According to the latest rumors surfaced over the web, Sony Next vlogging camera ZV-E20 will feature a built-in sensor-shift image stabilization system including gyro data-based IS too. Just like we have in the Sony A7C camera. As per the sources the new prototypes of the camera are already in the lab without a change in sensor resolution as we have the ZV-E10.
The name isn’t fixed yet
Sources also suggest that Sony ZV-E10 will remain in the entry-level zone, And the name E20 isn’t finalized yet, other options are Sony ZV E30 and Sony ZV E40, Sony can pick any of these names.
When the camera is coming?
High demand for ZV-E10 bodies in the market putting intense pressure on production lines. Hence the camera is scheduled to arrive sometime between March to June 2023. Although it all depends upon the camera maker, we will soon post an update if we get any.
We have Canon R10, Sony ZV-E10, and ZV30 ( and a smartphone in the frame). Let’s see which one holds the image quality better in low light conditions
Let’s see which one performs better in the low-light test. The comparison is done by Mark Bennett’s Camera Crisis, In this video, we can clearly see that the Nikon Z3 camera is performing well in a low-light environment.
So, finally, we have the test results out, do let us know what you think about the test results
We are comparing these two cameras based on subscribers’ requests, Canon R7 is a recent announcement from Canon. The Canon R7 camera uses Canon RF Mount. The camera arrived with very impressive core specifications, for still shooters as well as video shooters.
The Sony A7 III camera was announced back in Feb 2018, it’s almost 4 years more. Sony A7 III was a very popular camera back in 2018, but A7 III sales were hit by the Nikon Z6 Mark II camera announcement. We have seen after the announcement of the Z6 Mark II camera, wedding photographers specifically in the Asian region now preferring up the Nikon Z6 Mark II combo with a 24-70mm F4 coverage lens and an 85mm F1.8 Prime.
The big issue is that Sony A7 IV arrived at a higher price slot and it’s not a true replacement for the Sony A73. We need a perfect replacement for the Sony A73 camera in the same price range.
Canon R7 camera now catching up to many photographers’ eyes, due to its high-resolution 32.5MP sensor, super fast DPAF 2nd generation AF system, and ability to record 40bit 4k 60p videos in CLog.
In this comparison, we will try to find out the best camera between the two, in terms of image quality, AF speed, and Video performance.
1. Sensor
So, we have two entirely different sensors here, the sensor sitting inside the Canon R7 camera is a 1.6X Crop sensor / APS-C Sensor and the Sony A73 camera has a full-frame BSI CMOS sensor. Despite being an APS-C Sensor the resolution is 32.5 MP, which is higher than of Sony A7 III full-frame sensor with a 24MP sensor.
In general, when we compare a full-frame sensor with an APS-C we do assume that since we have a Fullframe sensor on the other side so we will also have better low-light performance and better detail capturing ability from the full-frame, but here you have nothing to assume.
We will test both sensor performance at High ISO and as well as in base ISO for details. And then we will find out the best sensor for you.
As you can see the detail(s) capturing ability of the Canon R7 is more compared to Sony A7 3 camera. At base ISO 100, Canon 32.5 MP APS-C CMOS Sensor is able to grasp more details in the image compared to Sony’s A7 III 24.2 MP Fullframe sensor.
At a high ISO test, you can clearly see the full frame advantage, with the Sony full-frame sensor we are getting roughly 1 stop of low-light advantage. So, if ur shooting mostly in a low-light environment Sony A7 III will be more helpful.
2. Fast AutoFocus
Both cameras feature an advanced autofocus system, the Canon R7 features Dual Pixel CMOS AF II coming straight out from the Canon R3. The Canon R7 blazing fast AF system is capable to record 30FPS with will time AF/AE active. The Sony A7 III camera does have a fast AF system but lags behind Canon R7.
Sony A7 III
Canon R7
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 693
Contrast Detection: 425
Photo, Video
Phase Detection: 651 AF Zones
In total, the EOS R7 offers 5,915 AF points for shooting stills and 4,823 in video mode.
continuous drive
Up to 10 fps at 24.2 MP for up to 89 Frames (Raw) / 177 Frames (JPEG)
Mechanical Shutter
Up to 15 fps at 32.5 MP for up to 224 Frames (JPEG) / 51 Frames (Raw)
Electronic Shutter Up to 30 fps at 32.5 MP for up to 126 Frames (JPEG) / 42 Frames (Raw)
Autofocus Sensitivity
-3 to +20 EV
-5 to +20 EV
As you can see in the table above, the Canon R7 features a massive number of 5K AF points which is grouped further into 651 AF zones, and 4.8K AF points of the R7 camera remain active when you shoot videos in 16:9 ratio. The AF sensitivity of the Canon R7 camera goes down to -5Ev, helpful to detect AF in low-light conditions. Among both, Only R7 has the possibility of performing focus stacking in the camera.
