Let’s the comparison of the Nikon Z6 III camera with the Sony A7 IV starting from the design part we do have some major differences let’s find out.
The Sony A7 IV camera uses a 3.69 million-dot electronic viewfinder whereas in the latest Nikon Z6 Mark 3 camera, Nikon has introduced a flagship-level electronic viewfinder with 5.76 million resolution. Not only that, the refresh rate of this particular viewfinder is the best in its class with 120 frames per second as well as the EVF has 4000 nits of brightness units. That indicates you will experience one of the best electronic viewfinders ever introduced in a camera.
Nikon Z6 Mark 3: Flagship-level EVF with a 5.76 million-dot resolution, 120 frames per second refresh rate, and 4000 nits brightness. This provides a superior viewing experience.
Now the second major advantage in the design part of the Nikon Z6 Mark 3 camera we have is the introduction of a full-size HDMI port, so that’s a really very usable tool for professional cinematographers as well as photographers. For those who work in the studio and use their camera in their workflow HDMI cable this is a highly usable upgrade.
HDMI Port
Nikon Z6 Mark 3: Features a full-size HDMI port, as well as Sony A7 IV camera, features Full Size HDMI port
Apart from these two features, the rest of the force in both the camera is almost similar. Even if we compare the display screen, the Nikon Z6 Mark 3 camera vari-angle display screen is slightly larger by 2 inches compared to the Sony A7 IV camera. Resolution-wise, the Sony A7 IV camera uses a 1.4 million-dot display unit whereas Z6 Mark 3 camera uses 2.1 million dots display unit, so even though if you compare the electronic viewfinder or the vari-angle display screen in both of the scenarios Z6 Mark 3 camera wins.
Dual vs Triple Card Slot – No Backup option in Nikon Z6 III
The Sony A7 IV camera carries 3 card slots now why do they have to put 3 different card slots in a single camera says there is no connection between a CF Express Type A card slot and an SD card slot(s), so they have to put two different sets of UHS-II SD card slot and single CF Express Type A card slot at the Sony A7 IV camera so that if you want to create a backup card then you can utilize the two different UHS-II SD card slots in a camera like you use them from DSLR time as a backup card or once the card gets overflow then the camera automatically stores in a different (SD) card so you have all the options available as you generally used the two different card slots in any other camera Pro DSLR Camera, A7 IC also has an extra CF Express to record 4K videos up to 30 frames per second without getting the camera overheated.
The biggest issue with the Nikon Z6 Mark 3 cameras is that you only have two different card slots which act as a single card slot since one is a UHS-II SD card slot and the other is a CF Express Type B card slot now none of these cards are connected so there is no way that you can create a backup card.
Display Screen
Sony A7 IV: 1.4 million-dot display unit.
Nikon Z6 Mark 3: Vari-angle display screen with 2.1 million dots, offering a clearer and larger display.
Now let’s talk about one of the biggest advantages of the Sony A7 IV camera. The Sony A7 IV camera’s battery life is twice as good as in the Z6 Mark 3. With the help of A7 IV you can capture approximately 600 shots and in Z6 Mark 3 with EN-EL 15c battery you’re limited to 380 shots, so approximately with the A7 IV camera, you are getting 220 plus shots in a single charge.
Battery Life
Sony A7 IV: Approximately 600 shots per charge. That’s an awesome backup, just like DSLR time when u charge and forget
Nikon Z6 Mark 3: Approximately 380 shots per charge with the EN-EL15c battery. The Sony A7 IV offers better battery life, providing around 220 more shots per charge.
Now it’s time to compare the core specifications of both cameras.
Core Specifications Difference
Sensor and Performance
Nikon Z6 Mark 3: Newly developed 24.5MP Partially-Stacked CMOS Sensor
Sony A7 IV: 33MP Full-Frame Exmor R CMOS BSI Sensor (Non Stacked)
Let’s start with the sensor in the latest Z6 Mark 3 camera. We have recently developed partially stacked CMOS sensor with the help of new stacked sensor the camera is able to grab continuous shooting speed up to 120 frames per second in DX mode as well as in full resolution JPEG mode you are able to capture up to 60 frames per second. At the very same time if we calculate the readout speed of the sensor then it ranges between 6.4 milliseconds to 9.4 milliseconds, so overall the readout speed of Nikon Z6 Mark 3 camera sensor is exceptionally well and you will not notice any rolling shutter effect while capturing high frame rate images in your camera. When compared to the Sony A7 IV the continuous shooting speed of the camera is limited to 10 frames per second, which is completely unethical to have such a kind of continuous shooting speed in 2024 in a camera of $2000 price range.
Nikon Z6 Mark III and the Sony A7 IV cameras: comparison of the sensor readout speeds
Nikon Z6 Mark 3: Standard ISO range from 100 to 64,000, expandable from 50 to 204,800. 1 Stop advantage over A7 IV standard ISO range
Sony A7 IV: Standard ISO range from 100 to 51,200, expandable from 50 to 204,800.
