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By admin, on February 20th, 2026
According to reliable sources, a Sony 16 megapixel sensor prototype has been spotted being tested in the wild. Now, just after that, speculation started that the 16 MP partially stacked sensor is expected to be used in Sony Cinema camera lineup, like the upcoming rumoured FX3 Mark II camera. At the very same time, it can also be integrated into future models of the Sony A7S IV. That is the Sony A7S Mark IV camera, which is also rumoured to arrive sometime in 2026. Already, it has been delayed a lot, but people are still waiting for its update.
With the 16 MP rumour, we are going to explore what other updates we have related to the prototype, which has been reported by the reliable sources of the rumour mill, as well as the other set of information we have related to these upcoming Sony Cinema cameras.
What We Know About the New Sony 16MP Partially Stacked Sensor
Even before we begin discussing the camera, let’s discuss the sensor. The sensor is not new. It has been reported earlier,16MP partially stacked sensor is a homegrown sensor from Sony, fully stacked. Have a look at the core specifications of the sensor
Here’s a breakdown of the rumored key specifications:
- Resolution: 16 megapixels (full-frame)
- Sensor Type: Partially stacked CMOS
- Video Capabilities: Near 5K recording with oversampling to 4K for superior image quality
- Readout Speed: 240fps—double that of the Sony A7V’s 120fps
- Autofocus: 120fps compatible two-point PDAF (Phase Detection Autofocus) system using all pixels
- Stabilization: Active image stabilization with minimal crop impact
- HDR Technology: DCG-HDR (Dual Conversion Gain HDR) for enhanced dynamic range in both stills and video
- Pixel Pitch: 7.2μm for exceptional low-light performance
Obviously, it has some recording limitations due to the limited 5K capability, not even stretching up to 6K. So I do have some serious doubts about whether that is going to be used inside the Sony FX3 Mark II or the Sony A7S IV
Sony’s Strategy and Limitations
We have the Sony FX2 camera, which does use a 33-megapixel CMOS sensor, but its recording capability remains stuck to 4K 60p, and we are not able to access 4K 120p in FX2. Now, with the help of the 16MP stacked CMOS sensor, Sony can push 4K recording up to 240 frames per second, despite the resolution limitation. So it would be quite interesting to see whether the Sony FX3 Mark II will use the new 16MP stacked CMOS sensor, which can push the 4K capturing speed up to 240fps, or if they are going to unlock the 7K 30fps recording capability of the 33-megapixel partially stacked sensor
As of the announcement on December 16, 2021. Sony Develops World’s First 1 Stacked CMOS Image Sensor Technology with 2-Layer Transistor Pixel
Sony does have an upper hand in sensor tech, but over the past 3 to 4 years, what we have seen is that they are pushing sort of limited updates in their camera. Like in the Sony A7V, we do not have any option to access open gate or 6K / 7K recording as we have in Nikon Z6 III or ZR or even Canon R6 III. Even in a pro Cinema camera like FX2, open gate recording is completely locked, and we do not even have an option to record 4L at 120p.
Release Timeline and What It Means for Creators
We discussed the release timing of the Sony FX3 Mark II camera as well as the Sony A7S Mark IV camera. Just before that, I must tell you that there is also one more camera which is rumoured to arrive—the Sony A7R VI. We covered the rumour in detail in our previous post, and you can look at that article to get more details.
Between the Sony FX3 Mark II and the Sony A7R VI, either of these cameras can arrive in the first half of 2026, likely in the second quarter of 2026. We may have the announcement of the next Sony cinema-style camera, and it can be anything for now, since there are multiple rumors related to the arrival of the Sony A7R VI as well as the Sony FX3 Mark II. So we are not putting any confirmation mark over any camera body name. As for the Sony A7S Mark IV, it is expected to arrive sometime in late 2026 or in the first half of 2027. This is the initial set of information we have related to the upcoming Sony cameras.
Pricing? Expect FX3 II around $3,500-$4,000, A7S IV maybe $3,000 if Sony undercuts to compete.