Recording Modes
H.264/XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 100p/119.88p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 Mb/s] AVCHD/H.264
Full HD (1920 x 1080) at 50i/59.94i [24 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 Mb/s]
H.265/MP4 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) up to 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) up to 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
Canon R7 is capable of recording 4K up to 60p and provides 10-bit 4:2:2 for internal recording. Sony A7 III remains limited to 8 bit recording and 4k video recording mode up to 30fps. The Canon R7 with its 32.5 MP APS-C sensor can record 4K, without a crop, up to 30p, oversampling from a 7K area (due to the higher megapixel count on the sensor to start with). But also keep in mind
If you want 4K 50/60p on the R7, you have two options:
no crop, but the quality decreases since the Camera starts using the pixel binning / line-skipping method
record on a 3840×2160 – Full sensor readout mode, which translates into a more severe 1.8x crop. The latter means a small portion of the sensor is used to record the video.
Max Bit Rate
Canon R7
340 Mbps @ 10 bit (4k 60p HQ)
Sony A7 III
100 Mbps @ 8 bit (4k 30p)
10 Bit matters, as well as bit rates, the more bit rate ur getting from your camera, is directly proportional to the video quality.
4. Image Stabilization
Canon R7 features an advanced mechanical image stabilization unit, R7 IBIS system corrects up to 7 stops of camera shake when shooting handheld. This 5-axis system can be also used in conjunction with OIS lenses to compensate for up to 8 stops of camera shake depending on the specific lens in use. Sony A7 III IBIS is effective up to 5 Stops.
As we all know that Sony A7 III is free from overheating under normal conditions. If you watch Gordon Laing’s hands-on on YouTube, the video test shows even the Canon R7 is free from overheating as well and you can record up to an hour of 4k 30p high-quality videos without any issues.
6. Lenses ECO System
As we all know Sony has an open Lens ECO system, we have a lot of options from Sony as well as they are somehow affordable too. In, Canon we do have some limitations. Although you can use DSLR lenses with an EF to EOS R adapter. But, that’s not so recommended if ur a Sports shooter or cinematographer.
It depends upon you, if ur able to find out your own usable lenses under budget then it’s super awesome, otherwise better to shift to Sony.
But, don’t worry at all I have already written the best lenses for the Canon R10 guide, you can select any of these lenses for Canon R7 camera too. And also we have the Best lens guide for the Sony A73 camera.
Conclusion
Despite having sensor size limitations, Canon R7 does have the ability to capture more details, a better AF system, and also features advanced video recording modes with a 10-bit RAW recording option. On the other, we have a Sony A73 camera with 1 stop better low-light performance and open lens ECO system.
If ur is able to find ur lenses in Canon or even third-party lens makers for your work, and
As we know the Canon EOS R camera uses a 30MP Fullframe sensor and the Sony A7 IV was recently announced with a 33MP sensor. Similarly, If Nikon follows the same trend as Canon and Sony, we are sure they will do. The next Nikon update to Z6 may Bring a 30MP Fullframe Sensor inside.
Keep in mind the below specs, is a wish-list of TNC list not coming out from any source
Nikon Z6 Mark III Expected core specification
30-33MP FX-Format CMOS Sensor
EXPEED 7 Image Processor
5-Axis In-Body Vibration Reduction
UHD 4K60 uncropped Video; N-Log & 10-Bit internal
HDR (HLG), ProRes RAW
New AI-Based Subject Detection from Nikon Z9
Real-time Tracking and Real-time Eye AF
Dual Memory Card Slots
Announcement Aug-Oct 2022
Body price under $2500
Why a 30MP Sensor inside the Nikon Z6 Mark III Camera?
