Let’s compare the Panasonic S9 versus the Sony A7C II. Starting with the comparison,
1. Sensor
we know the key difference here is the sensor resolution. Both cameras feature BSI CMOS sensors, but the Sony A7C II has a 33-megapixel Exmor R BSI CMOS sensor, whereas the Panasonic S9 uses a 24.2-megapixel sensor BSI CMOS. If we compare them side by side, the Sony A7C II will show slightly more details due to the higher-resolution sensor, specifically when you are pixel-peeping at 100% scale, as many of us do as photographers. However, the difference is minimal and not noticeable until you test both images under lab conditions.
2. AutoFocus
The autofocus sensitivity of both cameras is slightly different. The Sony A7C II’s autofocus sensitivity range is -3 EV to 20 EV, whereas the autofocus sensitivity range of the Panasonic S9 is from 0 to 18 EV., so Sony A7C II II practically more usable in low-light condition compared to the S9
3. AI integration
Regarding AI integration, the Sony A7C II camera is more advanced, with a dedicated AI chip inside it as well as dedicated AI alkgo. The autofocus capability and tracking performance of the A7C II is better compared to S9, and it can track subjects like trains, airplanes, and other moving objects. This doesn’t mean the Panasonic S9’s autofocus system is inferior or bad; it is quite good since Panasonic also uses a hybrid autofocus system. However, if you compare it with Sony, you will notice some differences. however, the S9 camera sensor is also very suitable for general-purpose photography and usage.
Feature
Panasonic S9
Sony A7C II
Sensor Type
BSI CMOS
BSI CMOS
Sensor Resolution
24.2 megapixels
33 megapixels
Detail Level at 100% Zoom
Lower detail
Higher detail
Autofocus Sensitivity Range
0 EV to 18 EV
-3 EV to 20 EV
AI Integration
No dedicated AI chip
Dedicated AI chip
Autofocus Capability
Good, hybrid autofocus system
Superior, advanced tracking performance
Tracking Performance
Efficient but slightly lower than Sony
Excellent, tracks moving objects efficiently
General Photography Usage
Suitable
Suitable
3. Mechanical Shutter vs Electronic
Sony A7C II camera has two options: one is a mechanical shutter and the other is an electronic shutter. The Panasonic S9 remains limited to electronic only. With the help of a mechanical shutter, you get a mechanical range starting from 1/4000 of a second to 30 seconds long exposure in the Sony A7C II camera. The electronic shutter range of both cameras is the same, from 1/8000 of a second to 60 seconds. However, the Sony A7C II’s electronic shutter range limited to 1/8000 of a second to 30 seconds.
4. Continuous shooting speed
Let’s compare the continuous shooting speed with full-time autofocus support and auto exposure support. With the Panasonic S9 camera, you are able to capture approximately 30 frames per second with the help of the electronic shutter. The Sony A7C II camera’s continuous shooting speed is limited to 10 frames per second with the mechanical shutter.
5. Pre-shooting buffer
One more thing that you get with Panasonic that will help you as a photographer is a pre-shooting buffer of approximately 0.50 seconds, which effectively counts 15 frames per second in the Panasonic S9 camera, which is absent in the Sony A7C II.
6. Pixel Shift High-Resolution Mode
Advantages associated with the Panasonic S9 camera include sensor-shift high-resolution mode. With the Panasonic S9 camera, you can capture 96-megapixel high-resolution images while using this mode, but there is one condition: you have to place your camera on a tripod, and the subject should be still.
Being a Panasonic camera, you also get some abilities of post-focus mode, so you can change the focus point after taking a shot, but all these facilities are only available in RAW files, not available in JPEGs.
Feature
Panasonic S9
Sony A7C II
Shutter Options
Electronic only
Mechanical and electronic
Mechanical Shutter Range
Not available
1/4000 sec to 30 sec
Electronic Shutter Range
1/8000 sec to 60 sec
1/8000 sec to 30 sec
Continuous Shooting Speed
30 fps (electronic shutter)
10 fps (mechanical shutter)
Pre-Shooting Buffer
Yes, 0.50 seconds (~15 fps)
No
High-Resolution Mode
Yes, 96 megapixels (requires tripod and still subject)
No
Post Focus Mode
Yes (RAW files only)
No
7. Display
Sony A7C Mark II camera features an electronic viewfinder of 0.39 inch OLED, 2.36 million resolution, whereas the electronic viewfinder is completely absent in the Panasonic S9 camera. Both cameras give you a vari-angle display screen for composition freedom, but resolution-wise, the Panasonic S9 display screen is much more powerful with a 1.84 million dot resolution compared to the Sony A7C II with 1.04 million resolution.
8. Handgrip
Body design and hand grip-wise, the Sony A7C II will give a much better experience to a professional photographer compared to the Panasonic S9. For the Panasonic S9, you have to buy an additional grip; without that, it is not able to be used properly even for 30 minutes while holding your camera with a lens. It is completely a grip-less camera.
Feature
Panasonic S9
Sony A7C II
Electronic Viewfinder (EVF)
Absent
0.39 inch OLED, 2.36 million resolution
Display Screen
Vari-angle, 1.84 million dot resolution
Vari-angle, 1.04 million resolution
Body Design and Hand Grip
Requires additional grip for proper use
Better experience for professional photographers
Ease of Use
Difficult to use without additional grip
Comfortable to use even without additional accessories
9. Video Mode
Let’s compare the video specifications of both cameras since both cameras are made for content creators. Let’s see which camera is best for you.
