Creative Image: Starting from Pocket 4 PRO, Standard Pocket 3, and Standard Pocket 4
The DJI Osmo Pocket series has revolutionised handheld content creation, and many professional content creators today utilise the Osmo Pocket 3 camera, which features a 1-inch sensor and 4K video recording capabilities, along with advanced AI autofocus tracking.
According to recent leaked images, the DJI Osmo Pocket 4 appears to show two different prototypes being tested in the wild alongside the Pocket 3. Now, these two distinct variants of the Pocket 4 appear to have two different types of cameras.
One variant features the long-rumoured dual-lens setup, a larger camera module with a heavier head, which can be clearly seen and noticed. The other variant has a single camera module with clearly visible buttons below the display screen and appears to be less portable.
If you remember the leaked picture from the Barcelona shoot, it actually resembles the single-lens Pocket 4 variant, which features a single camera unit with dual buttons below the display.
As of December 19, 2025, no official announcement has been made by DJI; however, leaks suggest a potential announcement in early 2026.
Recently shared image of Pocket 4 / Pro
Leaked Prototypes Spotted: Pocket 3 Next to Two Pocket 4 Variants
The Leaked image provides the clearest picture of the DJI Pocket 4 camera yet, but interestingly, we are witnessing two different variations of the Pocket 4 camera, which are very clearly visible. Both prototypes are being tested in the wild, as seen above.
The Middle Device (Reference): It is very clearly visible that the middle camera is the Pocket 3, and we can clearly identify it by the rotating mechanism, the type of screen, and the standard camera unit that we have seen multiple times before. However, the two different variations on the left and right sides are clearly new and do not have any logo, trademark, DJI, or Osmo name on their bodies, which also suggests that they are prototypes, not production-line models.
The Left Prototype (The Rumoured “Pro”): The next model is the most discussed and most talked-about, mainly because of its dual-lens setup and heavier head, which is obviously and significantly bulkier than the previous-generation Pocket 3 gimbal. This specific Pocket 4 Pro clearly resembles multiple previous leaks that were reported by trusted leakers like Jasper Allen. Without a doubt, DJI’s dual-lens Pocket 4 model is already in the announcement pipeline, and we are almost certain to witness its official announcement in 2026.
The Right Prototype (The “Standard” Successor): This unit closely resembles the Pocket 3 form factor but appears to house a larger lens element. This fits the description of the rumoured single-camera setup featuring an upgraded sensor / Image processor.
Whether we look left or right, both Pocket 4 prototypes feature a redesigned gimbal. The Pocket 4 standard upgrade, located on the extreme right side of the image, features a slimmer gimbal design with additional buttons below the display, as previously mentioned. On the extreme left side, we see the Pocket 4 Pro, possibly the most advanced and heaviest upgrade of the Pocket 3, featuring a heavier gimbal, a single button below the display, which is clearly visible, along with a larger size, a heavier gimbal head, and a bigger camera unit.
So overall, not only are the camera units different, but we also see variations in the chassis and gimbal design of the camera.
Image of Standard Pocket 4 Standard edition – leaked images surfaced on the web, and according to the source, the picture is coming straight out from a promotional video shoot in Barcelona. The image you see below is a screenshot of a behind-the-scenes (BTS) video. The image is really one of the clearest pics of the Pocket 4 prototype and also hints at some refinements in the design and overall layout of the camera, as you can notice the button control layout has been changed slightly
Latest DJI Pocket 4 Standard Retail BOX Leaked – Announcement is expected soon
DJI Osmo Pocket 4 (Standard Version): Rumored Specifications and Features
The DJI Osmo Pocket 4 Standard camera is expected to feature a single-sensor-based camera module, possibly using the same 1-inch sensor with approximately 50-megapixel resolution that we have already seen in the Pocket 3.
However, apart from that, it is expected to receive major upgrades in the internal core specifications of the camera. Take a look at the rumoured specifications of the Pocket 4 Standard upgrade.
Key rumoured specifications for the DJI Osmo Pocket 4 (standard):
Sensor: Upgraded 1-inch CMOS loaded with 50 million pixels for superior detail and low-light performance.
Video Capabilities: Features 6K video recording, 4K at 120 frames per second, and advanced slow-motion options.
Weight: Approximately 190 grams, maintaining portability.
Battery: Around 20% larger capacity than the Pocket 3 for extended shooting sessions.
Other Upgrades: Improved stabilization, 10-bit D-Log M color profile, and Wi-Fi 6 connectivity.
This variant aims to deliver flagship image quality in a simpler, more affordable package without the complexity of multiple lenses.
DJI Osmo Pocket 4 Pro: Dual-Lens Setup for Optical Zoom and Versatility
The DJI Osmo Pocket 4 Pro camera module, featuring a dual-lens setup, is being referred to as “Pro” since it is very clear from testing that DJI is evaluating two different Pocket-series camera variants for release. There is a high probability that we may see a standard model followed by a Pro model announcement, one after another.
The dual-camera setup appears to be very similar to that of the DJI Air 3S drone. Take a look at the specifications of the DJI Osmo Pocket 4 Pro camera.
Dual-Lens System: A primary wide-angle lens paired with a telephoto lens for true optical zoom (potentially 2x-4x without quality loss).
