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Upcoming Fuji Cinema Camera Explained in 15 Points

Fujifilm is about to announce their new line of cinema cameras featuring the medium format sensor used in their GFX lineup. The upcoming camera will be called the GFX ETERNA Cinema camera.

Initially, the camera model will arrive with a 102-megapixel CMOS sensor, and the rest of the core specifications and details about the upcoming model can be read in the points below.

Upcoming Fuji Cinema Camera Explained in 15 Points

  1. Model Name: Fujifilm GFX ETERNA
  2. Target Audience: Pro Filmmakers
  3. Sensor: GFX 102MP CMOS II HS (as seen in GFX 100S II and GFX 100 camera)
  4. Resolution: 102 million pixels, oversampled 4K, 6K and 8K will have extreme level of details
  5. Processor: X-Processor 5 (Latest Fuji Processor)
  6. Video Quality: Enables rich, true-to-life visuals with enhanced flexibility for post-production work.
  7. Showcase Event: Fujifilm will exhibit the GFX ETERNA as a reference at InterBEE 2024 (November 13-15, 2024).
  8. Lens Compatibility: Fujifilm is developing a power zoom GF lens with a focal length of 32-90mm, specifically for the GFX mount.
  9. Mount Adapter: A G to PL mount adapter is in development, allowing compatibility with PL mount lenses commonly used in cinema.
  10. GFX Series Evolution: Built on Fujifilm’s GFX series heritage, known for large-format sensors and high-quality video capabilities.
  11. Cinematic Design Influence: Named “ETERNA” after Fujifilm’s historical “ETERNA series” motion picture film line, emphasizing its cinematic focus.
  12. Purpose: Designed to cater to the growing demand for high-quality video across feature films, documentaries, web content, and more.
  13. Launch Date: Planned for release in 2025.
  14. Field Testing: Fujifilm will conduct rigorous field tests to ensure performance and reliability.
  15. Production Commitment: Fujifilm aims to enhance its video production lineup to offer high-quality, productive solutions across filmmaking and video production.

We will bring more updates soon related to the upcoming GFX Medium Format Cinema camera, stay tuned.

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Nikon Z50 II vs Sony A6700

Which camera is better for capturing images or recording content, the Nikon Z50 II or the Sony A6700? In this specification comparison, we will focus on the major differences between these two cameras. Besides the key feature differences, these cameras also vary in price, so when selecting your camera, consider all these factors before making a purchase.

Initially, in the design part, one thing I like about the Sony A6700 camera is its larger battery life. The Sony A6700 uses an NP-FZ100 battery, so you get approximately 2x battery life compared to the Nikon Z50 Mark II camera. However, the Z50 II has an upgraded Bluetooth antenna, which allows for faster transfer speeds. Another good feature introduced in the Z50 II is the silent transfer mode, enabling you to use your camera for shooting or capturing video while it silently transfers your images or videos in the background to your smartphone or PC. Although there aren’t many differences in the design patterns, both cameras are highly usable for photographers and content creators in terms of design and build

Nikon Z50 II vs Canon R10

Table 1: Design Comparison

Feature Nikon Z50 II Sony A6700
Lens Mount Nikon Z Sony E
Body Dimensions (W x H x D) 5 x 3.8 x 2.6 in (127 x 96.8 x 66.5 mm) 4.8 x 2.7 x 3 in (122 x 69 x 75.1 mm)
Weight 17.46 oz / 495 g (Body Only) 1.1 lb / 493 g (With Battery, Recording Media)
Material Magnesium Alloy Magnesium Alloy
Battery Type EN-EL25a or EN-EL25 (Approx. 230 Shots) NP-FZ100 (Approx. 550 Shots)
Weather-Sealing Yes Yes
Operating Temperature 32 to 104°F / 0 to 40°C 32 to 104°F / 0 to 40°C
Connectivity Ports USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks
Memory Card Slot Single SD/SDHC/SDXC (UHS-II) Single SD/SDHC/SDXC (UHS-II)
Wireless Wi-Fi 5, Bluetooth 5.0 Wi-Fi 5 (2.4/5 GHz), Bluetooth 4.2
GPS Via Connected Smartphone Via Connected Smartphone

In the imaging comparison, we have compared the two different sensors and their specs. The big advantage of the Nikon Z50 II camera’s sensor—and a major reason why Nikon continues using it in their mirrorless lineup—is its strong low-light performance. The sensor pixel area is larger than that of the A6700, so even without optical stabilization, it captures more detail in low-light environments. Additionally, the Z50 II has an expanded ISO range that offers one more stop than the A6700. With these core differences, it’s clear that the Nikon Z50 II will perform better in low-light or uncontrolled lighting environments compared to the A6700.

