Let’s talk about the body design of both the camera the Canon R50 camera is more photographer friendly with the EVF and the deep hand grip that is missing in the Sony ZV-E10 camera
As you can clearly see Canon R50 and Sony ZV-E10 have different design approaches, Canon R50 has a more traditional, like a DSLR camera with a deep handgrip and also EVF for daylight shooting, while the Sony ZV-E10 may have a more modern, bit more compactish design that looks more vlogger friendly. Ultimately, the best camera for you will depend on your specific needs, shooting style, and set of available lenses (Open lens mount or close etc )
If you are a photographer and looking for a camera that has a more photographer-friendly design, it’s better to look up the Nikon z50 or maybe the Sony A6400.
But we have to also remember that the Canon RF mount supports a limited amount of lenses since it’s a closed mount and in Sony, we have an amazing range of lenses starting from the affordable to the g master series and the Sony lens amount of Sony is open from 2011. so literally, you have to be very conscious before making your decision
Actual: 25 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Sensor Type
22.3 x 14.9 mm (APS-C) CMOS
23.5 x 15.6 mm (APS-C) CMOS
Crop Factor
1.6x
1.5x
Image Stabilization
None (Video)
Digital (Gyro Based)
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
After the body design let’s compare the internal core specification of both cameras.
The Canon R50 camera features the same 24-megapixel sensor that we have seen in the Canon R10 camera, and also here the Sony ZV-E10 camera uses 24MP sensor, which we have seen in the Sony 6400 camera or A6600 camera.
Electronic Shutter
Up to 15 fps for up to 28 Frames (JPEG) / 7 Frames (Raw) Electronic Shutter
Up to 12 fps for up to 42 Frames (JPEG) / 7 Frames (Raw)
Up to 11 fps at 24.2 MP for up to 116 Frames (JPEG) / 46 Frames (Raw)
Interval Recording
Yes
Yes
Self-Timer
2/10-Second Delay
2/5/10-Second Delay
AutoFocus Performancee
As you can see the number of AF points in Canon R50 is 4503 DPAF points for stills and 3713 DPAF points for Video. And when we compare it with the Sony’s ZV-E10 425 Hybrid AF points the comparison look meaningful less for a moment, but its not about how many numbers of AF points a camera has or fabricated inside it, the key factor of todays Mirrorless AF system in the Artificial Intelligent Algorithms inside the camera, and that’s the biggest reason why despite of having less number of AF points the AF performance of The Sony ZV-E10 is flawless.
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Photo
Phase Detection: 4503 Video
Phase Detection: 3713
Phase Detection: 425
Contrast Detection: 425
-3 to +20 EV
Canon R10 – Fastest Shooting Entry-level camera
For the first time Canon has introduced an electronic shutter inside an Entry level body, now with the help of an electronic setter we are able Burst upto 15FPSbut, but sadly the buffer is limited to 30 Frames of JPEG, so you can hardly have two second buffer slot with the Canon R50 Camera.
Sony ZV-E10 camera has a limited Brust speed of 11 frames per second, but at the same time the buffer memory of Sony’s ZV-E10 camera is much more than that of the Canon R50, with the ZV-E10 camera you are able to record 116 frames of JPEG in a single Brust and 46 frames of RAW0
Since Canon R50 camera uses a Canon R10 camera sensor and the samples of Canon R5 isn’t available right now, that’s why we are keeping the R10 image samples in our comparison list, so you can have an idea how will R50 will perform against the Sony ZV-E10
BASE ISO TEST
In the base are you so test you can clearly see both cameras are performing equally well, the detail capturing ability of both the camera is good at the base ISO range.
HIGH ISO TEST
Now let’s talk about the HIGH ISO TEST of both the camera, As now you can see the Sony ZV-E10 camera is able to preserve slightly more details in some specific situations compared to the Canon R50 Mirrorless camera, so for low light purposes of course Nikon ZV-E10 is bit more helpful.
Video Specs
Internal Recording Modes
H.264/H.265/MPEG-4
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps
H.264/H.265/MPEG-4
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps
Broadcast Output
NTSC/PAL
NTSC/PAL
Built-In Microphone Type
Stereo
Stereo
Best Entry-Level Camera to Record Videos?