Sensor Details: Primary 1-inch sensor combined with a secondary sensor (possibly 1/1.3-inch or square format optimized for Ultrawide shoot).
Video Enhancements: Up to 4K at 120fps for ultra-slow-motion, alongside 6K/60fps options.
Potential Accessories: Rumors point to a new remote control accessory (similar to a “frame tap” style handler) designed for the Pro model. This would allow remote operation of the longer focal length telephoto lens from a distance, ideal for vlogging or dynamic shots where holding the gimbal isn’t practical.
The dual-lens approach addresses a common Pocket 3 limitation: reliance on digital zoom. It could enable seamless switching between wide and telephoto perspectives, making the Pro variant a game-changer for professional creators.
For Now, Only 1 Pocket 4 Coming on Jan 2026: Here is why
Before we discuss the announcement timeline of the DJI Osmo Pocket 4 / Pocket 4 Pro, which have appeared during field testing, first of all, we must make it clear, as we have already said earlier, that a company tests several prototypes before a product enters the production line.
The FCC ID 2ANDR-OP04 is tied to the grantee SZ DJI Osmo Technology Co., Ltd. So, for now, we have only 1 (one) FCC registration related to the DJI Osmo Pocket 4 series camera. As I am writing this post on December 19, 2025, and while keeping this data fully up to date, we have not found any separate Pocket 4 Pro registration so far.
Retailer leaked the Stock of Pocket 4, they are just waiting for the DJI green flag / Announcement to start selling the Pocket 4 camera
DJI Pocket 4 Arrival Date
This sets a very clear indication that, as of now, there is only one Pocket 4 camera in the pipeline. So, it is up to DJI which camera variant they are about to introduce. Sources suggest that the Standard Pocket 4 Edition will arrive early, before the PRO at the end of Feb-March 2026.Its confirmed now only single lens varient based camera is coming the standard version and the Dual Lens version varient is not coming anytime soon for now
There are some rumors that the PRO Edition of Pocket 4 will arrive after April 2026, not in April 2026. And we are also tracking that rumor/information, and will post an update as soon as we get any new information.
Announcement is Delayed, here’s why
A full DJI Pocket 4 release in December 2025 is off the table. And the announcement is delayed till Feb-March of 2026. It’s really a bit disappointing for all of us who were waiting to pre-order Pocket 4 before Christmas.
Why the delay?The exact reason, as mentioned by photorabz, is that the Accessories are the culprit (One Frame TAP?). As we all know, the Pocket 3 depends on a lot of external accessories, which include wireless mics, extra batteries, and modular mounts – DJI’s ecosystem thrives on these add-ons, and rushing them could lead to quality issues.
Stay tuned to thenewcamera.com for the latest updates – an official announcement could drop soon. If you’re in the market now, the Osmo Pocket 3 remains an outstanding choice with deep discounts amid these rumors.
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The article “DJI Osmo Pocket 4 2026 Rumours: Arrival Date, Leaked Prototypes Reveal Standard and Pro Variants” was written by thenewcamera.com team on 9:49 am, Saturday, 20 December 2025, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM to get live news — > DJI Rumors
Let’s talk about the Nikon Z90 camera. According to Ordinary Filmmaker trusted sources, the camera is in work, and the prototypes are approved for the production line, ready to replace the old-school Nikon D500 camera. The specification is not new, similar to what we have shared with you a while ago: the Nikon Z90 will carry a 33MP APS-C/DX-format hybrid CMOS autofocus sensor and advanced AI autofocus algorithms, very similar to what we have seen in the Nikon FX-format full-frame cameras
Latest Information about Nikon Z90?
Simon kicks off his video by saying: “Our trusted source has come forward once again to tell us that the Nikon Z90, a direct replacement for the Nikon D500, is now in the works and coming to the market.”
No exact date from Simon – he notes Nikon’s super secretive ( “Nikon is very quiet. Too quiet.” ) and focused on other stuff like cinema gear. But based on his chat, it’s close enough to get excited about. More on timing below.
Nikon Z90 Specs: The Key Details Simon Shared
Simon keeps it real and rumour-free from wild guesses. Here’s what he says about the Z90, broken down easily:
Sensor Size: It’s a DX (APS-C) camera with 32-33 megapixels. So, in terms of sensor resolution, information remains the same as we also have shared previously in our post
Speed: Up to 15 frames per second (fps). Most probably, he is talking about the MAX mechanical shutter speed.
Who It’s For: obviously photographers looking for a mini Z9 camera, an Multipurpose camera made for DX pro., Wildlife photographers who want “more reach” (the crop sensor makes lenses feel longer, like turning a 400mm into 600mm) but don’t need top low-light skills or the pricey Nikon Z9. If you’re pro-level and chasing magazine covers in dim light, stick with Z9. But for sunny safaris? Z90 shines.
Nikon Z90 Release Timeline
According to Simon from Ordinary Filmmaker in his video, the Nikon Z90 release timeline remains uncertain and delayed, with no imminent announcement expected before 2026. He reports from a trusted source that the camera “is now in the works and coming to the market,” but stresses Nikon’s extreme secrecy and heavy focus on the ZR Cinema line, including four new cine lenses within the next six months. Simon explicitly states that “I wouldn’t expect any other new Nikon announcements in the short term that don’t fall under the ZR Cinema line,” and with the February 2026 Olympics approaching too quickly for a Z9 Mark II refresh (as per rumors), stills cameras like the Z90 appear sidelined for several months. This suggests a potential launch in mid-to-late 2026 at the earliest
Stick with TheNewCamera for updates – we’ll ping you day one. What’s your must-have Z90 feature? Drop a comment!