Resolution Advantage of Sony A6700:

Now, with the Sony A6700 camera, we are getting a resolution advantage, but will it work in actual conditions? We will test and find out that capturing images near the base ISO range will bring more details from Sony with OLPF or with a 20.9 MP sensor without OLPF (Optical low-pass filter).

Table 2: Imaging Comparison

Feature Nikon Z50 II Sony A6700
Sensor Resolution Actual: 21.51 MP, Effective: 20.9 MP (5568 x 3712) Actual: 27 MP, Effective: 26 MP (6192 x 4128)
Sensor Type APS-C CMOS, 23.5 x 15.7 mm APS-C CMOS, 23.3 x 15.5 mm
Sensor Pixel Area
4.22µ 3.76µ
Low pass Fiter
No Yes
Sensor Crop Factor 1.5x, 1.2x in some video modes 1.5x, 1.6x in some video modes
Image Stabilization Digital (Video Only) Sensor-Shift, 5-Axis
ISO Range (Photo) 100 to 51,200 (Expandable: 100 to 204,800) 100 to 32,000 (Extended: 50 to 102,400)
ISO Range (Video) 100 to 25,600 100 to 32,000
Continuous Shooting Speed Up to 11 fps (Raw) / 30 fps (JPEG) Up to 11 fps (26 MP)
Pre- burst
Yes No
White Balance Range 2500 to 10,000K 2500 to 9900K
Autofocus Points 231 Phase & Contrast Detection 759 Phase Detection (Photo), 495 (Video)
AF Sensitivity -9 to +19 EV -3 to +20 EV
Image File Format HEIF, JPEG, Raw HEIF, JPEG, Raw
Aspect Ratio Options 3:2, 1:1, 16:9 3:2, 4:3, 16:9, 1:1
Bit Depth 14-Bit 14-Bit

Continuous Shooting Speed:

Another significant difference is continuous shooting speed. Both cameras feature up to 11 fps with their mechanical shutters, but Nikon allows up to 30 fps with its electronic shutter. And in A6700 we don’t have the support of an Electronic shutter in Brust mode, so the maximum speed we are getting in A6700 is 11 Fps.

Buffer Memory and Pre-Burst Capture Mode:

Comparing buffer memory, the Z50 II can store up to 200 RAW files in a single shot, whereas the A6700 can store approximately 50. Now with the help of Pre Brust capture mode feature in the Z50 II is that it engages its buffer memory before shooting starts. This means that when you capture an image, the camera saves a stack of images even before the shutter is pressed, ensuring you don’t miss key moments.

Low-Light Autofocus Sensitivity:

Another strength is the Z50 II’s low-light AF sensitivity, which reaches -9 EV, compared to -3 EV on the Sony A6700.

Autofocus System:

The Sony A6700 has 759 phase-detect AF points for autofocus, while the Z50 II is limited to 231 points. This gives the A6700 a more advanced autofocus system, but Nikon has closed the gap by introducing similar AF algorithms to those seen in the Nikon Z8. So, while Sony may still have the edge in AF, the Z50 II’s performance now comes very close.

Image Stabilization

Sony A6700 camera features sensor-shift Image stabilization as well as GYRO, so if you are shooting still images of video the Sony A6700 camera is more helpful to you compared to Nikon Z50 II without IBIS and normal E- VR mode.

Best Camera for Different Environments:

So, if you’re working in a controlled lighting environment, the Sony A6700 may be more useful. However, if you’re often in uncontrolled or outdoor environments—like wildlife photography where lighting and subject positions vary—then a camera that performs better in low-light conditions may be preferable, making the Z50 II a better choice.

