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Firmware Update

Sony A7C II and Sony A7CR Rumored Specifications

According to the latest rumors coming from the rumor mill, Sony is about to announce two different full-frame mirrorless cameras of the Sony A7C series.

The first camera is the Sony A7C Mark II. The camera will feature the same 33-megapixel sensor that we have seen in the Sony A7 IV camera. Not only this, we published its core specifications several months ago and you can look at the specifications of the upcoming Sony A7C Mark II camera once again.

Sony A7C Mark II Rumored Specification

  • 33MP Full-Frame Exmor R CMOS Sensor
  • BIONZ XR & AI Processing Unit
  • Up to 10 fps Shooting, ISO 100-51200
  • 4K 60p Video in 10-Bit, S-Cinetone
  • 2.36m-Dot EVF
  • 3″ 1.03m-Dot Vari-Angle Touchscreen LCD
  • 759-Pt. Fast Hybrid AF, Real-time Eye AF
  • Focus Breathing Compensation
  • 5-Axis SteadyShot Image Stabilization
  • Creative Looks and Soft Skin Effect
  • 4K 15p UVC/UAC Streaming via USB Type-C

The next camera on the list is Sony A7CR. The Sony A7CR camera is rumored to feature a 61-megapixel full-frame sensor from the Sony A7R V camera with the same AI features that we have seen in the A7R V camera. But this time, we will have enhanced video core specifications and since it’s coming under the A7C series, we do hope and expect the A7CR  camera will record 8K up to 30fps internally, and possibly in upcoming future updates it can be raised up to 60fps internal recording.

Sony A7CR Rumored Specification

  • 61MP Full-Frame Exmor R BSI CMOS Sensor
  • BIONZ XR & AI Processing Unit
  • AI-Based Real-Time Tracking AF System
  • 8K 24p, 8K 30p
  • 8K 60p (With firmware update)
  • 4K 16-Bit Raw Output; S-Log3/S-Cinetone
  • 3.2″ 4-Axis Multi-Angle Touchscreen LCD
  • 8-Stop 5-Axis Image Stabilization
  • Dual CFexpress Type A/SD Card Slots

These are the initial set of rumors we have about these two upcoming cameras. The expected arrival date of these cameras is somewhere around the early fall of 2023, most probably in September of 2023.

Stay tuned and we will publish more updates as soon as they become available to us.

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source SAR.com

Sony A6700 vs Fuji X-S20

So let’s compare Fuji X S20 camera against the Sony a6700, and find out the best camera for you.  Take a look at the detailed specification comparison below.

1. Design Comparison

Overall the weight of the camera is approximately the same, we have only a 3-gram difference in body weight. The design is different as you can notice, Fuji film has a centered viewfinder loaded with more dials and customizable buttons on the top end of the camera.

One additional advantage we have in the Fuji X S20 camera is the presence of a joystick on the rear side of the camera that helps a photographer to jump over the menus or the autofocus points quickly, that is to quickly alter the settings during the shoot. The Sony is weather-sealed so you don’t have to worry while taking it out in outdoor locations.

If you talk about ports then both of them feature a micro HDMI output port, 3.5 mm microphone input port, a 3.5 mm headphone jack, and a USB-C type connection port. The transfer speed of the Sony a6700 camera is 10 Gbps whereas with the Fuji X S20, we are limited to 5 Gbps.

The location of EVF is also a very important thing if you consider it, but it’s completely subjective. On Sony, we have it on the extreme left side, and on Fuji, we have it in the center like we have in traditional DSLRs so it depends if you are already a user of a DSLR or Mirrorless camera that features a viewfinder in the center then you have to think twice before buying the Sony a6700 camera but if you are someone who is completely new then you can start with either Sony or Fuji.

The resolution of the electronic viewfinder of both cameras is exactly the same but the refresh rate of Sony is 120 fps and the higher magnification is 0.70x whereas the refresh rate of Fuji X S20 is 100 fps and magnification of 0.62x, so they are almost identical. None of them have a big difference between them in terms of EVF.

Both cameras feature Vari-angle display screens that can be used for content creation as well as low and high-angle shots but with Fuji, we have a higher resolution screen of 1.84 million dots whereas Sony remains limited to its previous generation displays of 1.04 million dots. The good news is now we have an updated menu in the Sony camera so we don’t have to struggle while setting up our shot.