Regarding recording formats in both cameras, the Panasonic Lumix S9 supports MOV format, MP4 format, and MP4 HEVC format, but is missing the All-I intra-recording format. The Sony A7C II supports the XAVC S, XAVC SI (which is All-I intra format), as well as the latest XAVC HS.
10. Video Time Limits in Panasonic S9
The Panasonic S9 can capture up to 6K video at 60 frames per second, with a maximum of 10 minutes only. After that, the recording will stop, and you have to start it again. No 6K recording video mode is available in the Sony A7C Mark II.
The Sony A7C II camera captures 4K at 60 frames per second, and the Panasonic S9 also captures 4K at 60 frames per second, but with a 1.5x crop. In both cameras, you have to face a crop while recording 4K at 60 frames per second. However, in the Panasonic S9 camera, the recording time of 4K 60 FPS videos is limited to 15 minutes only, whereas in the Sony A7C Mark II camera, you can record videos until the camera gets overheated. Additionally, since the All-I intra format is available even while shooting 4K at 60 FPS in the Sony A7C Mark II, the overall bit rate jumps to 600 megabits per second (Mbps).
The Biggest SAD part of Panasonic S9 even the Full HD video recording mode of the Panasonic S9 Camera is limited to 20 Minutes Only, its look like the Camera is only designed to serve the TIK-TOK or You Tube SHORTS Creators ONLY.
Feature
Panasonic S9
Sony A7C II
Recording Formats
MOV, MP4, MP4 HEVC
XAVC S, XAVC SI (All-I intra), XAVC HS
6K Video Recording
Yes, up to 60 fps (10-minute limit)
No Limit
4K Video Recording
Yes, up to 60 fps (1.5x crop, 15-minute limit)
Yes, up to 60 fps (1.5x crop, limited by overheating)
Maximum Bit Rate
200 Mbps (6K/5.9K)
600 Mbps (4K All-I intra)
Recording Time Limits
10 minutes (6K), 15 minutes (4K 60 fps)
No fixed limit (until overheating)
Crop Factor in 4K 60 fps
1.5x
1.5x
Panasonic S9’s 6K and 5.9K recording are limited to the MP4 HEVC format, with recording going up to a maximum of 200 megabits per second (Mbps). So, that’s a very limited amount of data you are getting even when you are recording 6K or 5.9K with the Panasonic S9, and the time limit is also there of 10 minutes.
11. Panasonic S9 Professional videography features for cinematic use
The Panasonic S9 camera uses the same software that is used in the Panasonic S5 II, so you get all the features that are present in professional cameras even though you have to face recording time limits even in Full HD. But at the same time, you are getting features like anamorphic de-squeeze, time code functionality, waveform monitor, and vector scope. These are some features that a professional may require while shooting video with a camera available in the S9. The recording time limit is two hours in full HD and should be removed.
12. Gyro-based image stabilization system and focus breathing compensation
The Sony A7C Mark II is a bit more vlogger-oriented camera. That’s why SONY is giving gyro-based image stabilization for stability in handheld V-Log. At the same time, due to the presence of a dedicated AI chip, the camera is now able to do AI auto-framing of the subjects and track the subject with its movement. And finally Focus Breathing compensation for flawless AF performance.
Verdict: Panasonic S9 Core Specs very appealing, but at the same time the time limit in video ruins everything, So Sony A7C Mark II is more recommended over the Panasonic S6
If you are looking for the best lenses for the Best lenses Sony A7C II camera, this article will help you select the right lens for all kinds of photography and cinematography.
These lenses are not only Sony native lenses. We are also including the best third-party lenses available for your camera. All the third-party lenses mentioned here are full-time autofocus lenses with excellent optics, available at an affordable price.
What are the best lenses for the Sony A7C II in 2023 – 2024?
We have selected some of the best lenses for the Sony A7C II camera for the years 2023 and 2024. These lenses, chosen by our expert editors, are capable of properly resolving the 33 MP resolution of the Sony A7C II camera. At the same time, there are AF sync issues when these lenses are used. These are the best lenses available for the Sony A7C II camera, from premium to budget alternatives we have all.
1. The best all-rounder Budget lens from Tamron
Tamron 28 to 75 mm f/2.8 G2. The new Tamron 28-75mm F2.8 G2 lens is much improved compared to the previous generation of Tamron 28 to 75 mm F2.8 lens. The center sharpness of this lens is amazing and it is made for the Sony A7 IV camera by Tamron engineers. As we know, the Sony A7C II camera uses the same 33-megapixel CMOS sensor as the A7 IV camera. It needs a proper lens to resolve the sensor resolution properly, and the Tamron 28 to 75 mm G2 is made for that.
The Tamron 28 to 75 mm f/2.8 is a premium lens under budget. It gives you a constant f/2.8 aperture throughout the zoom range and excellent bokeh. The autofocus is very fast, accurate, and silent. Overall, the lens performance is amazing.
The lens carries very little wide-angle distortion, and color fringing is also very minimal at wide open.
Overall, this lens’s performance is more than perfect at its price range and it’s the perfect all-rounder that will cover 90% of your shooting needs. I highly recommend you get the Tamron 28 to 75 mm f/2.8 lens for your Sony A7C II.