Table 3: Video Comparison

Feature Nikon Z50 II Sony A6700
Internal Recording Modes H.264/H.265 8/10-Bit XAVC HS/S 4:2:2 10-Bit, XAVC S 8-Bit, XAVC S-I 10-Bit
Max Resolution & Frame Rate UHD 4K 30p Uncropped UHD 4K 30p Uncropped
  UHD 4K 60p 1.5X Crop UHD 4K 60p 1.04X Crop
  NA UHD 4k 120p 1.58x crop
High-Speed Recording 1920 x 1080 up to 120 fps 1080p up to 240 fps
External Recording HDMI 4K (Unspecified Frame Rate) HDMI 4K at up to 59.94 fps, HD up to 59.94 fps
Slow/Fast Motion Slow Motion Only Yes
Recording Limit Up to 125 Minutes Unlimited
Gamma Curve HDR-HLG, Nikon N-Log HDR-HLG, S Cinetone, S-Log 3
Waveform
Yes No
Product showcase Mode
Yes Yes
Auto Framing
No Yes
Built-In Microphone Stereo Stereo
Image Stabilization
VR IBIS / GYRO
Audio Recording Format MOV: 24-Bit 48 kHz LPCM, MP4: 16-Bit 48 kHz AAC XAVC: 2-Channel 16-Bit 48 kHz LPCM
Headphone & Mic Jacks Yes (3.5 mm) Yes (3.5 mm)
Video I/O Micro-HDMI Micro-HDMI

This side-by-side comparison should help you see each camera’s strengths and features in detail. Now its time for a recommendation

Sony A6700: Higher Frame Rates and Minimal Crop in 4K

In the video comparison tables above clearly shows that with the Sony A6700 camera, we are getting higher frame rates up to 120 fps in 4K. Although we have to face significant crop in that mode, at the same time, in the Nikon Z50 Mark II camera, even at 4K 60 fps, we have to face a 1.5X crop, whereas in the Sony A6700 camera, the crop at 4K 60p is minimal, at only 1.04x. So more or less, if we talk about the usability of frame rates, we are getting more advanced specifications in the Sony A6700 camera.

Sony A6700: Superior Gyro-Based Image Stabilization for On-the-Go Shooting

Another significant advantage of the Sony A6700 camera is the presence of a gyro-based image stabilization system, so if you are hand-holding the camera and creating content on the go, then the most suitable camera for you is again the Sony A6700 camera.

Sony A6700: High Frame Rate Options for Slow-Motion and Content Creation

Again, for dance videos or creating reels that need higher frame rates, the Sony A6700 camera allows you to capture full HD videos up to 240 fps for creating super slow-motion videos. So if you talk about frame rates or gyro-based image stabilization, you are getting all that in the Sony A6700 camera, which also supports 10-bit internal recording with S-Log2, S-Log3, and Hybrid Log Gamma, so you can extract as much detail as you require for a given scene.

Nikon Z50 II: Exceptional Low-Light Performance and Professional Cinematography Features

Now, when should you buy the Nikon Z50 Mark II camera? Since the Nikon Z50 II camera features an ultra-low-light-sensitive sensor, if you are a short filmmaker and need a camera that performs exceptionally well under uncontrolled lighting conditions along with support for professional cinematography using RAW LUTs that the camera includes, then new RAW LUTs with the Z50 II camera may be added with updates in the future. Above all, you are also getting waveform support that will help you precisely control exposure, allowing you to rearrange elements to achieve optimal exposure. So if you are professionally involved in creating short films under uncontrolled lighting conditions, then the most recommended camera is the Nikon Z50 II.

Get a Sony A6700 Camera from B&H Store and Amazon.com

Sony A6700 Recommended for:

  • Portrait Photography
  • Landscape Photography
  • Street Photography
  • Event Photography
  • Sports Photography
  • Vlogging
  • YouTube Content Creation
  • Product Photography
  • Cinematic Videography (with high frame rates)
  • Casual Travel Videography
  • Action/Adventure Videography

Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com

Nikon Z50 II Recommended for:

  • Low-Light Photography
  • Wildlife Photography
  • Documentary Videography
  • Cinematic Filmmaking (low light)

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DJI Mavic 4 Enterprise Image Leaked

DJI Mavic 4 Enterprise edition, during its extensive crash test

DJI Mavic 4 Enterprise edition, during its extensive crash test

We published the image of the DJI Mavic 4 Pro back on September 24th, 2024. Now, as we all know, the DJI Mavic 4 Pro is in the announcement pipeline, and we have something brand new to share with you.

