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Firmware Update

Sony A7 IV, Sony RX100 VIII and 3 More Cameras Coming in 2021

Sony recently registered a new camera at a wireless certification agency. The Model Code of the camera is WW356015. So, now we have a total of 5 New cameras in the announcement pipeline from Sony. Take a look at the list of Sony to be announced cameras.

1. Sony Upcoming Camera Models list

  1. “WW447485” with 5GHz Wi-Fi (Higher End camera)
  2. “WW728473” 5GHz Wi-Fi (Higher End camera)
  3. “WW356015” 2.4GHz (RX series or APS-C Mirrorless)
  4. “WW186333” 2.4GHz (RX series or APS-C Mirrorless)
  5. “WW111327” 2.4GHz (RX series or APS-C Mirrorless)

In general, when Sony registers a camera, they take less than 3 months of time to announce the product officially. Rest depends on the Sony Marketing team when they want to announce the product.

For example, the Sony A7s III announcement was intentionally delayed by the marketing team due to the absence of proper market competitors in that category.

2. Sony A7 IV and Sony RX100 VIII announcement is overdue

Sony does, incremental updates when they feel they have very limited competition. That’s why the Sony A7 IV camera RX100 series updated was delayed and the same in the case of the RX10 and RX1 series. This year we will have the announcement of the Sony A7IV and RX100 VIII camera, but again with limited updates in the core specs.

3. A Major Update to the Sony APS-C Mirrorless line-up coming

As per the latest rumors we have, we will see a Major core specs update in the Sony APS-C Mirrorless camera line-up. A week ago, a rumor surfaced over the web related to the upcoming Sony A7400 / Sony A6400 II camera with a built-in IBIS unit and 4:2:0 10bit internal recording. But, the rumor looks not so credible to us, so we haven’t decided to publish that 😉

More updates are on the way, we will publish them soon.

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source Nokoshita

Sony A1 vs Canon R5

Sony A1 vs Canon R5 Specification Comparison – Sony announced a brand new Sony A1 Mirrorless camera with a newly developed 50MP sensor. We are comparing the core specification of the Sony A1 and the Canon EOS R5 camera.

Table of contents

1. Sony A1 Camera Image Sensor with Stacked BSI CMOS tech
2. ISO Range, Shutter, Metering Method, and much more…
3. Best Camera for Sports Photography Sony A1
4. Auto Focus, Canon still Lead with DPAF II
5. 8k Video Capable Mirrorless Camera saga
6. Verdict

1. Sony A1 Camera Image Sensor with Stacked BSI CMOS tech

Sony A1 camera features a newly developed 50MP Stacked BSI Hybrid CMOS sensor. The Canon EOS R5 uses a 45MP Conventional DPAF CMOS sensor.  We have very little difference in resolution of both the camera. As you all know, BSI sensors are known for better low-light performance. However, we will soon publish the High ISO test between the two cameras and will also update this article.

  Sony A1 Canon EOS R5
Lens Mount Sony E Canon RF
Camera Format Full-Frame (1x Crop Factor) Full-Frame (1x Crop Factor)
Sensor Resolution Actual: 50.5 Megapixel
Effective: 50.1 Megapixel
Actual: 47.1 Megapixel
Effective: 45.0 Megapixel
Aspect Ratio 1:1, 3:2, 4:3, 16:9 1:1, 3:2, 4:3, 16:9
Sensor Type BSI CMOS CMOS
Sensor Size 35.9 x 24 mm 36 x 24 mm
Image File Format JPEG, Raw, HEIF JPEG, Raw, HEIF
Bit Depth 14-Bit 14-Bit
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis

2. ISO Range, Shutter, Metering Method, and much more…

THE standard ISO sensitivity of the Canon R5 camera is more than that of the Sony A1 camera. But, with the Sony A1 camera you can push the base ISO up to 50. Which will bring an enormous amount of details inside the camera, and really very helpful for professional Landscape shooters.

Canon EOS R5 features TOP LCD display panel and DSLR styled body controls

3. Best Camera for Sports Photography Sony A1

The Canon R5 brings  AF support to 20 fps continuous shooting mode. Now, moving a step forward Sony captures 30FPS while maintaining the Full 50MP sensor resolution.

High-Speed Shooting up to 20 fps in Canon EOS R5. The EOS R5 can capture fast-moving subjects in high-speed burst. At up to 12fps with a mechanical shutter and up to 20fps with a silent shutter, the EOS R5 can capture the split-second details between a subject’s movement.

Sony A1 offers 50.1 megapixels at up to 30 frames/second – The α1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1-MP sensor allows continuous bursts at up to 30fps with AF and AE tracking using the electronic shutter. Perfect for sports or any situation where the critical action is over in an instant.

New Features added inside the Sony A1 camera

Anti-distortion Shutter
The newly developed algo of Fast sensor readout minimizes still-image distortion when using the electronic shutter2. The BIONZ XRTM engine and a large buffer achieve about 1.5x less distortion than the α9 II.