Not only speed when Nikon Z6 Mark 3 camera excels in low light performance and you get extra stops of ISO in this standard ISO zone. The standard ISO range of Nikon Z6 Mark 3 camera starts from 100 to 64,000 and expandable ISO range starts from 50 to 204,800 whereas in Sony A7 IV camera we have standard ISO range that starts from 100 and goes up to 51,200. The expandable ISO range is 50 to 204,800.
Feature
Nikon Z6 Mark 3
Sony A7 IV
Standard ISO Range
100 to 64,000
100 to 51,200
Expandable ISO Range
50 to 204,800
50 to 204,800
Low Light Performance
Extra stops of ISO in standard range, excels in low light
Good low light performance, but lower standard ISO range
Base ISO Test
The resolution advantage is associated with the Sony A7 IV camera. With the Sony A7 IV camera, you can capture 33 megapixel images whereas the Z6 Mark 3 camera is limited to 24 megapixels. If you just compare the 24-megapixel sensor of the Nikon Z6 camera with the Sony A7 IV you can see that the Sony A7 IV camera with the help of a 33-megapixel sensor can extract a little bit more detail in the image when compared to a 24 MP FX-format full-frame sensor of Nikon.
The clear advantage of a Sony A7 IV camera is that you can extract a bit more detail from a given scene, but at the very same time with the Nikon Z6 Mark 3 camera, we do have a higher resolution pixel shift mode.
PIXEL SHIFT Mode in Nikon Z6 Mark III Camera
Sony A7 IV: 33 megapixels, providing a bit more details
Nikon Z6 Mark 3: 24 megapixels, but features a pixel shift mode allowing for 96-megapixel images.
With the help of pixel shift mode with Nikon Z6 Mark 3 camera can capture 96 megapixels of image, but we do have a few drawbacks of pixel shift mode. The number one drawback is that the subject has to be still not moving at the very same time you have to place your camera on a tripod and overall the camera is not able to stitch the multiple-shot images you have to take out all the images, put them in a software and it will automatically stitch all together.
Sony A7R Mark IIIa as an option for Pixel Peepers
So yes if you are a high resolution sensor fan then in this particular price you can also get cameras like Fuji XT5 or maybe Sony A7R Mark 3 camera in the very same price range and both of them are approximately 40 megapixels and plus one of my personal favourite cameras is without a doubt Sony A7R Mark 3A even in 2024 so if you are a fan and you want to extract the maximum possible details available in the entire scene then you can go towards these two cameras.
Being said that the sensor does have a little bit less resolution but the low light performance and the readout speed of the Nikon Z6 Mark 3 camera is exceptionally well.
Feature
Nikon Z6 Mark 3
Sony A7 IV
IBIS Stops
8 stops
5.5 stops
Sensor-Shift IBIS
Advanced sensor-shift mechanism linked with autofocus points
Traditional sensor-shift stabilization
Slowest Shutter Speed Based on IBIS
Up to 8 stops slower than standard handheld speeds (approximately 1-second exposure handheld)
Up to 5.5 stops slower than standard handheld speeds (approximately 0.5-second exposure handheld)
Low Light Advantage
Significant advantage due to 8 stops of IBIS
Good stabilization but less effective in low light compared to Nikon Z6 Mark 3
Additional Features
Image Stabilization
Nikon Z6 Mark 3: Advanced in-body image stabilization (IBIS) system, offering 8 stops of IBIS. The IBIS is connected to the autofocus points, Advanced AI IBIS algo inside the camera.
Sony A7 IV: Traditional IBIS system with 5.5 stops of stabilization, not linked to autofocus points.
Now Nikon Z6 Mark 3 camera has an additional advantage for shooting in low light. You already have a low light sensitive full-frame CMOS sensor in construction Mark 3 camera which now pairs up with highly advanced in-body image stabilization system.
The Nikon Z6 Mark 3 camera image stabilization system is coming straight out from Nikon ZF camera. The camera is having 8 stops of IBIS sensor-shift mechanism and one of the most advanced things is the sensor-shift image stabilization system is directly connected with the autofocus point of the camera so as the autofocus point of your camera moves in the frame the sensor-shift image stabilization also shifts and gives you 8 stops of IBIS experience. If you compare with the Sony A7 IV camera sensor-shift stabilization system then it limits to 5.5 stops and it’s kind of traditional IBIS so it is not linked with the points and all that stuff.
Conclusion – Best Camera for Photographers
While the Sony A7 IV offers better battery life and higher resolution, the Nikon Z6 Mark 3 excels in low-light performance, viewfinder quality, display resolution, and continuous shooting speed. The Z6 Mark 3’s advanced HYBRID stabilization system and full-size HDMI port also make it a strong contender for professional use.
