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Firmware Update

Reason Behind Canon Cropped 4K Video Mode DSLR and Mirrorless and More...

In an interview Canon representatives, clearly told photo.ru the real reason behind the 4K cropped mode of the Canon cameras and much more…

Major Points of the interview

1. Reason Behind Canon Cropped 4K video mode in Canon Cameras

Canon do not want Kill their Cinema Lineup by putting class leading video specs in DSLR or Mirrorless.

We can put 4K from a full frame in the SLR and mirrorless, but we do not want to “cannibalize” our own video segment.

2. Why Canon 200D II / SL3 / 250D have a weak video mode, cropped 4K without DPAF support ?

Canon entry level users can’t afford 4K editing software and hardware like  Macbook Pro preferably with Adobe Premiere by subscription. So, they want to treat the 4K video mode as marketing feature only.

3. In next 5 years, they have a plan to announce High Resolution Mirrorless camera.

4. No clear answer given when asked about Canon announcement before Olympics

5. When asked about built-in image stabilization inside Camera Body

We already have three patents on IBIS – on a mobile matrix and stabilization, Canon is currently developing a matrix stabilization technology – it will be coming soon. Other companies had a huge amount of problems with this. They test it essentially on users.

Fortunately here at thenewcamera.com we have published three different patents of Canon working in built-in image stabilization system See patent 1 | patent 2 | patent 3

 

Detailed Part – Translated Interview

….do not digest the marketing policy of the company. Why, for example, in one of the new C anon cameras – neither in the flagship, nor the middle or entry level, is it not possible to record 4K video without a crop? The company is technologically unable to carry out this task?

– We did not set such a function intentionally. We have a series of Cinema EOS – movie cameras. Canon separates EOS R and Cinema EOS from each other. This series is aimed at shooting a professional video. Camera Canon C700 – there certainly is 4K from the whole frame.

We can put 4K from a full frame in the SLR and mirrorless, but we do not want to “cannibalize” our own video segment.

………

The new Canon 250 D camera couldn’t be able to drag Cinema  EOS users to yourself if you gave it Dual  Pixel autofocus in 4K and at the same time read it without an additional matrix.

– 250D is an Entry segment camera. We all know that in order to process 4K, on ​​the one hand, in addition to the camera that can shoot it, there must be a computer that will be able to live through it, mount it and render it. Macbook Pro preferably with Adobe Premiere by subscription for 1500 rubles per month. How many entry-level camera users have this extra equipment? Probably not enough. Negligible. Therefore, I would treat 4K in the Entry segment as a marketing feature, which is nice to see with the eye on the box, on the price tag, and buy a 4K camera and never use it.

What is the resolution of the RF lenses?
– We learn in 5 years.

Could it be that the company is already testing a new camera, which will later be announced, for example, before the Olympiad?

“I’m sure Canon is already developing next-generation cameras, because testing usually starts at least a year before the camera enters the market.”

And when does testing end?

– A few months before the camera announcement. We have a very serious program of ambassadors, a very tough selection. Canon has the whole EMEA region – the whole of Europe, the whole of Africa, the Middle East and Russia – only 40 people. These are people with publications, participants of professional exhibitions of various genres, people who have really proved their professionalism, and we are working with them on testing

Why is the matrix stabilization not developed yet?

– We already have three patents on IBIS – on a mobile matrix and stabilization, 
but we continue to work on them. Canon never uses technology that has not yet been tested. It took us so much time, because the technology itself requires a very detailed study, because the moving matrix is ​​good, on the one hand. On the other hand, go to any service and ask how many cameras they have there with broken moving dies. The stabilization system is a very fragile thing.

Canon is currently developing a matrix stabilization technology – it will be coming soon. Other companies had a huge amount of problems with this. They test it essentially on users. Why do they have stabilization on almost all lenses? Because the matrix is ​​not very effective.

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source Photo.ru

Canon 7D Mark III or Canon 90D, Which one to Arrive First ?