Pros
Cons
Impressively sharp
Very multi-purposeful
Lightweight & compact
Extended Macro capability
Constant F2.8 Aperture
Some vignetting wide-open
Some color fringing
2. The All-rounder Lens from Sigma
Sigma 24-70mm f/2.8 DG OS HSM Art. – When compared to the previous generation of Tamron 28-75mm F2.8 Di III VXD G2 lens, the Sigma was way better in terms of corner sharpness.
When compared to the Tamron 28-75mm F2.8 Di III VXD G2 lens, the major advantage is the wide coverage we are getting: 24 versus 28. This difference seems very minimal, but it is certainly an advantage for those who want to capture a slightly wider scene. The 24 mm seems to be more beneficial.
Another advantage of having the Sigma 24-70mm f/2.8 DG OS HSM Art lens is a slightly smoother bokeh. However, this difference is only visible during the test environment, and in practical uses, the difference is almost negligible.
Now it depends upon a user when both of them are very similar to each other apart from the wider coverage we have in Sigma.
If you’re discussing the weight of these lenses, then the Sigma weighs 835 g and the Tamron weighs 540 g. For those who use their equipment for extended periods, the additional weight can significantly affect a photographer’s hands.
Pros
Cons
sharpness & image quality
smooth bokeh
Professional video quality
Constant F2.8 Aperture
Pretty heavy
3. Best All-Rounder lens that money can buy
Sony FE 24-70mm F2.8 GM II – This is a new version of Sony’s older generation FE 24-70mm F2.8 GM II lens. With the new version, Sony has made this lens 191 grams lighter than the previous one and 16 mm shorter, making it easier to carry. The overall volume of the lens has also been reduced by 18%, making it more compact and lightweight.
The overall autofocus performance has been considerably improved, and the optical formula is updated to match and support upcoming higher-resolution professional cameras from Sony.
If you are investing your hard-earned money on cameras like the Sony Alpha A1 or Sony a7r5, then without a second thought, you should invest in lenses like the FE 24-70mm F2.8 GM II.
The biggest issue with this lens is its price. It is ultra-expensive, but if budget isn’t an issue for you, this is the best lens your money can buy.
4. Best Sony Lens Lens for Traditional Wedding Photography
SONY FE 24–105mm F4 G OSS Lens – If you’re looking to buy a lens for wedding photography and don’t have the budget for lenses like the 24-70mm f/2.8, and you don’t want to buy Third Party Lenses like Tamron or Sigma lenses, you might consider a Sony-made lens for your camera. A budget-friendly option could be the FE 24–105mm F4 G OSS Lens. The “OSS” stands for Optical SteadyShot, which is Sony’s image stabilization system.
The positive side of this lens it’s made by Sony, and it delivers top-notch professional image quality due to the types of optics used inside. The sharpness from the center to the edge of the lens is amazing, and this sharpness is maintained throughout the zoom range, starting from 24mm and going up to 105mm.
The lens feels rock solid in your hands, and the focus speed is very fast and accurate. The lens uses a hybrid stepping drive motor for silent and fast autofocus. Whether you want to shoot portraits or landscapes, this lens is very versatile.
However, there are a few downsides to this lens. Since it is limited to an F4 aperture, it may not be suitable for extremely low light conditions. At the same time, you won’t get the amount of background blur that you generally get from a 2.8 aperture lens.
Even though it’s an F4 lens, it’s not very cheap. If you don’t mind buying third-party lenses, it’s recommended to get the Tamron 28-75mm f/2.8 lens over this one. If you’re not interested in the Tamron brand, you can go with the Sigma 24-70mm f/2.8. Either of these two will give you better background blur and lowlight performance compared to the 24-105mm F4 lens.
Pros
Cons
Super versatile & useful focal range
Premium-level image quality
Extremely sturdy & weather-sealed
Pretty lightweight for its focal range
Not superb in low light
Not cheap
5. Best Everyday Zoom Lens for Sony A7C II
The Tamron 28-200mm F2.8-5.6 is a perfect lens for travel photographers who want an all-in-one solution for the Sony A7C Mark II camera. If you need a lens that covers the entire range and you don’t want to change your lenses frequently, then the Tamron 28-200mm lens is made for you.
This lens is highly recommended for beginners. If you want to shoot portraits, wildlife, landscapes, and even macro photography, this lens has you covered. It’s a kind of all-in-one lens that meets 99% of your shooting needs or requirements you have from your camera. It’s a great choice for those starting in photography.
The Tamron 28-200mm F2.8-5.6 Di III RXD lens features an RXD stepping drive autofocus motor inside it, and the lens also has a Dust and Moist resistance design, so you can use the lens in adverse weather. Overall, the performance of this lens is very impressive, especially considering its wide aperture.
This lens is specifically designed for travel photographers who do not want to carry multiple lenses like the Tamron 28-75mm or 70-180mm.
The only visible drawback of this lens is that it doesn’t have a fixed aperture. At 28mm, you are getting up to F2.8, but this changes as you zoom in. Despite this, it is still a quite decent lens for photographers who want an all-in-one solution.
