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Sony ZV-E10 Mark II Press Release | Major Features and More...

Sony Electronics Announces the Next-Generation ZV-E10 II and E PZ 16-50mm F3.5-5.6 OSS II Lens Kit

Sony ZV-E10 Mark II Pre-order Page at B&H Store

Key Camera Specifications

  • 26-megapixel (MP) Exmor R™ CMOS sensor
  • BIONZ XR™ image processing engine
  • 759-point Focal Plane Phase-detection AF with Real-time Eye AF for Human/Animal/Bird and Real-time Tracking
  • ISO range from 100 to 32000
  • 5.6K oversampling for 4K footage at up to 60p
  • Active Mode electronic image stabilization
  • Upgraded large-capacity Z battery (NP-FZ100) allowing continuous movie recording for up to 195 minutes per charge
  • APS-C interchangeable lens camera compatible with over 70 Sony E-mount lenses
  • Weight: approximately 377 grams

Additional Features to Streamline Content Creation

  • Cinematic Vlog Setting
  • Vertical User Interface (UI) for vertical content creation
  • 4K 60p capture and up to 120p in clear XAVC-S Full HD quality
  • Product Showcase Setting
  • Background Defocus Function
  • Face Priority Auto-Exposure
  • Soft Skin Effect
  • USB 3.2 Type-C® port for high-speed wired transfer
  • Time-lapse sequence creation
  • Advanced 3-capsule microphone with selectable directivity
  • Wind noise reduction windscreen
  • Multi-interface (MI) shoe
  • 5 GHz Wi-Fi connectivity for livestreaming
  • Screen Reader function and menu Magnify Display for accessibility

Main Features of the Versatile E PZ 16-50mm F3.5-5.6 OSS II Lens

  • Compact APS-C power zoom lens
  • High-resolution performance with four aspherical elements and one ED (Extra low Dispersion) element
  • Minimum focusing distance of 9.8 inches (wide) / 11.8 inches (tele)
  • Maximum magnification of 0.215x
  • Retractable to approximately 1.25 inches when powered off
  • Lightweight: approximately 3.8 oz. (107 grams)
  • Built-in optical stabilization
  • Supports in-body breathing compensation

SAN DIEGO, July 10, 2024. Sony Electronics launches the ZV-E10 II, the second generation of the top-selling mirrorless ZV-E10 camerai. The original ZV-E10 is a staple APS-C camera in Sony’s ZV content creation camera series, designed to provide an easy, compact, and versatile tool for content creators of any level. The new ZV-E10 II maintains all the features creators love about the original, such as Creative Looks, Product Showcase Setting, Background Defocus function, and the vari-angle flip screen – and builds on it to increase sophistication and ease of use.

The ZV-E10 II’s internal hardware has been improved from its predecessor with an upgraded 26-megapixel (MP) (approx. effective) Exmor R™ CMOS sensor and adoption of Sony’s latest BIONZ XR™ image processing engine. A few additional updates to this model include improved autofocus and video capturing capabilities: Cinematic Vlog Settingii, a new vertical format user interface (UI), an upgraded large-capacity Sony Z battery for improved stamina and improved connectivity for easy live streaming and data transfer. Staying true to the ethos of the ZV Series, this camera has been redesigned to streamline the content creation process even further, enabling creators to focus less on camera settings and more on their art and creativity. It is compact and lightweight and fits into a creator’s hand with ease, weighing in at approximately 377 gramsiii.

In addition, the E PZ 16-50mm F3.5-5.6 OSS II (SEL1650/2) is announced, a compact APS-C power zoom lens which will be available separately or as part of the ZV-E10 II’s camera kit. The upgraded kit lens is lightweight and offers improved autofocus (AF) and video performance compared to the first-generation model.

“From the beginning, the goal of the Sony ZV line was to create cameras that produced high-quality results while being extremely easy to use. Today, the ZV line continues to uphold that standard, but we’re taking it a step further,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Our aim with the advancements of the ZV-E10 II is to inspire creators to develop or recreate their own unique style through features like personalized Creative Looks and Cinematic Vlog Setting. We are continually evolving our technology to help creators of all skill levels bring their visions to life.”

Create Your Own Photo and Video Aesthetic

The ZV-E10 II features two key functions designed to produce premium-looking content straight from the camera, Creative Looks and Cinematic Vlog Setting. When shooting both stills and videos, users can instantly enhance their images by selecting any of the ten Creative Look options: Standard (ST), Portrait (PT), Neutral (NT), Vivid (VV), Vivid 2 (VV2), Film (FL), Instant (IN), Soft Highkey (SH), Black & White (BW), and Sepia (SE). Each of these looks are further customizable and can be edited through eight different parameters, allowing creators to fine-tune their content. Once customized, creators can save up to six custom styles directly in the camera for easy access and reuse.