Make your Decision on these two FACTORS
1. The Requirement you have for your next camera
2. The Budget Range You Have
TNC Recommendation and Overall Best Camera for Photographers
Nikon Z6 Mark III camera features class-leading core specification and very reasonable price point, I recommend the Nikon Z6 Mark III over the Sony A7 IV camera, the A7 IV now needs an update and lets hope and expect the Sony A7 V will beat the Nikon Z6 III in terms of its core specification as well as price.
If, your requirement is less, you mostly shoot weddings, events, nature, Landscape, or Even portraits and you feel having a bit more details in your image will help you to capture shot with more details, then for sure the Sony A7 IV camera is more recommended to you.
You get a slight resolution advantage with the Sony 33mp resolution sensor. Those who are pixel peepers may notice a slight difference when zoomed into 100% scale in the images of Nikon ZF and Sony A7 4 cameras since the ZF camera is limited to 24-megapixel resolution.
WHY NIKON ZF CAMERA IS THE BEST CHOICE FOR PHOTOGRAPHERS
The Nikon ZF is a camera that features extensive manual control over the body and a tank-like, rock-solid body. It feels quite heavy and the extensive manual controls allow you to alter any settings with the help of the dials and controls you have all over the camera body while shooting in manual mode.
Feature
Sony A7 4
Nikon ZF
Resolution
33mp
24mp
Body
Standard
Tank-like, rock-solid
ISO Range
Up to 51,200
Up to 64,000
Image Stabilization
Sensor-shift, weaker in photography mode, stronger in videography
Advanced 5 stops of sensor-shift with AI algorithm
Continuous Shooting
Up to 10 frames per second
Up to 15 frames per second
High-Resolution Mode
33 megapixels
Up to 96 megapixels
Low Light Sensitivity
-4 EV
-10 EV
Lens Mount
E-Mount | Open Mount
Nikon Z mount | Open Mount
Video Recording
4K at 60 fps with APS-C crop
4K at 60 fps with APS-C crop
Bit Rates
600 megabits per second
340 Mbps for H.265 10-bit video, and 300 Mbps for H.265 8-bit video
Image Stabilization in Video
Desirable, gyro-based
Standard
Apart from this, the sensor inside the Nikon ZF camera is ultra-low light-sensitive. The 24-megapixel full-frame sensor features a standard ISO range up to 64,000 whereas the Sony A7 4 camera’s standard ISO range is limited to 51,200. So without a doubt, we will get an extra one-stop advantage in low-light performance from the Nikon ZF camera.
One of the biggest factors that affect the low light performance of the camera is the type of sensor-shift image stabilization system used inside the body. The Nikon ZF camera uses advanced 8 stops of sensor-shift image stabilization technology as well as an artificially intelligent algorithm that moves the autofocus points along with the sensor-shift IBIS technology. So the image stabilization is not always focused at the center of the frame; the center always changes along with the autofocus point in the photography mode. The Sony A7 IV camera IBIS is limited to 5 Stops and traditional IS technology.
Another advantage that we have is the continuous shooting mode of the camera. With the Nikon ZF, you can shoot up to 15 frames per second whereas with the Sony A7 4, you remain limited to 10 frames a second.
Sony A74
Nikon Zf
Autofocus System
Hybrid PDAF
Hybrid PDAF with deep learning subject recognition
Autofocus Points
759
273
Maximum Low-Light AF Sensitivity (Standardized to f/2, ISO 100)
-4 EV
-8.5 EV
Standard Flash Sync Speed
1/250
1/200
Another big advantage that we have found in the Nikon ZF camera is the low light sensitivity. The ZF camera can shoot up to -10 EV which is in extremely low light conditions whereas the Sony A7 4 camera’s low light capability remains limited to -4 EV.
High-Resolution Mode
33 megapixels ONLY – NO HR MODE
Up to 96 megapixels (requires tripod or studio setup for best results)
The Sony A7 4 camera’s 33-megapixel advantage is being overshadowed by the Nikon ZF’s multi-shift high-resolution mode which is capable of shooting up to 96 megapixels of resolution. But yes, it is not possible to shoot handheld; you will need a tripod or best to practice the high-resolution mode in a studio setup.
Sony A7 4 versus Nikon ZF, which camera should you buy? VERDICT
So if we combine all the capabilities like the hybrid sensor-shift stabilization system, the high-resolution mode, the better standard ISO range, the capability to shoot higher frame rates, and also advanced or better low light sensitivity, overall the Nikon ZF camera is more recommended to photographers compared to the Sony A7 4.
The lens mount Nikon Z mount is now open and has a variety of options available from third-party lens makers like Sigma and Tamron. So if you are invested in Z mount, you won’t feel that much scarcity of being limited to a specific mount without having any option for third-party lens makers.