Big thanks to Ordinary Filmmaker (Simon) for his honest video breakdown on the Z90 – your source-driven style keeps us all sane in rumor season!
The article “Nikon Z90 rumors update: 33MP APS-C sensor, 15fps, early 2026 release?” was written by thenewcamera.com team on 10:45 am, Thursday, 11 December 2025, Greenwich Mean Time (GMT). | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM > get live news + Nikon Rumors 24X7
Finally, Canon is gearing up to introduce a retro mirrorless camera in 2026, which is actually inspired by the iconic and one of the most popular film cameras of all time, the Canon AE-1. This was one of the most popular film cameras at its time.
but now we are having some confirmation related to the core specification of the upcoming camera from the rumor mills, Although it will carry an photographer centric core specs with Retro look and feel with extensive manual control over the body, but the key highlight is the sensor, The Canon Retro camera will use the same 32.5MP Full-Frame CMOS Sensor as of the Canon R6 mark III, Lets have an dipper dive in the set of core specification,
Stick around as we dive deep into the leaked specs, expected pricing, release timeline, and why this upcoming Canon full-frame retro camera is poised to dominate search rankings – and your camera bag.
The Design Story: Paying Homage to the Canon AE-1 with Modern Twists
Canon retro camera humour is not New. It is wobbling up from past year and as per the initial report, the camera is expected to arrive on AE-1’s 50th anniversary, Canon executives At CP+ 2025, Manabu Kato, a key Canon figure, shared: “I’m really glad to hear that you’re an AE-1 enthusiast because I also like that camera. … So if we were to do that with the design of the AE-1, would it really achieve the kind of ergonomics and usability that we need in a Canon camera? That’s the big question.” Yes, he clearly hinted at the Canon AE1 retro camera arrival, but will it really happen? At least we are expecting sometime in April 2026
The Canon AE-1 was originally released in April 1976, so its 50th anniversary falls exactly on April 2026.
With high hopes and fingers crossed, and Canon isn’t the first camera maker to try RETRO design for the first time, Nikon has its own retro line of cameras, like the ZF/ZFC and Fuji, already highly popular with their retro style Mirrorless and compact cameras,
Canon Retro Camera Specification: 32.5MP Sensor and Pro-Level Performance
It’s time to discuss the core specification of the Canon retro camera. Alongside the 32.5 MP sensor from the Canon R6 Mark three as well as the Digix X image processor, Take an look at the rumoured core specs below
Sensor: 32.5MP full-frame BSI CMOS (shared with EOS R6 Mark III).
Processor: Entry-level DIGIC X – efficient for RAW processing and Advanced AI-AF
Autofocus: Dual Pixel CMOS AF II with eye-detect and animal tracking – reliable for street, portrait, and travel shooting.
Burst Shooting: Up to 12fps mechanical shutter, ideal for capturing fleeting moments.
ISO Range: Native 100-51,200, expandable to 50-204,800, sensor optimised for low-light performance
Video Capabilities: Minimalist approach – 4K/30p at best, with no 8K or advanced codecs. This is a stills-first machine, leaving video beasts to the R5/R6 lineup.
So, here you will get an idea of the basic core specification of the upcoming camera. The camera will have a compact approach like X100 VI / Leica Q3 body, with a longer battery life of 500+ Shots per charge. No, more overloaded set of features.
Pricing and Release Date: When Can You Get Your Hands on the Canon Retro Camera 2026?
Making it affordable in the price range of Nikon Zf, around $1999, so if anyone wants a photographic-centric camera with a 32.5MP sensor, they should have access at $1999, as well as for hybrids, we do have Canon R6 III at $2799, so this is what we have the information for now.
As we have already discussed, Timeline-wise, mark your calendars for April 2026. With the AE-1’s 50th birthday hitting in April, expect an announcement around then, followed by a summer launch.
Let’s discuss the lenses now, since no retro camera is complete without its own set of exclusive customised lenses. Initially, during the announcement, we are expecting
RF 45mm f/1.2 STM: A fast prime for creamy bokeh and low-light portraits, with a vintage brass finish.
Yes, there are some murmurs of a customised RF 28-70mm f/2.8 IS STM also, as we get more confirmations, we will be adding more information on our website. Stay tuned to TheNewCamera.com for live updates
The article “DJI Neo 2 Drone at Amazon USA: Score It for Just $199 with Instant Savings” was written on 7:15 pm, Friday, 5 December 2025, Greenwich Mean Time (GMT)
The Sony FX2 (announced May 2025) and Sony α7 V (A7V) (announced December 2025) are both full-frame 33MP E-mount mirrorless cameras priced in the $2,500–$2,900 range. From the time of announcement, we know that the Sony FX2 is a Cinema Line mirrorless camera. The camera doesn’t offer much in terms of high-end oversampled resolution, but yes, it allows you to record continuously for 7–8 hours without dropping a frame, thanks to its internal cooling fan and high-performance body that doesn’t overheat—ensuring uninterrupted recording.