Both EOS R and Sony A7 4 camera, feature a 30 and 33 MP sensor respectively
We know that the Canon EOS R update is arriving, with a 30 MP sensor inside it. And the other competitor A74 already has inside it, Now Nikon has no other way left and they have to introduce the sensor of a 30 MP resolution inside the upcoming Nikon Z6 Mark 3 camera
Getting a 30MP Sensor from Sony isn’t easy, Since Sony already has an A74 with a 33MP Sensor on the market. Let’s see What Nikon will do now? Let’s hope for the best
Why Expeed 7 inside the Nikon Z6 Mark III Camera?
Nikon will use its Expeed 7 image processor inside the Nikon Z6 Mark 3 camera. As you can see nowadays even Canon Mid-Range APS-C Mirrorless cameras are using Digic X image processors, and the camera market is now becoming more competitive
With the introduction of a new image processor, the camera makers also introduce new image recording algorithms as well as new AI AF algorithms. If Nikon wants to follow up on the market competition they have to use Nikon Z9 Expeed 7 Image processor.
Nikon Z6 Mark III AutoFocus System ?
Nikon will introduce the Z9 AI AF system to the Nikon Z6 Mark III Camera. To improve the overall AF performance of the Nikon Z6 Series cameras.
Type of AF modes expected to arrive inside the Z6 Mark III – 9 types of simultaneous subject detection in both stills and videos. We will experience a big technological upgrade in the AF performance of the camera compared to the existing Z6 Mark II.
Before we put our expectations for the desired continuous shooting speed. We have to see what the competitors are offering right now
Canon R6 offers 14fps of Mech shutter speed and 20fps of elec. Shutter. Sony A7 IV Limite to 10FPS only. We are not expecting a faster burst speed in the Z6 Mark III camera, since this time we do also have a higher resolution to process.
Nikon Z6 Mark III Video Specs?
10-bit internal video recording, they have to introduce it, Nikon has no other way left. 4K 60p Oversampled file, 10 Bit internal Recording, and a Vari-angle display screen. Recording modes include NLog, NLog2, AppleProRes, HLG(HDR), and of course, H.265 carrier also included for 10 Bit MP4 files.
If you consider all the videography features that we are expecting here, then for sure we will have a major upgrade compared to the existing Nikon Z6 mark to camera
Let’s compare the Sony A7 IV vs Nikon Z7 Mark II, We are covering the Major difference between the two. And based on the Major differences, you should decide which camera should you buy.
You have to select your next camera based on
your requirements and
budget.
Either if you are a photographer, cinematographer, or content creator. You should buy your next camera based on your actual requirements and budget.There are a lot of people who buy cameras based on specs that they actually don’t use 90% of the time. So, just don’t get into those websites and videos, that only show the differences.
If you read the entire article, I will clear all your confusion and you can easily decide after that which Camera you should buy. In the first part, we will discuss the best camera for photographers between the Sony A7 IV and Nikon Z7 Mark II. And in the 2nd part of this article, we will discuss the best camera for cinematographers and content creators.
1. Best Camera for Photographers
Design Difference
Simple advice before we jump to any further discussion Nikon Professional DSLRs users should buy Nikon Z7 Mark II. If you are a Nikon user, you have already used Nikon professional DSLRs then it’s better to Buy the Nikon Camera again. The overall design, handgrip, and button placement all match with Nikon Professional Series DSLRs. Nikon professional DSLR shooters feel very comfortable with the body design of the camera. The top LCD display screen is the first major noticeable difference you will notice between the two. Nikon Z7 Mark II features a TOP LCD Display unit that A7 IV doesn’t have. Sony is in the 4th generation of its A7 Series Mirrorless cameras. The Sony A7 IV does miss out on the Top LCD Display Unit but features High Res.
Design-wise both are perfect for professionals and very well built. With Sony A7 IV Camera you get longer battery life and Vari-angle Display. For content creators too, the Sony A7 IV with the vari-angle display is the only choice
Actual: 46.89 Megapixel
Effective: 45.7 Megapixel (8256 x 5504)
Sensor Type
35.9 x 23.9 mm (Full-Frame) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
Core Specs comparison
Let’s discuss the major difference we have in the core specs of both cameras. The most important thing for a Photographer in a Camera is the image quality. In general, a camera that is capable to revolve MAX amount of details in a given scene is considered to be a very usable camera. AT base ISO range is very clearly visible and Nikon is able to grab more details compared to the Sony A7 IV camera.
It actually depends, When your priority is only the image quality, then we have different recommendations. If your priority is Image Quality as well as a Fast AF system, or You are a Hybrid Shooter and wish to have a perfect camera for Photo and Video then we have an entirely different set of recommendations.