For creators, this could be a game-changer: Affordable 4K 240fps, HDR video that pops, and stabilization that lets you run-and-gun without gimbals. But if Sony locks open gate behind paywalls, it’ll frustrate. We’ll watch the leaks—stay tuned for updates. If this sensor delivers, Sony might reclaim video crown from Nikon and Canon.
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The article “Sony 16MP Partially Stacked Sensor in FX3 II and A7S IV – Latest Sony Rumors February 2026” was written by thenewcamera.com team on 1:35 pm, Friday, 20 February 2026, Greenwich Mean Time (GMT). | You can also follow us on Our Official Social Media Handles FACEBOOK | TWITTER | INSTAGRAM >see more Sony Alpha Rumor Latest Camera News
source – sonyalpharumor [website]
Sony α7R VI or FX3 Mark II: Full List of Upcoming Mirrorless Cameras 2026-2027
By admin, on February 11th, 2026
Getting a lot of scattered posts online about the arrival of the Sony α7R VI camera, and there are also articles claiming the Sony FX3 Mark II is coming next.
The claim about the Sony FX3 Mark II camera’s arrival comes from one of the trusted rumour mills, SonyAlphaRumors, while other websites we consider trusted names in the industry, like PhotoRumors, are reporting that the Sony α7R VI camera announcement is on its way. They have also published the possible core specifications of the upcoming A7R VI camera. So in this article, we are going to discuss the probability of arrival of both cameras and the facts we have so far.
Starting from the FCC ID registration details of a flagship camera WW847606, which have been revealed recently in February 2026, the registered model code of the camera is being linked either to the Sony FX3 Mark II, which is expected to arrive sometime in April 2026, or to the Sony α7R VI. The registered model uses the same Wi-Fi unit that we have seen in the Sony α7 IV camera, and it is being manufactured in Japan. We all know that generally Japan is the place where Sony manufactures high-end mirrorless cameras, and that clearly indicates that among the Sony α7 series, it can be one of these two cameras.
Now the big question is why the entire internet is divided between these two cameras. Why are we not talking about any other Sony flagship full-frame mirrorless camera or APS-C camera for now?
Looking at Sony’s scheduled announcement pattern and their mirrorless camera update timeline, obviously, the Sony FX3 Mark II and the Sony α7R VI are due for an update. Other than that, we have the Sony α6900 camera, the Sony α6200 camera on the list, and the Sony α7S series is also overdue. People are waiting for the Sony α7S IV camera, but we have very few rumours related to it.
Upcoming Sony Mirrorless and Compact Cameras (2026-2027)
Based on Sony’s historical announcement patterns—such as refreshing full-frame mirrorless lines every 3-4 years (e.g., A7R series gaps lengthening from 20-39 months), APS-C models every 2-4 years, Note that Sony often announces high-end cameras in Q1-Q2 or Q4, with major pushes expected mid-2026 onward as part of a broader “offensive” in product launches.
| Model |
Type |
Expected Year |
Rumored Release Notes and Features |
| Sony FX3 II |
Mirrorless (Full-Frame Cinema Hybrid) |
2026 (March/April) |
Update to the 2021 FX3 with a partially stacked low-resolution sensor for improved readout speeds and low-light performance; WiFi 6 support; positioned to compete with Nikon Zr and Canon C50; registered in China as a high-end model. |
| Sony A7R VI |
Mirrorless (Full-Frame High-Resolution) |
Late 2026 or 2027 |
Successor to the 2022 A7R V; expected 61MP or higher sensor with partial stacking for reduced rolling shutter and better ISO; aligns with 4-year refresh cycle; focus on AI autofocus enhancements. |
| Sony A6900 |
Mirrorless (APS-C) |
2026 |
High-megapixel APS-C update (possibly 40MP+); improved sensor, EVF, burst rate, and ergonomics; follows 2023 A6700, targeting mid-range photographers; may merge features from A6100/A6400 lines. |
| Sony A6200 |
Mirrorless (APS-C Entry-Level) |
2026 |
