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Canon R5C Will Get Netflix Approval ?

Canon R5C has everything to get Netflix approval except for a Full-Size HDMI port 😉  Just believe me, these are the mentioned below factors considered by the Netflix team while approving the camera for Netflix

Major Factors for Netflix approval

  • Video Resolution
  • Dynamic range
  • Color reproduction,
  • Noise performance
  • Sensor readout speed
  • Compression
  • Chroma subsampling
  • Bit-depth
  • In-built Timecode compatibility
  • No-Time Limit
  • Overheating issue (if any)

other factors are also there, but these are the main

Canon R5C has all the bells and whistles

Yes, Canon R5 has all the bells and whistles to get Netflix approval, and maybe sooner or later will get the good news one day. Canon already added a built-in Time code function in the Canon R5C that even Sony FX3 was missing at the time of announcement and later on added by Sony via a firmware 2.0 update. If we talk about other features of R5C we have an 8K sensor with full readout, an active cooling system, no recording limit even at MAX RES, 10Bit internal recording option, and Dual gain ISO for better low light performance … the R5C has full potential to be in the NETFLIX-approved list of cameras. now, it’s a matter of time before we will get the good news.

Why are only 2 Panasonic Consumer level Cameras (S1H and BGH1) approved by NetFlix?

Why was Panasonic S1H approved by Netflix and Panasonic S1 didn’t? Although both of them have a timecode port? the answer is Panasonic S1 suffers from overheating in 5.9K mode as well as also has a recording time limit.. which was the biggest issue in the line of approval.
Not only the Panasonic S1, but the Panasonic S5 can also record embedded timecode in MOV mode as well as has an anamorphic 4:3 option available. The S5 doesn’t have an active cooling system like the S1H, and combined with the more compact body video record times in 10-bit modes are limited to 30 minutes of continuous recording.

Panny BGH1 the most affordable NETFLIX approved ccamera

So, both the Panasonic BGH1 and Panasonic S1H have no overheating issues as well as any recording limit, they also feature a 10bit internal recording option with log profiles, Dual gain ISO, full sensor readout while doing videos, and the ability to sync with another camera in the set with dedicated timecode functionality.

Netflix Approval process decoded

Netflix needs cameras for production sets, Cameras with high-quality video recording capability, without any recording limit and free from overheating issues, also able to sync with each other via timecode easily, should have all the standard ports, and finally proper lens mount support… that’s the basic things a camera need to get Netflix approval

Cano, Sony, and Nikon should keep eye on these sets of specs that Netflix actually requires to approve cameras.

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Panasonic S1H in BOX Design for filmmakers - LUMIX DC-BS1H

Panasonic Lumix has now announced a BOX style S1 Camera with some major upscaling in the heat sink unit for unlimited video recording time. Read the press text below for getting details about all the major and minor upgrades.

Key specifications

  • 6K ‘open gate’ 3:2 shooting at up to 24p in 10-bit
  • 5.9K 16:9 capture (10-bit or 12-bit Raw output) up to 30p
  • UHD or DCI 4K from 5.9K, up to 10-bit 30p
  • UHD or DCI 4K from Super35 crop at up to 60p
  • Full-size HDMI, SDI, Ethernet and USB 3.1 (USB 3.2 Gen 2)
  • Timecode and Genlock
  • Built-in fan for unlimited recording

Press Release LUMIX DC-BS1H

The LUMIX BS1H is a versatile box-style camera that features the cinema-quality video performance of the LUMIX S1H in an easy-to-deploy profile. The BS1H contains a 24.2MP 35mm full-frame CMOS sensor with Dual Native ISO technology that captures 6K resolution at maximum ISO 51200. Maximizing the use of the pixels in the full-frame image sensor, the LUMIX BS1H is capable of 6K/24p, 5.4K/30p (3:2) or 5.9K/30p (16:9) high-resolution, smooth video recording. It also provides 10-bit 60p 4K/C4K HEVC video and 4:2:210-bit 4K30p in H.264 recording modes The BS1H provides 14+ stops of dynamic range inV-Log which is as wide as those of cinema cameras and V-Log / V-Gamut compatible with popular calorimetry called “VariCam Look.”

The BS1H is capable of 4:2:2 10-bit 4K 60p/50p HDMI output. Adopting a new heat dispersion structure, it achieves unlimited video recording in a variety of recording formats, including 4:3 Anamorphic mode. Moreover, [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit RAW video data can be output over HDMI to save Apple ProRes RAW in Atomos Ninja V or save Blackmagic RAW in Blackmagic Video Assist 12G HDR. The BS1H offers an IP streaming function over Ethernet, even allowing 4K 60p (50p) video streaming in H.265.

