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Firmware Update

Sony ZV-E10 Mark II Specification

We do believe the upcoming Sony ZV-E10 Mark II will have the same core specification  – We do not want to waste your time by putting information in installments and making everything click bat, just read the below, remember and the same thing is coming in last week of May 2024.

Sony ZV-E10 Mark II Specification [Rumored]

  • 26MP Exmor R APS-C BSI CMOS Sensor
  • BIONZ XR Image Processor
  • Dedicated AI Chip / AI Auto framing and advanced AF modes
  • UHD 4K 120p [crop] 4K 60p Uncropped / FHD 240p / 10-Bit 4:2:2
  • Up to 11-fps Shooting, ISO 100-32000
  • Real-Time Tracking AF for Stills & Video
  • 759-Point Phase Detection, 93% Coverage
  • S-Log3, S-Gamut3, S-Cinetone, User LUTs
  • NO EVF – Same Body Desing as ZV-E10
  • Internal Mic + Inputs, USB Streaming
  • 3″ 1.03m-Dot Vari-Angle LCD Touchscreen

Price Sony ZV-E10 [Rumored Price approx]

  • Price $798 [Bodly Only] | $899 With 16-50mm Lens | $1199 Creator Kit (Wireless grip + Shotgun Mic) | $1399 with 10-20mm Lens

Sony Alpha Products Arriving in June 2024

  • FE 85mm F1.4 GM II:
    Optically superior lens than the original 85mm GM
    More compact and lighter
  • FE 24-70mm F2.0 GM:
    – May or June is still unknown
    – Compatible with 24mm, size is about Canon 28-70mm F2

summer or later part of this Year

  • Full-frame E-mount camera
    Details coming soon
  • Full-frame E-mount lens
    Details coming soon

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Camera News and Sony Alpha Rumor

Sony ZV-E10 Mark II Coming in May 2024

According to the latest rumors surfaced over the web,  Sony ZV-E10 Mark II camera is expected to arrive in June 2024. The camera Camera will arrive along with a new APS-C E-mount kit lens optimized for “Vloggers”. The 85mm F1.4 GM II should be released in June. I don’t know yet when the 24-70mmF2.0GM will be announced, but I think it will be announced in June.

Sony ZV-E10 Announced in May

  • New Sony ZV-E10 II:
    ・Specifications are below
  • New APS-C E-mount kit lens:
    Optimized Lens for Vloggers

——— End of Rumor ——–

A collection of information we have published in the past

Sony ZV-E10 Mark II Specification [Rumored]

  • 26MP Exmor R APS-C BSI CMOS Sensor
  • BIONZ XR Image Processor
  • Dedicated AI Chip / AI Auto framing and advanced AF modes
  • UHD 4K 120p [crop] 4K 60p Uncropped / FHD 240p / 10-Bit 4:2:2
  • Up to 11-fps Shooting, ISO 100-32000
  • Real-Time Tracking AF for Stills & Video
  • 759-Point Phase Detection, 93% Coverage
  • S-Log3, S-Gamut3, S-Cinetone, User LUTs
  • Internal Mic + Inputs, USB Streaming
  • 3″ 1.03m-Dot Vari-Angle LCD Touchscreen

Price Sony ZV-E10 [Rumored Price]

  • Price $798 [Bodly Only] | $899 With 16-50mm Lens | $1199 Creator Kit (Wireless grip + Shotgun Mic) | $1399 with 10-20mm Lens

Sony Alpha Products Arriving in June 2024

  • FE 85mm F1.4 GM II:
    Optically superior lens than the original 85mm GM
    More compact and lighter
  • FE 24-70mm F2.0 GM:
    – May or June is still unknown
    – Compatible with 24mm, size is about Canon 28-70mm F2

summer or later part of this Year

  • Full-frame E-mount camera
    Details coming soon
  • Full-frame E-mount lens
    Details coming soon

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Camera News and Sony Alpha Rumor

Sony A7 IV vs Nikon ZF

You get a slight resolution advantage with the Sony 33mp resolution sensor. Those who are pixel peepers may notice a slight difference when zoomed into 100% scale in the images of Nikon ZF and Sony A7 4 cameras since the ZF camera is limited to 24-megapixel resolution.