Potential budget APS-C model combining A6100 and A6400 features; $1000 price point; no major updates rumored beyond standard refreshes. |
| Sony A7S IV |
Mirrorless (Full-Frame Video/Low-Light) |
2026-2027 |
Update to 2020 A7S III with 24MP stacked sensor, triple base ISO, and 6K video; rumors mixed on timing, possibly tied to broader video line refresh; not imminent per some sources. |
| Sony A7C III |
Mirrorless (Full-Frame Compact) |
2026-2027 |
Compact rangefinder-style update; improved autofocus and connectivity; low-priority rumor but fits Sony’s pattern of niche refreshes. |
| Sony ZV-E1 II |
Mirrorless (Full-Frame Vlogging) |
2026 |
Vlogging-focused update with better stabilization and AI features; alternative to FX3 II in some leaks. |
| Sony RX100 VIII |
Compact (Point-and-Shoot) |
2026 |
Successor to 2019 RX100 VII; simpler body with modern autofocus, better connectivity, and sensor updates; revival amid compact camera trend. |
Sony’s major camera announcement before July 2026
if anyone knows the announcement pattern of Sony and their mirrorless camera system, then obviously the two cameras that can be there are the Sony FX3 Mark II as well as the Sony α7R VI, which are on the top priority list for the 2026 and 2027 announcements. Other than that, the set of information we have received from the FCC ID also points toward the same.
But the most important part of the FCC ID process is that it gives 180 days of time to announce their product, since after 180 days, the external and internal test images of the product registered with the FCC ID go public. That clearly indicates the camera that Sony has registered in the month of February 2026 will officially arrive sometime before July 2026.
Sony A7R VI specification
- It uses a full-size stacked sensor with an effective pixel count of 80 million.
- The A7RVI is currently in a small-scale testing phase and is equipped with a BIONZ XR2 processor and boasts 8.5 stops of image stabilization.
- It is capable of continuous shooting in 14-bit RAW at 30fps.
- Equipped with RAW pre-capture function.
- 60fps with AE/AF tracking.
- Equipped with a high-resolution shooting function that combines 16 images.
- Noise-reducing composite shooting is possible by combining up to 32 images.
- The grip has been redesigned, with a deeper handle shape like the α1II.
- The maximum brightness of the rear LCD monitor is 50% higher than that of the α1II.
- This camera is considered a big step up from the A7V, and is positioned more like the A7RIII and A7III did back then.
- Does not support open gate, RAW video, or 6K HEVC.
- Supports 8K30p with 10.9K oversampling in full frame, 4K60p with 7.1K oversampling in APS-C, and 4K120p with 5.5K (pixel binning) oversampling in full frame.
- Stills can be shot at 30fps, but there is a strict limit on the number of shots that can be taken.
- The dynamic range is superior to that of the mechanically shuttered α7RV even when using the electronic shutter, achieving a dynamic range of over 16 stops when the mechanical shutter is enabled.
- The LCD monitor on the rear panel has more pixels than the α7V. The electronic shutter readout speed is slightly faster than before, but it is still only about one-third the speed of the α1II.
Well, these specification is coming from websites like Photorumors, but there’s no mention of the source or its authenticity, so it’s hard to say how reliable it is, but if it really does use an 80-megapixel stacked sensor, the α7RVI will likely be a big leap forward from the current α7RV. While the pixel count has increased, continuous shooting, video, and dynamic range have also been significantly improved, making it an impressive spec if true. However, despite being a stacked sensor, the electronic shutter speed is only one-third that of the α1II, which raises some questions. Is it a partial stacked sensor? Price-wise, expect it to land around $4,000-$4,500, positioning it as a premium stills monster. Sony’s clearly ramping up for a big year, so keep an eye on those certification deadlines—whatever drops before July will set the tone for the rest of 2026.