We are having Canon 32MP DSLR Rumor for a while. Some rumor mills are claiming that it’s Canon 90d or 7D Mark III camera.

Let’s talk about the set of of authentic information we have related to Canon professional APS-C DSLR camera.

The only state of reliable information we have is Canon is testing a camera 32 megapixel sensor and a battery which is found inside the Canon 7D series camera on the Canon 5D Mark 4 camera.

Canon 32MP DSLR – Initial Confirmed set of specification

  • Digital SLR
  • Wifi and Bluetooth 4.1
  • LP-E6N battery
  • 6 level battery display, similar to the EOS 5D Mark IV
  • Maximum image size: 6960 × 4640, 32MP
  • This will likely be a 2019 release

It’s very clear indication that Canon is testing a professional APS-C DSLR camera, now it all depends upon Canon marketing time which professional body they choose (Canon 7D III or Canon 90D ) for the introduction of the new 32 megapixel dual pixel auto-focus sensor. Most probably they can prefer the Canon 90d camera or they can choose Canon 7D Mark III for the introduction of their new sensor.

Let’s talk about the possibilities and let’s try to think in canon way.

Canon 7D Series Announcement Timeline

Canon 7D – Aug 31, 2009

[10, 11, 12, 13, ] (Years of gap)

Canon 7D Mark II – Sep 15, 2014

[15, 16, 17, 18 ] (Years of gap)

Canon 7D Mark III – Scheduled Release Date 2019

As you can see the Canon is keeping four years of gap in 7D series camera. And the schedule update time of 7D series camera falls somewhere around Q3 and Q4 of 2019.

Canon XXD Series Announcement Timeline

Canon 70D – Jul 2, 2013

[ 14, 15 ] (Years of gap)

Canon 80D – Feb 17, 2016

[17, 18 ] (Years of gap)

Canon 90D – Scheduled Release Date 2019

Now, as you can see Canon is keeping 2 years of gap in canon xxd series camera. Schedule update time of XXD series camera falls somewhere around Q2 and Q3 of 2019. So, more or less both Canon 7D Mark III and Canon 90D camera are waiting for their announcement based on scheduled update cycle of each camera.

Canon 7D Mark III Coming first, If Canon moves in the same path…

We have seen what Fujifilm is doing with their Fuji XT x series and XTxx series. If Canon moves in the same path as of Fuji and Sony is moving, they will introduce their flagship camera first (aka Canon 7D Mark III) and after seven to eight months of gap once the sales number are reach to a desired level then they will going to introduce bit affordable body (Canon 90D) with some trim down specification, while having the same sensor and image processor to reach more number of peoples, those who are not able to afford the professional body with higher price tag.

Same with Sony, they have introduced the Sony A73 camera while having the same core specification of Sony A9 camera at an affordable price tag to reach more consumers out there, those who are not able to afford Sony A9 camera.

Canon EOS R – Sep 5, 2018 ($1999 at Amazon.com)
Canon EOS RP – Feb 14, 2019 ($1299 at Amazon.com)

Canon is also doing the same job, first they have planned to introduce the Canon EOS RP, and Canon EOS R camera all together at the same time, just like the Nikon Z6 and Z7. But, rumors suggest their marketing team decided to obtain a new route as of other mirrorless makers. And as usual, they have first introduced the Canon EOS R camera and after 5 months of gap they have introduced the Canon EOS RP camera with an affordable price tag.

So if you’re looking at the strategy of this mirrorless maker, their first intention is to generate profit and the second intention is to gain more market shares. – TNC

So, if Canon is moving in the new path, for sure we will be having our Canon 7D Mark III camera first and after 7 to 8 months of gap once the sales number of Canon 7D Mark III camera reached to desired level, they will going to introduce affordable 7D Mark 3 camera under the Canon 90d body.

Forced Limits to Save-up Future Model Sales ?