Both cameras share exactly the same video Resolution and frame rates, Canon R50 camera as well as the Sony’s ZV-E10 camera records 4K videos up to 30 FPS and full HD videos up to 120 per second. So, for the first time, we have a Canon entry-level model that doesn’t crop in 4K. Undoubtedly it will bring smiles in face of Canon users, those who are waiting to upgrade their cameras from Canon M50 Mark ii or Canon 200D Mark II / SL3 . But, at the same time in 3rd generation of making APS-C Mirrorless cameras, the ZV-E10 is more video oriented and focuses on content creator requirements.
None of the cameras have any time recording limit in 4K 24 and 30 FPS recording video, but yes you have to carry extra battery packs says the batteries dry out quickly with these entry-level cameras when you are recording 4K.
Canon features DIGITAL Image stabilization mode in VIDEO, which we see generally in entry-level cameras, the mode works but with a cost of crop and it becomes unbearable and painful to your hands when you try to vlog with the Canon 18-45 kit lens, the 18mm wide generates a 24mm equivalent focal length of a full-frame camera and after that, once you apply Digital IS Mode, you hardly adjust yourself in the frame. So, if you want to vlog with an R50 camera, better to buy the Canon’s 15-30mm Lens OR at least an RF 16mm F2.8 Lens. But, unfortunately, the RF 16mm lens doesn’t have OIS Support. To better get the 15-30mm lens for vlogging if possible. As you know, we don’t have many options with Canon since the lens mount is locked and we have to select from a limited range of lenses.
But, the biggest surprise is we have a gyro image stabilization system inside the Sony ZV-E10 which works very effectively when you are shooting videos with the camera. Although using Gyro-based data is not that easy, either you have to use the catalyst browse software to stabilize your footage prior to editing, or Sony now also offers Catalyst plugin for premier pro software.
The range of available lenses is much more than you would expect, The Best Sony ZV-E10 Lens for Vlogging in 2023 is Sony 11mm F1.8 Lens, The lens captures a super wide 16mm full-frame equivalent look and a BRIGHT F1.8 aperture perfect for vlogging.
The Sony ZV-E10 also features a 3-capsule-based enhanced internal microphone design that captures audio much better than you would expect from a regular entry-level camera, as well as to monitor that audio you also get an extra 3.5mm headphone port. Which is not available with the Canon R50.
Of course, a Range of dedicated modes is also there which includes face exposure priority, product showcase, and skin softening mode for vloggers.
Interface
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC
Single Slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid (UHS-I)
Video I/O
1 x Micro-HDMI Output
1 x Micro-HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Other I/O
1 x USB-C Input/Output
1 x USB-C Input/Output
Wireless
2.4 / 5 GHz Bluetooth 4.2 Control
1 x USB-C (USB 3.2 / 3.1 Gen 1) Input/Output (Shared with Power Input)
Mobile App Compatible
Yes *As of February, 2023: Check with manufacturer for the most up-to-date compatibility
Wi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.)
None
None
Best Camera for shooting Still Images and video?
Canon R50 overall design is more appealing to photographers since the camera also features EVF and a better handgrip, we also have an advanced AF system with AI AF object tracking mode and faster burst speed it looks ver impressive. But, at the same time you can see from the results of the High ISO Test, the Sony ZV-E10 sensor is preserving more details, if u want a more video-oriented camera with features like an advance microphone, dual 3.5mm jack, gyro-based IS, and product showcase mode, ZV-E10 best for you.
The Next BIG thing is Canon’s Locked lens mount. So, the range of lenses for an entry-level shooter is less (if you have a limited-budget lens ).
So, overall it depends upon who is buying the camera if he/she is a casual shooter. Not interested in having extra lenses and love the R50 design, then yes for you guys the R50 is best. But for those who are more serious with photography or video at the same time they have a limited budget, better to buy a Sony ZV-E10 camera (or A6400 is you are a photographer).
According to the latest rumors, The Sony A7C Mark II camera is coming with the same 33MP full-frame Exmor R CMOS BSI sensor and the same IBIS unit, that we have seen in the Sony A74 camera. But, the EVF is expected to remain the same as the Sony A7C Camera.