The article “Canon G7 X Mark III 30th Limited Edition in High Demand, Shipping Starts from April 28, 2026” was written by thenewcamera.com team on 6:46 am, Sunday, 8 February 2026, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media Handles FACEBOOK | TWITTER | INSTAGRAM to get more live Camera News + Canon Rumors 24X7
source: sonyalpharumor | Photorumor
Canon G7 X Mark III 30th Limited Edition in High Demand, Shipping Starts from April 28, 2026
By admin, on August 10th, 2025
TNC Exclusive – We are all waiting for the Sony A7V camera announcement, and not only that, we are also eagerly waiting for the Sony A7S IV. These two cameras need to be updated as soon as possible by Sony. As of August 10, 2025, an anonymous source has dropped some exclusive information into our mailbox at TheNewCamera.com, shedding light on the upcoming Sony A7V, FX3 Mark II, and potentially the Sony A7S IV camera, related to all these models. The insider provided a kind of detailed information related to the sensor and the video capabilities, and we have decided to publish it since it does look legitimate to us.
At the very same time, while these sorts of unverified rumors are subject to change from time to time, they do offer valuable insights to those who love to track the latest information related to the Sony A7V rumors, latest specifications, or information related to the Sony A7S IV camera. Below is the analysis and the quotation of the email, and we have done a sort of professional analysis to the content of the email — so let’s jump into it.
Insider email leak – Direct quote from the source on Sony A7V and A7S IV camera development
Today, on August 10, 2025, we have received this detailed message from a source which is quite familiar with Sony’s prototyping process:
“The new Sony A7V might be using the same sensor as Z8/Z9 modified and slightly cheaper, since the exclusivity use for the sensor will expire before announcement.
44 MP stacked not the same as Panasonic 44 MP not stacked.
If they don’t go this route it might be completely new sensor. They have several prototypes at the moment. The 44 MP non stacked is faster than regular A7IV but slow in general. We will see.
FX3II / A7S IV is 24 MP as far as I know, comes with a fully stacked sensor and with 2-layer transistors. Same sensor will be used in FX6 II, triple ISO around 800 – 4000 – 25600, night specialist.
6K open gate 120 no crop, 4K open gate 120 fps oversampled from 6K open gate 120fps no crop.
That is all, release date this year or early next year if plans do not change. If they change, we will see.”
So this is intel highlighted that has been shared with us, so let’s break down the interesting set of information one by one.
Breaking down the Sony A7V rumor – sensor prototypes and performance upgrades
Let’s analyze the input according to the latest rumor. The Sony A7V camera has multiple prototypes, and this is quite common when we are talking about high-end or semi-professional cameras like the Sony A7V, before they finally enter a production line. The primary rumor centers on a modified 44-megapixel stacked sensor, which is almost the same as that used in the Nikon Z8 and Z9, but entirely adapted for the Sony ecosystem. The source has clearly mentioned that with Nikon’s exclusivity expiring soon, this could be a more cost-effective implementation, potentially putting the Sony A7V in direct competition with the existing Nikon Z8 — a kind of higher-resolution powerhouse for still photographers. The source has also said it has faster readout speeds to minimize rolling shutter in video, and it is a very clear indication the new 44MP sensor will break the Sony limitation barrier of continuous shooting abilities, as we have seen with the Sony A7IV camera, which is limited to 11 frames per second.
Alternatively, the source also mentions that a brand-new 44-megapixel non-stacked sensor exists, but it remains slow in general, suggesting it may help the Sony A7 series expand resolution-wise in stills and video but will keep the limits of continuous shooting speed or higher frame rates in video to protect higher-end model sales.
This set of information suggests that Sony is testing multiple prototypes of the Sony A7V camera with two different 44MP sensors. Yes, the AI chip is coming this year, which will further enhance the autofocus system of the A7 series cameras — possibly even better than the existing Canon offerings in their Canon R6 Mark II camera.
But, it’s interesting he doesn’t talk about 33 MP stacked CMOS sensor, which was rumored earlier
Sony FX3 Mark II / Sony A7S IV rumors decoded – stacked sensors, triple ISO, and cinema-grade video
Now the sensor description of the Sony FX3 Mark II and the Sony A7S IV camera is quite a bit more complex than what we have discussed earlier for the Sony A7V. According to the source, the Sony FX3 Mark II camera or the A7S IV will feature a 24-megapixel fully stacked sensor, and the sensor will incorporate dual-layer transistors — a step up in the efficiency of light gathering as well as data processing capability.