Pros
Cons
Impressively sharp image quality
Lightweight & travel-friendly
Super multi-purposeful & versatile
Very reasonably priced – top value
·Aperture isn’t fixed, So not good for Video
Not Recommended for Low-Light Photography
6. Best Ultra Wide Zoom Lens For Sony A7C II
Sony 16-35 F2.8 GM II – If you’re seeking a professional-quality wide-angle lens and the price isn’t a concern, then the Sony 16-35mm F2.8 is indeed one of the best options your money can buy for your Sony A7C camera.
We all know that Sony 16 to 35 mm is part of a g master series and the G master series of lenses is known for delivering exceptional image quality without any issues at the same time G master lenses are typically weather saved so you can use them in adverse weather condition without having a second thought in your mind
The other most important feature of this lens is the constant of 2.8 maximum aperture throughout the focal length with the help of f2. 8you can use this less in extremely breast low light conditions to get and perfect output at the same time to resolve super high resolution sensor the lens is designed with 2x extreme aspherical lens elements
Pros
Cons
Razor-sharp from edge to edge
Very fast & accurate autofocus
Stunning & smooth bokeh
Great low-light performance
High Price
7. Ultra Wide Zoom Lens For Sony A7C II
Sigma 14-24mm F2.8 – The Sigma 14-24mm F2.8 is one of the most popular lenses for Sony cameras, even more popular than the Sony 16-35mm F2.8 due to its price range and the types of optical performance. One thing you’ll notice is that the coverage provided by Sigma at the wider end is more than that of Sony. You’re getting 14mm to 24mm, which is far superior and better than Sony’s 16-35mm coverage, and you’re getting it at a 00 lower price tag.
The image quality of this lens is outstanding. Throughout its zoom range, you get amazing sharpness, and the lens becomes extremely sharp when you stop down to F4.
This lens is highly recommended for astrophotography purposes, and due to its ability to resolve even higher resolution sensors perfectly, you can also use this lens for content creation purposes due to its wide coverage. It can also be used for landscape, architecture, and wedding photography.
If you wish to buy an ultra-wide-angle zoom lens, then my recommendation would be to get the Sigma 14-24mm lens instead of the Sony 16-35mm. Why would you want to spend more money and get less range when the optical performance of both lenses is quite phenomenal? Instead of getting a shorter focal length by paying a higher price, consider the Sigma lens.
Pros
Cons
Incredibly sharp even wide-open
Great for astrophotography too
·None
8. Best Budget Ultra Wide Zoom For Sony A7C II
Tamron 17-28mm F2.8 Lens for Sony – When it comes to the most sold ultra-wide-angle lens for Sony cameras, without a doubt, it’s the Tamron 17-28mm F2.8. It’s clear from its price why it’s so popular among Sony users.
One thing you must understand is that it’s not only popular for its price, but the optical performance it offers is also very good. If you’re using cameras like the Sony A7C II, you won’t face any resolving power issues with this lens. If you’re planning to buy a Sony A7R series camera shortly or any high-resolution Sony body, then it’s recommended to go with the Sigma 14-24mm since it’s optically more mature and exhibits exceptional resolving power.
If you want to create content with this lens, it’s one of the best lenses available for creating vlogs with the A7C II camera. At the same time, due to its F2.8 aperture, the background blur is also very smooth.
Overall, this lens is the most-sold Sony ultra-wide-angle zoom lens from a third-party maker, not only due to its price. Keep in mind, it’s also due to its optical performance at this price range. So overall, if you’re looking for a budget ultra-wide-angle zoom lens, this one is made for you.
9. Best Ultra Wide Prime Lens for Sony A7C II
Sony 14mm F1.8 (B&H Store | amazon.com) – If you’re considering purchasing the Sony 14mm F1.8 lens for your A7 C Mark II camera, this is undoubtedly the lens you need. However, keep in mind that it’s part of the Sony G Master series, which means it’s quite expensive. Without a doubt, this is the best 14mm prime lens available for your A7 C2 camera, but it comes with a hefty price tag. In the next paragraph, we’ll discuss the budget alternatives for this lens. If you’re on a tight budget, we’ll explore the best options for you. But before that, let’s discuss the applications of this lens.
The 14mm prime lens is highly recommended for content creators who often hold the camera in their hands. This is the best ultra-wide-angle prime lens designed specifically for content creators. It can also be used for astrophotography due to its sharpness. Additionally, this lens is suitable for architectural photography or capturing creative wide-angle shots during weddings. However, if you’re a high-profile content creator who doesn’t worry about budget and focuses on quality output for daily lifestyle vlogs, this is the perfect lens for you.
Pros
Cons
The smallest and lightest 14mm
Ultra-sharp edge-to-edge
Stunning low-light performance
Practically optically flawless
None
10. Best Budget Ultra Wide Prime Lens for Sony A7C II
Let’s discuss a budget alternative to the Sony 14mm F1.8 GM lens. The best budget alternative to the 14mm Sony lens is the Rokinon AF 14mm F2.8 lens, which is available for only $499 (amazon.com). However, supply at this price is very limited.
The most noticeable difference between the two lenses is the price. With the Rokinon lens, you’re saving more than a thousand dollars. Another difference is that the Rokinon 14mm lens features an F2.8 aperture, while the Sony lens has a brighter F1.8 aperture. However, with wide-angle lenses, you won’t notice much difference in terms of aperture.