The BS1H provides a variety of practical ports such asa USB 3.1 Type-C, a 3G-SDI (BNC) and an HDMI Type-A terminal which can be used for simultaneous output. Genlock IN and Timecode functions are also available. Power over Ethernet+ (PoE+) makes it is easy to install both physically and electrically. Control over maximum 12 sets of LUMIX BS1H cameras is available using LUMIX Tether for Multicam. Last but not least, 3.5 audio jack,Wi-Fi, Bluetooth and tethered photo shooting with LUMIXTether for Multicam software are also available. For even higher quality sound recording, XLR microphone DMW-XLR1 (sold separately) can be used.AnSDK for camera control via USB/LAN will be provided for free.

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Panasonic S1H Camera Images and Major Specifications

Panasonic S1H camera finally coming in few hours and it’s world first camera to feature 6K video recording mode at 24fps.
The newly to be announced camera can also features 5.9K video at 30fps (16:9 aspect ratio). As usual being a Panasonic camera it also support multi aspect video shooting.


Panasonic S1H camera is world first camera to record 10-bit 4K and Cinema 4K video at 60fps. Panasonic claims that the Lumix S1H has a wide colour gamut, comparable to its Cinema VariCam cinema cameras.


The camera features 14+ stops dynamic range and you can also record your high resolution 6K videos in V-Log. One of the best thing is the camera do not have any recording limit.

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Panasonic S1H Camera Have built-in image Stab

Panasonic S1H camera do have built-in image, confirmed Alicia Robbins.  Alicia Robbins is created sneak preview video of Panasonic S1H camera.

See Panasonic S1H camera press release

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Panasonic S1H vs Panasonic GH5

With very limited video specification Panasonic completed the development announcement of the Panasonic S1H camera. The camera is still under development process and lot of specs remains unconfirmed. However, Panasonic does confirmed all of us that the upcoming camera will capture 6K video without crop and which is of-course a groundbreaking thing.

Panasonic S1H vs Panasonic GH5, take a look at quick specification comparison between the Panasonic S1H and the Panasonic GH5.

Panasonic S1H Panasonic GH5
 TBA (Most probably 24.2MP Full-Frame MOS Sensor) 20.3MP Digital Live MOS Sensor
Venus Engine Image Processor

6K 24fps (3:2 aspect ratio, No Crop)

5.9K 30fps (16:9 aspect ratio)

4K Video with No Crop
4K DCI & UHD 4:2:2 10-bit 60fps Internal 4:2:2 10-Bit 4K Video at 24/30p
Sensor-Shift Image Stabilization 5-Axis Sensor Stabilization; Dual I.S. 2
5.760K-dot 120Hz OLED EVF 0.76x 3.68m-Dot OLED Viewfinder
3.2″ triaxial Touchscreen tilting LCD 3.2″ 1.62m-Dot Free-Angle Touchscreen
 Price (Body Only) $4000 (approx)   $1497

So, right we have only the video specification of the camera. And it’s look very impressive compared to Panasonic GH5.

With Panasonic S1H you get a option to record 4K videos at 24 fps, but the aspect ratio is 3:2. So If you record high resolution videos for production purpose than u have to use 5.9K @30fps which gives you standard 16:9 aspect ratio.

One more thing you are getting in Panasonic S1H is you can record 4K video recording mode 4:2:2 10-bit 60fps.

Additionally you are also getting larger sensor area so details will be great as well as low-light performance is also expected to be better than of M4/3s sensor.

So, overall Panasonic S1H do have a upper hand when we talk about video recording modes. but is will cost you 2X and more

No information about bit-rates and ISO range in still and video mode available for now. We will update this specs once we will get the full specification of the camera officially from Panasonic.

Panasonic GH6 will also get goodness of S1H, but not so soon. We have to wait till next year.

Panny Pushing Limits with 6K Camera, Canikon Remain Silent ?

With only one image and very limited details Panasonic completed the development announcement of S1H camera.

This camera is industry first FF Mirrorless camera able to record 6k videos at 24 frames per second internally. So, they are pushing up-limits of camera industry limit to a next level, while recording 6K videos Panasonic uses entire sensor area and it also means you can record unlimited amount of 18MP+ files @ 24fps with the new Panasonic S1H camera.

Panasonic S1H camera is hitting out the limits of video industry.

We were expecting 6k video recording options from Sony A7S III camera, at the same time Sony senior manager also hinted that they are creating a camera beyond someone’s expectations. There are several interviews, they clearly tells us that they are creating a 6k consumer level video camera.

18 megapixel stills from Panasonic S1H

Panasonic S1H is also highly capable still camera, since when you are creating a 6k video you are recording 18 megapixel at 24 frames per second. Panasonic S1H camera gives you enormous possibilities to grab the perfect picture which was not what possible with the previous generation of hybrid cameras.