Let’s talk about the video comparison of both cameras.
Both cameras are able to shoot videos up to 4K at 60 frames per second, and both of them do have APS-C crop while filming 4K 60p and no crop while recording 4K up to 30 fps.
BIT RATES COMPARED
Let’s compare the bit rates of both the cameras and if you compare the bit rates then it is very clearly evident that Nikon ZF camera lower bit rates (MAX Nikon Zf has a maximum bit rate of approximately 340 Mbps for H.265 10-bit video, and 300 Mbps for H.265 8-bit video. The bit rate depends on the video file type), Sony A7 IV MAX bitrates goes upto 600MPBS. Having slightly higher res sensor can be one of the resons of having such difference since both of them do oversampled 4K videos.
Both cameras record 4:2:2 10-bit internally and in both of them, we have log profiles available for having maximum dynamic range possible.
GYRO-BASED IMAGE STABILIZATION
Now the biggest advantage we have with Sony is its GYRO BASED image stabilization system. Its sensor-shift image stabilization is weak compared to the Nikon ZF camera in photography mode but when we talk about videography, and cinematography then gyro-based image stabilization is way more effective than having a sensor-shift image stabilization system.
LENS BREATHING CORRECTION
Now the most impressive thing that I have seen in the Sony A7 4 camera is lens breathing correction in video. The camera exhibits excellent lens breathing correction while using third-party lenses.
Now we also have an anti-dust shake mechanism inside the Sony A7 4 camera and Nikon should also learn it. The way they have copied this style from Canon, Nikon should also copy this particular style of rotating the sensor either from Sony or Canon because they have to do it otherwise our sensors are not always protected when the lens is unprotected.
Now a full-size HDMI port is available in the Sony A7 4 camera and that’s an amazing thing. Believe me, I really hate having a micro or mini HDMI port in a camera.
OVERHEATING
I have personally used both the camera, Nikon ZF camera handles overheating very well and while using a Sony A7 IV camera you have to use the CF express type A Card or at least V90 to avoid potential early overheating.
BEST CAMERA FOR VIDEO
Sony A7 IV camera is more recommended for video, since if we look at the overall features we get a lot of stuff required for video workflow, but again if you living near the equator, better to invest in Nikon Zf.
If you compare the Sony A74 versus the Sony A7C II, let me tell you one thing very clearly. The Sony A7C II camera features the same 33-megapixel full-frame CMOS sensor, Even the AF system of the Sony A7C II camera is much more advanced due to the presence of dedicated artificial intelligence CHIP inside, compared to the Sony A74 camera. Now, we all know that if a baseline product/product with a lower price range has as many special features as its higher-end body, then for sure it will cut off the sales of the A74.
To protect it, Sony added some layers of features and design cannibalization, which now depends upon us. Does this crippling hurt the camera’s core, or can we buy it despite the standard crippling done over Sony A7C II to save the Sony A7 IV sales? Which we will explain in this article.
Lens Mount
Sony A7C II
Sony A7 IV
Sensor Resolution
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Image Sensor
35.9 x 23.9 mm (Full-Frame) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 7 Stops
Sensor-Shift, 5.5 Stops
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
1. DUAL CARD SLOT
From the design point of view, there is a basic design difference between the two. The Sony A7C II camera has only a single card slot compatible with UHS-II V90 cards, while the Sony A7 IV camera features dual card slots in which you can have UHS-II and CFexpress in the other.
2. Full-size HDMI in Sony A7 IV
The other biggest advantage I see in the Sony A7 IV camera is the presence of a full-size HDMI port, which is missing in the Sony A7C II camera.
3. Anti-Dust Shutter in Sony A7IV
The Sony A7 IV camera also features an anti-dust settling mechanism that covers the sensor and protects it. In the Sony A7C II camera, we have an EFCS shutter, so due to the absence of a fully functional mechanical shutter, we do not have such a feature in this camera.
4. Display Difference
On the display side, the Sony A7 IV has a slightly higher resolution electronic viewfinder (3690k dotvs2360k dot) with a better magnification ratio, as well as a slightly higher resolution LCD screen (1.440k dots vs. 1.030k). The position of the viewfinder is also different in both cameras.
The rest of the things are the body controls. The Sony A7 IV camera has a bit more advanced features, such as a joystick controller on the rear side and a center-placed viewfinder, which generally helps a photographer a bit more in handling a camera and using it while composing a perfect shot
5. Size Difference
As you can see, the Sony A7C Mark II camera is more compact, whereas the A7 IV is a bit bulky. Due to the nature of construction and the type of series they belong to, both have their design interface. So, design-wise, for a professional photographer, undoubtedly the Sony A7 IV camera looks more promising.