Everyone knows Canon is bit popular in-putting forced limits in their camera. None of the Canon APS-C DSLR or mirrorless camera with dual pixel CMOS autofocus sensor is allowed to do AutoFocus in 4K, you can say allowed to use dual pixel CMOS autofocus technology while recording 4K video just to save the future sales about the upcoming flagship camera.

So if they have plan to introduce the Canon 90d camera first with 32 megapixel dual pixel autofocus sensor, for sure the camera will be having some forced limits inside to save the sales of Canon 7D Mark III camera.

Do share your thoughts with us

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Canon SL3 / 200D II High ISO Test

Canon SL3 / 200D II camera High ISO (via dpreview) test images are Let’s talk about the high ISO test of Canon SL3 camera and what we are able to observe through the test.

Canon SL3 RAW HIGH ISO Test

On RAW mode all the four camera (Canon SL3, Canon EOS M50, Canon 80D and Nikon D5600). After looking at the entire test, It’s very clear that Canon SL3 is controlling color noise slightly more better than Canon 80D or Canon EOS M50. But, the difference is very minimal and sometime it remains unrecognized. And finally we have Nikon D5600 camera with bit more better noise control than the other three camera.

None of the camera producing usable image at ISO 3200. We have to do proper post-processing to make these camera files usable. AT ISO 3200 Canon 80D RAW file generating Maximum color noise compared to the other three,  Nikon D5600 features minimal noise at ISO 3200. Canon 200D II / SL3 and Canon EOS M50 color noise level look similar.

 

Canon SL3 JPEG File Test

JPEG High ISO Test Comparison, Canon 80D again showing more color noise in the group. At ISO 3200 Canon EOS M50 and Canon 200D II exhibit similar amount of color noise, Nikon D5600 image sample is bit more clean and usable.

Canon 200D II / SL3 vs Others at ISO 6400 (MAX JPEG Usable ISO Limit)

ISO range in the specification sheet doesn’t matter, you have to look for usable ISO range in you camera. After looking at the High ISO JPEG files its look like usable ISO range in Canon camera is upto ISO 3200 and when you are having Nikon D5600 you can push it one-stop further upto ISO 6400.

Buy Canon 200D II / SL3 camera from B&H Store

Also see – Best Lenses for Canon 200D II / Canon SL3 / Canon 250D

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Canon 200D II / SL3 vs Canon 800D / T7i

Canon 200D II / SL3 vs Canon 800D / T7i – We have done a specification comparison review between these two camera. Let’s find out which is best for you.

Sensor and other specification

Imaging  
Lens Mount Canon EF-S Canon EF-S
Camera Format APS-C (1.6x Crop Factor) APS-C (1.6x Crop Factor)
Pixels Actual: 25.8 Megapixel
Effective: 24.1 Megapixel
Actual: 25.8 Megapixel
Effective: 24.2 Megapixel
Maximum Resolution 6000 x 4000 6000 x 4000
Aspect Ratio 1:1, 3:2, 4:3, 16:9 1:1, 3:2, 4:3, 16:9
Sensor Type CMOS CMOS
Sensor Size 22.3 x 14.9 mm 22.3 x 14.9 mm
Image File Format JPEG, RAW JPEG, RAW
Bit Depth 14-Bit 14-Bit
Image Stabilization Digital, 5-Axis (Video Only) Digital, 5-Axis (Video Only)

The sensor size, megapixels are almost same and even the ISO range of the camera is exactly same. Both sensor are using plain CMOS sensor tech, so more or less you will be getting same image quality from both the camera.