Take a look at what the source said to the rumor mill
We can expect A7C II next year. Sony already reserved some components from A7IV for “another camera” including for example sensor and IBIS. Also they scheduled increased production ONLY for EVF from A7C mk1 for this year. So we are expecting A7C II same specs as A7IV, redesigned shell but same EVF like mk1.
On Nov 26th, 2022 in one of our articles published [Sony upcoming cameras of 2023] we told back then the Sony A7C Mark II camera will arrive in Q3 / Q4 of 2023 with the same sensor that we have seen in Sony A74. Now, we are getting the same confirmation from other rumor mills too.
Latest Sony A7C Mark II – Rumor Analysis
Is the rumored information correct or not? Yes, we do know based on the scheduled announcement patterns of these Mirrorless makers, there is a high probability that we will see the Sony A7C Mark II camera in the year 2023 and we have said the same in our previous post too.
But the big question is, as the source said the Sony A7C Mark II will use the same sensor and IBIS unit as the Sony A7 IV camera,
1. Sony 33MP Full-Frame Exmor R CMOS BSI Sensor in A7C Mark II
Let’s talk about 33MP Sensor only– The source speculates that the A7C Mark II will feature the same sensor as the A7 IV, which is a strong possibility given that it’s already been 10+ months since the A7 IV was released, and as the market competition is begin raised up and competitors like Panasonic S5 Mark II | S5X arrived, they have no other option then to make an affordable Sony A74 mark IV curry for Cinematographers and content creators if they want to survive in $2000 body price range of cameras (against Pannsonic S5 II), As you know the Sony A7 C Mark I look drastically weak in front of S5 Mark II and yes, the Sony FX30 is a good option for beginner cinematographers but it features an APS-C CMOS sensor, the A7C Mark II will be a perfect competitor of Panasonic S5 Mark II if they upscale the video core specs (Like 4k 60p uncropped) and remove the overheating issue from the camera.
Not only that, the A7C Mark II is expected to have a more content creators-friendly body design, to make it more user-friendly undoubtedly we will see some sacrifice in the controls or EVF part compared to the A74. So, the Sony A7 IV camera will remain safe in its place if someone wants a super perfect Hybrid Camera more for photography and a bit less for dedicated video work A7 IV is still the perfect option for them, but at the same time the Sony A7C Mark II will not only attract a new consumer base, but it will also stop the migration of Sony users to a different brand like Panasonic or Canon.
2. Same or Redesigned Sony A7 IV IBIS Unit inside A7C Mark II Body?
Ok, the sensor part is perfect, but how is it possible, the upcoming Sony A7C Mark II will use the same IBIS unit as the Sony A7 IV camera ?.take a look at what dpreview said about the Sony A7C camera
Sony has redesigned its in-body stabilization system to fit into a much smaller body than before
Is the rumor mill source really correct with the set of information he shared with us? Since, if Sony uses the same IBIS Sensor mechanism of the Sony A74 IV camera in Sony A7C Mark II Body, the camera will lose its Truly compact form factor, will Sony camera division marketing team allow this to happen?. Yes, they can use a Redesigned version of the Sony A7 Mark IV IBIS unit to easily fit inside the Sony A7C Mark II body and the camera retains its compact form factor.
And yes, finally the EVF, the camera is made for cinematographers, content creators, and videographers so having a high-quality EVF isn’t that important in the upcoming Sony A7C Mark II camera. So, yes the Sony A7C Mark II may arrive with the same 2.36m-Dot OLED Electronic Viewfinder.
Updated Rumored Cores specification of Sony A7C Mark II based on latest rumors
Sony A9 III Wired Rumor – According to the latest rumors surfaced over the reputed rumor mill…
According to the leaked info from a source, the rumor mill says A9 III will be lent to select photographers during the FIFA world cup and possibly during the Asian winter games.
FIFA world cup will kick off on Nov. 20 with host nation Qatar’s tournament opener against Ecuador.
The next Asian winter game will start in 2029, check the details below
That’s why I say rumor mills should double-check their sources before they publish such rumors. Even if the source is new | Null or dull, how anyone can publish this text?
Sony A9 III Leaked Specification [Updated Nov 2022]
This is the set of information we have related to the Sony A9 III
just like the Sony A7R V update, this time Sony will keep the same sensor inside the Sony A9 III camera but added a new AI Chip same as Sony A7R V, and a new image processor.