However, due to the slower sensor inside it (similar to the one used in the Sony A7 IV), it does show some limitations, which were criticised by many filmmakers during launch. On the other hand, the Sony A7 V is a hybrid mirrorless camera made for photographers, videographers, wedding cinematographers, casual content creators, and even beginner filmmakers. The best part of the A7 V is that it uses a partially-stacked 33MP sensor, and due to its faster readout speed, the camera can capture 4K 60FPS full-frame as well as 4K 120FPS (Super 35mm mode). Unfortunately, the Sony FX2 doesn’t offer 4K 120FPS, and its 4K 60FPS mode is heavily cropped.
Because of this, I am getting a lot of messages asking: Which camera should I buy? Should I get the Sony FX2 since I am a cinematographer inside the Sony ecosystem? Or should I buy the Sony A7 V?
So in this specification comparison, we are going to explore all the key specs and real-world differences between the A7 V and the FX2, which will help you decide which camera suits your workflow, setup requirements, and budget.
Core Sensor & Processor Breakdown
At the silicon level, both use 33MP full-frame sensors derived from Sony’s Exmor lineage, but their architectures diverge significantly for video performance.
Feature
Sony FX2
Sony A7V
Key Difference & Usability Impact
Sensor Type
Back-illuminated Exmor R CMOS (35.9 x 23.9mm, 33MP effective)
Partially-stacked Exmor RS CMOS (35.9 x 23.9mm, 33MP effective)
A7V’s partial stacking adds high-speed circuitry layers above/below pixels for ~4.5x faster readout vs. A7 IV baseline (Sony tests). FX2 uses standard BSI without stacking—slower electron transfer leads to more rolling shutter in fast-motion video. Usability: A7V better for sports/events; FX2 fine for controlled pans.
Pixel-Level Readout
~27ms full-frame 4K (lab-tested via 300Hz strobe)
~14ms full-frame 4K (estimated from partial stacking; ~70% improvement over A7 IV’s 70ms)
FX2’s slower readout (27ms) causes noticeable “jello” in quick tilts/pans (e.g., drone shots). A7V’s 15ms is class-leading for non-global shutter, minimizing distortion in handheld gimbals. Core fact: Readout speed directly ties to pixel-parallel processing; A7V wins for real-time video reliability.
Processor
BIONZ XR (standard)
BIONZ XR2 with integrated AI unit
XR2’s AI chip enables on-sensor noise reduction and predictive tracking; XR is solid but lacks AI depth. Usability: A7V’s processor cuts post-production denoising time by ~20% in low-light video (per early tests).
Base ISO / Dual Gain
800/4000 (S-Log3)
100/8000 (expandable; optimized for 16-stop DR)
FX2’s dual base ISO excels in mixed lighting (e.g., cinema interiors); A7V’s wider native range suits run-and-gun. Both hit ISO 50–204,800 expanded.
Dynamic Range
15+ stops (S-Log3, dual gain; measured ~15.2 stops at ISO 800)
16 stops (measured ~15.8–16.1 stops; improved gradation in shadows/highlights)
A7V edges out with better shadow recovery (less noise floor clipping). FX2’s DR holds up in Log grading but clips highlights faster in high-contrast scenes (e.g., sunset exteriors). Usability: Negligible for most; A7V pulls ahead in HDR workflows.
We have seen the comparison of the two sensors—not the resolution, but the overall sensor performance. Among these two sensors, it is clearly visible that whether we talk about dynamic range, dual native ISO, or sensor readout speed, the Sony A7 V performs better in all three areas.
Now it’s time to compare the video recording capabilities of both cameras. There is always a possibility that even if the sensor is better, the final video performance may still depend on the sensor architecture and the image processor used inside the Sony A7 V.
Video Recording Capabilities – The Deep Dive
Video is the battleground. Both support 10-bit 4:2:2 internal recording, but FX2 leans pro-codec/cinema tools, while A7V pushes frame rates and hybrid flexibility.
Feature
Sony FX2
Sony A7V
Key Difference & Usability Impact
Max Resolution/FPS
4K/60p (APS-C crop, full-frame oversampled from 7K at 30p); 1080p/120p; no 4K/120p
A7V’s 120p enables 5x slow-mo natively (post-editable to 24p); FX2 caps at 60p, better for locked-off interviews. Core fact: A7V’s stacking allows pixel binning without heavy cropping at high FPS. Usability: A7V for action vlogs; FX2 for narrative docs.
XAVC HS (H.265, 10-bit 4:2:2); XAVC S (H.264, 10-bit 4:2:0); supports RAW output via HDMI
FX2’s All-Intra is edit-friendly (less decoding artefacts in Premiere/DaVinci); A7V’s H.265 is more efficient for storage (~50% smaller files). Usability: FX2 for pro colourists (faster timeline scrubbing); A7V for indie storage budgets.
S-Log3, S-Cinetone, HLG; User LUTs (up to 33); no Cine EI native
FX2’s Cine EI mode locks exposure for consistent grading (VENICE-inspired); A7V’s Cinetone is “Netflix-ready” out-of-camera. Core fact: FX2 supports anamorphic de-squeeze viewfinder. Usability: FX2 for ARRI-like workflows; A7V for quick social cuts.