Exposure Modes, Metering Mode and Continuous shooting speed

ISO Sensitivity Auto, 100 to 25600 (Extended: 100 to 51200) Auto, 100 to 25600 (Extended: 100 to 51200)
Shutter Speed Mechanical Shutter
1/4000 to 30 Second
Bulb Mode
  1/4000 to 30 Seconds
Bulb Mode
Metering Method Center-Weighted Average, Evaluative, Partial, Spot Center-Weighted Average, Evaluative, Partial, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3, 1/2 EV Steps) -5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range 1 to 20 EV 1 to 20 EV
White Balance Auto, Cloudy, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten Auto, Cloudy, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting Up to 5 fps at 24.1 MP for Unlimited Exposures (JPEG)
Up to 5 fps at 24.1 MP for up to 10 Exposures (Raw)
Up to 6 fps at 24.2 MP for up to 190 Exposures (JPEG)
Up to 6 fps at 24.2 MP for up to 21 Exposures (Raw)
Up to 3 fps at 24.2 MP for up to 190 Exposures (JPEG)
Up to 3 fps at 24.2 MP for up to 21 Exposures (Raw)
Interval Recording Yes Yes
Self Timer 2/10-Second Delay 2/10-Second Delay

We have a lot of common specification between the two camera. As you can see in specification table the continuous shooting speed of the Canon T77 / 800D is 1 FPS more compared to Canon 200D but limited to 190 shots. With Canon 200D you are getting bit extra buffer and unlimited frames option till card is full.

Video mode Comparison – Canon 200D II / SL3 vs Canon 800D / T7i

Recording Modes MP4/H.264
UHD 4K (3840 x 2160) at 23.976p/25p [120 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p/50p/59.94p [12 to 60 Mb/s]
HD (1280 x 720) at 50p/59.94p [26 Mb/s]
  MP4/H.264
Full HD (1920 x 1080) at 59.94p [60 Mb/s]
Full HD (1920 x 1080) at 23.976p/29.97p [30 Mb/s]
Full HD (1920 x 1080) at 29.97p [12 Mb/s]
HD (1280 x 720) at 59.94p [26 Mb/s]
HD (1280 x 720) at 29.97p [4 Mb/s]
SD (640 x 480) at 29.97p [9 Mb/s]
SD (640 x 480) at 29.97p [3 Mb/s]
MOV/iFrame
Full HD (1920 x 1080) at 29.97p [90 Mb/s]
External Recording Modes 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/29.97p
Full HD (1920 x 1080) at 59.94i/59.94p
SD (640 x 480) at 59.94p
 
Recording Limit Up to 29 Minutes, 59 Seconds Up to 29 Minutes, 59 Seconds
Video Encoding NTSC/PAL NTSC/PAL
ISO Sensitivity 100 to 12800 Auto/Manual: 100 to 12800 (Extended: 25600)
Audio Recording Built-In Microphone (Stereo)
External Microphone Input (Stereo)
Built-In Microphone (Stereo)
External Microphone Input

Canon 200D II / Canon SL3 camera features 4K video recording option and you can also record 10Bit videos via HDMI port.Canon 800D / T7i camera limited to full HD video recording mode only. However as we all know that the 4K video recording mode of Canon 800D / T7i is not so usable. Due to the crop and CDAF issue.

Canon 200D II / SL3 vs Canon 800D / T7i – Focus and other feature

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) Automatic (A), Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points (Phase) Phase Detection: 9 (9 Cross-Type) Phase Detection: 45 (45 Cross-Type)
 DPAF Points  3975 AF Points -Unknown

Canon 200D II / SL3 feature revised sensor, the sensor is optimize to do more better AF performance compared to existing Canon SL2 / 200D camera. The total number of on sensor AF points are further divided 143 zones so users can select it easily without an issue.

Battery and Physical

Battery 1 x LP-E17 Rechargeable Lithium-Ion, 7.2 VDC, 1040 mAh (Approx. 1630 Shots)   1 x LP-E17 Rechargeable Lithium-Ion, 7.2 VDC, 1040 mAh
Dimensions (W x H x D) 4.82 x 3.65 x 2.75″ / 122.4 x 92.6 x 69.8 mm 5.2 x 3.9 x 3″ / 131 x 99.9 x 76.2 mm
Weight 15.84 oz / 449 g (Body with Battery and Memory) 1.17 lb / 532 g

Canon T7i camera features 820 shots per charge and with Canon 200D II / SL2 camera you can capture 1040 shots per charge. The 200D II is more light weight and bit small compared to 800D.