Finally, the Sony A7R V camera is now official, the camera features a 61MP sensor (it’s redesigned to perform better). The camera redefines Artificial intelligence and image processing power in Sony A7 series cameras. For the first time, a Sony A7 series camera is able to shoot 8K videos, (Yes we know the A1 series is capable of but 8k has been introduced for the first time in the A7 series via A75 ) Not only that the camera does full sensor readout so you will get HQ 4k videos up to 60fps from Sony A7R5 camera. The next big improvement is IBIS, for the first time a Sony A7 camera features IBIS up to 8 Stops, even the recently announced Sony A7 4 camera was limited to 5.5 Stops of IBIS.
Other upgrades include new 693 Phase AF points in the sensor for more precise AF tracking performance. (Sony A7R 4 was limited to 567 AF points). The addition of a new menu, as well as S-Cinetone picture profiles, finally arrived. AI-assisted auto WB, New pixel shift mode for handheld High Res images, and much more.
Overall the Sony A7R 5 camera arrived with a major update except for the sensor resolution. That is the only thing that disappointed me, everything else is a massive upgrade.
SAN DIEGO, CA – October 26, 2022 – Sony Electronics Inc. announced the Alpha 7R V (model ILCE-7RM5) as the newest R series camera in its acclaimed line of Alpha mirrorless interchangeable lens cameras. The Alpha 7R V combines Sony’s highest resolution image sensor with a new AI (artificial intelligence) processing unit dedicated to AI-based image recognition – a first in any Alpha camera – as well as the powerful BIONZ XR™ image processing engine – a first in the “R” full-frame lineup. The combination of the high-resolution sensor and these processors enables new breakthroughs in subject recognition and capture for both still photography and video.
The new Alpha 7R V offers 61.0MP still images plus the most effective 8-step[i] image stabilization system ever offered in any of Sony’s Alpha cameras, as well as refined 8K[ii] movie output, a new 4-axis multi-angle monitor, high-speed communication functions, high-level operability and smooth workflow integration. Sony’s newest camera is ideal for professionals who need a first-class high-resolution imaging tool.
“The newest addition to our Alpha 7R lineup is the perfect example of our relentless drive to develop industry-leading imaging technology,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are thrilled to introduce the all-new Alpha 7R V with high-resolution and extremely advanced AI integrations that deliver next-generation autofocus performance. We are excited to see what our community creates with the new Alpha 7R V.”
Improved AF Accuracy Based on Newly Developed AI Processing Unit
The Alpha 7R V features Real-time Recognition AF, which is next-generation AF with advanced accuracy and broader subject recognition thanks to a new AI (artificial intelligence) processing unit with deep learning. The state-of-the-art AI processing uses detailed information about human form and pose estimation to dramatically improve recognition accuracy beyond systems that only detect face and eye and make full use of its potential[iii]. Real-time Recognition AF, using AI subject recognition, has been developed to include several subject types, including animals, vehicles and insects[iv]. The Alpha 7R V also includes continuous shooting at up to 10 fps[v] with AF/AE tracking.
In addition to the advanced AI technology, the Alpha 7R V includes improvements to many beloved features from other cameras in Sony’s Alpha series that are now included for the first time in Sony’s 7R series:
Tenacious Real-time Tracking
Faster and more precise wide-area, high-density AF system
Silent, vibration-free shooting[vii] at up to 7 fps[viii]
Continuously shoot up to 583 compressed RAW images at high speed[ix]llio
The Alpha 7R V also includes focus features that support high resolution including full-time DMF[x] (direct manual focus), and focus bracketing[xi], a highly-requested capability that allows for focus stacked images.
Extraordinary Resolution Known to Sony’s Alpha 7R Series
The Alpha 7R V was designed to deliver overwhelming detail thanks to the latest BIONZ XR™ image processing engine and a 35mm full-frame back-illuminated Exmor R™ CMOS image sensor with approximately 61.0 effective megapixels. The latest BIONZ XR image processing engine ensures that the resolution potential of the camera’s sensor is fully utilized to deliver the highest resolution at low sensitivity in the Alpha series thus far. This enables sensitivity settings from ISO 100 to ISO 32000[xii] for both stills and movies and wide dynamic range with 15 stops[xiii] for stills.