One of the most noticeable things about the Fuji X S20 camera is a dedicated V-Log menu on the top end dial of the camera and when a content creator switches to that menu, the camera opens up a customized menu interface for content creators which is extremely simplified and features product showcase modes.

Both cameras feature a single card slot. Although, for the Sony a6700 camera, you have to use a V90 card to avoid overheating and with the Fuji, since it supports an external fan, you can work with a bit slower card too.

2. The internal core difference between the two cameras

The one has a huge trusted 26-megapixel APS-C sensor of the X-Trans pattern and the other is Sony’s newly developed 26-megapixel CMOS BAYER Pattern sensor. If you are going to compare the two against each other then what we will find is that the Fuji X S20 is able to perform better in low light environments compared to Sony’s a6700 camera.

As you can see, we are comparing the two cameras, Fuji X-T4 against the Fuji X S20 camera. We have picked the X-T4 since the X S20 camera samples are not available yet and as the X-T4 uses the same 26 MP APS-C X-Trans CMOS sensor as of Fuji’s X S20, that’s why we have used it here.

3. IMAGE QUALITY TEST (HIGH ISO vs BASE ISO Test)

credit dpreview.com

HIGH ISO TEST – (above) clearly visible that the color block of Fuji is well more preserved at ISO 51200 compared to Sony A6700 at ISO 51200. Now if you clearly look at the different sets of image samples captured by both paired with best-of-the-class lenses, you will notice that the Fuji X S20 camera sensor (X-T4 also uses the same 26MP X-Trans sensor) is able to preserve a bit more details when compared to the Fuji X-T4 camera at HIGH ISO TEST.


4. BASE ISO TEST (ISO 100)

credit dpreview.com

And things become completely wild when you compare the base ISO, then you will find that the Sony a6700 camera is able to capture a bit more detail at several positions of the sample image when compared to the Fuji X S20 camera. Okay, from the tests, it’s obvious that at a higher ISO range, Fuji is better, and at base ISO, possibly the range from 100 to 800 or 1600 ISO, Sony’s new a6700 camera is better.

So from the image quality test, it is very clear that if you are an outdoor photographer or street shooter photographer that does most of his or her work, probably 90% in natural light, then it’s more recommended to buy a Fuji X S20 camera and have better low light performance with 26 MP X-Trans CMOS Sensor. And for those who work in controlled light environments like wedding photographers or portrait shooters who work 90% under controlled light environments, for them, the a6700 is highly recommended based on the initial tests results of both the camera

It’s not recommended to focus on the ISO range of both cameras, as we have already mentioned the higher ISO test. Even though the Sony a6700 has a higher expandable ISO range on paper, it doesn’t perform as well during actual tests. Therefore, it’s better to consider the image samples rather than just the ISO numbers.

 

Sony A6700 FUJIFILM X-S20
Sensor Resolution Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Effective: 26.1 Megapixel
Image Sensor 23.3 x 15.5 mm (APS-C) CMOS 23.5 x 15.6 mm (APS-C) CMOS
Crop Factor 1.5x 1.5x
Image Stabilization Sensor-Shift, 5-Stops Sensor-Shift, 7-Stops

5. IMAGE STABILIZATION (5 Stops vs 7 Stops IBIS)

We have two different image stabilization modes here, one is for stills and the other is for video. For now, let’s begin with the stills part. If you are a photographer, then you will find that the Fuji X S20 camera is able to give you 7 stops of sensor-shift image stabilization feature compared to Sony’s a6700 camera which remains limited to 5 stops of image stabilization. It has been years after the announcement of Sony a6600 camera which also had the same 5 stops of IBIS inside the camera body, so we were hoping for some scaling in the IBIS part of the camera.

In the video, we have gyro-based image stabilization support inside the Sony a6700 camera, so having gyro-based image stabilization in a camera means a lot to a person who is mostly shooting videos @outdoors. And on the other side, we do not have any gyroscopic image stabilization in Fuji. So, if you move too much and create daily content for your channel better to have a camera with gyroscopic data.