This sensor is also stated to be used in the upcoming Sony FX6 Mark II camera, creating a cohesive ecosystem for professional videographers starting from the Sony A7S IV.
The triple base ISO, which is said to start from 800, 4000, and 25600, means it can easily be tagged as a low-light king or night specialist camera, promising superior low-light performance and a good update from the existing Sony A7S III’s ultra-low-light-sensitive 12MP sensor. Specification-wise, the sensor is able to record 6K open gate at 120 frames per second without any significant crop. This allows professional videographers to capture highly detailed data without any lag or crop.
If this information is true, the upcoming Sony A7S IV, FX3 Mark II, and FX6 Mark II cameras will revolutionize filmmaking with their ultra-high-speed 24MP sensors and amazing low-light performance. The Sony FX3 series as well as the A7S series have always remained a popular choice among filmmakers, and if the above specs are true, they will continue to dominate.
Sony A7 V – Sony A7S IV Release Timeline
The source mentions the release of the Sony cameras in late 2025 and early 2026 if they remain on schedule, if their plans remain unchanged. This suggested date aligns with Sony’s refresh cycle, which generally occurs in the fourth quarter of the year.
However, as we have discussed, a lot of camera specifications depend on beta testers’ reports — what they like and what they don’t like — so everything gets fine-tuned in the final production line version of the camera.
Sony A7V versus Sony FX3 Mark II / Sony A7S IV versus competitors – a quick specification comparison table based on the rumored information we have
To visualize the rumored advancements, here’s a professional comparison table pitting the leaks against benchmarks like the Nikon Z8:
| Feature |
Sony A7V (Rumored) |
Sony FX3II/A7S IV (Rumored) |
Current Competitors (e.g., Nikon Z8) |
| Sensor |
44MP stacked (modified Z8/Z9-like) or new prototype; faster than A7IV |
24MP fully stacked w/ 2-layer transistors; triple ISO (800/4000/25600) |
45.7MP stacked CMOS |
| Video |
Not specified in leak |
6K open gate 120fps no crop; 4K 120fps oversampled |
8K 60fps, 4K 120fps |
| Key Strengths |
Affordable high-res, prototypes for flexibility |
Night/low-light specialist, cinema-grade |
High-speed readout, no blackout |
| Release |
Late 2025 or early 2026 |
Late 2025 or early 2026 |
Already available |
| Price Speculation |
Slightly cheaper than exclusives |
Not specified |
~$4,000 |
Final thoughts about Sony A7V and Sony A7S IV/FX3II rumors
We have decided to put the insider information directly in our post without altering it, to make everything as transparent as possible for you. At the same time, we have also added our analysis on what we think about this set of information. Stay tuned to TheNewCamera.com for more information related to upcoming cameras and lenses.
Hope you enjoyed reading this article, At TheNewCamera.com, we’re dedicated to keeping you informed about the latest camera news. The article “Kodak FZ45, FHD 44MP and Kodak FZ55 – Amazon UK Best Selling Compacts of 2025” was published on11:54 am, Sunday, 10 August 2025, Greenwich Mean Time (GMT) by thenewcamera.com team | Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + see more Sony Alpha Rumor
By admin, on June 20th, 2025
I am getting very excited whenever Sony, Nikon, or Canon does a new camera registration. Still, unfortunately, we wait lot of time to get clear information even from tested rumour mills over there so that’s why I have stepped in to clear up the things. The recently registered model code on June 19, 2025, reported by the DC Life Camera Japan website, and the model code is WW295750, registered with the Indonesian certification agency, and the camera was originally manufactured in Thailand. Now that particular registration has awakened potential new Sony camera, but that’s not the truth.
WW295750 is an FX2 Variant, not a new Camera
According to a trusted source who does a very good account in keeping information related to registered camera models of multiple brands, yes I am talking about the E88_8888, the modern day Nokoshita has claimed the WW295750 registered product is not a new product but a single band wireless version of the Sony FX2 cinema mirrorless camera. The full form cinema release camera has already been associated with the model code WW934774, which was confirmed back on May 2025, so this is just a modified wireless version of the same camera, possibly optimised for a specific market or use cases. But the registered camera retains all the core specifications of the existing Sony FX2 camera, which is 33MP full-frame sensor, 4K 60 bit recording with RAW and all that stuff.