The ZV-E10 II allows creators to produce premium, cinematic video content with a single touch using the Cinematic Vlog Setting. This feature automatically adjusts the aspect ratio, frame rate, and AF transition speed to optimal settings for cinematic video capture. Additionally, creators can enhance their footage by selecting from five “Looks”, such as S-Cinetone™ that enhances skin tones, and applying one of four “Moods”iv, that emphasize specific colors, offering extensive options to maximize creative expression.

Key Camera Specifications

  • 759-point Focal Plane Phase-detection AFv with Real-time Eye AF for Human/Animal/Bird and Real-time Tracking
  • Backside illuminated 26MP Exmor R CMOS sensor offering an ideal combination of high sensitivity and low noise with an ISO range from 100 to 32000vi
  • APS-C interchangeable lens camera compatible with over 70 Sony E-mount lenses
  • High-speed readout, 5.6K oversampling compresses a vast amount of information into stunning 4K footage at up to 60pvii
  • Active Modeviii electronic image stabilization employs a precision gyroscope and advanced algorithm to accurately measure and compensate for camera shake, providing highly effective stabilization without sacrificing mobility, even when shooting 4K
  • Upgraded large-capacity Z battery (NP-FZ100), allowing continuous movie recordingix for up to 195 minutes per charge

Additional Features to Streamline Content Creation

  • New Vertical User Interface (UI) that auto rotates from horizontal to vertical orientation to streamline vertical content creation. When paired with the vari-angle LCD monitor, users can create and view their content from any angle
  • With 4K 60p capture and up to 120p capture in clear XAVC-S Full HD quality, the user can record stunning motion sequences using the S&Q modex at 5x slow motion (24p playback)
  • Product Showcase Setting which delivers convenient shooting of product review videos with smooth focus transitions from your face to the item being highlighted
  • Background Defocus Function to adjust the depth of field and create bokeh within the background with a single touch
  • Face Priority Auto-Exposure immediately detects faces and adjusts the exposure to optimize facial brightness, even while actively recording in changing lighting scenarios
  • Soft Skin Effect smooths the appearance and reduces blemishes on the subject’s skin
  • Stress-free connectivity with the USB 3.2 Type-C® (SuperSpeed USB 5 Gbps) port also allows high-speed wired transfer to a compatible smartphone or PC through the Creators App for easy post-production and sharing on social mediaxi
  • Time-lapse sequencesxii can be created in-camera and the exposure interval can be set from 1 second to 60 secondsxiii
  • Advanced, onboard 3-capsule microphone with selectable directivity (previously debuted in the ZV-E1) for capturing clear, high-quality audio. Users can select “Auto” or choose from “Front”, “Rear”, or “All Directions” for the audio directivity depending on the environment and recording scenario settings
  • Supplied with the camera, is a windscreen to reduce noise when shooting in windy conditions
  • Multi-interface (MI) shoe allows for simple connection to an external microphone for additional audio options, if needed
  • Livestream through the support of 5 GHzxiv Wi-Fi connectivity
  • Sony’s Screen Reader functionxv, which reads menus and video playback screens aloud to assist operations, and a menu Magnify Display function are included to provide accessibility solutions

Designed with Environmentally Friendly Principles in Mind

The ZV-E10 II camera body is made from recycled materials, including SORPLAS™ xvi, reducing environmental impact without sacrificing functionality. The individual packaging is made from Sony’s unique recycled paper “Original Blended Material” that uses materials such as bamboo, sugar cane fiber, and recycled paper collected from the market. Over the past 11 years, Sony has replaced approximately 395 tonsxvii of virgin plastic with recycled plastic in digital cameras and digital video cameras.

Main Features of the Versatile E PZ 16-50mm F3.5-5.6 OSS II

The E PZ 16-50mm F3.5-5.6 OSS II is Sony’s 75th E-mount lens and an ideal kit lens solution for the new ZV-E10 II due to its compact size and versatile range (35 mm full-frame equivalent focal length: 24-75 mm). High-resolution performance is achieved by four aspherical elements and one ED (Extra low Dispersion) element in an effective optical design. With a minimum focusing distance of 9.8 inch (0.25 m) (wide)/ 11.8 inch (0.30 m) (tele) and maximum magnification of 0.215x, the E PZ 16-50mm F3.5-5.6 OSS II offers versatile close-up performance to capture details. It retracts to a total length of approximately 1.25 inches (31.3 mm) when camera power is turned off. Due to its diminutive size and low weight of approximately 3.8 oz. (107 grams) it is a portable lens that can support day-to-day shooting.