Now, one more thing to be noted before we end this discussion is that Sony has introduced a new blur correction feature that works at the pixel level and delivers exceptional-quality of details. And to show that, I have tested it against the Fuji X-T4 camera and a few more. This blur correction algorithm is already running inside the Sony a6700 camera and that’s why possibly your images are able to resolve more details at the base ISO range.
Best AutoFocus – Sony A6700 vs Fuji X-S20

Sony A6700 Fuji X-S20
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Photo
Phase Detection: 759
Video
Phase Detection: 495
Contrast Detection, Phase Detection: 117

6. AUTOFOCUS

The A6700 and X-S20 both have hybrid autofocus systems that use a combination of contrast and phase detection points to focus quickly and accurately. The Sony has 759 phase-detection points that cover 93% of the sensor area, while the Fuji has up to 425 points that cover 99% of the sensor surface. Both cameras are great at recognizing and tracking subjects, including people, animals, birds, insects, and vehicles. Sony goes even further with its dedicated processing chip for deep learning subject detection capabilities, at least in theory.

7. AI AF is a Clear Advantage  – Sony A6700

Yes, the new AI processor does help with autofocus. It uses a movement prediction algorithm to calculate human body movements and easily track moving subjects, particularly organic movements. This is an improvement over the previous a6600 camera and even its latest competitors, as none of them have an AI chip like Sony in this price range.

8. Tracking the face of a butterfly – Sony A6700

That’s the biggest advantage that I see in the new update of the chip. The camera is able to track the face of butterflies, insects, as well as moving cars and planes very easily. So that’s the biggest advantage associated with the new AI chip. Although the burst speed is locked, the continuous shooting of the camera is limited to 11 FPS, that’s another issue. But yes, the camera is able to track 3D objects at the next level, which is an amazing thing and we should appreciate that.
Exposure Control – Sony A6700 vs Fuji X-S20

Shutter Type Electronic Shutter, Mechanical Focal Plane Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter
1/4000 to 30 Seconds
Electronic Shutter
1/8000 to 30 Seconds
Mechanical Shutter
1/4000 to 900 Seconds in Manual Mode
Electronic Shutter
1/32000 to 900 Seconds in Manual Mode
Bulb/Time Mode Bulb Mode None
ISO Sensitivity Photo
100 to 32,000 (Extended: 50 to 102,400)
Video
100 to 32,000
Photo
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
125 to 12,800 in Manual, Auto Mode (Extended: 25,600)
Metering Method Center-Weighted Average, Multi-Zone, Spot Average, Center-Weighted Average, Multi, Spot, TTL 256-Zones
Exposure Compensation -5 to +5 EV (1/3, 1/2 EV Steps) -5 to +5 EV (1/3 EV Steps)
White Balance 2500 to 9900K
Presets: Auto
2500 to 10,000K
Presets: Auto, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG) Electronic Shutter
Up to 20 fps at 26.1 MP for up to 256 Frames (JPEG) / 28 Frames (Raw)
Mechanical Shutter
Up to 8 fps at 26.1 MP for Unlimited Frames (JPEG) / 35 Frames (Raw)

9. Continuous shooting speed (11 vs 30 fps)

The biggest drawback of the recently announced Sony a6700 camera is its limited continuous shooting speed of 11 FPS. Approximately 10 years ago, Sony announced the a6000 camera which was also limited to 11 frames per second. After 10 years of gap, we have the flagship APS-C Sony mirrorless camera which is again limited to 11 frames per second. So, I am not able to understand the concept behind this. If anyone from Sony can explain why they are locking the burst speed of the camera, it would be a great thing for us.

Despite being the world’s best artificial intelligence APS-C mirrorless camera, the burst speed remains limited to 11 FPS. And that’s why we are not able to directly recommend this camera to wildlife and sports photographers.

The Fuji X S20 camera is able to shoot 8 frames per second with the help of a mechanical shutter and up to 30 frames per second with the help of an electronic shutter. While shooting at 30 frames per second, you are limited to a 1.25x crop. If you want to enjoy the full resolution, you have to shift your burst speed to 20 frames per second. At 20 fps, the camera doesn’t crop.

Furthermore, the X-S20 is equipped with a Pre-Shot mode that enables the capture of fast and unpredictable action even before the shutter button is fully pressed.

10. VERDICT: Which camera should have photographer buy?

The Fuji X-S20 camera features more customized dials on the body as well as a joystick controller for quickly changing the settings. Moreover, inside we have a 7-stop sensor-shift image stabilization unit, a sensor that performs better in low-light environments, as well as a burst speed with continuous shooting up to 30 frames per second. If you combine all these features together, then undoubtedly for outdoor usage like street photography, shooting landscapes, or shooting shots outdoors without using external lights, it is highly recommended that one should use the Fuji X S20 camera. And for sports and wildlife photographers, we highly recommend getting the Fuji X S20 camera for getting proper results.