Crop Factors
1.5x at 4K/60p; full-frame at 30p
1.5x at 4K/120p; full-frame at 4K/60p (with “angle priority” toggle)
Minimal difference, but A7V’s toggle reduces crop dynamically. Usability: Both lens-versatile, but FX2’s crop is fixed for consistency.
Thermal Management
Active cooling fan (auto/off); ~13 hours continuous 4K/60p (25°C tests)
Passive (no fan); ~60–90 min 4K/60p before throttle (estimated from A7 IV lineage)
FX2’s fan dissipates heat via chassis vents (silent at low loads); A7V relies on body conduction. Core fact: FX2 records indefinitely without cutoff. Usability: FX2 dominates long-form (e.g., events, multicam); A7V for short bursts—add external fan for parity.
Auto-framing (AI crop/zoom); Breathing compensation; S&Q mode for proxies
FX2’s timecode syncs with pro rigs (e.g., AtomOs); A7V’s AI framing auto-tracks subjects in interviews. Usability: FX2 for multi-cam productions; A7V for solo creators.
While looking at the table of comparison, it is very clear that we’re getting higher quality from the sensor unit with A7 V — Sony FX2 uses an old 33Mp sensor well as frame rates that are compromised due to the slower sensor readout speed in the FX2. Moreover, if you’re into professional cinematography and actually do require a camera that enables overheating-free recording – means you can use the Sony FX2 continuously for 7 to 8 hours – although the Sony A7 V has been tested for recording more than 90 minutes in 20° Celsius and approximately 60 minutes or more in 40°C while shooting 4K 60p video, Since the FX2 do have built-in FAN there is no such issues live Pverheating, but with Sony A7V but if you want unlimited overheating-free recording, then go with the FX2.
Other than that, the Sony FX2 camera supports an XLR handle, which is intrinsically highly usable for professionals, but even after XLR handle input, sorry to say, there is no way to record 32-bit audio inside FX2. So, what happens when you do use an XLR handle in FX2? You get phantom power active at 48V, and you can directly add mic line-in recording, which is ideal for solo operators or crews. The FX2 can also be synced with multiple other bodies at the same time, and anamorphic lens support of 1.33x and 2.0x with in-camera de-squeeze functionality, which is completely absent in the Sony A7 V camera. Other than these factors, we also have a All-Intra codecs as well as 16-bit RAW HDMI output coming out from the Sony FX2 camera with approximately 15 stops of dynamic range support, and with this video, obviously, you get the freedom to edit and surpass the video quality of the Sony A7 V’s 10-bit video that you’re getting, a 16 Bit RAW video straight out from your camera HDMI Port. So the thing is, you have to understand that the Sony FX2 camera is made for professionals.
More: Autofocus, Stabilisation & Handling
Feature
Sony FX2
Sony A7V
Key Difference & Usability Impact
AF System
759-point phase-detect; AI Real-time Recognition (humans/animals/objects); Eye AF
759-point phase-detect; AI Real-time Recognition (expanded: insects/cars/planes); predictive tracking
Identical coverage, but A7V’s XR2 AI reduces “hunting” by 30% in erratic motion (e.g., wildlife video). Usability: Tie for most; A7V edges low-light lock-on.
Stabilization
5-axis IBIS (~5.5 stops, sensor-shift); Dynamic Active mode (AI-enhanced)
Magnesium alloy; weather-sealed; compact grip; no tally/fan
FX2’s cinema ergonomics (e.g., rec button placement) suit c-stands; A7V feels more “photo-like.” Weight: FX2 715g, A7V 658g. Usability: FX2 for pro sets; A7V for travel.
if you’re not into professional cinematography, your requirement or priority is higher frame rates and the improved Hybrid body design for still and video usage, at the very same time ur getting 10 Bit Log 3 recording option and as we have discussed upto 60 min 4k 60p recording time option even in hot and humird condition, so better to invest in Sony A7 V, try to keep focus on features that you actually require from your camera. If you’re never going to use anamorphic lenses, if you’re never going to use 16-bit HDMI output, if you’re never going to use an XLR handle, and it’s not a part of your workflow, then why invest in the FX2 camera? and bother with the slow readout speed and lower frame rates?
The article “DJI Neo 2 Drone at Amazon USA: Score It for Just $199 with Instant Savings” was written on 7:15 pm, Friday, 5 December 2025, Greenwich Mean Time (GMT)
Sony A7 V is finally official, and the wait is over. The new A7 V camera features a recently developed 33-megapixel BSI sensor and BIONZ XR2 image processor. For the first time, Sony has introduced a partially stacked CMOS sensor inside the Alpha A7 series, and with the help of the partially stacked CMOS readout speed and BIONZ XR image processor, the camera can shoot up to 30 frames per second continuous images.
The new semi-stacked CMOS sensor is also helpful for video since the A7 V camera is now able to record 4K 60p uncropped videos in 10-bit 4:2:2. Other than that, the Sony A7 V is also capable of recording 4K 120 video in Super 35mm format. Support for S-Cinetone, S-Log3 and Cine3 profiles as well as LUT preview, is also available.