14mm F2.8 Lens is Highly Recommended for Content Creators those who are looking for an budget handheld ultra-wide prime lens
In terms of sharpness, the image quality of the Rokinon lens is very good when used with the Sony A7 III or A7 IV camera. It resolves 33 MP resolutions perfectly. So, if you use this lens with the Sony A7 C2 camera, you’ll get very good results. However, if you have a camera like the Sony A7R V, which has more than 60-megapixel resolution, you might need the Sony 14mm F1.8 lens to resolve the resolution properly. Up to 33 megapixels, this lens works perfectly well. The images are very clear and the distortion of this lens is very well controlled. Considering its price, this is one of the best lenses available for your camera.
Quick Guide Best Budget lenses for Sony A7C II
The Budget best all-in-one lens for the Sony A7C II
Tamron 28 to 75 mm f/2.8. This lens offers excellent center sharpness, and the new G2 version upscales the overall quality of the lens to a next level. Whether you are shooting portraits, landscapes, or architecture, this is the best lens made for your A7C II camera.
Now, let’s talk about the best zoom lens for the Sony A7C II camera.
The best zoom lens for travel photography
Tamron 28 to 200 mm f/2.8 to 5.6. If you do not want to change your lens every time and want a lens that covers a perfect focal range, allowing you to zoom and capture distant objects, then this lens is perfect for you.
This is a budget zoom lens with excellent optical performance and is a perfect companion for travel photographers.
The best budget portrait lens for the Sony A7C II
SONY 50 mm f/1.8. You might wonder why I am recommending a 50 mm lens instead of an 85 mm lens. If you have a larger budget and require the perfect focal length of an 85 mm portrait lens, then you can certainly opt for the 85 mm. However, in today’s environment where we often work in closer spaces such as offices, clients’ homes, or studios, the 50 mm f/1.8 lens is more practical for portrait shoots than an 85 mm lens.
First, let’s look at the body design of the two cameras. The Nikon ZF features a retro body design with extensive manual controls. So, if you’re a photographer, the Nikon ZF is highly recommended, especially from a design perspective.
What I love about the Nikon ZF, apart from its extensive manual control, is the placement of the electronic viewfinder and its higher resolution. Not only does the EVF have a higher resolution, but the display of the camera also features a higher resolution compared to Sony’s A7 C Mark II.
You might feel that the hand grip isn’t as perfect as you’d expect in a modern camera. With the ZF, you can buy an external hand grip at a very reasonable price if you feel the need.
Unfortunately, the Sony A7 C Mark II features a single card slot. In contrast, the Nikon ZF has a MicroSD card slot along with a UHSII SD card slot. As a photographer, you get an extra slot to save your JPEG files if you wish to.
Both cameras lack a joystick, but in the Nikon ZF, you have the option to use your display screen as a touchpad for selecting or moving autofocus points while looking at the viewfinder.
That’s another interesting feature that we have inside the Nikon ZF camera. Overall, design-wise, I highly recommend that if you are a photographer, you should go with the Nikon ZF camera.
Lens Mount
Nikon Z
Sony E
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.5 Megapixel
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Image Sensor
35.9 x 23.9 mm (Full-Frame) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis | 8 Stops
Sensor-Shift, 5-Axis | 7 Stops
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
Now let’s look at the internal core specifications of both cameras:
1. 24 megapixels versus 33 megapixels
As we all know, the Nikon ZF camera uses a 24-megapixel APS-C sensor from the Nikon Z6 Mark II camera and the Sony Mark II camera uses the sensor from Sony’s A7 IV.
Does this resolution difference matter that much? Should we change our minds and forget about the design preferences that we are getting with the Nikon ZF camera?
To find out, we have compared images from the Nikon Z6 Mark II camera with those from the Sony A7 IV and tried to find out the difference between the two.
Side by Side Comparison
We are comparing two images side by side. On one side, we have the Nikon Z6 Mark II camera, and on the other, we have the Sony A7 IV. These two cameras were chosen for comparison because the Nikon ZF camera uses the same sensor as the Nikon Z6 Mark II, and the Sony A7C Mark II uses the same sensor as the Sony A7 IV.
From the two images, it is quite clear that the Sony A7 IV camera’s 33-megapixel sensor captures slightly more detail. Therefore, those who are using the Sony A7 Mark II camera will certainly observe more detail compared to the Nikon Z6 Mark II.
2. Multi-Shot 96 MP High-Resolution Images
One of the major key differences between the two is that the recently announced Nikon ZF camera can capture 96-megapixel high-resolution images. However, these images should be taken with a tripod. Once the shot is done, it should be uploaded to the Nikon NX software to merge all the images. This means that the camera will not merge the images; it will only capture them. It’s also not recommended to use a handheld when capturing 96-megapixel resolution images.
Before we jump in and discuss the different aspects of the auto-focusing system or perhaps the continuous burst speed of a camera, it’s a fact of the matter, and it’s also visible from the comparisons that we have done with the images, that the Sony A7C Mark II camera is able to capture slightly more details compared to the Nikon ZF.
The Nikon ZF does offer 96-megapixel images, but with the condition that you have to use your camera on a tripod. This means that if you are a studio photographer, the Nikon ZF camera will undoubtedly be of great help to you. However, for general purpose photography, the Sony A7 will capture slightly more detail compared to the Nikon ZF. This is the difference between the two.