Flash sync with the electronic shutter
For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages remain available for flash shooting.

Dual driven shutter drive for flash sync up to 1/400 s.
The world’s first5 dual driven shutter system allows flash sync up to 1/400 s., making it easier to capture dynamic action, and opening the door to new creative possibilities.

  Sony A1 Canon EOS R5
ISO Sensitivity Auto, 100 to 32000 (Extended: 50 to 102400) Auto, 100 to 51200 (Extended: 100 to 102400)
Shutter Speed Mechanical Shutter
1/8000 to 30 Second
Bulb Mode
Electronic Shutter
1/32000 to 30 Second
Bulb Mode
1/8000 to 1/4 Second in Movie Mode
Mechanical Shutter
1/8000 to 30 Seconds
Electronic Front Curtain Shutter
1/8000 to 30 Seconds
Electronic Shutter
1/8000 to 0.5 Seconds
Metering Method Center-Weighted Average, Highlight Weighted, Multiple, Spot Center-Weighted Average, Evaluative, Partial, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -3 to +3 EV (1/3, 1/2 EV Steps)
Metering Range -3 to 20 EV -3 to 20 EV
White Balance Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting Electronic Shutter
Up to 30 fps at 50.1 MP for up to 155 Frames (Raw) / 165 Frames (JPEG)
Up to 20 fps at 50.1 MP for up to 238 Frames (Raw) / 400 Frames (JPEG)
Up to 15 fps at 50.1 MP
Up to 5 fps at 50.1 MP
Mechanical Shutter
Up to 10 fps at 50.1 MP (Raw) / (JPEG)
Up to 8 fps at 50.1 MP
Up to 6 fps at 50.1 MP
Up to 3 fps at 50.1 MP
Mechanical Shutter
Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG)
Interval Recording Yes Yes
Self-Timer 2/5/10-Second Delay 2/10-Second Delay

4. Auto Focus, Canon still Lead with DPAF II

Canon features a total no of 5940 AF points in its sensor. These overall AF points are grouped into 1053 AF zones. In Sony A1 camera we have a total of 759 AF points in the sensor supported by 425 contrast-based AF points.

AF coverage has been expanded to approximately 100% × 100% of the image area of Canon EOS R5 whereas in Sony we have 92% coverage and less density of AF points compared to the R5 sensor.

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Phase Detection: 759
Contrast Detection: 425
Phase Detection: 1053
Autofocus Sensitivity -4 to +20 EV -6 to +20 EV

5. 8k Video Capable Mirrorless Camera saga

Canon EOS R5 knows of overheating issue in its 8k video mode, however, after the latest firmware update, the camera now allows you to record 2X more time in a single run.  Canon EOS R5 overheating chart below

Sony A1 uses an A7S III Heat sink unit, Now the Sony A1 camera down samples 8.6K footage from a 50MP sensor whereas the Sony A7S III uses a 12MP sensor.  So. how much capable the Sony A1 heat sink unit is capable of we will know soon once the camera reached in the hand of real-world users. There are now a few confirmed reports by the first Sony A7S III reviewers that the camera has an overheating problem in the bright midday sun.

4k from 8k (Canon R5) and 5.8k (Sony A1): As you can see, the HQ 4k footage of Canon EOS R5 is being created from an 8k oversampled file, so it contains an enormous amount of fine details captured by the sensor. Sony A1 uses 5.8k oversampled footage to create 4k video.

  Sony A1 Canon EOS R5
Recording Modes H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 280 Mb/s]
H.265/XAVC HS 4:2:0 10-Bit
UHD 8K (7680 x 4320) at 23.976p/25p/29.97p [200 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [30 to 200 Mb/s]
H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]
H.264/XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s]
H.264/XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]
Raw 12-Bit
DCI 8K (8192 x 4320) at 23.976p/24.00p/25p/29.97p [2600 Mb/s]
H.265 4:2:2 10-Bit
DCI 8K (8192 x 4320) at 23.976p/24.00p/25p/29.97p [680 to 1300 Mb/s]
UHD 8K (7680 x 4320) at 23.976p/25p/29.97p [680 to 1300 Mb/s]
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/59.94p/100p/119.88p [170 to 1880 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [170 to 1880 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [28 to 230 Mb/s]
H.264 4:2:0 8-Bit
DCI 8K (8192 x 4320) at 23.976p/24.00p/25p/29.97p [470 to 1300 Mb/s]
UHD 8K (7680 x 4320) at 23.976p/25p/29.97p [470 to 1300 Mb/s]
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p [120 to 1880 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [120 to 1880 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [12 to 180 Mb/s]
External Recording Modes Raw 16-Bit
4.2K (4264 x 2408) up to 59.94p
4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:2 10-Bit
DCI 4K (4096 x 2160) up to 59.94p
UHD 4K (3840 x 2160) up to 59.94p
Recording Limit Unlimited Up to 29 Minutes, 59 Seconds
Video Encoding NTSC/PAL NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input (Stereo)
Built-In Microphone (Stereo)
External Microphone Input
Audio File Format AAC LC, Linear PCM (Stereo) AAC, Linear PCM

Viewfinder of the new Sony A1 camera feature 9 Million resolution , Sony uses class leading viewfinder display in it’s A1 camera.