Today, the image of the DJI Mavic 4 Enterprise edition has been leaked. It’s not the DJI Mavic 4 Pro since the design of the camera is entirely different from what we have seen in the Mavic 4 Pro image. The system reportedly incorporates multiple imaging capabilities:

  • Wide-angle lens
  • Telephoto lens
  • Thermal camera
  • Range finder

Since it’s an enterprise edition drone, we can expect some added features, which are mentioned below.

  • RTK module mounted on the top surface for enhanced positioning accuracy
  • Expansion port on the rear for connecting specialized accessories, including:
  • Loudspeaker for public announcements
  • LED beacon for enhanced visibility
  • Spotlight for night operations or search missions

DJI is always known for innovating things, Stau tuned we will post an update soon as we get any new information.

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source

Nikon Z6 III to get Bird Eye AF Mode in 2025

So in the latest update, we have that Nikon is currently working on the implementation of bird eye autofocus mode in the Nikon Z6 Mark III camera since the camera doesn’t have that particular mode, and many wildlife photographers are disappointed with this.

They have become more disappointed after the release of the Nikon Z50 II, which does have a birds-eye autofocus mode under the $1000 price range.

But not to worry, since, as per the latest information coming out from @Jan Wegener’s YT Channel, Nikon Japan is listening to us, and very soon in upcoming firmware updates, they will add the bird eye AF feature in the Z6 III camera.

Best Lenses for Nikon Z6 III

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Nikon Imaging Business Booms! - Nikon Z8, Zf, Z6 III Lead to Huge Profits

As per the latest report we have Nikon’s imaging business has shown steady growth, leading to an upward revision of its forecast for the current fiscal year.

Nikon recently released its latest financial report, revealing that its imaging business maintained strong sales momentum from April 1st to September 30th. Overall sales have steadily increased.

Due to the strong performance of its full-frame Nikon Z8, Nikon Zf, and the new Nikon Z6 III, sales of mid-to-high-end cameras and lenses have been robust, resulting in growth in both sales revenue and profit. Imaging business operating revenue increased by 10.2% year-on-year to 151.791 billion yen, while operating profit rose by 14.4% year-on-year to 28.848 billion yen.

This growth was driven by both cameras and lenses. Camera sales reached 410,000 units (a 20,000 unit increase year-on-year), while lens sales reached 650,000 units (a 40,000 unit increase year-on-year).

Based on this recent strong performance, Nikon has revised its forecast for the current fiscal year. It expects to sell 850,000 cameras (a 50,000 unit increase year-on-year) and 1.35 million lenses (a 100,000 unit increase year-on-year) for the entire fiscal year 2025.

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source – Nikon Japan

Nikon Z5 II or Something Else - What Next From Nikon ?

Nikon finally announced the Nikon Z50 Mark II camera, and we published a month ago that its announcement was about to happen soon (Nikon Z50 II Coming, Early Specs Leaked – Aug 30). Now, it has already happened. But it’s not only the Z50 Mark II camera that was in the announcement pipeline; according to the rumors, the next camera after the Z50II is the Nikon Z5 Mark II, which is expected to arrive on or before the first quarter of 2025.

I was thinking of postponing this particular post since it seems quite illogical that Nikon while announcing a full-frame camera, might hurt the sales of the Z50 Mark II camera even if it arrives at a price range near about $1200.

But despite all that logical thinking, I have decided to publish this since the rumors are very strong about the Z5 II’s arrival with a full-frame BSI CMOS sensor, like the one we’ve seen in the Nikon Z6 Mark II camera. So, it will indeed be a huge upgrade if the Z5 II features the 24MP BSI CMOS sensor from the Z6 II camera.