Sony A7 V Major Features
33MP semi-stacked Exmor RS CMOS sensor
16 stops dynamic range
2nd gen BIONZ XR2 processor
AI-powered autofocus with subject recognition (humans, animals, birds, insects, cars)
Sony Electronics Launches Alpha 7 V And FE 28-70mm f/3.5-5.6 OSS II
SAN DIEGO. Dec. 2, 2025 – Sony Electronics introduces the Alpha 7 V (ILCE-7M5), the highly anticipated fifth generation in the popular Alpha 7 Full-frame mirrorless line-up, powered by the newly developed partially stacked Exmor RS™ CMOS image sensor with approximately 33.0 effective megapixels. The new image processing engine BIONZ XR2™1 incorporates the AI processing unit functions of the latest AlphaTM series. Through these innovations, the Alpha 7 V delivers a significant performance boost across every aspect of imaging, from Real-time Recognition2 AF (Auto-Focus) to Real-time Tracking3, speed, stable color accuracy, still capture, and video versatility.
Additionally, Sony launches the FE 28-70mm f/3.5-5.6 OSS II (SEL28702), a Full-frame compatible, compact and lightweight standard zoom lens that supports the Alpha 7 V’s high-speed continuous shooting.
“The Alpha 7 V resets expectations on what an all-around Full-frame camera can achieve,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “By evolving autofocus intelligence, color science, and system responsiveness, we’re enriching our expanding lineup with a powerful new option that provides creators with an advanced tool capable of keeping up with their creativity and bringing them one step closer to achieving their dreams.”
AI-Powered Performance Boosts
The Alpha 7 V integrates the AI processing unit into the BIONZ XR2 engine, delivering a substantial leap in autofocus speed, accuracy, and reliability. The Alpha 7 V has up to 30% improvement4 in Real-time Recognition AF that instantly recognizes targeted subjects and continues to capture them with high precision. With 759 phase-detection points and up to 94% frame coverage, the camera ensures precise subject tracking across nearly the entire image area, even in challenging low-light conditions down to EV -4.05.
High-resolution RAW processing is now supported through Imaging Edge Desktop application6 for unparalleled post-production flexibility.
No compromise High-speed Continuous Shooting
The combination of a partially stacked Exmor RS™ CMOS image sensor with approximately 4.5 times faster7 readout speed increased and the BIONZ XR2™ processor results in high image quality with minimal distortion.
Additionally, high-precision tracking with up to 60 times AF/AE calculations per second and blackout-free continuous shooting up to 30 fps8 with AF/AE tracking9 ensures no missed opportunities even with fast-moving subjects moving in complex patterns, such as in wildlife and sports photography. Even during 14-bit RAW shooting, it achieves high-speed continuous shooting at up to 30 fps with AF/AE tracking.
The Pre-Capture function10, which can record up to one second before the shutter is pressed, captures decisive moments even with subjects whose movements are difficult to predict, such as pets and sports.
Outstanding Still Image Performance
Engineered for maximum creative control, the Alpha 7 V achieves up to 16 stops of dynamic range11, ensuring remarkable tonal detail across highlights and shadows. Even in scenes with extreme contrast, it expresses natural and smooth gradations from dark to bright areas.
The newly introduced AI-driven Auto White Balance (AWB) leverages advanced scene analysis for consistent color rendering and uses light source estimation through deep learning technology. By automatically identifying the light source in the shooting environment with high precision and adjusting to appropriate color tones, it enables natural and stable color reproduction, resulting in more faithful colors and reducing post-production workload.
Versatile Video Capabilities
Expanding creative possibilities for hybrid creators, the Alpha 7 V introduces additional 4K recording modes, including 7K oversampled 4K 60p recording12 available in full-frame mode and 4K 120p13 recording in APS-C /Super 35mm mode, delivering rich, detailed footage with exceptional flexibility in editing.
Full pixel readout without pixel binning enables highly detailed video recording, down to the finest details.
The image stabilization features Dynamic Active Mode14, enabling smooth and stable video expression even when handheld. Users can enjoy high-quality video recording in a wide range of scenes, from vlogs and creative productions to capturing family memories.
The camera also features an Auto Framing function that automatically maintains optimal composition of subjects during recording through AI-powered subject recognition. This enables stable composition video recording in various scenes.
New in-camera noise reduction and improved internal mic functionality15 ensures high-quality audio recording by reducing steady background noises, minimizing interference, and maintaining natural sound.
Enhanced Operability and Usability
Designed with efficiency in mind, the Alpha 7 V offers Wi-Fi® 6E GHz compatibility16 for high-speed, stable wireless transmission, along with dual USB Type-C® ports for improved workflow and flexibility.
Vertical format support and an adjustable electronic shutter sound make shooting adaptable across diverse environments.
The 4-axis multi-angle monitor combines tilt and vari-angle design, offering unrestricted horizontal and vertical adjustment for greater shooting freedom.
A better finger fit on the grip provides improved comfort, stability, and control during extended sessions.
Built For Reliability
The Alpha 7 V features upgraded power management and enhanced stamina performance, enabling longer shooting sessions without interruption. A new Monitor Low Bright mode extends battery life17 even further, while improved thermal management supports extended18 4K recording with uncompromised quality, approximately 630 shots when using the viewfinder, per CIPA standards.