6. Heat Sink
Heat Sink According to initial reports, the heat sink mechanism of the Sony A7C Mark II camera is slightly better at dissipating heat from the body in an outward direction. This is one of the biggest reasons why Sony skipped the CF express card in the A7C Mark II camera. With the use of a UHS-II V90 card (See V90 Cards at Amazon), you can record 4K at all resolutions without any major issues.
Does The Absence Of Full Mechanical Shutter Affect The Performance Of The Camera? It all depends upon your usage. If you want to capture portraits at a very high shutter speed which is somewhere around 1/4000 of a second up to 1/8000 of a second in that very specific scenario most cameras with mechanical shutters are not open to some of these special situations then undoubtedly, the A7C Mark II camera’s EFCS (Electronic Front Curtain Shutter) is very usable.
1/4000 to 30 Seconds
1/8000 to 30 Seconds
1/8000 to 1 Second in Movie Mode
1/8000 to 30 Seconds
1/8000 to 1/4 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 100 to 102,400)
100 to 51,200 in Auto Mode
Up to 10 fps for up to 44 Frames (Raw) / 1000 Frames (JPEG)
Up to 10 fps at 33 MP for up to 1000 Frames (Raw) / 1000 Frames (JPEG)
7. Dedicated AI CHIP
AI Chip The introduction of a dedicated artificial intelligence chip inside this camera has improved its overall performance significantly. Specifically, when we talk about autofocus performance, the 3D object tracking has improved greatly.
Continuous Shooting Speed The biggest improvement that we might see between these two cameras is their ability to track moving subjects while using burst mode. Both feature 10 frames per second continuous burst speed, but now the autofocus performance of the A7C Mark II camera is much improved compared to the Sony A74.
The buffer size of the Sony A74 camera remains larger, one of the biggest reasons being its ability to adopt a CF express-type card slot. The memory of the A7C Mark II camera is slightly limited to 100 frames.
8. IBIS
Image Stabilization With the introduction of the A7 Mark II camera, Sony also introduced a brand new sensor-shift image stabilization mechanism which is very helpful for photographers. Now, the overall IBIS support goes up to 7 stops, and in the Sony A74 camera, it is limited to 5.5 stops.
So if you’re a handheld photographer then undoubtedly, the A7C Mark II camera will help you a lot with its autofocus performance and ability to capture more stable images and footage.
Sony A7C II
Sony A7 IV
Internal Recording Modes
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [30 to 150 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
XAVC HS 4:2:2/4:2:0 10-Bit
3840 x 2160 at 23.98/50/59.94 fps [30 to 200 Mb/s] XAVC S 4:2:2/4:2:0 8/10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps 4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps
4:2:2 8/10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080p) at 23.98/50/59.94 fps
HD (1920 x 1080i) at 50/59.94 fps
AI AUTO FRAMING
Yes
NO
Enhanced AI AF
Yes (Dedicated AI CHIP)
NO
IBIS VIDEO
7 STOPS / GYRO Support
5.5 Stops Gyro Support
Gamma Curve
HDR-HLG, Sony S-Log 2, Sony S-Log 3
S Cinetone, Sony S-Log 3
Recording Limit
None
None
Broadcast Output
NTSC/PAL
NTSC/PAL
IP Streaming
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
9. Videographics Difference Between Both The Cameras
Resolution-wise both cameras feature exactly the same video resolution, Record in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb/s.
With the introduction of the AI chip in Mark II camera tracking performance has improved significantly in videography. The camera is able to track moving subjects from afar and even eye detection is now much more accurate even in animals and insects while you are creating your video.
10. User Uploadable LUT and AI Framing
Other big differences like in professional cameras we have user-uploadable LUTs (Look-Up Tables). With this feature, you are able to control output in a much better way optimizing your workflow as desired.
Auto Framing With introduction of dedicated AI chip we also have an opportunity for artificial intelligent auto framing.
Enhanced Heat Sink Unit As I have said in this post, The A7C Mark II camera’s heat dissipation system is now much more improved and distributes heat effectively.
11. Price Difference vs Features Difference
If you compare the price and specifications we are getting with the Sony A7C Mark II camera it’s much more compared to the set of features that we are getting with the A74. If you want to have the same set of features with the A74 camera body you have to wait for the Sony A75 camera announcement. Otherwise, we highly recommend you get the Sony A7C Mark II camera while looking at its core specification and price ratio.
Sony ZV-E1 vs Sony A74 – let’s have a deeper drive and find out which camera is best for you. The biggest advantage associated with the Sony 74 camera is its body design.
If you are a photographer and doing a long photography assignment that will take approx 3 to 4 hours or maybe you are a kind of wedding photographer or event shooter in those specific scenarios you need to have a camera that perfectly fits in your hand and you feel very comfortable to hold. In those specific situations when you have to work for a very long period Sony A74 camera body design is super perfect without a single doubt. When u have an extra slim camera in ur hand u have to balance it always feels like ur losing the grip. So, for photographers, it’s very important to select a camera with the perfect body design.