Smooth, useful power zoom is ideal for movie shooting, and AF is available even while zooming. Built-in optical stabilization works with in-body stabilizationxviii, including Active Mode, to minimize blur in movies. The E PZ 16-50mm F3.5-5.6 OSS II supports in-body breathing compensationxix to minimize shifts in angle of view while focusing for smooth, stable footage.

Pricing and Availability

The ZV-E10 II will be available at the end of July 2024 for a suggested retail price of $999 USD ($1,399 CAD) for the camera body only, and $1,099 USD ($1,499 CAD) for the kit. The E PZ 16-50mm F3.5-5.6 OSS II in black will be available in August 2024 for a suggested retail price of $299 USD ($399 CAD). They will be sold directly through Sony.com and other Sony authorized dealers throughout North America.

Fuji X-S50 or Something Else? Rumored Specs of the Next Fuji Vlogging-Centric Camera


According to the latest set of rumors from the rumor mill, which is preparing to announce a camera dedicated to content creators, the camera will use the same 26 MP sensor we have seen in Fuji’s previous generation of cameras. With an advanced image processor, the camera can shoot 4K videos at up to 60 frames per second with a 1.17x crop factor, which is almost unnoticeable.

Take a look at the rumored set of a specification for the upcoming camera

  • 26.1MP APS-C X-Trans BSI CMOS 4 Sensor
  • X-Processor 5 Image Processor
  •  6.2K, 60fps open-gate mode
  • DCI/UHD 4K at 60 fps [4k 120 fps with crop]
  • Dedicated Vlog Mode for Content Creators
  • 425-Point Hybrid AF System
  • 7-Stop In-Body Image Stabilization
  • Frame.io Camera to Cloud Integration
  • 20 Film Simulation Modes
  • 3.0″ 1.62m-Dot Vari-Angle Touchscreen
  • Bluetooth and Wi-Fi Connectivity
  • Arrival: On or before Nov 2024

Stay tuned more updates are coming.

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Sony ZV-E10 Mark II Pre-order Link - Save it for the Day of the Announcement

Save this link for the Sony ZV-10 Mark II camera pre-order. Once the camera gets its official pre-order, place your order as soon as possible since orders will start on a first-come, first-served basis.

Sony ZV-E10 Mark II Pre-order Page at B&H Store

Coming July 10th – Sony ZV Series
Camera Preorder starts at 10:00am ET, Wed Jul 10

If you don’t like the camera, you can cancel your pre-order at any time, so it’s safe to pre-order on the day of the announcement using our affiliate link.

Yes, we do need your help and support to keep our site running, so kindly use our affiliate link to pre-order your products and support our store

Nikon Z90 | Z80 Latest Rumors

We have already published information about the Nikon Z80 camera, which comes from a reputed Chinese source [Check here]. According to this source, Nikon is working on a mini  Nikon Z8 camera on its way, expected to be announced in 2024.

We keep getting very strong information from reliable sources that Nikon is developing a high-end APS-C DX-format camera, not a direct successor to the Z50 Mark II.

The next set of Rumor is coming from a source that has seen a prototype with a working 33MP APS-C Format sensor, he was using the name of Nikon Z90 camera.

The Nikon Z90 will be a camera that fits above the  Z50 DX-format mid-range.

The best part of the rumor is that the Nikon Z90 is expected to be announced sometime between August and September of 2024.

Here is a look at the list of specifications we have received from the source:

Nikon Z90

  • Sensor: 33 megapixels
  • 4k 60fps
  • In body IBIS
  • 20 Fps RAW [1000 frame]

See, these are the initial set of specs

TNC Take: Based on the frequency of rumors we are getting about the next DX-format camera, we are almost sure a DX-format camera is coming in Q4 of 2024.