For those who work in controlled light environments and don’t require a body that allows them to quickly alter the settings Sony A6700 camera is te best choice. Also note that, Sony a6700 camera’s sensor-shift image stabilization is also weak compared to X-S20 as well its continuous shooting speed is also very limited. Considering all these factors together, it is highly recommended to use the Sony a6700 camera in controlled light environments to get the proper output.

On one side, the camera is not able to shoot 11 fps and beyond, and on the other side, the camera is able to shoot 4K up to 120 frames per second, which not even the Fuji X S20 camera can do.
Video Specification comparison between Sony A6700 vs Fuji X-S20 Camera

Sony A6700 Fuji X-S20
Internal Recording Modes XAVC HS 4:2:2/4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 280 Mb/s]
XAVC S 4:2:2/4:2:0 8/10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 280 Mb/s]
XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
H.264 ALL-Intra/H.264 Long GOP/H.265/H.265 Long GOP/MOV/MP4/MPEG-4 AVC 4:2:2/4:2:0 8/10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 360 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 360 Mb/s]
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps [50 to 360 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps [360 Mb/s]
External Recording Modes 4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
Raw/ProResRAW 12-Bit via HDMI
6240 x 4160 up to 29.97 fps
Recording Limit None None
Audio Recording 2-Channel 16-Bit 48 kHz LPCM Audio MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: AAC Audio

11. BEST CAMERA FOR VIDEO (SONY VS FUJI)

The Sony a6700 camera is able to shoot up to 4K at 120 FPS with a 1.58x crop, which Fuji is not able to do. On the other hand, Fuji is able to record 6.2K open-gate video at 3:2 format and 5.2K videos at 30 frames per second in 16:9 format. Again, the Sony a6600 camera is not able to shoot resolutions higher than 4K. So these are the initial resolution limitations and frame rate limitations we have with these two cameras.

When it comes to video profiles and gamma curves, the A6700 really stands out with its Picture Profiles, which it inherited from Sony’s cinema cameras. These include HLG, S-Log2, S-Log3, and S-Cinetone, giving you tons of options for customization. You can even load custom Look-Up-Table (LUT) profiles onto the camera. The X-S20 has the F-Log2 profile and the Eterna film simulation mode, which gives your footage a unique cinematic look.

Both cameras can record internally in 10-bit 4:2:2, but the Sony A6700 has a higher bitrate of 600Mbps compared to the X-S20’s 360Mbps when using All-Intra compression.

Plus, the X-S20 has the added bonus of being able to output 12-Bit RAW via HDMI. This means that if you pair it with an external recorder, you can get an even wider dynamic range and more color data.

12. VERDICT: Which one Should you buy for the video?

One of the key features of the Fuji camera is its ability to cool down by itself. You can even add an external fan to the camera, which doubles the recording time of the Fuji X-S20. This makes it an ideal choice for recording long podcasts or for wedding cinematography and videography. On the other hand, the Sony A6700 camera has a magnesium alloy body that helps dissipate heat, but it does not have an active cooling mechanism. If you live near the equator and plan to use your camera for longer video recordings, you should be aware of potential overheating issues. However, if you plan to use your camera in an air-conditioned environment, either of these two cameras would be a good choice.


Physical Interface Compared

Media/Memory Card Slot Single Slot: SD/SDHC/SDXC (UHS-II) Single Slot: SD/SDHC/SDXC (UHS-I) [2 TB Maximum]
Video I/O 1 x Micro-HDMI Output 1 x Micro-HDMI Output
Audio I/O 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
Power I/O 1 x USB-C Input/Output 1 x USB-C Control/Monitor/Tether
Other I/O 1 x USB-C (Shared with Power Input) 2.4 GHz Wi-Fi (802.11a/b/g), Wi-Fi 4 (802.11n), Wi-Fi 5 (802.11ac)
Mobile App Compatible Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control
*As of July, 2023: Check with manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: FUJIFILM XApp
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
*As of May, 2023: Check with manufacturer for the most up-to-date compatibility

Camera with Best Display Screen

Size 3.0″ 3″
Resolution 1,030,000 Dot 3 x 2 (1,840,000 Dot)
Display Type Articulating Touchscreen LCD Free-Angle Tilting Touchscreen LCD

13. Battery Life

When it comes to battery life, the X-S20 has the upper hand over the A6700. While the A6700 can take around 570 photos per charge using the LCD screen and about 550 with the viewfinder, the X-S20 can snap around 750 shots in normal mode and even up to 800 in Economy mode. So, if you’re looking for a camera that can keep up with you on a long day of shooting, the X-S20 might be the way to go.

