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Firmware Update

Sony RX10 V Camera Announcement Soon

Sony China teased today a new RX camera, most probably they will be releasing Sony RX10 V camera in next few hours. Take a look at the announcement time line of RX10 Series camera  which also suggest a update is likely to arrive in 2019.

Camera Model Name Announcement Time
The DSC-RX10 2013
2014
The DSC-RX10 II 2015
The DSC-RX10 III 2016
The DSC-RX10 IV 2017
2018
The DSC-RX10 V 2019

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source

Sony A7R IV vs Sony A7R III

Sony A7R IV vs Sony A7R III, the Sony A7R IV camera features major upgrade in the core specification of the camera. Let’s have a detailed look how Sony A7R IV camera is improved from inside to out.

1. Sony A7R IV vs Sony A7R III Sensor

Lens Mount Sony E Sony E
Camera Format Full-Frame (1x Crop Factor) Full-Frame (1x Crop Factor)
Pixels Actual: 62.5 Megapixel
Effective: 61 Megapixel
Actual: 43.6 Megapixel
Effective: 42.4 Megapixel
Maximum Resolution 9504 x 6336 7952 x 5304
Aspect Ratio 1:1, 3:2, 4:3, 16:9 3:2, 16:9
Sensor Type CMOS CMOS
Sensor Size 35.7 x 23.8 mm 35.9 x 24 mm
Image File Format JPEG, RAW JPEG, RAW
Bit Depth 14-Bit 14-Bit
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis

2. 1.5X More Resolution

Sony A7R IV camera us using a brand new sensor, the sensor resolution is approx 1.5X more than of Sony A7R III. With 61 MP BSI CMOS sensor Sony A7R IV camera will show more details when compared to Sony A7R III.

3. 1.5X Faster Image Processor

Not only sensor the image processor of the camera is now 1.5X more faster compared to the image processer used in Sony A7R III. And due to that we will sure see some noticeable improvement in the image quality of the new camera.

4. ISO Range 50-102400

Sony engineers did a remarkable job to maintain the low-light performance of the camera. Despite of increase in the resolution (We all know as the resolution increases the photodiodes sizes gradually decreases resulting poor low light performance ) Sony A7R IV camera is able to deliver same ISO range as we have in the Sony A7R III.

5. Jpeg Image Quality Comparison

As you can clearly see the image of Sony A7R IV camera (left) have more details compared to Sony A7R III (in right).

6. Sony A7R IV vs Sony A7R III – Exposure

ISO Sensitivity Auto, 100 to 32000 (Extended: 50 to 102400) Auto, 100 to 32000 (Extended: 50 to 102400)
Shutter Speed Mechanical Shutter
1/8000 to 30 Second
Bulb Mode
1/8000 to 1/4 Second in Movie Mode
  1/8000 to 30 Seconds
1/8000 to 1/4 Second in Movie Mode
Bulb Mode
Metering Method Center-Weighted Average, Highlight Weighted, Multiple, Spot Center-Weighted Average, Multi-Zone, Spot, Highlight Weighted
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3, 1/2 EV Steps) -5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range -3 to 20 EV -3 to 20 EV
White Balance Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting Up to 10 fps at 61 MP for up to 68 Exposures (JPEG) Up to 10 fps at 42.4 MP for up to 76 Exposures (Raw)
Interval Recording Yes 2/5/10-Second Delay
Self Timer 2/5/10-Second Delay

7. Buffer is also increased

Buffer  of the camera is also improved upto 1.5X according to the Sony. Now despite of larger file size,  the new bigger buffer can store upto 68 consecutive shots in a single burst.

 

8. Sony A7R IV vs Sony A7R III – Video

Recording Modes XAVC S
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.976p/24p/59.94p/100p/120p [16 to 100 Mb/s]
AVCHD
Full HD (1920 x 1080) at 50i/ 59.94i [17 to 24 Mb/s]
  XAVC S
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/ 59.94p/ 100p/120p [100 Mb/s]
HD (1280 x 720) at 100p/120p [50 Mb/s]
AVCHD
Full HD (1920 x 1080) at 50p/ 59.94p [28 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/50i/59.94i [17 to 24 Mb/s]
External Recording Modes 4:2:2 8-Bit
DCI 4K (4096 x 2160) at 23.976p/25p/ .97p
Full HD (1920 x 1080) at 23.976p/50i/50p/59.94i/ 59.94p
  4:2:2 8-Bit
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p
Full HD (1920 x 1080) at 24.00p/50i/50p/59.94i/59.94p
Recordig Limit Up to 29 Minutes Up to 29 Minutes
Video Encoding NTSC/PAL NTSC/PAL
ISO Sensitivity Auto: 100 to 12800
Manual: 100 to 32000
Built-In Microphone (Stereo)
External Microphone Input
Audio Recording Built-In Microphone (Stereo)
External Microphone Input (Stereo)
AC3, Dolby Digital 2ch, Linear PCM (Stereo)