Verdict of Canon 200D II / SL3 vs Canon 800D / T7i:

Canon 200D II / SL3 camera is giving you next generation of DPAF system which will help you to get fast AF in still(Liveview) and video mode and a option to record 4K video with 10bit output . Not only that, you are also getting  bit more battery life with light-weight body. We highly recommend you to go with Canon 200D II / SL3 camera.

Get Canon 800D / T7i camera from Amazon | B&H

Buy Canon 200D II / SL3 camera from B&H Store

Also see – Best Lenses for Canon 200D II / Canon SL3 / Canon 250D

Olympus TG-6 Leaked , Press Release and Full Specification

Finally we have the images and specification of the upcoming Olympus TG-6 camera. The camera features 12 megapixel BSI CMOS sensor. The camera is also capable to record high quality video in 4K 30P Video as well as high-speed Full HD modes. The Olympus TG-6 camera featuresBuilt-in WiFi connectivity for quick file transfer via app.

The TG-6 is waterproof to a depth of 15m, dustproof, shockproof to 2.1m, crushproof up to 100kg, freezeproof to -10c. So it will a perfect rugged photographic tool.

Olympus TG-6 Press Release

The Olympus TG-6 is the latest in Olympus Tough series all-weather cameras. The TG-6 is waterproof down to 15 metres, crushproof, shockproof and freezeproof so you can use this compact camera in all conditions. The TG-6 includes upgraded features such as new underwater modes, more versatile macro photo options as well as a better monitor with improved resolution. The 12 megapixel backlit CMOS sensor, high ISO and ultra-bright lens give great results in low light. You can record great quality video in 4K 30P Video as well as high-speed Full HD modes. You can also share your footage easily with the built-in Wi-Fi or and use your smartphone with the app.

The TG-6 is waterproof to a depth of 15m, dustproof, shockproof to 2.1m, crushproof up to 100kg, freezeproof to -10ÅãC, and features a dual-pane protective glass construction for excellent anti-fogging performance. The Olympus field sensor system makes it possible to record log data such as location, altitude/depth as well as air/water temperature while capturing still images or movies.

Equipped with a class-leading f/2 zoom lens and a 12MP hi-speed back-lit CMOS image sensor that has superb high-sensitivity performance, the TG-6 allows its users to take fantastic photos and video. . Anti-reflective (AR) coating on the image sensor glass now reduces ghosts and flares while the TruePic VIII image processor from the OM-D E-M1X professional model helps to reduce noise levels and improves the resolution in low contrast areas. The option to capture RAW data enables TG-6 users versatile editing options with Olympus Workspace or other image editing software supporting TG-6 RAW files.

For spectacular close-up shots, the Tough TG-6 has an advanced Variable Macro system that goes beyond the limits of what the human eye can see: boasting a closest focusing distance up to 1cm from the end of the lens and a maximum shooting magnification of 7×3, the camera captures high-quality images of microscopic worlds. The macro system features four modes: Microscope, Microscope Control, Focus Bracketing and Focus Stacking. In Focus Stacking mode, users can now set between 3 and 10 shots for more versatility and to fine tune settings for different subjects and more precision in the finished shot.

Tough TG-6 is equipped with five underwater modes, including Underwater Wide, Underwater Snapshot, Underwater Macro, Underwater Microscope, and Underwater HDR. Each mode switches to shooting settings optimized for different situations. The popular Underwater White Balance mode has been expanded to three options, providing appropriate colour adjustment for deep water shooting.

Click here to download the full specification of the camera

source – photorumors

Canon RF 17-35mm F4-5.6 Lens Patent

Canon Patent a new mirrorless lens, RF 17-35mm F4-5.6 Lens. Due to the nature of aperture range we expect the lens will remain affordable, And sooner or later we will be having one more lens with constant aperture.