This camera will sure going to help wedding photographers, event shooters to grab a perfect pictures later on while sitting in the editing room.

4K created from oversampled 6k videos

highly detailed 4K video footage from the Panasonic S1H camera at the same time the 4K videos are more stabilized according to Panasonic since they are being oversampled from 6k just like we have in the Sony A7 III, and the Sony A9 camera.

DFD AF System again

The only lag you can find about this camera is DFD AF system which is typically based on contrast based AF system. It do need a good amount of light to lock AF quickly otherwise the AF lag is noticeable.

 

Before Sony A7S III Announcement

But just before Sony A7 III announcement, Panasonic grabbed all the limelight by doing development announcement their flagship video oriented full frame mirrorless camera which uses the L-mount and capture 6k video at 24 frames per second at the same time the camera also features built-in images stabilization system which was absent in the Panasonic GH 5S camera. probably due to the heat dissipation issue Panasonic engineers at that time we are not able to add the IBIS feature inside the Panasonic GH 5S camera.

Now what about Sony ? We are sure that Sony A7S III camera will have Hybrid AF system with super accurate and fast Eye AF as we have seen inside A7III camera integrated with 6K video recording capability. At the same time Sony will also push low-light limit and this time we do expect they will cross up the ISO 409600 barrier with Sony A7S III.

Canon  should be doing that ? – When we talk about pushing limits

Canon DSLR and Mirrorless camera do not have proper 4K video mode (all suffer from Crop issues and some of them have CDAF AF system in 4K mode). In an interview Canon rep said that they donot want to cannibalize their cinema range of cameras that’s why DSLR and Mirrorless have limited video modes.

BTW, I personally think, they should give all they have to consumers without putting any forced limitation, otherwise Sony and Panasonic will Cannibalize Canon Camera division.

Nikon is giving 100% what they have, I don’t have any complain about Nikon but they should move fast. Nikon announced Z6 and Z7 camera same time without being worried about Z7 low sales, ( Z6  may kill some sales of Z7 due to affordable price tag and more video centered camera). Based on the latest set of information we have they will be soon announcing new Mirrorless cameras and a DX format mirrorless camera with same Z-mount to retain the versatility of the DSLR era.

What you think about Panasonic S1H announcement do share your thoughts with us.

Panasonic S1H Camera Press Release, Full Specification and Intro Videos

Finally we have the Panasonic S1H camera , the third camera dedicated to cinematography announced after the Panasonic S1 and S1R. The Panasonic S1H is dedicated to videographers / cinematographers and arrived with class leading specification to attract prosumers of different brands.

Watch out this space for more updates and information, we will be adding more details soon.

World first Mirrorless to Record 6K Videos

The Panasonic is world first fullframe mirrorless camera to record 6k  @ 24p video and 5.9K @ 30p. The Panasonic SH1 also introduce Cinema 4K mode in the S1H camera, now you can record DCI 4K videos in 60p at 10 bits internally.

Major features of Panasonic S1H Camera

  • 6K 24fps (3:2 aspect ratio)
  • 5.9K 30fps (16:9 aspect ratio)
  • 4K DCI & UHD 4:2:2 10-bit 60fps
  • 14+ stops of dynamic range
  • V-Log/V-Gamut
  • 4:3 Anamorphic mode
  • No time limits on recording
  • 225-Area DFD Contrast-Detect AF system
  • Sensor-Shift Image Stabilisation
  • 3.2″ triaxial tilting LCD (no flippy out LCD here, folks!)
  • 5.760K-dot 120Hz OLED EVF

They have done their best to Manage overheating issue

Panasonic engineers done their best to manage heat suppression inside the camera. But, as we all know the higher the video resolution the more heat it generate,  they have done their best to mange hear suppression inside the camera. However, the company also says that once the temperature of the camera goes above the certified temperature range the camera will automatically stop video recording.

4K oversampled from 6K

With a completely new sensor, the camera now does a 6K full pixel readout to produce ‘perfect’ oversampled 4K video.  At the same time the image stabilization is also more improved.

With the support of V-Log / V-Gamut with a dynamic range of 14 stops the camera has become industry best Mirrorless camera for cinematographers. Note that the S1H’s recording format is compatible with the V-Log format recorded by a VariCam or the V-Log L recorded by the LUMIX GH5 / GH5S.

No recording limit, the camera has unlimited buffer memory without any restriction. The camera will record video as long as the memory card / external storage is full.

The prototype of the LUMIX S1H will be exhibited at the “Cine Gear Expo 2019” show from May 30 to June 2, 2019.