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Full-Time Servo, Manual Focus, Single-Servo AF, Touch AF & Shutter
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Contrast Detection, Phase Detection: 273
Photo
Contrast Detection, Phase Detection: 759 Video
Phase Detection: 627
Autofocus Sensitivity
-10 to +19 EV
-4 to +20 EV
3. Auto Focusing
Let’s discuss the auto-focusing system of both cameras. For the first time, we are seeing the auto-focusing algorithms of the Nikon Z8 and Nikon Z9 in a camera under $2000.
If we compare the auto-focusing points, on one side we have 759 in the Sony A7C Mark II, and on the other side, in the Nikon ZF, we have only 273. At the same time, being a Sony camera, we have no doubt about the focusing capabilities of the Sony A7C Mark II.
The Nikon ZF’s auto-focusing has very much improved and now has the ability to track 9 different types of subjects or objects in its tracking mode. So more or less, both cameras are the best in their own class.
Mechanical Shutter
1/8000 Up to 30 Seconds in Manual Mode
1/8000 Up to 4 Seconds in Shutter Priority Mode Electronic Shutter
1/8000 to 30 Seconds in Manual Mode
1/8000 to 4 Seconds in Shutter Priority Mode
Mechanical Shutter
1/4000 to 30 Seconds Electronic Shutter
1/8000 to 30 Seconds
1/8000 to 1 Second in Movie Mode
Bulb/Time Mode
Bulb Mode, Time Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 64,000 in Manual Mode (Extended: 5 0 to 204,800) Video
100 to 51,200 in Manual Mode (Extended: 204,800)
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
Up to 10 fps for up to 44 Frames (Raw) / 1000 Frames (JPEG)
4. Burst Speed
The continuous burst speed of both cameras is quite different. The Nikon ZF is able to shoot up to 15 frames per second with a mechanical shutter, and while shooting with the mechanical shutter, you will not have any rolling effect with the camera up to 15 FPS. After 15 FPS, the electronic shutter gets activated and now with the electronic shutter, you can shoot up to 30 frames per second.
With the Sony A7C Mark II camera, the maximum burst speed of the camera is limited to 11 frames per second with a mechanical shutter. Although you do get a higher resolution sensor at 33MP, if you are a wildlife photographer, then without a doubt, I would recommend you to go with the Nikon ZF camera since you have two options: one is a faster mechanical shutter with 15 FPS and the other is the electronic shutter with a speed up to 30 frames per second.
5. Upto – 10 EV AF sensitivity in Nikon ZF
One key factor to consider before making a decision is the low-light focusing capability of the cameras. The Nikon ZF camera is able to focus up to -10 EV at an aperture of f1.2, making its focusing capability in near-dark situations best in its class. On the other hand, the Sony A7C Mark II camera has an auto-focus sensitivity of -2 EV. This information could be crucial depending on your photography needs.
6. Nikon Zf uses a Touchscreen as a Touchpad
Another advantage of the Nikon ZF camera is that you can use your touchscreen as a trackpad while looking through the viewfinder. This means you can focus on your subject while looking at the electronic EVF, and at the same time, you can use your touchscreen display as a trackpad to move your auto-focusing points. With the Sony A7C Mark II camera, this is not possible as it neither has the touch and track capability of the Nikon ZF nor a joystick controller on the rear side of the camera.
Verdict – Best Camera for Photographers
If you consider all factors, not only image quality but also body design, higher resolution, and the advanced features of the Nikon Z8 and Nikon Z9 cameras, such as the out-of-focus system with -10ev autofocus sensitivity, the ability to use the touchscreen as a touchpad for shifting autofocus points, and the ability to shoot at a continuous speed of up to 15 frames per second with a mechanical shutter and up to 30 frames per second with an electronic shutter, then without a doubt, the Nikon Z8 and Z9 are better cameras compared to the Sony Alpha 7C mark II.
If image quality is your primary concern and other factors such as the design, focusing part of the camera, or the dual card slot are less important to you, and you desire a camera that provides slightly more detail, then the Sony Alpha 7C Mark II is highly recommended. This camera is known for its exceptional image quality, boasting a 33.0MP full-frame Exmor R back-illuminated CMOS sensor. It also offers excellent autofocus and is compact in size. However, it’s always important to consider all aspects of a camera before making a decision.
Internal Recording Modes
UHD 4K (3840 x 2160) at 23.98/25/30.00 fps
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps
XAVC HS 4:2:2/4:2:0 10-Bit
3840 x 2160 at 23.98/50/59.94 fps [30 to 200 Mb/s] XAVC S 4:2:2/4:2:0 8/10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [60 to 200 Mb/s] XAVC S-I 4:2:2 10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
External Recording Modes
None
4:2:2 8/10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
Recording Limit
Up to 125 Minutes
None
IP Streaming
Yes
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
7. Best Camera for Video
When comparing the video capabilities of the Nikon ZF and Sony Alpha 7C Mark II, both cameras can record oversampled 4K videos at 24 and 30 fps. However, the Sony Alpha 7C Mark II, with its 33-megapixel full-frame sensor, is expected to provide slightly more detail in video quality.
In the 4K 60 fps video mode, both cameras crop at 1.5x, meaning that the 4K 60fps is recorded in APS-C format.