WHY NIKON ZF CAMERA IS THE BEST CHOICE FOR PHOTOGRAPHERS

The Nikon ZF is a camera that features extensive manual control over the body and a tank-like, rock-solid body. It feels quite heavy and the extensive manual controls allow you to alter any settings with the help of the dials and controls you have all over the camera body while shooting in manual mode.

Feature Sony A7 4 Nikon ZF
Resolution 33mp 24mp
Body Standard Tank-like, rock-solid
ISO Range Up to 51,200 Up to 64,000
Image Stabilization Sensor-shift, weaker in photography mode, stronger in videography Advanced 5 stops of sensor-shift with AI algorithm
Continuous Shooting Up to 10 frames per second Up to 15 frames per second
High-Resolution Mode 33 megapixels Up to 96 megapixels
Low Light Sensitivity -4 EV -10 EV
Lens Mount E-Mount | Open Mount Nikon Z mount | Open Mount
Video Recording 4K at 60 fps with APS-C crop 4K at 60 fps with APS-C crop
Bit Rates 600 megabits per second 340 Mbps for H.265 10-bit video, and 300 Mbps for H.265 8-bit video
Image Stabilization in Video Desirable, gyro-based Standard

Apart from this, the sensor inside the Nikon ZF camera is ultra-low light-sensitive. The 24-megapixel full-frame sensor features a standard ISO range up to 64,000 whereas the Sony A7 4 camera’s standard ISO range is limited to 51,200. So without a doubt, we will get an extra one-stop advantage in low-light performance from the Nikon ZF camera.

 Must see – Best Lenses for Nikon Zf | Sony A7 IV Best lenses

One of the biggest factors that affect the low light performance of the camera is the type of sensor-shift image stabilization system used inside the body. The Nikon ZF camera uses advanced 8 stops of sensor-shift image stabilization technology as well as an artificially intelligent algorithm that moves the autofocus points along with the sensor-shift IBIS technology. So the image stabilization is not always focused at the center of the frame; the center always changes along with the autofocus point in the photography mode. The Sony A7 IV camera IBIS is limited to 5 Stops and traditional IS technology.

Another advantage that we have is the continuous shooting mode of the camera. With the Nikon ZF, you can shoot up to 15 frames per second whereas with the Sony A7 4, you remain limited to 10 frames a second.

Sony A74    Nikon Zf
Autofocus System Hybrid PDAF Hybrid PDAF with deep learning subject recognition
Autofocus Points 759 273
Maximum Low-Light AF Sensitivity (Standardized to f/2, ISO 100) -4 EV -8.5 EV
Standard Flash Sync Speed 1/250 1/200

Another big advantage that we have found in the Nikon ZF camera is the low light sensitivity. The ZF camera can shoot up to -10 EV which is in extremely low light conditions whereas the Sony A7 4 camera’s low light capability remains limited to -4 EV.

High-Resolution Mode 33 megapixels ONLY – NO HR MODE Up to 96 megapixels (requires tripod or studio setup for best results)

The Sony A7 4 camera’s 33-megapixel advantage is being overshadowed by the Nikon ZF’s multi-shift high-resolution mode which is capable of shooting up to 96 megapixels of resolution. But yes, it is not possible to shoot handheld; you will need a tripod or best to practice the high-resolution mode in a studio setup.

Sony A7 4 versus Nikon ZF, which camera should you buy? VERDICT

So if we combine all the capabilities like the hybrid sensor-shift stabilization system, the high-resolution mode, the better standard ISO range, the capability to shoot higher frame rates, and also advanced or better low light sensitivity, overall the Nikon ZF camera is more recommended to photographers compared to the Sony A7 4.

The lens mount Nikon Z mount is now open and has a variety of options available from third-party lens makers like Sigma and Tamron. So if you are invested in Z mount, you won’t feel that much scarcity of being limited to a specific mount without having any option for third-party lens makers.

Let’s talk about the video comparison of both cameras.

Both cameras are able to shoot videos up to 4K at 60 frames per second, and both of them do have APS-C crop while filming 4K 60p and no crop while recording 4K up to 30 fps.