Updated Sony Camera Model Codes Table – June 2025
Below is an updated table of Sony’s registered and confirmed camera model codes as of June 2025, including the newly clarified WW295750 as a variant of the ILME-FX2.
| Model Number |
Model Correspondence |
Connectivity |
Registration Date |
Manufacturing |
| WW295750 |
ILME-FX2 (Single-band wireless version) |
Unknown |
2025.06.19 |
Thailand |
| WW084220 |
Sony A7 V (speculated) |
5.1/2.4 Bluetooth |
2025.05.23 |
Wuxi, China |
| WW697160 |
Sony FX3 Mark II or A7S Mark IV (speculated) |
5.1/2.4 Bluetooth |
2025.05.09 |
Japan |
| WW934774 |
Sony FX2 (ILME-FX2) |
5.1/2.4 Bluetooth |
2025.04.21 |
Shanghai, China |
| WW030588 |
Microphone? |
2.4GHz |
2025.01.10 |
Unknown |
| WW277226 |
ILME-FX3A |
5.1/2.4 Bluetooth |
2024.12.04 |
Japan |
| WW912257 |
Sony α1 II |
5.1/2.4 Bluetooth |
Unknown |
Japan |
| WW293541 |
Sony ZV-E10 II |
5.1/2.4 Bluetooth |
2024.03.25 |
Wuxi, China |
| WW045578 |
Unknown |
Unknown |
Unknown |
Unknown |
| WW773396 |
Unknown |
Unknown |
Unknown |
Japan |
| WW279317 |
Cinealta B MPC-2610 (Sony BURANO) |
5.1/2.4 Bluetooth |
2023.09.20 |
Shanghai, China |
Sony A7 V and FX3 Mark II
The model code WW697160 with professional grade Wi-Fi 6E capability is expected to be a very strong contender for the upcoming Sony FX3 Mark II camera, and we also have WW084220, which is expected to be the Sony A7 V. So right now we have two pending model codes inside Sony and one is expected to be a high-end cinema camera model and other the A7 V.
For more details on these developments, you can also revisit our previous article, which very clearly mentions their registration and other details related to the Sony A7 V and the FX3 Mark II camera.
Sony A7 V and Sony FX3 II Latest News [ June 2025 ]
Also, check some latest camera deals – Camera deals USA
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sources dclife japan | E88_8888
By admin, on June 4th, 2025
According to the latest information we have, Sony has already registered two cameras in the wireless certification agencies, and the model codes are: WW084220 and WW697160. Specifically, one of the model codes is being manufactured in Sony Japan’s manufacturing plant, and the other in Sony Wuxi.
Sony A7V Almost Confirmed here is why
In the post that we published on May 28, 2025, we discussed briefly the Sony Wuxi plant. It is known for producing Sony semi-professional Alpha series cameras.Its highly likely that are working on the Sony A7V under model code WW084220, as the Sony A7 IV is significantly overdue for an update, making it a strong candidate for this model.
Sony Japan’s WW697160: FX3 Mark II or A7S Mark IV?
There’s another camera being built at Sony Japan—most likely a cinema-style model. Sony Alpha leaker Zhang Yi Fei dug into the model code WW697160 and uncovered three pro-level features that we’d missed. From those features, it’s clear that, aside from the WW084220 code (which is expected to be an A7-series model), this new model with its standout specs is probably either the Sony FX3 Mark II or the A7S Mark IV, the successor to the A7S Mark III.
- 5.1GHz Wi-Fi 6E + 80MHz Bandwidth
- Purpose: Sustains 800Mbps+ data throughput for:
- 6K RAW over-the-air monitoring (min. 600Mbps)
- 4K/120p multi-client livestreaming
- Constant: Photo-centric bodies max out at 200 Mbps (4K/30p)
- 23dBm Transmission Power (EIRP)
- Purpose: Ensures 30m+ stable links in RF-noisy environments
- 256QAM Modulation
- Purpose: Low-latency error correction for real-time focus pulling/audio sync
Now the user also explains why he thinks that the registered model WW697160 is not the A7 Mark V camera.