We will only discuss the major differences between the two, not all the differences will be discussed in this video, to confuse you.
As you can see from the high ISO test files, the Nikon Z7 Mark II camera is preserving more color details compared to the Sony A7 IV camera.
2. Nikon Z7 Mark II vs Sony A7 IV High ISO Test
Nikon Z7 Mark II is not only able to capture more details compared to the Sony A7 IV but the NOISE of Z7 Mark II is also VERY WELL MAINTAINED at a Higher ISO Range During the test, it was very clearly visible that Nikon Z7 Mark II low-light performance is almost as good as that of the Sony A7 IV Camera. Closely notice the color block corners of the Sony A7 IV on the left side. Nikon Z7 II is able to preserve details better even at ISO 102400. Specifically the Jpeg Engine inside the Z7 Mark II camera doing a great job.
Best Camera for Photographers – If you care about details in your image – The Nikon Z7 Mark II
I am really very impressed with the image quality of the Nikon Z7 Mark II when compared to the Sony A7 IV, during the entire test. What I really care about the camera is image quality, when I have to pick a camera for photography purposes only.
Presets: Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Presets: Auto, Cloudy, Color Temperature, Direct Sunlight, Flash, Fluorescent, Incandescent, Preset Manual, Shade
Continuous Shooting
Up to 10 fps at 33 MP for up to 828 Frames (Raw) / Unlimited Frames (JPEG)
Up to 10 fps at 45.7 MP for up to 50 Frames
Interval Recording
Yes
Yes
Self-Timer
2/5/10-Second Delay
2/5/10/20-Second Delay
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Continuous-Servo AF, Full-Time Servo, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 759
Contrast Detection: 425
Phase Detection: 493
Autofocus Sensitivity
-4 to +20 EV
But, what’s the actual use of Sony’s Class-leading AutoFocus when the burst speed of the camera remains limited to 10fps with a lower-resolution sensor Nikon Z7 Mark II camera also features the same 10FPS shooting speed but with 45MP files.
Nikon Z7 Mark II Buffer depth – Buffer Depth RAW 77 files @ 45m and 200 JPEG. Sony A7 IV has a larger buffer depth of 800 RAW + JPEG Images
3. Why limited to 10 FPS in Sony A7IV?
Sony A7 IV features a class-leading AF system, despite a lower Megapixel than Nikon Z7 Mark II and Bionz XR image processing engine, the AF speed is locked at 10 FPS. So, in this scenario how we can openly recommend the Sony A7 IV to sports shooters or wildlife photographers.
Since Nikon Z7 mark II AF is now much improved, we are getting more details and very well-controlled noise at a high ISO range. it’s better to use Nikon Z7 Mark II with HQ lenses.
4. Reasons why you should buy the Sony A74 Camera as a photographer
S-cinetone Sony Picture Profile resembles Canon color science
Canon users face Color science issues when they shift the brand. Instead of Nikon Z7 Mark II, Sony A7 IV with S-Cinetone PP is more recommended. Updated Menu Design – Limited operability of Sony Cameras isn’t an issue in Sony A7 IV camera with updated user interface and Menu designs. Latest Tamron 28-75mm F2.8 Lens resolves the Sony’s A7 IV 33 MP Sensor resolution perfectly. So, the overall cost of a camera and lens is lower compared to the Nikon Z7 II.
SonyA7 IV is more budget-friendly compared to Nikon. 45 MP Sensor resolution of Nikon Z7 Mark II camera, isn’t easily digestible by Nikor 28-75mm F2.8 (the RXD version) You need to invest in High-Quality Lenses, no other option left in Nikon. Or they should open the mount ASAP.
5. Finally conclusion for photographers
If you are limited under a certain budget then for sure the Sony A7IV with its affordable Lens ECO system is highly useful to you. If budget isn’t an issue then go with Nikon Z7 Mark ii.
As you can see in the above comparison the Nikon Z7 Mark II camera captures more details than Sony and maintain low noise at a higher ISO. For Photographers, those who love details Nikon Z7 Mark II is highly recommended.
Nikon AF system is now improving with every announcement and Sony must understand this. The only reason I am recommending Sony A7 IV against Nikon Z7 Mark II to photographers is the ECO system and the S-cinetone picture profile.
