camera also detects nine types of subjects automatically, including people, animals and vehicles. It even detects small faces occupying as little as 3% of the long side of the frame for precise focusing on distant human subjects. Users can also adjust AF speed and sensitivity to suit their creative style, enabling a slow rack for cinematic effect or fast-paced focus for action.
Designed to Thrive in any Production Environment
The ZR uses an innovative fanless design, with the entire camera body contributing to efficient heat dissipation and thermal management. This design decreases audible noise, enhances battery life and increases durability. The ZR can shoot uninterrupted recording for up to approximately 125 minutes9. Additionally, USB power delivery capability allows for long takes and worry-free shooting at events that require extended recording, such as weddings, concerts and interviews.
With its magnesium alloy chassis, the ZR inherits the same rugged durability standards of Nikon’s Z6III. This means it’s designed to handle the pressures of professional production environments—indoors or out. The body is resistant to dust, sand and moisture, thanks to careful sealing at critical points like buttons, seams and ports. It’s a tool designed for real-world filmmaking—resilient under pressure and ready to shoot on location. The controls on the ZR also reflect a new filmmaker-oriented UI, with familiar menus, a new quick menu for filmmakers, as well as customizable button placement made for a cinematographer’s most used features.
Additional Features of the Nikon ZR
Super lightweight with small footprint at just 1.19 lb. (body only).
A short 16mm flange focal distance (the shortest among full-frame cameras) offers greater flexibility in the lenses that can be used, allowing filmmakers to make the most of their existing lens assets.
The shutter angle can be adjusted from 5.6° to 360° for video recording. Shutter speed is also available.
The brightness of the information display (histogram/waveform monitor size, transparency and position, and zebra pattern color) can be changed.
Automatic rotation of vertical video for social media content creation.
A front tally light /rec lamp lets subjects know you are recording. Additionally, it receives tally control signals10 input via HDMI-CEC11 and displays the status of each camera when multiple cameras are used.
A superior dust- and drip-resistant, durable construction expands shooting possibilities.
Equipped with advanced still photography features inherited from the Z6III, as well as new features such as a preset for starscape photography and a new dehaze function.
Slow-motion presets: Instant access to 4K/119.88p12 and Full HD/239.76p cinematic motion, as well as user modes for 4x and 5x slow-mo.
It also supports Frame.io Camera to Cloud using NX MobileAir, automatically transferring video data directly to the cloud for a faster and more efficient post-shooting workflow.
RED Digital Cinema, Inc. Releases the V-RAPTOR XE
RED Digital Cinema, Inc., a subsidiary of Nikon Corporation, is pleased to announce the release13 of the new V-RAPTOR XE digital cinema camera, which was released on September 9, 2025. The newest addition to its acclaimed Z CINEMA camera lineup, this streamlined version of the revolutionary V-RAPTOR [X], curates the essential tools for cinematic storytelling. Designed for independent creators who demand uncompromising image quality, the V-RAPTOR XE delivers large-format, cinema-grade features at a more accessible price point. The new camera retains RED’s industry-leading 8K large format (VV) global shutter sensor found in the V-RAPTOR [X] series, ensuring cinematic image fidelity, dynamic range, and low-light performance that filmmakers trust. Nikon and RED will meet a wide range of needs in film production with an extensive lineup of cinema-oriented products under the Z CINEMA series.
New ME-D10 Shotgun Microphone
The ME-D10 is a 32-bit float shotgun microphone compatible with the new digital accessory shoe developed for the ZR. It requires no battery or cable and has built-in shock mounts to minimize any interference. It offers two recording modes, PURE and FOCUS, which can be selected with a switch on the microphone. PURE mode features a wide dynamic range and a sound design true to the original source, allowing natural and accurate capture of raw audio, including the ambient atmosphere. FOCUS Mode accurately captures the intended voice, even in noisy surroundings such as those outdoors, ensuring clear audio for product presentations and live streams.
Price and Availability
The new Nikon ZR Cinema Camera will be available in late October 2025 for a suggested retail price of $2,199.95* for the body only. Additional kit configurations include: the body with the NIKKOR Z 50mm f/1.8 lens for $2,749.95*, with the NIKKOR Z 35mm f/1.4 for $2,849.95*, or with the NIKKOR Z 24-50mm f/4-6.3 for $2,499.95*. The ME-D10 shotgun microphone, also scheduled for release in late October, has a suggested retail price of $339.95*.