Canon RF 17-35mm F4-5.6 Lens Patent Details

[Publication No.] JP 2019-74633 (P2019-74633A) Click Here
[publication date] Ryowa 1 year May 16 ( 2019.5.16)
[ Description of the invention] Zoom lens and imaging device having the same

Specification and lens arrangement of embodiment 2
Zoom ratio: 1.94
Focal length: 17.50-27.00-33.95 mm
F number: 3.94-3.92-5.69
Angle of view: 51.03 -38.71-32.51
Image height: 21.64 mm
Lens length: 122.00-119.11-121.87 mm
Back focus: 20.00-31.62-40.07 mm

Canon Patent: More Improved Touch Display Screen

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Canon 200D II / SL3 vs Canon EOS M50

Canon SL3 vs Canon EOS M50 – We have done a quick specification comparison between the two camera.

Imaging  
Lens Mount Canon EF-S Canon EF-M
Camera Format APS-C (1.6x Crop Factor) APS-C (1.6x Crop Factor)
Pixels Actual: 25.8 Megapixel
Effective: 24.1 Megapixel
Actual: 25.8 Megapixel
Effective: 24.1 Megapixel
Maximum Resolution 6000 x 4000 6000 x 4000
Aspect Ratio 1:1, 3:2, 4:3, 16:9 1:1, 3:2, 4:3, 16:9
Sensor Type CMOS CMOS
Sensor Size 22.3 x 14.9 mm 22.3 x 14.9 mm
Image File Format JPEG, RAW JPEG, RAW
Bit Depth 14-Bit 14-Bit
Image Stabilization Digital, 5-Axis (Video Only) Digital, 3-Axis (Video Only)

More Lens option with Canon 200D II / SL3 camera: Let’s begin with mount, Since the Canon 200D II / SL3 / 250D is a DSLR camera it features EF and EF-S Mount. With these mount you can use Canon APS-C or Fullframe lenses without any issue. Lot of third party lens makeras are also offering excellent range of affordable lenses for Canon 200D II camera. So, with Canon 200D II you have a lot of lens option, from native or third party lens makers.

Canon 200D II features more improved Dual IS system: Canon 200D II, image stabilization is more improved compared to Canon EOS M50. The camera features 5-axis compared to 3-axis digital IS. So, you will be getting a bit more stable footage compared to the Canon EOS M50 camera.

Otherwise the rest of the core specification of both camera almost same.

ISO, Exposure and Continuous Shooting

ISO Sensitivity Auto, 100 to 25600 (Extended: 100 to 51200) Auto, 100 to 25600 (Extended: 100 to 51200)
Shutter Speed Mechanical Shutter
1/4000 to 30 Second
Bulb Mode
  1/4000 to 30 Seconds
Metering Method Center-Weighted Average, Evaluative, Partial, Spot Center-Weighted Average, Evaluative, Partial, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3, 1/2 EV Steps) -3 to +3 EV (1/3 EV Steps)
Metering Range 1 to 20 EV 0 to 20 EV
White Balance Auto, Cloudy, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting Up to 5 fps at 24.1 MP for Unlimited Exposures (JPEG)
Up to 5 fps at 24.1 MP for up to 10 Exposures (Raw)
Up to 10 fps at 24.2 MP for up to 10 Exposures (Raw)
Up to 10 fps at 24.2 MP for up to 33 Exposures (JPEG)
Up to 4 fps at 24.2 MP for up to 15 Exposures (Raw)
Up to 4 fps at 24.2 MP for up to 1000 Exposures (JPEG)
Up to 7.4 fps at 24.2 MP for up to 47 Exposures (JPEG)
Interval Recording, Self Timer Yes, 2/10-Second Delay

The low-light performance of both the camera is excatly same:  As you can see both camera features exactly ISO ranting. So, more or less both camera will give almost same image quality. Canon 200D II camera features more Exposure Compensation range compared to Canon EOS M50.