6. Best Lenses for Z7 Mark II Camera
For Photographers – Buy Better Lenses for Z7 Mark II Camera
Tamron 1st gen of 28-75mm F2.8 Re-branded lens isn’t recommended for Nikon Z7 Mk2
In short – Invest in better lenses to get Max out from your Nikon Z7 Mark II camera
If possible get the Trio – 14-24mm F2.8, 24-70mm F2.8, and 70-200mm F2.8 in Nikon.
The overall cost of the Nikon Z7 mark II is higher than that of the Sony A7 IV with its affordable lens ECO system
Internal Video Capture
Recording Modes
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [50 to 200 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [30 to 150 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [60 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
H.264/MOV/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i 4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160)Full HD (1920 x 1080)
IP Streaming
None
None
7. Video Comparison – Sony A7 IV vs Nikon Z7 Mark II
Higher bit rates mean more quality – Sony A7 IV is more capable as a Video camera with higher bit rates – Sony 600mbps vs Nikon 144mbps
Pixel Binning OR Over-sampling in Nikon Z7 Mark II ?
Due to its higher pixel count, the Z7 II cannot read out its whole sensor quickly to produce high-quality oversampled files, we are talking about line-by-line reading as Sony does. Even while recording the 4K 24, 30 fps video the Nikon Z7 Mark II using somehow a mixture of Pixel Binning and Oversampled files.
Sony A7 IV does 7K full sensor readout
Sony A7 IV does a full sensor 33MP sensor readout. As well as in The Video. 3D AF tracking is also better than the Nikon Z7 Mark II. Sony A7 IV does 4K 30p 10-bit 4:2:2 recording, 4k 60p utilizes Super 35 crop/ APS-C area of the sensor (via 4.6k readout).
Overheating issue of Sony A7 IV
For content creators, the Sony Camera is the only option with a Vari-angle display screen. Sony A7 IV is a perfect Video camera, but it gets Overheat in Indian Summers. When the temp is around 35 to 40 degrees. IF anyone from Sony watching this video, kindly listen to the voice of your consumer-based of Asian Region and Kindly release a FIX for Overheating issue.
8. Best Video Camera
Undoublty the Sony A7 IV camera is a better option than the Nikon Z7 mark II. But, before buying A7 IV you should know the limitations too.
At Sony, We have options like Sony A7C and Sony A7S III for capturing uninterrupted video. If you want to buy a Video Camera in Nikon then you can also go with the Nikon Z6 Mark II. The Video quality of the Z6 Mark II is, even more, better than that of the Nikon Z7 Mark II. At Sony, We have cameras like the Sony A7S III and the Support of Third Party Lens makers is phenomenal
According to Sony Japan, the production of Sony ZV-E10 and Sony A7C is restored, and Sony will start accepting orders from June 24, 2022. That’s good news and on May 26, 2022, they also restored the production of the Sony A6400 camera.
When Sony ZV-E10 will arrive in Stock
From the End of July 2022, mostly in the USA and European region cameras will be back in the stock. But, due to its high demand, you have to be very active in placing orders asap once a slot of camera arrives in stock.
let’s compare the Sony A6400 camera with Canon R10. Camera. Let’s try to find out the major difference between the two cameras. Both of the cameras features conventional; CMOS Sensor, so you will get approx the same image quality from both the camera
Before we jump to the core specification let’s discuss the design part of both the camera.
1. Few Canon R10 Design features that impressed me a lot, which include
1.1 DSLR style hand-grip of the Canon R10 Camera
1.2 Joystick controller on the rear part of the camera
1.3 Placement of Viewfinder on Sony A6400 is on the extreme left, and in Canon R10 it is center.
1.4 Vari-angle display screen required for vlogging, with a Sony A6400 180 degree screen you have to face a few issues as your display will get blocked when you will use any type of microphone over the camera.
We also have a built-in flash in Canon R10, although I never recommend anyone to use those, At least buy some godox flashes if you want to use flash in photography.
For the first time a multi-function Hotshoe in Canon R10, although the Sony A6400 camera does have that. But, for the first time, Canon has to introduce and we have mentioned that.
2. Can Sony A6400 flip the Game?
2.1. The weather-sealed body
Sony A6400 camera features a weather-sealed body design, if your camera is weatherproof then for sure it will be more durable compared to the camera which is not so. Although to make it a complete weather-sealed package you have to invest in super expensive lenses which is not so possible if you planning to make an entire thing within a budget.