The Alpha 7R V’s entire image stabilization system has been updated with a high-precision image stabilization unit, advanced gyro sensors, and optimized image stabilization algorithms for stills and video. In addition to the 8-step compensation effect for stills, the new stabilization algorithm provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor’s 61.0-megapixel resolution potential to bring out the finest subject details. Sony’s newest camera also offers upgraded Pixel Shift Multi Shooting, which takes advantage of the precision in-body image stabilization system control, capturing multiple pixel-shifted images that are later composited using a computer to achieve overwhelming resolution in a single image. Using the latest version of Imaging Edge Desktop™ Ver.3.5 computer application, small pixel-level movements, such as a shift in the subject’s position or leaves on a tree, are automatically detected and corrected so that perfect compositing can be achieved[xiv]. 16-image composites with approximately 240.8 million pixels (19,008 x 12,672 pixels)[xv] can be produced from data that is equivalent to approximately 963.2 million pixels. The Alpha 7R V also supports precise and versatile external flash control for additional creative flexibility. Additionally, when in challenging lighting conditions the Alpha 7R V effectively suppresses flickering from artificial lights[xvi] for stills and video.
Additional features that offer flexibility for still photography includes:
Addition of Lossless RAW image compression and selectable RAW image sizes and quality
Greatly expanded focus and exposure bracketing
Creative Look settings for stills and videos in the camera
High-quality HEIF images with high compression efficiency
Wide brightness range for large-screen viewing.
Cinematic Video Capabilities
In addition to incredible still photography capabilities, the Alpha 7R V offers advanced video capabilities. Sony’s newest camera delivers 8Ki 24/25p video, 4K video oversampled from 6.2K without binning[xvii], a high-efficiency MPEG-H HEVC/H.265 codec, all intra recording, 10-bit 4:2:2 recording, and more for high image quality and flexible editing. It also includes evolved subject recognition for unprecedented real-time tracking reliability, breathing compensation and the ability to use camera metadata for post-processing and advanced in-body image stabilization. In addition to in-body Active mode[xviii] image stabilization for smoother on-the-go recording, the Alpha 7R V is compatible with select lenses[xix] that include built-in image stabilization for even more stable framing and smooth footage.
Operability and Reliability
The Alpha 7R V pairs outstanding reliability for professional needs in both stills and videos with a compact, lightweight form factor. The Alpha 7R V includes a new 4-axis multi-angle LCD monitor[xx] that combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility, and an electronic viewfinder with 9.44 million dots. The Alpha 7R V also includes two CFexpress Type A/SDXC compatible media slots and a brand-new menu system with touch control and a wide range of customizable functions.
The Alpha 7R V also allows professionals to optimize their workflow with updated connectivity for improved support. Data can be transferred at high speed over Wi-Fi (802.11ac) 2×2 MIMO[xxi] or a wired SuperSpeed USB 10Gbps connection via a USB-C® port. In addition to allowing efficient remote shooting as well as still and movie file transfers, new USB streaming features support UVC/UAC, allowing direct streaming from the camera even in 4K (QFHD) resolution with audio as well.
Based on feedback from professionals, the Alpha 7R V includes improved heat dissipation for extended recording times[xxii], an upgraded dust and moisture resistant design[xxiii], a durable magnesium alloy chassis, and other refinements for maximum reliability in challenging working environments.
The Alpha 7R V is also compatible with the new PCK-LG3 Screen Protect Glass Sheet, which maintains touch sensitivity while protecting the LCD monitor against stains and fingerprints.
Designed for Professionals with Sustainability in Mind
Measures have been taken to reduce the environmental footprint of this product at various stages of its life cycle: from product development through supply chain, production, and packaging. Sony aims to inspire through efficient use of energy and resources. Recycled plastic including SORPLAS™[xxiv] were partially used for the camera body. In addition, manufacturing takes place at a facility using renewable energy.
Sony is working towards the use of plastic free[xxv] packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags[xxvi]. All of these considerations help to minimize environmental impact.
Pricing and Availability
The new Alpha 7R V will begin shipping in December and is available for approximately $3,900 USD and $5,300 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
[i] CIPA standards. Pitch/yaw shake only. FE 50mm F1.2 GM. Long exposure NR off.