Canon EOS M50 camera features faster frame rate: Canon EOS M50 camera feature faster continuous shooting speed comapred to Canon 200D II / SL3 camera. BTW, the image processor of both the camera is excatly same.

Canon 200D II / SL3 vs Canon EOS M50 – Video Mode

Recording Modes MP4/H.264
UHD 4K (3840 x 2160) at 23.976p/25p [120 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p/50p/59.94p [12 to 60 Mb/s]
HD (1280 x 720) at 50p/59.94p [26 Mb/s]
  MP4/H.264
UHD 4K (3840 x 2160) at 23.976p
Full HD (1920 x 1080) at 59.94p [60 Mb/s]
Full HD (1920 x 1080) at 23.976p/29.97p [30 Mb/s]
HD (1280 x 720) at 120p [52 Mb/s]
HD (1280 x 720) at 59.94p [26 Mb/s]
External Recording Modes 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/29.97p
Full HD (1920 x 1080) at 59.94i/59.94p
SD (640 x 480) at 59.94p
 
Recording Limit Up to 29 Minutes, 59 Seconds Up to 29 Minutes, 59 Seconds
Audio Recording Built-In Microphone (Stereo)
External Microphone Input (Stereo)
Built-In Microphone (Stereo)
External Microphone Input
ISO Sensitivity 100 to 12800 NA

Video recording modes of both the camera is almos identical, Both camera records Full HD videos with fulltaime DPAF support. But, when we switch to 4K video recording mode both camera uses CDAF (Contrast Detect AF System) which is ofcourse slow and sluggish.

The 2nd issue users face while recording 4K video us additonal 1.6X crop factor, so you have to keep in mind that 18mm focal legth will become 28.8mm lens. The issues is faced by both camera, Canon EOS M50 and Canon 200D II.

Canon 200D II / SL3 can shoot 10bit video via HDMI, so its a great option if you want to get more details from your camera.

Canon 200D II / SL3 vs Canon EOS M50 – AF system

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Automatic (A), Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points

Phase Detection: 9 (1 Cross-Type)

DPAF – Dual Pixel CMOS AF

3975 AF Points grouped in 143 AF zones

Contrast Detection: 143
Phase Detection: 99
Autofocus Sensitivity -0.5 to +18 EV -2 to +18 EV

Canon 200D II / SL3 camera features revised sensor. With the new sensor, you will be getting 3975 AF points, which make this camera as a best in its class and even better than most of the Mid-rang Mirrorless and DSLR camera avaible in the market.

As you can see the AF senstivity of the camera Canon EOS M50 camera is better compared to Canon 200D II / SL3.

Physical and Battery Life

Battery 1 x LP-E17 Rechargeable Lithium-Ion, 7.2 VDC, 1040 mAh (Approx. 1630 Shots) 1 x LP-E12 Rechargeable Lithium-Ion, 7.2 VDC, 875 mAh
Dimensions (W x H x D) 4.82 x 3.65 x 2.75″ / 122.4 x 92.6 x 69.8 mm 4.6 x 3.5 x 2.3″ / 116.3 x 88.1 x 58.7 mm
Weight 15.84 oz / 449 g (Body with Battery and Memory) 13.65 oz / 387 g (Body with Battery and Memory)

Canon 200D II / SL3 camera is a DSLR, so you get more comfortable handgrip compared Canon EOS M50. The othe big advantge you are getting with Canon 200D II is BIG Battery life of 1630 Shots per charge according to CIPA and at the same time the Canon EOS M50 camera limited to 230 Shots percharge. (When u switch to eco-mode (Still only) the camera shots per chrage can be upseacled upto 700-800 Shots per charge)

Canon 200D II / SL3 vs Canon EOS M50 Verdict

If you ask me, I will buy Canon 200D II / SL3 camera. The main reason behind the selection is support of EF-S and EF Lenses. New revised sensor for more faster AF performance, Excellent battery life and a comfortable design with a bit affordable price tag.