3. Missing the BSI and Stack Keywords in Sensor description?
Canon R10
Sony A6400
Lens Mount
Canon RF
Sony E
Sensor Resolution
Actual: 25.5 Megapixel
Effective: 24.2 Megapixel
Actual: 25 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Sensor Type
22.3 x 14.9 mm (APS-C) CMOS
23.5 x 15.6 mm (APS-C) CMOS
Crop Factor
1.6x
1.5x
Image Stabilization
Digital (Video Only)
Digital (Video Only)
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
4. Redesigned Sensor in Canon R10
Canon R10 sensor is not the same sensor you have seen in the previous models, Canon has updated the microlenses of the sensor for more sharpness. So, Canon R10 with new RF lenses will deliver more sharpness compared to Canon’s previous generation of 24MP DPAF Sensors.
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Phase Detection: 651
Phase Detection: 425
Contrast Detection: 425
Autofocus Sensitivity
-4 to +20 EV
-2 to +20 EV
Canon added DPAF generation 2 inside the camera. With the addition of the Canon DPAF 2, the camera AI AF (artificially intelligence Autofocus) is now upscaled to the next level. Canon says they have added the same AF algo as they have used inside the Canon’s R3 camera.
5. AutoFocus Comparison
Canon R10 – With the introduction of the new DPAF system, We are now getting 651 AF zones in the Canon R10 Sensor, Earlier in the previous generation of Canon’s camera the AF Zones were limited to 143. The Canon R10 Sensor features more than 2.9K DPAF points which are grouped further into AF zones. The screen Coverage of the Canon R10 AF sensor is approx 100%, perfect for Wildlife shooters and sports photographers.
6. AF Modes in Canon R10
We have dedicated AF modes in the Canon R10 camera just like a Canon Professional DSLRs. The AF modes include People, Animals, Vehicles, and None. The Camera AI detects and keeps tracking the moving subject until the endpoint of the sensor frame.
Sony A6400 features 425 +425 Phase and contrast-detect AF points and covers approximately 84% of the sensor area. None of the dedicated AI AF modes are available inside the Sony A6400 camera and it needs an update.
If we compared all the info available to us, then we have a clear verdict that the AutoFocus System of the Canon R10 is much better and more advanced than the Sony A6400. But, it doesn’t mean the A6400 is inferior or unusable, it was a class-leading camera in in-terms AF performance before the announcement of the Canon R10.
Electronic Shutter
Up to 23 fps Mechanical Shutter
Up to 15 fps
Up to 11 fps
Interval Recording
Yes
Yes
Self-Timer
2/10-Second Delay
2/5/10-Second Delay
7. Camera with Fastest Burst Speed?
Sony A6400 was the fastest camera in its class, before the arrival Canon R10. Sony A6400 camera remains limited to 11fps whereas the Canon R10 camera is able to shoot up to 23 FPS with an Electronic shutter up to 15 fps with a mechanical shutter.
8. Buffer Comparison
Canon R10 Buffer
Sony A6400 Buffer
Electronic Shutter
Up to 23 fps at 24.2 MP for up to 70 Frames (JPEG) / 21 Frames (Raw) Mechanical Shutter
Up to 15 fps at 24.2 MP for up to 460 Frames (JPEG) / 29 Frames (Raw)
Up to 11 fps at 24.2 MP for up to 116 Frames (JPEG) / 46 Frames (Raw)
9. Which one is better? 8 Bit vs 10 Bit?
According to the standard definition we have while recording 10-bit Videos, you can utilize 1,024 levels per channel. As a result, you can record more than 1 billion colors on your footage and while recording the 8-bit videos can display over 16.7 million colors.
10. Oversampled 10 Bit Videos in Canon Camera?
We would like to inform you before we begin, The Canon R10 camera is Canon’s first Canon under $1000 range that offers Oversampling of 6k videos down to 4K, and not only that you will also get 4k 24, 30fps video in 10Bit MP4 format under HDRPQ mode with MAX bitrate of 170Mbps.
11. Best Budget Camera to Record 10Bit Videos?
With the Canon R10 Camera you are able to record 10-bit videos in HDRPQ format without any recording limit. So, when you will select the HDRPQ mode, you will get an option to record ultra high-quality 10bit 4k videos up to 30fps. The camera also has an option to record 4k 60fps but with an excessive 1.56x crop, so literally, it is not that usable.