[ii] Slow & Quick Motion is not available when recording XAVC HS 8K movies. [APS-C/S35 Shooting] is fixed at [Off]. Angle of view is approx. 1.2x.
[iii] Camera may not accurately recognize all specified subjects in all conditions. Subject types other than the type specified may be erroneously recognized in some cases.
[iv] Camera may not accurately recognize all specified subjects in all conditions. Available subject settings are: Human, Animal/Bird, Animal, Bird, Insect, Car/Train, and Airplane. Subject types other than the type specified may be erroneously recognized in some cases.
According to the latest rumors surfaced over the web the Sony A7R V camera is expected to arrive on October 26, 2022, with a 63 MP sensor. We also have several fake images floating over the web, but we will post more details here when authentic photos and detailed specs become available.
Sony finally used its own 26MP APS-C BSI CMOS sensor for its flagship APS-C Cinema camera. The camera features all the basic core specifications that a cinema camera must have to get Netflix approval and all of these are under the $1800 price range.
The camera also features newly designed tiles like a menu interface just like we have seen in FX9, a customizable LUT upload option for the first time in a cinema camera, and new Exposure Index modes for capturing the MAX quality possible from the FX30 camera.
The camera is so small and compact you can also do handheld vlogging with this cinema camera, the camera features Mech IBIS Mode, Gyro-based IS and now you have an option to use the catalyst browse plugin which can be integrated into Premier PRO and after that, you can easily fix camera shake.
The Sony FX30 is set for an October 2022 release at $1799, body-only.
Sony Electronics Expands Cinema Line with New 4K Super 35 Camera for Future Filmmakers
LOS ANGELES, CA – September 28, 2022 – Sony Electronics Inc. is pleased to announce the newest addition to the brand’s prestigious Cinema Line – the FX30 (model ILME-FX30). The new FX30 is a 4K Super 35 compact cinema camera that offers many professional features of the Cinema Line, such as Dual Base ISO, Log shooting modes, and user-imported LUTs (Look Up Tables) at a price point that appeals to many aspiring filmmakers.
In addition to introducing the new FX30, Sony announced two new CFexpress Type A Memory Cards – CEA-G320T and CEA-G640T. Both are large capacity cards that support high-speed performance with a maximum writing speed.
“The new FX30 is a great fit for a wide range of filmmakers,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “As part of our Cinema Line, it is an attractive addition for seamless integration into large productions. Additionally, by incorporating many professional features found in our flagship cinema cameras, it is a perfect camera for up-and-coming filmmakers that are working with tight budgets.”
Creating a Cinematic Look
The FX30 offers next-generation filmmakers cinematic expression with the latest imaging systems. It features a new back-illuminated 20.1 megapixels APS-C Exmor R™ CMOS sensor (Super 35 format) with a dual base ISO (800/2500) to deliver high sensitivity, low noise, and 14+1 stops of latitude.
The FX30 supports a variety of video recording codecs. It can shoot in high frame rates, including 4K at 120fps and full HD at 240fps2. The FX30 also features the ability to shoot 4K Super 35 (16:9) by oversampling from 6K at up to 60fps. Both 16:9 recording modes can shoot at 10-bit 4:2:2 while the HDMI Type-A port outputs 4K, 16-bit RAW3 for an external recorder4.
Like the rest of the Cinema Line, the FX30 features Log shooting modes by enabling Cine El, Cine El Quick, and Flexible ISO modes for recording with the S-Log3 gamma curve, which allows more flexibility when color grading. All three modes allow video shooting while monitoring with an appropriate LUT to preview the final image. In addition, the FX30 includes a selection of built-in cinematic looks, such as Sony’s S-Cinetone™, and can shoot single stills. The camera offers advanced image processing capabilities with the BIONZ XR processing engine for natural gradations and realistic color reproduction.
Designed to Support Creators’ Needs
The FX30 features Sony’s fast and reliable still and video autofocus, with settings including:
Real-time Eye AF (human, animal or bird5)
Real-time Tracking
Detailed AF settings
AF Assist6
Creatives also have more control when using the Focus Map7, which makes it easy to visualize depth of field, and Breathing Compensation8 to offer a stable angle of view when focusing. The camera includes effective stabilization for run and gun shoots using Active Mode9 thanks to the optical in-body 5-axis image stabilization. The FX30 also includes time code sync10.