We do have slight improvement in the external video recording mode of the Sony A7R IV camera, now you can record DCI 4K video in Sony A7R IV camera which was limited to UHD 4K in Sony A7R III.

The Sony a7R IV can capture full-frame 4K oversampled from 6K, that clearly means no pixel binning and you are getting maximum image quality possible. However, Sony A7R III also uses the same process to create 4K video.

So, we don’t have any major difference in the Video quality of both the camera despite of enjoying a major specs upgrade in the still part of A7R IV.

9. Sony A7R IV vs Sony A7R III – AutoFocus

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Phase Detection: 567
Contrast Detection: 425
Phase Detection: 399
Contrast Detection: 425
Autofocus Sensitivity -3 to +20 EV -2 to +20 EV

The Autofocus sensitivity of the camera increased upto 1 stop and at the same time the Focus point are also increased upto 567, which enables more better AF coverage than Sony A7R III. The AF points of the camera cover up more than 75% of the viewable area of the screen.

10. Sony A7R IV vs Sony A7R III – Viewfinder and Monitor

Viewfinder Type Electronic (OLED) Electronic
Viewfinder Size 0.5″ 0.5″
Viewfinder Resolution 5,760,000 Dot 3,686,400 Dot
Viewfinder Eye Point 23 mm 23 mm
Viewfinder Coverage 100% 100%
Viewfinder Magnification Approx. 0.78x Approx. 0.78x
Diopter Adjustment -4.0 to +3.0 -4.0 to +3.0
Monitor Size 3″ 3″
Monitor Resolution 1,440,000 Dot 1,440,000 Dot
Monitor Type Tilting Touchscreen LCD Tilting Touchscreen LCD

Viewfinder resolution of the screen is dramatically improved, the Sony A7R IV camera now features class leading viewfinder.

11. Pixel shift (240 vs 168 MP)

The Sony A7R IV camera now features 240MP high resolution mode, the Sony A7R III was limited to 168 Megapixels only. With Sony A7R IV you will get super high resolution images and enormous amount of details compared to A7R III.

12. DSLR like Hand-grip

The handgrip of the Sony A7R IV camera is drastically improved handgrip compared to Sony A7R III, if you are  DSLR user you will find Sony A7R IV camera more friendly to your hands compared to Sony A7R III.

13. physical size

Battery 1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 530 Shots)   1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 530 Shots)
Dimensions (W x H x D) 5.07 x 3.8 x 3.05″ / 128.9 x 96.4 x 77.5 mm 5 x 3.8 x 2.9″ / 126.9 x 95.6 x 73.7 mm
Weight 1.46 lb / 665 g 1.45 lb / 657 g

 Conclusion

Sony A7R III camera arrived with major specs upgrade in still shooting part, you are getting better sensor, more AF point more improved image processor and bigger buffer compared to Sony A7R III. The video part of the camera more or less remains same. So, if you are looking for an upgrade from Sony A7R III, you should go for it if you are a still shooter.

Buy Sony A7R IV camera from Amazon.com | B&H Store

Canon Announcement on August 2019, Canon 90D or EOS M5 Mark II ?

According to latest rumors  surfaced of the web, Canon may announce a new camera on August 2019.  We do have a high possibility of Canon pro Mirrorless camera arrival, Canon EOS M5 Mark II camera. And at the same time Canon 90D also have high possibility of arrival. It all depend on Canon marketing team what they want to announce first.

We have have to wait for more confirmation from trusted sources. We all know Canon followed up DSLR cannibalization policy back on 2018. It clearly means they will prefer Mirrorless camera more than of DSLRs and they did too, but recent financial report suggest a major drop (approx 40%) in Canon operating profit. So, they may rethink on their plan / marketing strategy they have opted in 2018.