Stay Tuned Stay Updated

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM to get live news +  Nikon Rumors 24X7

Nikon Z9 Major Firmware Update Coming

 

A Major firmware update to upscale the Auto Focus performance (AF acquisition performance) of the Nikon Z9 camera is about to arrive soon. Nikon Z9, a flagship camera by Nikon, already features excellent AF performance. Now, we are waiting to see what more Nikon can achieve

Nikon Z6 III-related content

Nikon Z6 III Pre-Review | Features Explained | Press Release

Nikon Z6 III vs Sony A7 IV | In-Depth Analysis | Best Camera for Photographers

Nikon Z6 Mark III vs Nikon Zf

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM to get live news +  Nikon Rumors 24X7

source – nikonrumor.com

Nikon Z6 II Price Drop - $400 Off

Get Nikon Z6 II from B&H Store

We have a good price drop on the Nikon Z6 Mark II camera body, so anyone interested in having the camera at an affordable price should buy now. It’s available at its lowest price since its announcement, making this the best time to grab the camera before it goes out of production or is discontinued.

Nikon Z6 III Dynamic Range Problem - A Quick Analysis

Recently, results from a dynamic range test published on March 6 by the Photons to Photos website show that the dynamic range of the recently announced Nikon Z6 Mark 3 camera is not as good as that of the Nikon Z6 Mark 2. Moreover, if you compare it with the Nikon Zf, you will notice that both the Nikon Z6 Mark 2 and the Zf have very similar dynamic ranges. However, the dynamic range of the Nikon Z6 Mark 3 is not up to the mark.

Specifically, the lower ISO dynamic range up to ISO 800 differs in the Z6 Mark 3 and Z6 Mark 2, with the Z6 Mark 3 camera sensor suffering from detail loss. So, suppose you are using your camera, specifically the newly announced Z6 Mark 3, in an ISO range of 100 to 800. In that case, you have to face detail loss, specifically in the shadowed area, which cannot be recovered as much as we have the capability in the Z6 Mark 2.

The Reason Why It’s Happening

The reason is clear since the Nikon engineers used the partially stacked CMOS sensor in the Nikon Z6 Mark 3 camera. Now, what happened in the previous generation sensor was that the readout speed was slow. Although it was not that good for sports and wildlife photography, due to the slower readout speed, each photodiode in the sensor was able to observe the incoming light perfectly. Now, in the partially stacked CMOS sensor, what they have done is they have replaced the circuitry just below the photodiodes in a similar manner to what a stacked sensor has. But due to the partial update, they somehow managed to increase the sensor’s readout speed. However, in the very same situation, the photodiodes are not able to grab the proper amount of light in a short period / High Speed, which is 12.4 milliseconds approx compared to the readout speed of the Nikon Z6 Mark 3 camera sensor which is approximately somewhere around 22 milliseconds.

Nikon Zf from Amazon.com  |   Nikon Z6 II Amazon.com

So having a slower readout speed is not always a negative part of your camera system.

Having a slower readout speed helps to grab the incoming light properly. Suppose you are not in a hurry or not always shooting sports or wildlife. In that case, it is recommended to have a camera sensor with a slightly slower readout speed, specifically in Nikon cameras like we have in the Zf camera. The Z6 Mark 3’s sensor is significantly faster but despite that fact, we can extract the maximum dynamic range possible for the given scene with the Zf.

Comparing the Nikon Z6 Mark 3 Camera Sensor Dynamic Range with Canon R3 24 Megapixel Stacked CMOS Sensor

When we compare the dynamic range of the Canon R3 camera with the Nikon Z6 Mark 3, which is of course not that much feasible due to the price difference between the two cameras, the R3 has a similar resolution of 24 megapixels and a fully developed stacked CMOS sensor. Now in the test, we have found that the Nikon Z6 Mark 3 camera performs quite worse than the Canon R3 sensor. Surprisingly, when we also included the Nikon Z6 Mark 2 in the test charts, we were surprised that the Canon R3 camera’s 24-megapixel full-frame sensor is even performing better in the lower range compared to the Z6 Mark 2 camera sensor, specifically in terms of dynamic range.

Comparing the Nikon Z6 Mark 3 Camera Dynamic Range with the Nikon Z8 Camera

In the dynamic range test score against the Nikon Z8 camera, we have found that in the very base ISO range starting from the base ISO 32 to 50 to 80, the dynamic range test score of the Z8 camera is better than that of the Z6 Mark 3. But as soon as you cross the base ISO 100, the dynamic range of both cameras becomes very similar when compared to each other. So that’s a fact that even if you have a camera with that much amount of pixel resolution, the dynamic range of the Z8 camera remains limited or performs well up to ISO 100 only. After that, it is very similar to the Z6 Mark 3. And if you compare it with the Z6 Mark 2, you will notice that the Z6 Mark 2 camera does have a slightly better dynamic range test score compared to the Z8.

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source photonstophotos