Key Features

  • 24.5MP Full-Frame BSI CMOS Sensor
  •  Expeed 7 image processor
  • 4K UHD 30p / Full HD 120p Video Recording, 1.5x 60p with crop
  • 273-Point Hybrid AF with Eye and Animal Detection
  • 5-Axis In-Body Image Stabilization
  • Bright 3.69M-Dot OLED Electronic Viewfinder
  • 3.2″ Tilting Touchscreen LCD
  • Dual UHS-II SD Card Slots
  • Built-In Wi-Fi and Bluetooth Connectivity
  • USB-C Charging and Power Delivery Support

We’ll update you as soon as we get the latest information.

Nikon KOMODO Z – What Can We Expect from Nikon?

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Nikon Z50 II vs Canon R10

Let us compare the Nikon Z50 II with the Canon R10 camera. Let’s explore the main differences between these two cameras and find out which one is the best for photographers and which one is best for shooting videos. In the comparison table below, we have highlighted the differences in design, and we have created two separate tables dedicated to photography and videography features. So let’s find out the best camera between these two for your specific needs and budget.


1. Design Comparison

Feature Nikon Z50 II Canon R10
Body Dimensions 5 x 3.8 x 2.6″ / 127 x 96.8 x 66.5 mm 4.8 x 3.5 x 3.3″ / 122.5 x 87.8 x 83.4 mm
Weight 495 g (Body Only) 382.2 g (Body Only)
Lens Mount Nikon Z Canon RF
Display 3.2″ Tilting Touchscreen LCD, 1,040,000 Dot 3.0″ Free-Angle Tilting Touchscreen LCD, 1,040,000 Dot
EVF Type Built-In Electronic (OLED), 0.39″, 2,360,000 Dot – 1000 NITS Brightness Built-In Electronic (OLED), 2,360,000 Dot
Battery Type EN-EL25a or EN-EL25, approx. 230 shots LP-E17, approx. 430 shots
Ports USB-C Data & Power, Micro-HDMI, Mic & Headphone Jacks USB-C, Micro-HDMI, Mic Jack
Available Lenses Nikon Z DX and FX lenses Canon RF-S and RF lenses

2. Photographic Feature Comparison

Feature Nikon Z50 II Canon R10
Sensor Type
BSI CMOS FSI CMOS
Sensor Size 23.5 x 15.7 mm (APS-C) 22.3 x 14.9 mm (APS-C)
Effective Resolution 20.9 Megapixel 24.2 Megapixel
ISO Range (Photo) 100 to 51,200 (Extended: 100 to 204,800) 100 to 32,000 (Extended: 100 to 51,200)
Shutter Type Mechanical Focal Plane, Electronic Rolling Mechanical, Electronic Rolling
Shutter Speed (Mechanical) 1/4000 to 900 sec 1/4000 to 30 sec
Bulb Mode Yes Yes
Continuous Shooting (Mech) Up to 11 fps at 20.9 MP Up to 15 fps at 24.2 MP
Continuous Shooting (Elec) Up to 30 fps at 20.9 MP (JPEG) Up to 23 fps at 24.2 MP
Pre-Capture Mode
1 Sec 0.5 Sec
Autofocus Points 231 (Phase & Contrast Detection) 651 (Phase Detection Zones)
AF Sensitivity -9 to +19 EV -4 to +20 EV
AF Modes Continuous-Servo AF, Full-Time AF, Manual, Single-Servo AF Continuous-Servo AF, Manual, Single-Servo AF
Weather sealed
Yes No
Battery Life
250 Shots 450 Shots

3. Video Comparison

Feature Nikon Z50 II Canon R10
Sensor Type BSI CMOS FSI CMOS
Video Resolution & Frame Rates UHD 4K (30 fps) Uncropped UHD 4K (30 fps) Uncropped
4k 60 FPS
1.5X Cropped 1.5x Cropped
Full HD Max Frame rate
120 FPS 100 FPS
Product showcase mode
Yes No
Video Stabilization Digital (Video Only) Digital (Video Only)
Internal Recording Codec H.264/H.265 (8/10-Bit) H.264 MP4 4:2:0 8-Bit, H.265 MP4 4:2:2 10-Bit
External Recording Codec HDMI 4K HDMI 1080p
HDR/LOG Support HDR-HLG, Nikon N-Log HDR-PQ
Support RAW Video
Yes, N-Log available No, C-Log isn’t there
Recording Limit Up to 125 minutes Upto 120 Mins
Audio Recording Stereo, 24-Bit 48 kHz LPCM or 16-Bit AAC Stereo, 2-Channel AAC