Canon Next camera DS126801

We have confirmed information from Japanese sources that Canon do have a  camera in announcement pipeline which uses LP-E6N battery. The battery used by Canon PRO DSLRs and Mirrorless including Canon 7D Mark II, Canon 5D Mark IV and Canon EOS R. Take a look at Canon to be announced Camera details we have from Japanese sources

  • Wireless parts are WM600 (equipped with Wi-Fi and Bluetooth 4.1)
  • The battery is 7.2V 1800mAh (probably LP-E6 / LP-E6N)

At the end we have to wait and see.

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Canon 90D to feature Image Stabilization [Rumor]

According to latest rumors surfaced over the web, Canon 90D will feature built-in image stabilization system. The rumor is coming from veteran rumor mill,  however take this information with a grain of salt, since it’s coming from anonymous sources.

It all started when we have published Canon is working for built-in image stabilization for DSLRs back on Nov 2018.

In general a patent takes two to three years to become a product. So, if we have spotted a DSLR Image stabilization unit patent back on 2018 then we can expect a DSLR camera with IS in 2020.

IS in FF DSLR before APS-C ?

We all know and Nikon is rumored to bring Image Stabilization inside Nikon D6 DSLR before 2020 Olympics. So, it do make a high possibility that upcoming Canon 1DX Mark III will carry built-in Image stabilization system inside it.

Take a look what Canon representatives said about IS tech. inside camera

We already have three patents on IBIS – on a mobile matrix and stabilization, Canon is currently developing a matrix stabilization technology – it will be coming soon. Other companies had a huge amount of problems with this. They test it essentially on users.

Fortunately here at thenewcamera.com we have published three different patents of Canon working in built-in image stabilization system See patent 1 | patent 2 | patent 3

Canon into DSLR cannibalization from 2018

It clearly means, if they bring a new technology (Like IS unit or BSI CMOS sensor or a new image processor) they will first prefer Mirrorless camera instead of DSLRs.

That’s why they have selected EOS M50 camera to introduce Digic 8 image processor,  first Canon APS-C Mirrorless camera to shoot 4K videos at 24p. Also first APS-C camera to feature .CR3 (3rd gen of RAW files) and also C-RAW which takes approx 40% less space compared to conventional RAW file.

In previous interviews Canon rep. told us that due to cost factor they were not able to introduce Image Stabilization inside EOS R camera.

So, they may prefer Canon EOS R Professional Mirroless camera or Canon EOS M5 Mark II to introduce Image stabilization inside FF or APS-C camera line-up.

About Canon 90D with Image Stabilization

Canon 90D can have Image Stabilization unit inside if Canon Marketing team wish to, otherwise they will prefer a APS-C Mirrorless camera for introducing Image Stabilization in APS-C Lineup before DSLRs.

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Sony A7R IV Camera to be Announced Soon, Uses 61MP FF Sensor

Rumors suggest Sony A7R IV camera is coming with a brand new 61MP sensor. Take a look what Japanese sources said about Sony announcement

Sony’s α7R IV is said to have a 61 million pixel sensor. At this time, the model number of “ILCE-7RM4”, “VG-C4EM”, and “XLR-K3M” has been confirmed.

Sensor used in Sony A7R IV

The IMX 455 is a Hybrid Sensor can carries phase detect AF points inside it, so for sure this sensor will be used in Nikon upcoming Mirrorless camera [possibly Nikon Z8]. Now a altered version of the same sensor [without phase detect AF pixels inside it] can be used in Nikon D850 successor, the upcoming Nikon D860 / D900 DSLR.

Sony 60 MP Sensor specification

  • IMX455 (Low-Spec of IMX551 Prototype):
  • Effective pixels: 9600×6400
  • Recommend recording pixels: 60MP
  • 11/12/14/16Bit ADC
  • Full Pixel 9fps/14Bit ADC
  • SLVS-EC 8Lane
  • Single ADC in Video Mode
  • 12-ADC in Still Picture Mode
  • Native ISO 64/400

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Sigma FP Fullframe Mirrorless Camera is Now official

Sigma today announced a ultra-compact fullframe light weight Mirrorless camera today. The camera uses a Brand new 26 MP Bayer Fullframe BSI CMOS sensor. The camera will be using CDAF (Contrast Detect) technology, however it’s a first iteration and future models may carry Hybrid Sensors.