Sony ZV-E1 camera is more compact, has a sleek body without any electronic viewfinder, and also the grip is very similar to the entry-level APS-C bodies. So, it is made like to be placed in a gimbal or a selfie stick to record the videos perfectly. The Intention of the design is not favorable for photographers, there yes you can click some occasional pics but it is not made for that.
MORE RESOLUTION = MORE DETAILS
Another Major advantage associated with the Sony A74 camera is the higher resolution 33-megapixel full-frame CMOS sensor. If you are a photographer you feel very limited while using a 12-megapixel full-frame sensor and snapping pics. if you have to do a digital crop the 12-megapixel image will not allow you to do that.
The Biggest advantage that I feel in using a higher resolution camera is that you get more and more details while zooming ( @100 % scale) if you are a pixel-peeper. if you like to see more details in a given frame of a scene, it’s highly recommended that photographers use your higher resolution sensor instead of having a lower resolution as we have in the Sony ZE-V1 camera
BEST CAMERA FOR PHOTOGRAPHERS
Design-wise and based on the type of sensor being used inside both the camera it’s highly recommended that if you are a photographer you should go with a Sony A74 camera at the same time if you are more into videography if you are more into content creation and you shoot occasionally few pics you can use the Sony ZV-E1 camera. Yes, you can use your A74 camera as a backup camera for shooting your pics. but it cannot be used as a primary photographic tool if you are into professional work out there.
BEST CAMERA FOR RECORDING VIDEO
In the video part without having a single doubt in your head you should pick Sony’s latest ZV-E1 camera.
The reason behind that the camera can shoot for case 60 frames per second without any crop whereas we all know with the Sony is A74 camera, we have to face APS-C crop, or if you say with some butter that we are shooting in a super 35 mm format while using A74 in 4k 60p mode,
With Sony ZV- E1 camera we do not have any of such used even the camera allows you to suit 4K 120 FPS maybe the firmware update which is about to arrive in June 2023 the cost you a bit that’s another matter but you can suit 4K 120 happiest with only 10% crop which is not similar to the A7 4K 60p super 35 mm all that crop.
now the other biggest advantage that you will enjoy in Sony’s latest ZV-E1 camera is the introduction of a dedicated artificial intelligence chip that was the first scene in Sony’s A7 are 5 camera announcement now the chip has been improved to perform better functionality at the same time new features also being introduced inside this camera.
Overall if you are into content creation videography cinematography in any way you are associated with a video you must buy the latest Sony Z1 camera instead of the Sony is 74
Sony ZV-E1 vs. Sony A7 IV – Best Vlogging Camera for 2023
Video Details – Comparison of Resolution and frame rates
Internal Recording Modes
RawXAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 50/59.94 fps [45 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98 fps [30 to 100 Mb/s] RawXAVC HS 4:2:2 10-Bit
3840 x 2160 at 50/59.94 fps [100 to 200 Mb/s]
3840 x 2160 at 23.98 fps [50 to 100 Mb/s] RawXAVC S 4:2:2 8-Bit
UHD 4K (3840 x 2160) at 50/59.94 fps [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 25/29.97 fps [140 Mb/s] RawXAVC S 8-Bit
1920 x 1080p at 100/120 fps [60 to 100 Mb/s]
1920 x 1080p at 50/59.94 fps [25 to 50 Mb/s] RawXAVC S 10-Bit
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s] RawXAVC S-I 10-Bit
3840 x 2160 at 59.94 fps [600 Mb/s]
3840 x 2160 at 50 fps [500 Mb/s]
3840 x 2160 at 29.97 fps [300 Mb/s]
3840 x 2160 at 25 fps [250 Mb/s]
3840 x 2160 at 23.98 fps [50 Mb/s]
1920 x 1080p at 59.94 fps [222 Mb/s]
1920 x 1080p at 50 fps [185 Mb/s]
1920 x 1080p at 29.97 fps [111 Mb/s]
1920 x 1080p at 25 fps [93 Mb/s]
1920 x 1080p at 23.98 fps [89 Mb/s]
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [30 to 150 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [60 to 150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [16 to 100 Mb/s]
Interface
Media/Memory Card Slot
Slot 1: CFexpress Type A / SD (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Single Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI Output
1X HDMI
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
Power I/O
1 x USB-C Input/Output
1 x USB-C Input
Other I/O
1 x Sony Multi/Micro-USB Input/Output (Shared with Remote Input) 1 x USB-C (USB 3.2 / 3.1 Gen 2) Input/Output (Shared with Power Input)
1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input) 1 x Sony Multi/Micro-USB Control
Wireless
Wi-Fi, Bluetooth
Wi-Fi, Bluetooth
Mobile App Compatible
No *As of October, 2021: Check with manufacturer for the most up-to-date compatibility
Yes *As of March, 2023: Check with manufacturer for the most up-to-date compatibility
Panasonic S5 Mark II vs Sony A7 IV – We are comparing the two specifications. Panasonic S5 mark II camera features a newly developed 24MP Sensor with Phase detect AF points and support of DFD still there. The Max burst speed of the Panasonic S5 Mark II is 30fps with an electronic shutter and the expandable ISO range is 50-204800. Since, it’s Panasonic’s first full-frame camera so, we are not expecting blazing-fast AF performance like Sony A7 IV, but at least we will get a more accurate and fast AF system compared to its predecessor the Panasonic S5.