BIT RATES COMPARED

Let’s compare the bit rates of both the cameras and if you compare the bit rates then it is very clearly evident that Nikon ZF camera lower  bit rates (MAX Nikon Zf has a maximum bit rate of approximately 340 Mbps for H.265 10-bit video, and 300 Mbps for H.265 8-bit video. The bit rate depends on the video file type),  Sony A7 IV MAX bitrates goes upto 600MPBS. Having slightly higher res sensor can be one of the resons of having such difference since both of them do oversampled 4K videos.

Both cameras record 4:2:2 10-bit internally and in both of them, we have log profiles available for having maximum dynamic range possible.

GYRO-BASED IMAGE STABILIZATION

Now the biggest advantage we have with Sony is its GYRO BASED image stabilization system. Its sensor-shift image stabilization is weak compared to the Nikon ZF camera in photography mode but when we talk about videography, and cinematography then gyro-based image stabilization is way more effective than having a sensor-shift image stabilization system.

LENS BREATHING CORRECTION

Now the most impressive thing that I have seen in the Sony A7 4 camera is lens breathing correction in video. The camera exhibits excellent lens breathing correction while using third-party lenses.

Now we also have an anti-dust shake mechanism inside the Sony A7 4 camera and Nikon should also learn it. The way they have copied this style from Canon, Nikon should also copy this particular style of rotating the sensor either from Sony or Canon because they have to do it otherwise our sensors are not always protected when the lens is unprotected.

Now a full-size HDMI port is available in the Sony A7 4 camera and that’s an amazing thing. Believe me, I really hate having a micro or mini HDMI port in a camera.

OVERHEATING

I have personally used both the camera, Nikon ZF camera handles overheating very well and while using a Sony A7 IV camera you have to use the CF express type A Card or at least V90 to avoid potential early overheating.

BEST CAMERA FOR VIDEO

Sony A7 IV camera is more recommended for video, since if we look at the overall features we get a lot of stuff required for video workflow, but again if you living near the equator, better to invest in Nikon Zf.

Get a Sony A7 IV Camera from Amazon.com | B&H Store

Get a Nikon Zf camera from Amazon.com | B&H Store

Sigma 50mm F1.2 For Sony E-Mount and L-Mount

We now have the leaked images of the to-be-announced Sigma 50mm F1.2, the lens is coming for the Sony E-Mount and Leica L-Mount.

When Compared to Sony’s 50mm F1.2GM, the new lens is said to be more compact lightweight and affordable, overall similar to their own 50mm F1.4 lens. It features a 77mm filter interface and 13 aperture blades. It will be available in Sony E-mount and Leica L-mount versions and is expected to be released within the next two weeks at a slightly lower price than the original manufacturer’s.

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Viltrox 30-300mm Cinema Lens for Sony and Leica Coming Soon

Voltrox to soon announce 30-300mm Cinema Lens [10X in total zoom] with an aperture of F4. It will be available in Sony E, Leica L, and PL mounts. It is a manual focus lens designed for filmmaking, and it is the first lens in the “Luna” series. The price has not been announced yet.

That also means new range of viltrox LUNA series of Lenses will arrive of Cinema Cameras in 2024 – 2025.

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source camerabeta

A True Sony Fanboy Spotted - Welcome to Mirrorless-Kitchen

A True Sony Fanboy Spotted – Welcome to Mirrorless-Kitchen. A loyal Sony mirrorless camera enthusiast, Andrew Haugen, used his Sony E-mount lenses to decorate his kitchen. List of Lenses can be seen on the kitchen

Sony 85mm f/1.8,
Sony 200-600mm f/5.6-6.3 G,
Sony 24-105mm f/4 G,
Tamron 17-28mm f/2.8,
Sony 35mm f/1.4 GM,
Sony 90mm f/2.8


more pic

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source SAR website

Sony 24-70mm F2.0 Coming Soon

According to the latest information, Sony will soon announce a 24-70mm f/2.0 lens. Sources of the rumor mill indicate that Sony aims to create a true competitor to Canon’s 28-70mm f/2.0 lens.

The price of this lens is expected to be around $3000, which aligns with the cost of Canon’s RF 28-70mm f/2.0 | B&H Store.

However, the exact announcement date for this lens remains unknown.

Also, look at – Sony to Expand Z Series Camera Lineup and A7S 4 Delayed

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source SARYT