FE 28-70mm f/3.5-5.6 OSS II – The All-Around Lens
Compact, lightweight, and engineered for speed, the FE 28-70mm f/3.5-5.6 OSS II is designed to fully leverage the continuous shooting19 capabilities of the Alpha 7 V sensor. When combined with compatible cameras, this new lens offers up to 120 fps AF/AE tracking20, continuous shooting, seamless body-lens coordinated image stabilization, AF available even during zooming, and built-in breathing compensation support. From dynamic action shots to fast-paced events or high-quality video capture, this lens delivers smooth, dependable responsiveness and flexibility.
Social Responsibility
Aligned with Sony’s ambitious ‘Road to Zero’ initiative, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The Sony Group’s manufacturing facilities for imaging products, including the Alpha 7 V and FE 28-70mm f/3.5-5.6 OSS II, operate at 100% renewable energy. The packaging uses Sony’s proprietary environmentally friendly Original Blended Material21 instead of plastic22.
Pricing And Availability
The Alpha 7 V body will be available by the end of December 2025 for approximately $2,899 USD and $3,699 CAD. The Alpha 7 V with SEL2870-kit will be available in February 2026 for approximately $3,099 USD and $3,899 CAD.
The FE 28-70mm f/3.5-5.6 OSS II will be available in February 2026 for approximately $449 USD and $599 CAD. They will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.
We have two different 360-degree drones here. It all started with the Insta360 Antigravity A1 series drone that was announced back in August 2025, and we have covered all the possible details about the drone. The other one is the DJI Avata 360, which is about to arrive soon, just after the Antigravity A1.
Creative freedom with 360 Capture: First, we need to understand that these are not ordinary drones. They are actually a powerhouse of creativity; both of them can capture all-around 360°, and later on, once the video is recorded, anyone with that cinematic 360 footage can crop out or dig out the details, recompose or create a specific perspective-based scene, which means complete 360 footage gives you immense freedom to capture what you want to even once the shooting is done and ur editing the footage.
Both are under 250g drones, so neither of them actually requires FAA registration for use in the US. But how will you choose them based on specifications, features, and obviously the factors that also depend on whether you are living inside the US or outside the USA? So we are covering all the details here that will help you select the best drone for you. Let’s dive into the details.
Let’s compare the specifications of both the drones
Head-to-Head Specs Comparison
Both drones excel in 360° video, but differences in stabilisation, battery life, and control could sway your pick. Here’s a side-by-side:
The integrity A1 drone captures a full 360° view from both the fish eye lenses, and the best part is,. You get all the 360 footage stitched together in 8K higher resolution, which you can explore and edit later, and the good thing is that we have seen the output of insta 360 drone, which is obviously very impressive
Now the next is the Avata 360, which is said to feature a bit larger 1/1.1 sensor inside it, but we still waiting for further confirmation related to the same and the overall set up of the Avta 360 matches with the OSMO 360 camera so what we do hope and expect that this time also the image quality will be superior, specifically in terms of low light performance and dynamic range due to the presence of larger sensor inside it
By construction design, if you look, the 360 is more advanced since the camera is actually based on a mechanical gimbal, which can be slanted or rotated as per the user’s choice. The initial information coming out from the sources suggests that the 360 also allows users to use a single-mode camera only if they love to capture FPV-style video, so the Avata 360 can work as a regular FPV-style drone as well as a 360 drone. And if the information is true, then for sure, its tech seems ahead of the Insta360 Antigravity A1 drone.
The Antigravity A1 shines in pure 360° creativity: its top-and-bottom fisheye lenses stitch footage in real time, making the drone “invisible” in shots. The Insta360 is able to capture 8K/30fps. Again, the 8K resolution is more than enough for pro-level edits in post, which is ideal for pro-level edits in tools like Insta360’s app. The Avata 360 counters with versatility: its dual 1/1.1-inch CMOS sensors enable sharp 8K/50fps 360° video for smoother action, plus 4K/120fps in standard FPV mode and 38MP panoramic stills. The mechanical gimbal delivers buttery-smooth stabilisation for windy days, with strong low-light performance inherited from DJI’s recent Osmo lineup.
Flight Experience
With the Antigravity A1, we have already seen that we are getting DJI-like controllers, where we have just the joystick controllers and the FPV goggles, so we can have a kind of Superman-style experience of 360 video while flying the Antigravity A1 drone.
And in this scenario, we have no questions for the 360, since we already know DJI already has a professional set of goggles / Joystick controllers for their drones. So, it’s quite obvious that we will get the enhanced experience with Avata 360 too.
– even with the leaked images that we have seen of the Avata 360—that the user is experiencing the Avata 360 drone with DJI Avata 2 goggles and controllers.
Specifically, in terms of user experience, we have to wait for the actual user reviews from those who buy and review the drones, but before that, both look very capable with their controllers.
Perspective 1: If You’re Living in the US
US buyers, listen up: Before discussing any specification, the type of drone the amount you are paying, the big elephant in the room is the DJI Ban by December 23, 2025. Now, if the ban happens, then for sure, it will be a big trouble for DJI itself to sell its drones. Although the Avta 360 has already declared FCC registration details, yes, we do believe that there are still some big chances left for our 360 to appear in the US market. But the condition is only if it gets announced honour before December 23, 2025.