The Video part of the Panasonic S5 is more intense? the camera features open gate 6k 29.9 fps @ 4:2:0 10-bit LongGOP and UHD videos @ 29.97p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) and APS-CROP DCI 4k @ 50fps, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM). So, u have to face an APS-C crop if you want to have a 60fps frame rate in UHD or DCI 4k which is not that impressive. Although if we combine all those features of the cinema part, which include Timecode, XLR Mic input, and an advanced built-in fan to suppress overheating. We will be updating this page soon as we get more information related to S5 Mark II
Imaging
Lens Mount
Leica L
Sony E
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes Electronic Shutter
1/8000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
1/8000 to 30 Seconds
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 51,200 in Auto Mode (Extended: 50 to 204,800) Video
100 to 51,200
Photo
100 to 51,200 (Extended: 50 to 204,800) Video
100 to 51,200 (Extended: 100 to 102,400)
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set
Presets: Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 9 fps at 24.2 MP for up to 999 Frames (Raw) / 1000+ Frames (JPEG) Electronic Shutter
Up to 30 fps at 24.2 MP for up to 199 Frames (Raw) / 299+ Frames (JPEG)
Up to 10 fps at 33 MP for up to 828 Frames (Raw) / Unlimited Frames (JPEG)
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
If you are looking for The Best and ONLY ONE LENS for Sony A7C or Sony A7 IV, or have come to the right place. After so much wait finally, Tamron announced a TRUE all-in-one lens, that covers wide as well also touches the tele-part.
Tamron 20-40mm F2.8 VXD – BEST VLOGGING LENS OF 2023
Tamron 20-40mm F2.8 RXD B&H Store | amazon.com This is the most versatile lens Tamron ever announced. It covers 20mm wide, so you can easily do vlogging with your full-frame camera. As well as you create your videos in your room and office while using a 30mm or 40 mm focal length of your choice.
BEST VLOGGING LENS OF 2023 FOR SONY A7C | Sony A7 IV | Best SONY Lens for Youtube Content Creators
The best all-in-one lens for Youtube Content Creators
Before the arrival of the Tamron 20-40mm F2.8 Lens. If anyone asks me for a perfect lens for creating a vlog with Sony A7C or A7 IV camera, most of the time I recommend Tamron 17-28mm F2.8, but at the same time when you want to create an office or room vlog with the same lens. The 28mm feel a bit wider due to the limited 28mm tele reach. Now we have the perfect solution, if anyone wants to
Best Lens for Wedding Photographers
Not only for content creators if you are a Wedding photographer too then this is the best lens made for you. With the help of a Tamron 20-40mm lens, you can capture ultra-wide shots to portrait. If you want to have any other lens after 20-40 then the best lens is Tamron 35-150mm Lens.
Let’s compare the Sony FX30 camera with the Sony A7 IV camera. Do share your thoughts with us
Design-wise
Design-wise Sony A74 is more inclined towards photographers, with a LARGE handgrip design and a high res 3.6Millionb dot EVF, you easily able to shoot your subjects. The FX30 is made for cinematographers, look at the number of mounting threads we have on the FX30 body.
Imaging
Lens Mount
Sony E
Sony E
Sensor Resolution
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Sensor Type
23.3 x 15.5 mm (APS-C) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Camera Type
Video
Stills & Video [Hybrid]
Sony A7 IV is a Hybrid Camera and more Photography Oriented
The Sony A74 advantage
With the Sony A74 camera we are getting Sony’s latest 33MP Fullframe sensor. Undoubtedly with a full-frame sensor-based camera, you will get better results while shooting your subjects than with an APS-C sensor.
More for Photographers
Dynamic Range graph of Sony A74 – DR Boost at ISO 400 – Sony Fullframe cameras do carry a Dual Native ISO circuit for photography too… but Sony never talks about that officially.
The A7IV has a dual-gain for photos at ISO 400. So ISO 400 has more DR and should have slightly better noise than ISO 320 and ISO 250. ISO 250 is very close…just slightly below ISO 400. The only ISO to avoid is ISO 320
Via test when came to know about the boost for still photography. In the video as per a few expert’s options, the Boost is available @ ISO 1600 in A7 IV.