14. Latest Price

Fuji Film X-S20 – Camera $1299 [Body Only B&H] [Amazon.com]  | 15-45mm Lens $1399 [B&H Store] [Amazon.com]

Sony A6700 Camera Latest Price Check here B&H Store,

More Confirmation: Sony A6700 Features Quad-VGA OLED Tru-Finder EVF 3.69m dot

Finally, we are getting more confirmation of the specs that we published back on April 26, 2023. The biggest surprise in this announcement is that the camera is now able to record 6K at 30 frames per second and also has the ability to record 4K at up to 120 frames per second.

Sony A6700 Expected Core Specification

  • 26.1MP APS-C BSI CMOS Sensor
  • BIONZ XR & AI Processing Unit
  • AI-Based Real-Time Tracking AF System
  • UHD 4K up to 60p (uncropped)
  • 6k 30fps
  • 4k 120fps
  • S-Cinetone
  • S-Log3, 4:2:2 10 Bit internal
  •  5-Axis Image Stabilization
  •  updated Quad-VGA OLED Tru-Finder EVF 3.69m-dot resolution for bright, clear viewing in high detail

The improvements in the video capabilities are specifically due to the presence of the Fuji X-S20 (Fresh stock coming from July end at B&H Store), which was announced in May 2023. So, they have enhanced the video core specs of the upcoming camera to make it future-proof and also to be the best in its class.

The rumor mill (SAR.com) got confirmation from a leaked presentation slide, as shown above. The camera is expected to arrive this month on the 12th and we are waiting for its first leaked images and detailed set of core specifications. As soon as they become available to us, we will publish them. Stay tuned for future updates.

According to the latest rumors exclusively obtained by TNC, there is another ZV series camera in the announcement pipeline, featuring a 26MP sensor and scheduled for release in the first quarter of 2024. Sony ZV-E100 or FX-10: Sony’s NEXT 26Mp APS-C Camera Coming

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Sony A6700 to Record 6.2k at 30fps ?

Take a look at the set of information we have related to the upcoming Sony a600 camera

  1. The new updates include that the A6700 camera sensor doesn’t have DRAM. This is quite obvious since the upcoming Sony A6700 camera is rumored to use the same sensor that we have seen in the Sony FX30 camera and the sensor of FX30 is not a stacked CMOS sensor. Only a stacked CMOS sensor uses a DRAM chip alongside the sensor to speed up the processing speed.
  2. The second piece of information we are getting from a different source of the rumor mill is that the Sony A6700 camera matches the size of the Sony A7C, approximately 4mm higher and 3mm longer, excluding the grip.
  3. The third and most important information is that the camera is coming on July 12th alongside a 70-200mm lens. So that’s really very interesting news that not only will there be a camera, but we will also have a brand new G Master telephoto zoom lens from Sony

Sony A6700 Expected Core Specification

  • 26.1MP APS-C BSI CMOS Sensor
  • BIONZ XR & AI Processing Unit
  • AI-Based Real-Time Tracking AF System
  • UHD 4K up to 60p (uncropped)
  • S-Cinetone
  • S-Log3, 4:2:2 10 Bit internal
  •  5-Axis Image Stabilization
  •  updated Quad-VGA OLED Tru-Finder EVF 3.69m-dot resolution for bright, clear viewing in high detail

If you’re new here, let me clarify that we published the rumored set of specifications for the upcoming Sony camera back in April 2023 and the rumored set of specs now seems to be 100% true. You can look at it again here. But the big question raised is whether the Fuji XS20 camera has killed the APS-C camera competition by including 6K open gate recording and 5.2K recording at 16:9 standard format in a mid-range APS-C camera body.

Now, as we all know, the Sony A6700 camera is rumored to use the same 26 MP BSI CMOS sensor. Yes, the only difference is that the Sony sensors are Bayer pattern-based and Fuji’s are X-Trans pattern-based, but both are 26 MP BSI CMOS sensors.

Fuji X-S20 vs Canon R10 – The 10 Main Differences

Fuji X-S20, Sony’s A6700 biggest fear?