- The first and foremost reason is the manufacturing location. The specific model code is being manufactured in Sony Japan, which used to be a manufacturing place for Sony’s flagship full-frame mirrorless cameras or the cinema line of cameras.
- Then the Wi-Fi mismatch—the camera uses Wi-Fi 6E and not Wi-Fi 5, which has $25 extra production line cost, and in general, that’s what we have seen. The 6E 23 dBm power also drains the battery faster.
Sony FX3 Mark II & Sony A7 V Near the Horizon
So considering all the factors—that they are using a highly advanced Wi-Fi unit inside the camera, which is not that much usual in semi-professional mirrorless cameras like Sony A7 Mark V, and the production location, the production line and the typical serials—everything—then for sure, the registered model code WW697160 is expected to be the Sony FX3 Mark II camera or maybe the Sony A7S Mark IV. But since the rumor mill source has mentioned that the FX3 Mark II camera is almost ready to be announced, so we are ruling out the possibility of the arrival of the Sony A7S Mark IV camera here.
Updated Sony Camera Model Codes
Below is the updated list of Sony’s upcoming camera model codes, including recently registered and confirmed models, ordered by registration date (most recent first):
|
Model Number
|
Model Correspondence
|
Connectivity
|
Registration Date
|
Manufacturing
|
|
WW084220
|
Sony A7 V (speculated)
|
5.1/2.4 Bluetooth
|
2025.05.23 |
Wuxi
|
|
WW697160
|
Sony FX3 Mark II or A7S Mark IV (speculated)
|
5.1/2.4 Bluetooth
|
2025.05.09 |
Japan
|
|
WW934774
|
Sony FX2
|
5.1/2.4 Bluetooth
|
2025.04.21 |
Shanghai
|
|
WW030588
|
Microphone?
|
2.4GHz
|
2025.01.10 |
Unknown
|
|
WW277226
|
ILME-FX3A
|
5.1/2.4 Bluetooth
|
2024.12.04 |
Japan
|
|
WW912257
|
Sony α1 II
|
5.1/2.4 Bluetooth
|
Unknown
|
Japan
|
|
WW293541
|
Sony ZV-E10 II
|
5.1/2.4 Bluetooth
|
2024.03.25 |
Wuxi
|
|
WW045578
|
Unknown
|
Unknown
|
Unknown
|
Unknown
|
|
WW773396
|
Unknown
|
Unknown
|
Unknown
|
Unknown
|
|
WW279317
|
Cinealta B MPC-2610 (Sony BURANO)
|
5.1/2.4 |
2023.09.20 |
Shanghai
|
Also see – Sony FX3 Mark II to Feature Open-Gate and 12-Bit internal RAW
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Sony A7V and Sony FX3 Mark II Latest News [ June 2025 ] Published on thenewcamera.com on 4:46 pm, Wednesday, 4 June 2025, Greenwich Mean Time (GMT)
source SARYT
By admin, on March 18th, 2025
The Sony FX3 camera was announced back on February 23, 2021. It was a full-frame mirrorless consumer cinema camera. It was made to make cinema cameras within the reach of more and more professionals—those who love to have a compact body with all the possible features of a professional cinema camera. The FX3, at the time of the announcement, had a 12.1-megapixel CMOS sensor that was used in the Sony A7S Mark III camera and featured 4K Ultra HD video recording up to 120 frames per second and 10-bit 4:2:2 XAVC S-I internal recording.
Limitations of Sony FX3
But at the time of the announcement, the camera was lacking an internal RAW video recording mode, and of course, the FX9 also does. But with the FX3, we do have an option to get 16-bit RAW video by the HDMI port, but again, no option to record RAW internally.
The other option that was missing inside the FX3 is open-gate recording, which is now available in almost all Panasonic and Fuji cameras. Even cameras like the Panasonic S9, S5 II, Fuji X-S20, and Panasonic S1R Mark II now offer open-gate recording.