Less Rolling shutter with Mechanical Shutter
Sony A7 4 camera features a mechanical shutter and a TOP speed of 10 FPS, while ur using your camera in burst mode if u have mechanical shutter ON you will comparatively faceless rolling shutter than a camera that only uses an electronic shutter. either way, the Sony A7 IV is the best camera when we talk about shooting still subjects.
Internal Video Capture
Recording Modes
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC Proxy
Full HD (1920 x 1080)
HD (1280 x 720)
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [50 to 200 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [30 to 150 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [60 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
If we talk about the body desing of the FX30 camera which include ehnaced telly light, timecode input ports & dedicated fan for cooling camera body, if we talk about the Tile based Menu system that directly arrived from FX9 or FX3, Up to 16 user-created LUTs, Timecode funcintlaity or Quick Exposuer index mode for boosting up the perfomance of the Sony FX30 while shooting log or with S-Cinetone.
Even if they share the same codec range
XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality.
X-AVC HS (H.265 Long GOP)
X-AVC I (H.264 All-I)
X-AVC S (H.264 Long GOP)
It also highlights the key difference between what we now call Long GOP compression (smaller files, potentially lower quality) and All-Intra, or All-I compression (larger files, potentially better quality)
Exposure Index Mode and Dual Native ISO available in Sony FX30 Only
Base ISO
Upper gain step
Std color mode / HLG
ISO 100
ISO 320
S-Cinetone
ISO 125
ISO 400
S-Log3
ISO 800
ISO 2500
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded.
Two base ISO options are available for FX30 also as you can see in the table above, for low or high sensitivity. Choose a base ISO to suit the scene you are shooting.
Log shooting can be divided into three methods: “Flexible ISO,” “Cine EI,” and “Cine EI Quick.”
Item
Normal movie shooting
Log shooting: Flexible ISO
Log shooting: Cine EI
Log shooting: Cine EI Quick
Type of shooting
ITU709/BT.2020
Log
Log
Log
ISO sensitivity/EI (Exposure Index)
ISO sensitivity can be adjusted
ISO sensitivity can be adjusted
Shooting with EI
(The ISO sensitivity for recording is locked to Base ISO)
Shooting with EI
(The ISO sensitivity for recording is locked to Base ISO)
Base ISO
―
―
Setting is required
Set automatically according to the EI
Amount of freedom of color grading in post-production
Low
Middle
High
High
The above all clearly shows
You have amazing flexibility with the Sony FX30 camera if you are more into video rather than photography.
1/8000 to 30 Seconds in Photo Mode
1/8000 to 1/4 Second in Video Mode
1/8000 to 30 Seconds
ISO Sensitivity
100 to 32,000 (Extended: 50 to 102,400)
Photo
100 to 51,200 (Extended: 50 to 204,800) Video
100 to 51,200 (Extended: 100 to 102,400)
Advertised Dynamic Range
14 Stops (Log3)
White Balance
2500 to 9900K Presets: Auto, Cloudy, Color Temperature, Daylight, Fluorescent, Incandescent, Shade, Underwater
Presets: Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Video Resolution & Frame rate
4K 120 (1.6x / super 35mm look)
None
4k 60 (1.04x crop)
4K 60p (1.5x Crop)
4k 24, 30 fps
4k 24, 30 without crop
Full HD 240 FPS
Full HD 120 FPS
External Video Capture
Raw Output
HDMI In ProResRAW Mode:
4672 x 2628 16-Bit at 23.98/25/29.97/50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i 4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
None
IP Streaming
None
Autofocus System
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF, Touch AF & Shutter
Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Video
Phase Detection: 495
Phase Detection: 759
Contrast Detection: 425
Autofocus Sensitivity
-3 to +20 EV
-4 to +20 EV
General
Battery Type
Sony Z-Series
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 520 Shots)
Accessory Mount
1 x Intelligent Hot Shoe on Camera Body 5 x 1/4″-20 Female on Camera Body
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
1 x Hot Shoe Mount
Dimensions (W x H x D)
5.1 x 3.1 x 3.3″ / 129.7 x 77.8 x 84.5 mm
5.2 x 3.8 x 3.1″ / 131.3 x 96.4 x 79.8 mm
Weight
1.2 lb / 562 g (Body Only)
1.4 lb / 658 g (With Battery, Recording Media)
Conclusion
Budget means Limitations – But the limitations shouldn’t block your creativity – If you have a budget and looking for a cinema camera then go with FX3, the full-frame sensor cinema camera.
But at an Under $2000 body price if you are looking for a budget cinema solution then the Sony FX30 camera is best for you, Being an APAS-C sensor-based camera you can have sigma Trio lenses on the budget rather than investing in full-frame lenses.
For Hybrids, those who are into photography, as well as Video Sony A7 IV, is the best camera. But for cinematography, FX30.
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Tamron 20-40mm F2.8 RXD 