The Fuji XS20 camera raised the competition bar to the next level. The camera is able to record 6K and 5.2K, but will the upcoming A6700 camera remain limited to 4K 60p recording (according to the rumors we have from rumor mills) or will it feature 6.2K open gate and 5.2K 16:9 format recording to compete against the Fuji XS20?

Fuji already included Sony’s most popular log camera menu in their camera system that includes product showcase mode and face tracking mode simplified in a content creator menu inside the XS20 camera. If Sony fails to achieve the video resolution that the XS20 camera already offers, it will be a big failure for Sony and it may lose a new consumer base since even Fuji has an open lens mount and advanced autofocus system inside XS20.

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source SAR

Sony ZV-1F II Arrival Date

Sony ZV-1F successor aka Sony ZV-1F II Arrival Date is May 23 2023. The Sony ZV-1F II teaser was uploaded by Sony USA. We are expecting an improved, AF performance of the camera. They should at least use a better Bionz series processor, that helps to analyze the scene in quicker way the hence improves the ability to focus on the subject in a more fast and precise manner.

And the best option should be if they are able to add a stacked (IMX383) 1-inch sensor (Sony Imagine division has easy access to Sony’s semiconductors since they belong to the same parent company SONY) it will uplift the camera sensor performance to next level.

Also check Sony ZV-E1 at Amazon.com

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Sony ZV-E1 vs Sony FX30

Let’s compare the Sony FX 30 camera against the recently announced Sony ZV E1. Sony FX 30 camera has a bit more compact body and let’s discuss the features that we exclusively have in the FX 30

Also, see – Sony ZV-E1 vs Sony A74

1.Sony ZV-E1 advances over Sony FX30

1. Sony ZV-E1 Full Frame Sensor: The biggest advantage you have with the Sony ZV-E1 camera is Sony’s A7 S III 12mp ultra-low light-sensitive sensor that produces exceptional video quality even when used in extremely low light conditions. Having a Full-frame CMOS sensor of 12MP doesn’t allow the camera to move into the oversampling mode, resulting in NO Rolling shutter effect even when uses at higher shutter speed or MAX frame rates.

Sony ZV-E1 paired with 28-70mm Lens

Buy Sony ZV-E1 – B&H Store | Amazon.com

  1. Sony ZV-E1 Best Lenses for Content Creators – B&H Store | Amazon.com
  2. Sony ZV-E1 Best Lenses for Cinematographers – B&H Store | Amazon.com

2. ISO up to 409600 vs 102400: On the other side, we have the Sony FX30 camera that uses Sony’s 26-megapixel APS-C CMOS sensor which is quite useful when you are working in a controlled light environment. Now, being a pro cinema camera for beginners the camera also features dual native ISO but despite having all the technological advancement in FX30, have in this camera you cannot fight with the hardware (or the very physical nature of the sensor being used inside this camera), it allows capturing method details for better details, so low light performance wise ZV-E1 is a clear winner.

In the test above we have selected the Sony A7S III camera, as we know the Sony ZV-E1 camera uses the same sensor as we have seen on the Sony A7S III. And since we don’t have the test data of the Sony FX30 camera. so I have picked up a 26MP X-Trans BSI CMOS Sensor of the X-T5 to get a good idea of what the test will look like. Be assured we will update this test once the Sony FX30 data becomes available

3. Sony ZV-E1 Dynamic Range: The other biggest advantage that we get apart from low light performance is its dynamic range. With the Sony Z1 camera, you can extract 15 plus stops of dynamic range from your camera so it’s a perfect camera for shooting uncontrol light environment. And when you want to extract the maximum dynamic range from a given scene.

4. The artificial intelligent chip inside the camera: Human poses estimation using a skeleton-based model: With its innovative AI processing unit, the ZV-E1 uses subject form data to accurately recognize movement, providing an improvement of approx. 60% in human eye recognition14. Human pose estimation technology recognizes body and head position, so you can even track a subject facing away from the camera or wearing a mask.

5. A compact, 5-axis stabilization unit and gyro sensors with optimized algorithms achieve up to 5.0-step stabilization. The in-body image stabilization of the camera provides effective stabilization with a wide range of lenses, including E-mount lenses that do not include their stabilization. Dynamic active Mode stabilization is approximately 30% more effective than what Active Mode provides. This makes it easier than ever to shoot smooth, stable footage while moving around for bold, dynamic expression.

6. The ZV-E1 also boasts a Framing Stabilizer that uses advanced AI-based subject recognition in conjunction with the camera’s Dynamic active mode image stabilization to automatically keep the subject’s position in the frame constant.