If you are someone new and not already invested heavily in the DJI systems, like controllers, etc it’s better to invest in Insta360 Antigravity A1 drone series initially. Although if you are a DJI lover, for sure you can surely wait for the DJI
Our Pick: Go for the Antigravity A1. At $1,300–$1,700, it’s pricier, but the ban-proof peace of mind, superior 360° reframing, and immersive controls outweigh the Avata’s battery edge. If you’re deep in the DJI ecosystem (e.g., owning Avata 2 goggles), snag the Avata 360 pre-ban for ~$1,099—but act fast and stock up on batteries. For newcomers, the A1’s “fly once, edit forever” workflow is a US creator’s dream, especially with no customs drama.
Perspective 2: If You’re Not Living in the US
Outside the US? You’re in luck—no ban clouds the horizon, so both drones will hit global shelves without US-style restrictions. Availability shines through: DJI’s massive international distribution means the Avata 360 will pop up on local sites like MediaMarkt (EU) or JB Hi-Fi (Australia) by early 2026, often with region-specific plugs and warranties. The Antigravity A1 follows suit via Insta360’s stores in Europe, Asia, and beyond, though expect slight delays in shipping.
Our Pick: The DJI Avata 360 edges it out. For ~$1,099, you get DJI’s unbeatable flight stability, 30-minute flights, and autonomous modes
US folks: Prioritise the A1 to future-proof your kit.
Internationals: Lean DJI for value and versatility. Whichever you choose, these drones redefine “point-and-shoot” from the air.
What’s your take? Drop a comment below—which 360° beast are you eyeing?
ABout the author: The article “Insta360 Antigravity A1 vs. DJI Avata 360: Which 360° FPV Drone Should You Buy in 2025?” written and updated by thenewcamera.com team on 12:41 pm, Wednesday, 26 November 2025, Greenwich Mean Time (GMT)| Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — >–> see more Camera News and DJI Rumors
It is really a very big surprise that this is the second time in the past 3 months that the Hasselblad ultra-luxury X2D Mark II camera, which costs approximately $7,399 for the body only, and then you have to pay extra for lenses. This luxury camera is again back in the #1 position on the Yodobashi Camera interchangeable lens sales chart, which is an exciting and amazing scene. I’m not able to believe such a luxury camera is at the number one position for the second time. That means the sale is going really very well and that will encourage Hasselblad to expand the mirrorless lineup. This is for the first half of November 2025 (Nov 1–15), per fresh CAPA CAMERA WEB data.
Yodobashi’s Top 10 Best-Selling Cameras (Nov 1-15, 2025)
Rank
Camera
Change from Oct
1
Hasselblad X2D II 100C Body
↑ from 2nd
2
Sony α7C II Body
Steady
3
Sony α7C II Zoom Lens Kit
Steady
4
Fujifilm X-M5 + XC 15-45mm Kit
↑ from 5th
5
Nikon Z5 II Body
New entry
6
↓ Nikon ZR Body
from 1st
7
Nikon Z50 II Double Zoom Kit
Steady
8
Sony ZV-E10 II Double Zoom Kit
Steady
9
Fujifilm X-E5 + XF 23mm Kit
↓ from 4th
10
Canon EOS R5 Mark II Body
Steady
The Hasselblad X2D Mark II 100C was announced earlier this year, and it is not a cheap or affordable camera. It costs more than $8000+ body only. Well, Japanese people obviously prefer quality over price. The camera features a massive 100MP 43.8 x 32.9mm BSI CMOS sensor, 16-bit color, 15-stop dynamic range, a newly added LiDAR-based 425 phase-detection AF system, and industry-best 10-stop in-body stabilisation. All these features mean the camera is built to deliver ultimate image quality to a professional. “But topping Yodobashi’s charts? That’s not just hype; it’s a sign of Japan’s discerning buyers prioritising quality over quantity
The Comeback Story: The camera already scored #1 in September 2025, dipped last due to the ZR buzz, and Nikon users were pre-ordering and buying their favorite cinema camera month amid Nikon ZR buzz, and now it’s back with all its glory at the No.1 Position again
Japan’s Love Affair with Luxury: It shows the buying power of Japanese people and their understanding of quality. Yodobashi shoppers aren’t impulse buyers. In a market where iPhone cameras are stealing the compact and mirrorless camera market share, the X2D’s resurgence highlights a premium push, and finally, people now prefer Real high-quality images rather than upscaled AI images of smartphones.
Global Ripple Effect? While Hasselblad’s (now DJI) niche is hitting the specific requirement of very limited users (global search volume is modest at ~10K monthly vs. Sony’s millions), this Japanese dominance and sales volume of X2D II could trigger DJI to announce more Mirrorless series similar to the X2D series.
Most of the best-selling cameras, month after entry-level and mid-range models, the Sony α7C II (#2), the Hasselblad crushes dynamic range (15+ stops vs. 14) but trades portability for power. Versus Nikon’s Z5II (#5),
What about you? Would you splurge on medium-format magic, or stick to the Nikon ZR’s cine chops for under $2,200? Drop a comment—best take wins a shoutout!
ABout the author: The article “Hasselblad X2D II 100C Crushes Nikon ZR to Reclaim #1 in Japan’s Hottest Camera Sales (Yodobashi Nov 2025)” written by thenewcamera.com team on 7:55 am, Tuesday, 25 November 2025, Greenwich Mean Time (GMT) | Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > to get live Camera News + Canon Rumors 24X7.
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