Name of the camera Sigma fortissimo, short-form  Sigma FP – fortissimo[very loud] pianissimo [very soft]

Sigma FP Camera More Specification

  • 26 MP  35mm full-frame BSI CMOS ( Bayer sensor )
  • 100-25600, expandable to 6-102400
  • Without a mechanical shutter
  • 18 fps Continuous shooting speed [Limited to 12 shots]
  • UHD 4K @ 29.97p, 25p or 23.87p or 1080 footage at up to 119.88p
  • 12-bit CinemaDNG external recording
  • Eye AF, HDR and Auto HDR
  • Dedicated  “TONE” and “COLOR” buttons
  • 3.2″ 2.1M-dot touchscreen
  • 113 × 70 × 45mm (4.43 × 2.75 × 1.78″).
  • body weight of 370g
  • dust- and splash-proof structure
  • Excellent Heat Sink Unit
  • Cinematic Teal and Orange Filter
  • On camera GIF Builder
  • compatible with Atomos’ open HDMI protocol
  • optional CN-21 DC connector

The Camera uses L-Mount and according to sigma official press release “An “open and liberal system” that allows one to pair the camera with lenses and accessories, whether from SIGMA or other brands, using a variety of attachments, complete with “versatile scalability” that makes the camera adaptable to any scenes.”

Once camera is official we will sure know what a open and liberal system exactly means, glad they have Sigma MC-21 adapter  so if you are a Canon user like me you can use EF lenses to the new Sigma FP camera.

Price, Detailed Specification and Announcement Date not available yet

Sigma FP Fullframe Mirrorless Camera Press Release

SIGMA announces the “SIGMA fp”, the world’s smallest and lightest mirrorless digital camera* with a full-frame image sensor

SIGMA Corporation is pleased to announce the launch of “SIGMA fp,” the world’s smallest and lightest full-frame mirrorless digital camera*. The SIGMA fp incorporates a 35mm full-frame Bayer sensor with 24.6 effective megapixels in a compact body, and boasts great versatility and scalability that allows mixing-and-matching of a variety of interchangeable lenses and accessories. It is a camera that is casual enough to take anywhere, anytime, and high-spec enough for serious still and cine shooting in the highest image quality, all in a robust and classy body.

Regardless of the differences in shooting scenes and styles or genre boundaries between stills and videos, this new camera is set to expand the freedom and possibilities in image shooting and art creation further than ever before. A “pocketable full-frame” camera: SIGMA fp, is now available.

*As of July, 2019.

SIGMA’s take on an entirely new system camera. The world’s smallest and lightest “pocketable full-frame” camera is here.

The environment that surrounds shooting and art creation is undergoing radical changes. In this day and age when one user may have both a high-performance interchangeable lens camera and a smartphone camera, using them flexibly according to specific purposes and settings, SIGMA stopped and questioned the inherent value of a digital camera.
As a result, SIGMA set itself to develop a user-oriented digital camera that reflected the idea of “how a camera can be” in a more flexible and true-to-life manner, without conforming to manufacturers’ ideas of camera-centric categories and hierarchy.

Pocketable full-frame│Impressive portability and power

The “smallest and lightest body possible” with which one can express their creative ideas whenever they want, combined with a “full-frame sensor” that is suitable for serious occasions without compromising on image quality, and “superb build quality” that makes the camera the perfect linchpin of a high-performance lens system.

Scalable│Versatile scalability

An “open and liberal system” that allows one to pair the camera with lenses and accessories, whether from SIGMA or other brands, using a variety of attachments, complete with “versatile scalability” that makes the camera adaptable to any scenes.

Seamless│Full-fledged, liberating shooting functions

A “highly intuitive UI” that allows one to move between full-fledged still and cine shooting modes with just one finger, making for a “seamless and truly creative tool” that goes beyond style and genre differences.

Making it a top priority to realize these three concepts all at once and without requiring any trade-offs, SIGMA selected only the elements and mechanisms that were truly needed with no compromise to create the SIGMA fp as the embodiment of an “entirely new digital camera that SIGMA can offer to the world right now.”

It’s a camera body that changes its configuration with great flexibility centered around the user. It’s a tool that gives the user the joy of a new camera life that they themselves are yet to discover. It’s a new system camera that will overturn the paradigm of “digital cameras.”
The SIGMA fp is here to broaden the potential of “image shooting” ad infinitum.

World’s smallest and lightest full-frame camera

With overall dimensions of 112.6×69.9×45.3mm and body weight of 370g, without battery and card, the SIGMA fp is the world’s smallest and lightest full-frame mirrorless camera*. It employs a back-illuminated 35mm full-frame Bayer sensor with 24.6 effective megapixels for high-quality images.