The FX30 incorporates other features that retain the spirit of the Cinema Line, including:
New customizable list-style main menu screen for quick access to frequently used items
New standby movie screen that provides an unobstructed view of the subject
Buttons and dials dedicated to movie shooting
The FX30 also includes added functionality to assist with the creative workflow, such as post-production editing using embedded LUT, and EI metadata11. This metadata is available using the latest version of Sony’s Catalyst Prepare12 or Catalyst Browse applications. A new “Catalyst Prepare Plugin” for Adobe Premiere Pro was released in August.
Easy Operation and a Compact Form Factor
Compact and lightweight, the FX30 has a flat-top design with threaded accessory attachment points, making it easy to use for shooting handheld, capturing low-angle shots, mounting on a gimbal, or adding accessories. The FX30 also features an XLR handle unit13, which can be used to capture low-angle shots and also allows filmmakers to capture crystal clear audio through various audio inputs, including two XLR audio inputs and a 3.5 mm stereo mini jack for 4-channel recording. External microphones can be connected directly to the camera via the Multi Interface Shoe or microphone jack. The FX30 also features an internal stereo microphone for audio recording.
The FX30 are equipped with two memory card slots that are compatible with both CFexpress Type A cards and SDXC/SDHC cards, bringing wide range of shooting experiences to filmmakers. The FX30 is also compatible with the newly announced large capacity CFexpress Type A memory cards.14
The FX30 pairs advanced performance with outstanding reliability. It features an innovative heat dissipation structure for uninterrupted 4K/60p recording, reliable power for extended recording, and a durable magnesium alloy chassis. A comprehensive selection of E-mount lenses, high-performance microphones, and other essential components offers extraordinarily flexible systems for a broad range of creative needs.
Sony Future Filmmaker Awards
The new FX30 is an ideal choice for filmmakers actively working on or considering entering the Sony Future Filmmaker Awards, a major new annual awards program for short films. Sponsored by Sony and free to enter, the Awards set out to elevate original voices from around the globe with a fresh perspective on storytelling. For more information, please visit: www.sonyfuturefilmmakerawards.com.
Pricing and Availability
The FX30 enables ultimate creative freedom and comes with an option to purchase with or without the XLR handle15.
The new FX30 (supplied with the XLR handle) will be available in late October for approximately $2,200USD and $2,900 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
The new FX30B, (supplied without the XLR handle) will also be available in late October for approximately $1,800 USD and $ 2,400 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
A product video on the new FX30 can be viewed HERE.
A product launch video focused on the FX30 can be viewed HERE and the behind the scenes can be viewed HERE.
The FX30 will also be compatible with the new version of Camera Remote SDK (Version 1.06), a development kit for software that enables remote operation and configuration changes.
CFexpress Type A Memory Cards: CEA-G320T and CEA-G640T
The compact and high-performance CFexpress Type A memory card CEA-G320T will be available in October for approximately $650 USD and $850 CAD (CEA-G320T),while the CFexpress Type A memory card CEA-G640T16 will be available in December for approximately $1,250 USD and $1,630 CAD. In addition to the existing 80GB and 160GB cards, large capacity 320GB and 640GB cards will be added to the series.17
These large capacity cards support high-speed performance with a maximum writing speed of up to 700MB/s and Video Performance Guarantee “VPG400”, which offers sustained writing speeds of up to 400MB/s, and enables 4K 120p high bit rate video shooting.
The new large capacity cards have achieved TOUGH specification, which means they have been certified to be waterproof, dustproof, and robust enough to support stable long-term shooting in various environments.
According to the latest rumors surfaced over the web, the Sony A7R V camera is expected to arrive on Oct 26, 2022. Also, take a look at the previously rumored specification of the Sony A7R V camera
Sony A7R V Rumored specs
Updated Sensor
Next Generation of Bikonz X image processor
8K 30p and 4K 120p Video in 10-Bit
S-Cinetone
5-Axis SteadyShot Image Stabilization
Dual Drive Shutter tech
9.44m-Dot EVF
Dual CFexpress Type A/SD Card Slots
We will post more information as soon as we get it.
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