The recording time limit for the Sony Alpha 7C Mark II is unlimited, while the Nikon ZF has a recording time limit of 125 minutes in 4K. This is more than sufficient unless you plan to use your mirrorless camera as a security camera.
Both cameras are capable of recording 10-bit videos internally.
The Nikon ZF has a pre-shooting buffer that you can set to timings like 30 seconds, 1 minute, or 1 minute and 30 seconds.
The Sony Alpha 7C Mark II has some videography features absent in the Nikon ZF, such as AI auto framing and a gyroscopic image stabilization mechanism. These features make the Sony Alpha 7C Mark II more helpful for content creators due to its AI autofocusing and auto-framing techniques.
Both cameras feature very angle-displays, making them suitable for professional-level content creation.
Verdict – Best Camera for Video
In terms of video resolution, both cameras capture the same video resolution. So, if you’re a photographer as well as a content creator, it might be better to go with the Nikon ZF. However, if you’re solely focused on content creation and prefer a Sony camera, then the Sony Alpha 7C Mark II would be a good choice.
1 x 1/8″ / 3.5 mm TRS Stereo Microphone (Plug-in Power) Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body
Power I/O
None
1 x USB-C Input/Output
Other I/O
1 x USB-C Input/Output
1 x USB-C Data Input/Output (Shared with Power Input)
Mobile App Compatible
Yes: Android & iOS *As of September 2023: Check with the manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Adjust Settings, Remote Control *As of August 2023: Check with the manufacturer for the most up-to-date compatibility
One of the most important things that you will notice is that the camera is able to have two SD card slots, one is micro SDHC and the other is UHS-II standard.
Display Size
3.2″
3″
Resolution
2,100,000 Dot
1,036,800 Dot
Display Type
Articulating Touchscreen LCD
Tilting Touchscreen LCD
One of the good things associated with the Nikon ZF camera is that you will get a higher resolution display as well as a higher resolution that really helps a photographer if they would like to have a better experience and better shooting experience with a camera.
Type
Built-In Electronic
Built-in electronic (OLED)
Size
0.5″
0.39″
Resolution
3,690,000 Dot
2,359,296 Dot
Eye Point
21 mm
22 mm
Coverage
100%
Approx. 0.7x
Magnification
Approx. 0.8x
-4 to +3
Flash
Built-In Flash/Light
No
No
Maximum Sync Speed
1/250 Second
1/160 Second
Flash Compensation
-3 to +1 EV (1/3 EV Steps)
-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System
iTTL
Shoe Mount
General
Battery Type
1 x EN-EL15c Rechargeable Lithium-Ion
1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 530 Shots)
Shoe Mount
1 x Hot Shoe
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.7 x 4.1 x 1.9″ / 144 x 103 x 49 mm
4.9 x 2.8 x 2.5″ / 124 x 71.1 x 63.4 mm
Weight
22.2 oz / 630 g (Body Only)
1.1 lb / 514 g (With Battery, Recording Media)
15.1 oz / 429 g (Body Only)
If you compare the Sony A74 versus the Sony A7C II, let me tell you one thing very clearly. The Sony A7C II camera features the same 33-megapixel full-frame CMOS sensor, Even the AF system of the Sony A7C II camera is much more advanced due to the presence of dedicated artificial intelligence CHIP inside, compared to the Sony A74 camera. Now, we all know that if a baseline product/product with a lower price range has as many special features as its higher-end body, then for sure it will cut off the sales of the A74.
To protect it, Sony added some layers of features and design cannibalization, which now depends upon us. Does this crippling hurt the camera’s core, or can we buy it despite the standard crippling done over Sony A7C II to save the Sony A7 IV sales? Which we will explain in this article.
Lens Mount
Sony A7C II
Sony A7 IV
Sensor Resolution
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Image Sensor
35.9 x 23.9 mm (Full-Frame) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 7 Stops
Sensor-Shift, 5.5 Stops
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
1. DUAL CARD SLOT
From the design point of view, there is a basic design difference between the two. The Sony A7C II camera has only a single card slot compatible with UHS-II V90 cards, while the Sony A7 IV camera features dual card slots in which you can have UHS-II and CFexpress in the other.
2. Full-size HDMI in Sony A7 IV
The other biggest advantage I see in the Sony A7 IV camera is the presence of a full-size HDMI port, which is missing in the Sony A7C II camera.
3. Anti-Dust Shutter in Sony A7IV
The Sony A7 IV camera also features an anti-dust settling mechanism that covers the sensor and protects it. In the Sony A7C II camera, we have an EFCS shutter, so due to the absence of a fully functional mechanical shutter, we do not have such a feature in this camera.
4. Display Difference
On the display side, the Sony A7 IV has a slightly higher resolution electronic viewfinder (3690k dotvs2360k dot) with a better magnification ratio, as well as a slightly higher resolution LCD screen (1.440k dots vs. 1.030k). The position of the viewfinder is also different in both cameras.
The rest of the things are the body controls. The Sony A7 IV camera has a bit more advanced features, such as a joystick controller on the rear side and a center-placed viewfinder, which generally helps a photographer a bit more in handling a camera and using it while composing a perfect shot
5. Size Difference
As you can see, the Sony A7C Mark II camera is more compact, whereas the A7 IV is a bit bulky. Due to the nature of construction and the type of series they belong to, both have their design interface. So, design-wise, for a professional photographer, undoubtedly the Sony A7 IV camera looks more promising.