Covered on the front and back sides with die-cast aluminum alloy for its superior robustness and thermal conductivity, the compact body of the SIGMA fp is built with a signature heat sink structure and sealing on 42 points for a dust- and splash-proof structure, making it a perfect camera to use for long hours under all types of environments. With its small body and great adaptability, the SIGMA fp enhances the joy of full-frame image quality, no matter what one’s shooting settings may be.
*As of July, 2019.

Electronic shutter for a variety of settings

“Able to shoot whenever you want, wherever you want”―to realize this concept, the SIGMA fp incorporates a construction without a mechanical shutter for quiet shooting. This allows shooting without worrying about noise in a situation where one would have hesitated with a conventional camera because of its shutter sound. It gives no shutter shock even when shooting in quick succession at a frame rate of 18 frames/sec. eliminating even the tiniest shakes.

In addition, the absence of a mechanical shutter, whose performance level can change through continuous operation, means that the SIGMA fp is a camera with improved reliability.

Superior options in artistic picture & video creations

The SIGMA fp is a frontrunner in incorporating functions that help exploring the photographic and cinematic creations.

For instance, in addition to a number of different color modes, the SIGMA fp has newly introduced the “Teal and Orange” mode, inspired by the color grading technique commonly used in Hollywood films. Each mode has a slider that enables adjustment of the strength of the effects to apply, providing even greater control in one’s creations.

The SIGMA fp is the first SIGMA camera to employ a tone curve adjustment function in addition to “Fill Light”, a special adjustment function of SIGMA Photo Pro, and they are both available in-camera. It has also newly introduced “TONE” and “COLOR” buttons for a quick access to each of the tone control and color mode menus. With these enhanced functions and a variety of operation elements, the SIGMA fp makes it simple and easy to create an image, in-camera with great details, be it still or video.

Advanced picture & video generating functions

The SIGMA fp employs a number of advanced technologies for image and video generation.

The Auto HDR function takes advantage of an electronic shutter to take multiple pictures of different exposures (3 frames for still photography and 2 frames for video) at once, which can then be merged into a single picture or video with a great dynamic range that could not have been achieved in normal shooting.

The Cinemagraph function, meanwhile, achieves a hybrid between still photography and video in the form of animated GIFs in which parts of a still image keep moving. With this function, the SIGMA fp is capable of creating Cinemagraphs in-camera.
Note: The Auto HDR function in the Cine mode and the Cinemagraph function are to become available via firmware update scheduled at a later date.

L-Mount

The SIGMA fp uses the L-Mount*, characterized by a short flange focal length, large diameter, and superior durability. For interchangeable lenses, in addition to the wide-ranging choices of SIGMA lenses, other manufacturers’ lenses can also be an option through the L-Mount Alliance with Leica Camera AG and Panasonic Corporation. With the SIGMA MOUNT CONVERTER MC-21, SIGMA SA mount and SIGMA’s CANON EF mount lenses can be used, making the best out of one’s lens investment.

*The L-Mount Trademark is a registered Trademark of Leica Camera AG.

Supports full-fledged video production

For raw video data, the SIGMA fp supports 12-bit CinemaDNG external recording. With 4K UHD/24fps recording, it produces video data that can be used even in filmmaking. It also supports ALL-I recording which is optimal for editing H.264 compressed videos.

For video output, it uses USB3.1(GEN1), which allows a smooth data transmission to an external recording unit. As it also supports cinema camera-like user interfaces, the SIGMA fp is a camera that can be taken straight to video production settings.

Note: The feature of playing CinemaDNG footages in-camera is to become available via firmware update scheduled at a later date.

Seamless transition between Still and Cine modes

Going from the Still mode to the Cine mode at the flip of a switch. Each mode comes with a specially designed operation system and displays, making it possible to concentrate on shooting in each mode, stress-free.

For more about other features, please refer to the link : https://www.sigma-global.com/en/cameras/fp-series/main-feature/

via dpreview

Re-Branded Panasonic FZ1000 II Announced as Leica V-LUX5

Leica announced the Leica V-Lux 5 camera today. The Leica V-Lux 5 is actually a rebranded Panasonic FZ1000 II  camera. With some slight design change you will be getting same core specification as you have seen inside .

You will be getting same sensor, lens and exactly same core specs in both the camera. However, price is bit different for V-LUX5 you have to pay $1250 and Panasonic FZ1000 II available at $850.

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