Conclusion  Verdict

The Nikon Z50 II camera now has much-improved autofocus and also a low-light sensor, which helps to extract the maximum amount of detail possible in uncontrolled lighting environments or in any outdoor location. For wedding and event photography, we recommend you to go with Nikon Z50 II

Now, for sports and wildlife, it depends on which camera you like to buy since both are very capable. But again, due to the presence of a BSI CMOS sensor, the Z50 Mark II camera will perform better in uncontrolled lighting environments, specifically when you are using this camera for wildlife or bird photography. However, for sports events, you can take the Canon R10 with you when there is no big issue with light, as sports events generally happen during daylight. So, you may utilize the R10, and also, in sports events, you may require more reliable autofocus tracking, which is present in the Canon R10 alongside its slightly faster 15 fps mechanical shutter.

For day-to-day usage and street photography, I am going to recommend the Nikon Z50 Mark II camera. Due to the nature of its sensor and construction, the camera is able to capture clear shots and also has high low-light autofocus sensitivity compared to the R10. So more or less, for uncontrolled lighting environments of any type, the Nikon Z50 Mark II is more recommended. 165

Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com

Canon R10 – Camera body $879 [B&H Store] [Amazon.com] |

Type of Photography/Video Recommended Camera
Wedding and Event Photography

Nikon Z50 II

Due to its improved autofocus, low-light sensor, and availability of third-large amount party lenses , we recommend you to go with Nikon Z50 II

Wildlife and Bird Photography

Nikon Z50 II

The BSI CMOS sensor in the Z50 II performs well in low-light and uncontrolled lighting, which is often required in wildlife photography. + You get AF sensitivity down to – 9 FV and upscaled 3d AI AF tracking.

Sports Photography (Daylight Events)

Canon R10

Reliable autofocus tracking and slightly faster 15 fps mechanical shutter make the R10 a strong choice for sports events in daylight conditions.

Everyday Use and Street Photography

Nikon Z50 II

Excellent low-light autofocus sensitivity and sensor design allow the Z50 II to capture clear shots in diverse lighting, making it versatile for daily use.

General Video Needs

Canon R10 (for daylight, faster autofocus)

OR Nikon Z50 II (for low-light video)

Nikon Z50 II  Image Quality Test

Nikon Z30  / Zfc Image samples have been taken here since Nikon Z50 II and Zfc, both of them share the same sensor, so image quality is expected to remain exactly same as of the Nikon Z50 Mark II. Image credit dpreview.com

In the Image below we have compared the Nikon Z30 vs Canon R10 Images at ISO 25600, in RAW mode, as you can see the details are much preserved in Nikon Z50 II file


Next comparison Even in the JPEG comparison below you can see that Nikon is preserving more details compared to the Canon R10 FSI CMOS sensor.

During the base ISO test we can see the letters in the Nikon Z50 II are more clearly visible than those of the Canon R10, despite having higher resolution Canon isn’t able to extract the amount of details they should at the base ISO range

In the JPEG Mode, the performance of the Canon R10 Camera is much improved which may be due to JPEG filters the Nikon Z30 sample at base ISO losing a bit of details which was visible in the RAW Mode.

Verdict / Conclusion Image Quality

In terms of image quality, the Nikon Z50 II performs better than the Canon R10 at higher ISO settings, particularly when shooting in RAW mode. The Nikon Z50 II (or Z30) tends to capture more details at higher ISOs due to its 20MP sensor and lack of a low-pass filter, which helps to maintain fine textures.

However, at base ISO, when shooting in JPEG, the Canon R10 may show slightly more detail due to its higher 24MP resolution. But if you’re shooting in RAW at base ISO, the Nikon cameras can still provide a slightly clearer picture due to the low-pass-less design, which can enhance sharpness. Overall, for detail preservation, the Nikon Z50 II’s 20MP sensor has a slight edge, especially for those who prioritize high ISO performance and RAW shooting.

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