Panasonic S1H Full Specification

Coming Soon [Space for Panasonic S1H Full Specification]

Panasonic S1H Official Press Release

Panasonic Announces the New LUMIX S1H Full-Frame Mirrorless Camera

With Cinema-Quality Video and the World’s First 6K/24p*1 Recording Capability

Newark, NJ (May 31, 2019) – Panasonic Corporation is proud to announce the newest addition to the LUMIX S series, the LUMIX S1H, a new Digital Single Lens Mirrorless camera equipped with a full-frame image sensor. As the world’s first camera capable of video recording at 6K/24p *1 (3:2 aspect ratio), 5.9K/30p (16:9 aspect ratio), and 10-bit 60p 4K/C4K.*2 *3, it combines the video quality of a professional camera and the high mobility of a mirrorless camera. The LUMIX S1H will be released to world markets in fall 2019.

The main features of the new LUMIX S1H are as follows:

  1. High resolution up to 6K for multiple formats.

Maximizing the use of the pixels in the full-frame image sensor, the LUMIX S1H, as a digital camera, has achieved 6K/24p (3:2 aspect ratio) or 5.9K/30p (16:9 aspect ratio) video recording for the first time in the world.*1 It is also the world’s first full-frame digital interchangeable lens system camera*1 to enable 10-bit 60p 4K/C4K *2*3video recording. It accommodates a variety of recording formats like 4:3 Anamorphic mode, to meet professional needs. Its high-resolution data can also be used to create 4K videos with higher image quality or to crop images in 4K.

  1. Rich gradation and a wide color space virtually equal to those of cinema cameras.

The LUMIX S1H features V-Log/V-Gamut with a wide dynamic range of 14+ stops, which are virtually the same as those of the Panasonic Cinema VariCam, allowing it to precisely capture everything from dark to bright areas. So much so, that the color and even the texture of human skin are faithfully reproduced. Designed under consistent color management, the S1H’s recorded footage is compatible with V-Log footage recorded by VariCam or the LUMIX GH5/GH5S.

  1. High product reliability that allows unlimited video recording. *7

In every S1H recording mode, video can be recorded non-stop under the certified operating temperature so the user can concentrate on shooting.

Since the 1990s, Panasonic has been a leader in the development of video recording technologies for digital cinema, and has produced a host of innovative technologies for impressive cinematic imagery, such as 24p video recording, slow motion video using a variable frame rate, and the wide dynamic range and color space of V-Log/V-Gamut. By working with film creators for more than 25 years, Panasonic has successfully designed a number of cinema cameras that exhibit stunningly high video performance. The LUMIX GH1 made its debut in 2009 as the world’s first Digital Single Lens Mirrorless camera capable of full-HD AVCHD video recording. *4 The LUMIX GH4 was launched in 2014 as the world’s first Digital Single Lens Mirrorless camera*5 capable of 4K video recording. Next, the LUMIX GH5 was released in 2017 with the world’s first 4K/60p, 4:2:2 10-bit 4K/30p recording capability.*6 The LUMIX GH5 is highly acclaimed by film creators for its high performance, excellent mobility, and superb versatility in film production. And now, in 2019, the LUMIX S1H joins as Panasonic’s newest cinema camera.

Panasonic now offers three innovative models in the LUMIX S Series of full-frame Digital Single Lens Mirrorless cameras – the S1R, the S1, and the new S1H. The LUMIX S1R is ideal for capturing high-resolution images, while the LUMIX S1 is an advanced hybrid camera for high-quality photos and videos, and the LUMIX S1H is designed especially for film production. With this lineup, Panasonic is committed to meet the demands of every imaging professional by challenging the constant evolution of the photo/video culture in today’s new digital era.

The LUMIX S1H prototype will be exhibited at the 2019 Cine Gear Expo.*8

*1 As a digital interchangeable lens system camera, as of May 31, 2019 (U.S.). Panasonic research.

*2 As a full-frame digital interchangeable lens system camera, as of May 31 May, 2019 (U.S.). Panasonic research. In Super 35mm-equivalent size.

*3 Corresponding to 4K (4096×2160) as defined by Digital Cinema Initiatives (DCI).

*4 As of March 25, 2009, as a digital interchangeable lens system camera. Panasonic research.

*5 As of March 25, 2014, as a Digital Single Lens Mirrorless camera. Panasonic research.

*6 As of January 25, 2017, as a digital interchangeable lens system camera. Panasonic research.

*7 Recording time varies depending on the battery capacity and memory card capacity. When the camera’s temperature rises above the specified operation temperature, the camera may automatically stop video recording to protect it from heat damage.

*8 Cine Gear Expo 2019 is the premier annual event for professionals engaged in the technology, entertainment and media industry to be held at Paramount Studios in Los Angles, U.S., through May 30 to June 2.

・Design and specifications are subject to change without notice.

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