7. With the Multiple Face Recognition setting, the camera can automatically track multiple subjects within the frame. This feature helps to stabilize the framing and ensure that the subject remains in the frame. The AI processing unit can even differentiate between multiple subjects having different postures and recognition of individual faces so that tracking reliability is achieved in challenging situations such as when a subject’s face is tilted, in shadow, or backlit

8. The Product Showcase Setting includes an AF tracking switch that allows for consistent bokeh levels between the product and the subject, even when switching between different subjects.

9. The Intelligent 3 Capsule Microphone captures clear audio, including the voice of your main subject. Depending on your shoot, you can set the microphone’s directivity to Front, Rear, All Directions, or Auto18. The camera also includes a Multi-Interface (MI) shoe with a digital audio interface and mic and headphone jacks offer expanded audio capabilities.

2. Sony FX30 advantages over ZV-E10

10. Devil lies in details: Why sometimes having a higher resolution APS-C sensor, is better than a lower resolution Full frame sensor. Sony FX30 does 26 MP Oversampling to produce exceptional 4k in details, so you have to understand this the Sony FX30 camera uses 26MP resolution to generate 4K files and the Sony ZV-E1 uses a 12MP sensor to generate 4K files, now if you are working in the controlled light environment the Sony FX30 4k (file will showoff more details of a given scene compared to Sony ZV-E1 12MP 4k files. But that also depends on several factors like the type of lenses used and the light environment.

Sony FX30 camera is built for professionals, in the ZV-E1 camera u do get excellent hardware inside, but the controls are simplified for beginners and you will miss a lot of features, that were maybe essential for your workflow.

11 . TIME CODE:  We have TIME CODE  in the Sony fx30 camera, a time code functionality that is highly important for the synchronization of multiple cameras during a professional shoot. Time code is like a special signal generated along with the video reels that help find a specific moment or two to sync two or more two different videos seamlessly without any error.. It’s called SMPTE because the Society of Motion Picture and Television Engineers made it.

11. You get 16 BIT RAW via Full-Size HDMI: The second thing and of course the most important is 16-bit RAW output which is not possible with the Sony  ZV E1 camera which is made for content creators

12. No Overheating in Sony FX30: The next BIG thing that you may miss in ZV-E1, is the external fan.  The Sony FX 30 camera features an external fan so you don’t have any overheating issues. The biggest problem is Sony has trimmed down the cooling system of the Sony A7 S3 camera and we have a very weak heat sink unit in the new ZV E1 camera so if you are living near the equator or in Asian countries with variable weather conditions summers are very hot temperature raises to 40-degree centigrade so in that situation if you shoot outdoors like you are a travel blogger or you are a wedding cinematographer like to use your camera mostly outdoor then you have to be very careful before buying the Sony zv E1 camera

CROPS

  • The much more significant crop comes in 120p mode, where the camera crops in to a 3840 x 2160 region of the sensor, giving a 1.62x crop.
  • While using 4k UHD @ 120fps in ZV-E1 you have to face 10% crop

3. Sony ZV-E1 vs Sony FX30 – The Main Differences

Sony ZV-E1 Sony FX30
Lens Mount Sony E Sony E
Sensor Resolution Effective: 12.9 Megapixel (4240 x 2832) Yes, with Autofocus Support
Sensor Type 35.6 x 23.8 mm (Full-Frame) CMOS Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Image Stabilization Digital, 5-Axis 23.3 x 15.5 mm (APS-C) CMOS
Built-In ND Filter None None

1. Exposure Control

Sony ZV-E1 Sony FX30
Shutter Type Electronic Shutter Electronic Shutter
Shutter Speed 1/8000 to 30 Second
1/8000 to 1 Second in Movie Mode
1/8000 to 30 Seconds in Photo Mode
1/8000 to 1/4 Second in Video Mode
ISO Sensitivity Photo
80 to 102,400 (Extended: 80 to 409,600)
100 to 32,000 (Extended: 50 to 102,400)
Metering Method 14+ Stops 14 Stops