12. Is Canon R10 safe from Cripple Hammer?
No, The Canon R10 isn’t safe from Canon Cripple Hammer. Since we don’t have any access to the log files of the Canon R10 camera. We are getting high Quality 10 BIT HDR Videos in MP4 format, but we don’t have any access to the log content inside the camera.
13. Best Video Camera Sony A6400 or Canon R10?
It depends on you, what you what to choose, on one side we have the Canon R10 camera with an option to record 10BIT videos in HDRPQ mode, and on the other side we have the Sony A6400 camera, limited to 8Bit, but we do have access to Slog and Slog 2. So, what do you want to choose a Camera with 10Bit but limited in MP4 format or a camera with 8 Bit and an open set of log files?
14. For fast-food lovers, the Canon R10 10bit is the best
If you are a vlogger, or wedding cinematographer and don’t have that much time to fight with log profiles and color – grading, better to eat a High-Quality pre-cooked food from Canon R10.
Recording Modes
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p H.265/MP4 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
Gamma Curve
HDR-PQ / Unlimited recording
Unlimited for UHD 4K (3840 x 2160) at 29.97p
Video System
NTSC/PAL
NTSC/PAL
Built-In Microphone Type
Stereo
Stereo
Audio Recording
MP4: 2-Channel AAC Audio
XAVC S: 2-Channel LPCM Audio
15. Sony has the best Lens ECO system right now
Sony has opened its lens mount details to third-party lens makers back in 2018. And that;’s why right now we have a bunch of high-quality Sony APS-C Range of lenses which includes Sigma 18-50mm F2.8, Sigma 16mm F1.4, Sigma 30mm F1.4, and Sigma 56mm F1.4 and not only that we also have lenses in Tamron like 17-70mm F2.8 OIS. So, even in the APS-C zone in sony, we do have a great range of lenses.
16. Canon open your Lens Mount Like Sony
Sony has a much better ECO system right now compared to Canon, now it’s time for Canon to open their lens mount and allow third-party lens makers to make their lenses freely without any trouble or any reverse engineering method.
Verdict:
If we compare the specification only on the still photography side then for sure for still shooters we highly recommend the Canon R10 camera, and even in the video if you like to have a 10Bit camera in the $1000 price range then for sure Canon R10 is the only choice we have. But as usual, we are not able to forget here the range of lenses available with Sony, and that will play a huge role while taking the final decision. Although, in Canon, we do have third-party lens makers like Viltro coming up with their lenses and also an option to use all DSLR lenses with an EF to EOS R adapter.
Canon R10
Sony A6400
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Single Slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid (UHS-I)
Video I/O
1 x Micro-HDMI Output
1 x Micro-HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Other I/O
1 x USB Type-C (USB 2.0) Input/Output
1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Input/Output (Shared with Power Input)
Wireless
2.4 GHz Wi-Fi (802.11b/g)
Bluetooth
Bluetooth WiFi
Size
3.0″
3.0″
Resolution
1,040,000 Dot
921,600 Dot
Display Type
Free-Angle Tilting Touchscreen LCD
Articulating Touchscreen LCD
Type
Built-In Electronic (OLED)
Built-In Electronic
Resolution
2,360,000 Dot
2,359,296 Dot
Eye Point
22 mm
23 mm
Coverage
100%
100%
Magnification
Approx. 0.95x
Approx. 1.07x
Diopter Adjustment
-3 to +1
4 to +3
Built-In Flash
Yes
No
Guide Number
19.7′ / 6 m at ISO 100
Auto, Fill Flash, Off, Rear Sync, Slow Sync
Maximum Sync Speed
1/250 Second
1/160 Second
Flash Compensation
-3 to +3 EV (1/3, 1/2 EV Steps)
-3 to +3 EV (1/3 EV Steps)
Dedicated Flash System
eTTL
TTL
External Flash Connection
Hot Shoe
Intelligent Hot Shoe
Battery Type
1 x LP-E17 Rechargeable Lithium-Ion
1 x NP-FW50 Rechargeable Lithium-Ion, 7.2 VDC, 1080 mAh (Approx. 440 Shots)
Dimensions (W x H x D)
4.8 x 3.5 x 3.3″ / 122.5 x 87.8 x 83.4 mm
4.5 x 2.5 x 1.8″ / 115.2 x 64.2 x 44.8 mm
Weight
13.5 oz / 382.2 g (Body Only)
15.1 oz / 429.2 g (Body with Battery and Memory)
12.1 oz / 343 g (Body with Battery and Memory)
Hope you like this specification comparison.
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