What Rumor Mills Are Saying This Time
A lot of rumors indicate potential upgrades to the sensor, including a global shutter sensor, which is coming from SAR.com
What We Know So Far about Sony FX3 II
New features are coming inside the FX3 Mark II camera, which will fill the gaps of the first version of this camera.
- The first feature that we are about to receive in the FX3 Mark II is an open-gate recording in a 3:2 format, which is almost confirmed. After a very long wait, Sony professional users will be getting open-gate recording in their upcoming professional camera.
- The other confirmed set of features includes 12-bit internal RAW internal video recording, which is about to arrive inside this camera. It’s really a kind of exciting moment to see these new features that we have never witnessed or seen in Sony’s professional consumer-grade cameras coming along with the FX3 Mark II announcement.
- The Next Cinema Camera from Sony is FX3 II, Arriving before Q3 of 2025.
Why Do Internal 12-bit RAW and Open Gate Actually Matter to Professionals?
A RAW video that a camera records is uncompressed or minimally compressed data, which is directly coming from the sensor without passing through different algorithms, providing the maximum latitude possible for color grading and other post-production adjustments. 12-bit video offers color depth, allowing users to have smooth gradients as well as better dynamic range handling compared to other lower bit-depth or compressed video codecs. So, having these capabilities internally means filmmakers can enjoy filmmaking and can get the maximum possible advantage of the sensor being used inside the camera, which other camera makers are also giving right now.
Another important aspect, professional content creators nowadays use open-gate recording to handle the content for multiple platforms simultaneously. These content creators need to adapt footage for various platforms recording at the same time, and by recording the full sensor, they can crop out aspect ratios required for post-production without losing the video quality of the camera.
It’s a Time for Upgrade
Sony’s higher-end cameras like the FX9 and FX6 do not support internal RAW recording and require an external recorder to capture 16-bit RAW via SDI output, and that’s the most frustrating thing for many professionals out there. That’s why, possibly, they are migrating to different brands such as Panasonic Lumix at this moment. So, the market pressure from the competitors for having internal RAW video recording as well as the open gate has led Sony to innovate these features in the FX3 Mark II (based on the information we have ). If they fail to innovate, they will not remain competitive with others, and that will be a big mess for the brand’s consumer base. Given the success of the FX3 and the growing market demand for hybrid cameras as well as advanced video features, this is the best time for Sony to release the FX3 Mark II camera with extended capabilities.
The article “Sony FX3 Mark II to Feature Open-Gate and 12-Bit Internal RAW” was first published on TheNewCamera.com by TheNewCamera Team. Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
By admin, on August 24th, 2024
Is Sony testing a new camera? According to the latest rumors, a Photographer who works with Sony is on TRIP to TAIWAN to test Sony’s new camera in a few weeks. The Photographer also confirmed that the camera will not be released with the 85mm f/1.4 GM II lens. The Rumor mill speculates, From the timing, this photographer may be testing the FX series E-mount video camera, which is interesting.
Translated version
A new Sony camera with the code name “WW751104” has been registered and may be released in September or October; In addition, we may see a new FX series E-mount camera first, followed by the rumored 24-70mm f/2.0 GM lens, and then another E-mount mirrorless camera. We look forward to more, and you can look forward to our follow-up reports.
Regarding the new camera, there are rumors that a photographer who works with Sony revealed that he will be going to Taiwan to test Sony’s new camera in a few weeks. However, this new camera will not be released with the 85mm f/1.4 GM II lens. From the timing, this photographer may be testing the FX series E-mount video camera expected to be released in September. Are you looking forward to it?
If analyze the above information, then it is very clear that the source is talking about two different cameras, one is a Sony camera with the code name “WW751104”, A E-Mount Mirrorless camera that is also expected to arrive alongside the 24 to 70mm F2.0 Lens in the next few months and the next is full frame sensor based professional cinematography camera, like the FX3.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
Article updated by thenewcamera.com team on March 18, 2025
As usual, the rumor via SAR YT camera out to be false this time, see follow-up updates related to the Sony FX3 II
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