Video Mode | Frame Rates | Recording options

Sony ZV-E1 Sony FX30
Internal Recording Modes RawXAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 50/59.94 fps [45 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98 fps [30 to 100 Mb/s]
RawXAVC HS 4:2:2 10-Bit
3840 x 2160 at 50/59.94 fps [100 to 200 Mb/s]
RawXAVC S 4:2:2 8-Bit
UHD 4K (3840 x 2160) at 50/59.94 fps [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 25/29.97 fps [140 Mb/s]
RawXAVC S 8-Bit
1920 x 1080p at 100/120 fps [60 to 100 Mb/s]
1920 x 1080p at 50/59.94 fps [25 to 50 Mb/s]
RawXAVC S 10-Bit
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
RawXAVC S-I 10-Bit
3840 x 2160 at 59.94 fps [600 Mb/s]
1920 x 1080p at 59.94 fps [222 Mb/s]
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160)
XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160)
1920 x 1080p from 1 to 240 fps
XAVC S
UHD 4K (3840 x 2160)
1920 x 1080p from 1 to 240 fps
XAVC Proxy
1920 x 1080
1280 x 720
External Recording Modes None 4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
ProResRAW 16-Bit via HDMI
4672 x 2628 at 23.98/25/29.97/50/59.94 fps
Fast-/Slow-Motion Support Yes Yes
User Uploadable LUT Yes Yes
Cinema Menu Interface Yes Yes
IP Streaming None 2-Channel 24-Bit LPCM Audio
4-Channel 24-Bit LPCM Audio
Built-In Microphone Type AI-powered 3-capsule design Stereo (classical)

2. Interface

Sony ZV-E1 Sony FX30
Media/Memory Card Slot Single Slot: SD/SDHC/SDXC (UHS-II) Dual Slot: CFexpress Type A / SD
Video I/O Micro HDMI
1 x HDMI 2.0 Output
Audio I/O 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
2 x XLR / 1/4″ TRS Combo Microphone (+48 V Phantom Power) Input on Included Handle
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body
Power I/O 1 x USB-C Input 1 x USB-C Input
Other I/O 1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x Sony Multi/Micro-USB Control
1 x Sony Multi/Micro-USB (Timecode)
1 x USB-C (USB 3.2 / 3.1 Gen 2)
Wireless Wi-Fi, Bluetooth 2.4 / 5 GHz Wi-Fi 5 (802.11ac) Control
Bluetooth
Mobile App Compatible Yes
*As of March, 2023: Check with manufacturer for the most up-to-date compatibility
No
*As of February, 2023: Check with manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.) None None

3. Focus

Sony ZV-E1 Sony FX30
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Automatic, Direct Manual Focus, Manual Focus Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF, Touch AF & Shutter
Autofocus Points Photo
Phase Detection: 759
Video
Phase Detection: 627
Video
Phase Detection: 495
Autofocus Sensitivity 6 to +20 EV -3 to +20 EV

Verdict: Sony ZV-E1 camera and FX30 orientation are completely different, If you create a vlog or shoot solo content then undoubtedly the best camera is Sony ZV-E1. But, at the same time, u have to deal with overheating issues if ur using your camera outside overheats quickly as per the latest reports we have from its reviewers. Sony FX30 is made for professionals under budget, if ur thinking about starting your carrier in cinematography, or short films, then with FX30, u will have the basic training high to handle cinema cameras.

Also, see – Sony ZV-E1 vs Sony A74

Buy Sony ZV-E1 – B&H Store | Amazon.com

  1. Sony ZV-E1 Best Lenses for Content Creators – B&H Store | Amazon.com
  2. Sony ZV-E1 Best Lenses for Cinematographers – B&H Store | Amazon.com

Sony ZV-E1 Official Teaser

Sony ZV-E1 Official Teaser posted by Sony USA (official youtube channel). We already know what’s coming next. Its the Sony ZV-E1 camera made for professional vloggers with almost similar core specs we have seen in the Sony FX3, take a look at the set of information we already have related to the Sony ZV-E1 camera

 Sony ZV-E1  Full Specification

  • Based on α7S III
  • Similar body to α7C (but not successor to α7C)
  • The same 12-megapixel sensor as the α7S III
  • 4K 60p & 4K 120p (no crop)
  • 4K 120p supported by a firmware update in future
  • no pixel binning
  • ISO 409000
  • Same AF as the A7IV (according to another source, it is also said to be the AF system of the A7R V)
  • AF of α7R V, but even better detection power
  • Overheating
  • Innovative with many new AI functions
  • Price is $2000-2500
  • The same style as the ZV-E10, but the size is α7C, and there are some elements of FX3
  • March 29th at 3 pm London time

Stay tuned we will post all the updates related to the Sony ZV-E1 camera.

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