For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit nikonusa.com.
About Nikon
Nikon Inc. is a world leader in digital imaging, precision optics and technologies for photo and video capture; globally recognized for setting new standards in product design and performance for an award-winning array of equipment that enables visual storytelling and content creation. Nikon Inc. distributes consumer and professional Z Series mirrorless cameras, digital SLR cameras, a vast array of NIKKOR and NIKKOR Z lenses, Speedlights and system accessories, Nikon COOLPIX® compact digital cameras and Nikon software products. For more information, dial (800) NIKON-US or visit www.nikonusa.com, which links all levels of photographers and visual storytellers to the Web’s most comprehensive learning and sharing communities. Connect with Nikon on Facebook, X, YouTube, Instagram and TikTok.
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The article “Nikon Zr Official Press Release” was written by thenewcamera.com team on 6:09 am, Wednesday, 10 September 2025, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news + Nikon Rumors 24X7
Nikon Depth Camera Module on hotshoe over proposed Z Cinema style camera
We have a new Patent from Nikon, published in August 2025. They are working to simplify 3D VR and AR video recording with accessories. Specifically, the patent discusses the use Depth Camera as an accessory for 3D VR or AR recording in the Nikon Z Cinema Mount system. This means you don’t have to buy a Dual lens, like Canon, or spend heavily on 3D VR cameras. Nikon Cameras can now make easy 3D VR and AR content with this proposed ground breaking depth sensor Technology, that has been recently revealed in their latest patent, obviously it’s a game changer tech about to revolutionize how a camera capture depth, and able to synchronize with each other to create 3D content without spending a lot in getting a different 3D lens or different 3D Camera, it easily sync two camera for VR and Multiplce cameras with each other every frame bits by bits, to create AR or Augmented reality AR content.
What the Device Is, Its Purpose, and How It Syncs
The depth camera is clearly visible on the top of the camera. Is not a LiDAR, but its kinda of Nikon’s secret recipe that does a genius blend of infrared light and dual lenses. It measures distances and colors to build 3D maps, fueling VR and AR with precision.
For VR, two cameras sync with each other to create a spatial or 180-degree video output.
For AR, three or four create 360-degree overlays—think gaming, movies, or training simulations that feel alive.
We have a depth-sensing primary camera on the very top of the camera, and its main function is to provide per-pixel distance information and store it, which is then used by the synchronization unit to align frames. The data will later be used to sync frames with each other in two or more connected two-camera units.
The patent says that sync between the cameras happens via a smart process. But here’s the kicker—sync doesn’t just mean aligning frames; it’s about sync of everything among the camera units connected, which includes shot settings, color profile used, WB, and Exposure settings to make each frame a true copy of the other.
Creation of spatial videos with Apple Vision Pro or Meta Quest glasses
Here in the patent as demonstrated, Nikon’s depth camera setup is used to create 3D VR content, and obviously, if Nikon is bringing in these accessories to the Z Cine mount, VR content creation will become much cheaper and easier compared to the Canon RF system, where you need to invest in VR lenses, which are very limited and cost a lot for FF cameras. The Nikon accessories aka depth camera output is can be used and are compatible with devices like Apple Vision Pro or Meta Quest glasses, but there are specific considerations we have to talk about.
Compatibility:
Apple Vision Pro: Yes, the supports spatial videos and photos with depth, viewable via its Camera and Photo apps or converted from 2D. Nikon’s 3D data could be processed into Apple’s Immersive Video format with additional software.
Meta Quest: Supports 3D videos (e.g., VR180) and spatial videos from iPhone 15 Pro. Nikon’s output could be adapted using tools like Spatialify for Quest
With proper software processing to align with Apple or Meta’s 3D video formats, the Nikon Z Cine camera setup can create compatible VR content, leveraging its high-quality 3D capture. So, yes, we can see a blueprint of an early product in the article, but as they say, not every patent translates into a real product, since the patent is very new and was filed one Aug 2025, just after the Nikon Dual display camera patent. It does create high hopes that Nikon will soon bring out such tech in front of us to dominate the VR and AR market.
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The article “Nikon Z Cinema Accessories Patent – for 3D VR and Spatial Video” was written by thenewcamera.com team on 7:32 pm, Wednesday, 3 September 2025, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news + Nikon Rumors 24X7
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