6. Heat Sink
Heat Sink According to initial reports, the heat sink mechanism of the Sony A7C Mark II camera is slightly better at dissipating heat from the body in an outward direction. This is one of the biggest reasons why Sony skipped the CF express card in the A7C Mark II camera. With the use of a UHS-II V90 card (See V90 Cards at Amazon), you can record 4K at all resolutions without any major issues.
Does The Absence Of Full Mechanical Shutter Affect The Performance Of The Camera? It all depends upon your usage. If you want to capture portraits at a very high shutter speed which is somewhere around 1/4000 of a second up to 1/8000 of a second in that very specific scenario most cameras with mechanical shutters are not open to some of these special situations then undoubtedly, the A7C Mark II camera’s EFCS (Electronic Front Curtain Shutter) is very usable.
1/4000 to 30 Seconds
1/8000 to 30 Seconds
1/8000 to 1 Second in Movie Mode
1/8000 to 30 Seconds
1/8000 to 1/4 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 100 to 102,400)
100 to 51,200 in Auto Mode
Up to 10 fps for up to 44 Frames (Raw) / 1000 Frames (JPEG)
Up to 10 fps at 33 MP for up to 1000 Frames (Raw) / 1000 Frames (JPEG)
7. Dedicated AI CHIP
AI Chip The introduction of a dedicated artificial intelligence chip inside this camera has improved its overall performance significantly. Specifically, when we talk about autofocus performance, the 3D object tracking has improved greatly.
Continuous Shooting Speed The biggest improvement that we might see between these two cameras is their ability to track moving subjects while using burst mode. Both feature 10 frames per second continuous burst speed, but now the autofocus performance of the A7C Mark II camera is much improved compared to the Sony A74.
The buffer size of the Sony A74 camera remains larger, one of the biggest reasons being its ability to adopt a CF express-type card slot. The memory of the A7C Mark II camera is slightly limited to 100 frames.
8. IBIS
Image Stabilization With the introduction of the A7 Mark II camera, Sony also introduced a brand new sensor-shift image stabilization mechanism which is very helpful for photographers. Now, the overall IBIS support goes up to 7 stops, and in the Sony A74 camera, it is limited to 5.5 stops.
So if you’re a handheld photographer then undoubtedly, the A7C Mark II camera will help you a lot with its autofocus performance and ability to capture more stable images and footage.
Sony A7C II
Sony A7 IV
Internal Recording Modes
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [30 to 150 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
XAVC HS 4:2:2/4:2:0 10-Bit
3840 x 2160 at 23.98/50/59.94 fps [30 to 200 Mb/s] XAVC S 4:2:2/4:2:0 8/10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps 4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps
4:2:2 8/10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080p) at 23.98/50/59.94 fps
HD (1920 x 1080i) at 50/59.94 fps
AI AUTO FRAMING
Yes
NO
Enhanced AI AF
Yes (Dedicated AI CHIP)
NO
IBIS VIDEO
7 STOPS / GYRO Support
5.5 Stops Gyro Support
Gamma Curve
HDR-HLG, Sony S-Log 2, Sony S-Log 3
S Cinetone, Sony S-Log 3
Recording Limit
None
None
Broadcast Output
NTSC/PAL
NTSC/PAL
IP Streaming
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
9. Videographics Difference Between Both The Cameras
Resolution-wise both cameras feature exactly the same video resolution, Record in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb/s.
With the introduction of the AI chip in Mark II camera tracking performance has improved significantly in videography. The camera is able to track moving subjects from afar and even eye detection is now much more accurate even in animals and insects while you are creating your video.
10. User Uploadable LUT and AI Framing
Other big differences like in professional cameras we have user-uploadable LUTs (Look-Up Tables). With this feature, you are able to control output in a much better way optimizing your workflow as desired.
Auto Framing With introduction of dedicated AI chip we also have an opportunity for artificial intelligent auto framing.
Enhanced Heat Sink Unit As I have said in this post, The A7C Mark II camera’s heat dissipation system is now much more improved and distributes heat effectively.
11. Price Difference vs Features Difference
If you compare the price and specifications we are getting with the Sony A7C Mark II camera it’s much more compared to the set of features that we are getting with the A74. If you want to have the same set of features with the A74 camera body you have to wait for the Sony A75 camera announcement. Otherwise, we highly recommend you get the Sony A7C Mark II camera while looking at its core specification and price ratio.
Sony USA has posted a teaser / premier video of the Sony A7 C2 camera on their official YouTube channel. You can visit the channel and hit the notify button to stay updated. The camera is expected to arrive on August 29th, 2023.
Thenewcamera.com is one of the first websites to publish the specifications of the Sony A7 C2 camera. Here is the set of its specifications once again for you.
Images of the Sony A7 CR camera were leaked today. Although the full body of the camera is not visible yet, the logo is visible, confirming that the camera is coming.
We have the leaked images of the upcoming Sony A7 C II camera, and here are the specs of the camera
Finally, we have leaked images of the Sony A7C II camera, take a look below at the set of leaked images of the upcoming camera. These images were leaked by a YouTuber ALEX NG, take a look at the screenshot of the images.
For instance, the images look very real to me, although I am not able to confirm the authenticity of the images, we have to wait for further confirmation
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