Viewfinder Type Electronic (OLED) Electronic (OLED)
Viewfinder Size 0.64″ 0.5″
Viewfinder Resolution 9,437,184 Dot 5,760,000 Dot

The weight same but physically Canon EOS R5 is highly large compared to Sony A1.

Battery 1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 430 Shots) 1 x LP-E6NH Rechargeable Lithium-Ion
Dimensions (W x H x D) 5.07 x 3.81 x 2.74″ / 128.9 x 96.9 x 69.7 mm 5.43 x 3.84 x 3.46″ / 138 x 97.5 x 88 mm
Weight 1.6 lb / 737 g (Body Only) 1.62 lb / 738 g (Body with Battery and Memory)

6. Verdict

Sony has better sensor technology, a usable AF system (not as good as Canon EOS R5), and faster continuous shooting speed. On the video side, we do have better heat management (as promised by the camera maker) with 8k video capability. The only difference now left is the price, if you’re ok with the Sony price tag then go and buy the Sony A1. Otherwise if you are a photographer and with limited video requirements, you can go with Canon EOS R5.

Source / Reference

  1. Canon India
  2. Canon USA
  3. Sony USA
  4. Gerald Undone

Also, see –

Sony A1 Sample Images

Official sample images of the Sony A1 is now available. As you can see above the 100% pixel peeper view of the Sony A1 bald eagle image. The noise level of the camera is very well controlled by BSI CMOS sensor.

Also, see –

One more 100% scale view of the Sony A1 sample image.

Sony A1 Studio Test Sample

In-Studio sample image of Sony A1, you can see the enormous amount of details and sharpness we are getting when we have a controlled light environment with us.

Sony A1 Full-Size Sample Gallery Link here

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Sony A1 8k Sample Video

Sony A1 8k Offical Sample video is now available. The Sony A1 official press Release is here with full specs. The Sony A1 is the world’s first full-frame camera to feature a 50MP stacked BSI CMOS sensor. To Enable 8K video recording Sony added a dual BionXR image processor to manage the 8k video files. Not, only that the camera also offers 16bit RAW video via HDMI. Take a look at the 4K sample video of Sony A1.

Also, see –

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Sony A1 Press Release, Full Specification and Price

Sony finally announced the new flagship FF Mirrorless camera. The newly announced Sony A1 camera features a brand new 50MP Stacked BSI CMOS sensor and an ISO range from 100 – 32000 and an expandable ISO range up to 50 – 102400.  Sony A1 camera sensor is fabricated with 759 Hybrid AF points and updated and improved AF algorithm for better object tracking in still and video mode.

Also, see –

For the first time in a Sony camera, we have real-time bird eye AF tracking mode for wildlife photographers. With the help of a new stacked CMPOS sensor and Dual BionzXRimage processor, the Sony A1 is able to shoot images up to 30FPS with full-time AF/AE  ON all the time. Despite having twice as many pixels as the a9, the a1 promises to have a 1.5x less rolling shutter. This allows flash sync at up to 1/200 sec with the electronic shutter or 1/400 sec using the mechanical shutter.

The Sony A1 can shoot 8K video at up to 30p using its full width, the camera uses oversampling method during recording 8k video and the video file is made from 8.6K RAW video file, downsizing it to 8K to provide improved resolution. You can internally record the 8K  in up to 10-bit 4:2:0 using the XAVC HS format and 16-bit Raw video output over HDMI. With the new HEatsink system as we have seen in the A7S III, the Sony A1 camera can shoot 8K for up to 30 minutes, if the temperature warnings are set to their most tolerant setting. The camera’s in-body image stabilization system is rated at 5.5EV for stable stills and Video.

It will cost around $6500 / €7,300 / £6,500 and will be available in March. It uses the same VG-C4EM two-battery accessory grip as the a7R IV, a7S III and a9 II.

Sony A1 Press Release

Groundbreaking Sony Alpha 1 Camera Marks a New Era in Professional Imaging

The Alpha 1 Delivers an Unprecedented Combination of Resolution, Speed and Video Performance, Empowering Professionals with a New High-Resolution 50.1-megapixel Full-frame Image Sensor, High-speed Shooting at up to 30 Frames per Second, 8K 30p Video and More

  • New 50.1-megapixel (approx., effective) full-frame stacked Exmor RS™ CMOS image sensor in combination with an upgraded BIONZ XR™ imaging processing engine with eight times more processing power[i]
  • Blackout- free continuous shooting at up to 30 frames per second[ii]
  • Fast sensor readout enables up to 120 AF/AE calculations per second[iii], double the speed of the Alpha 9 II, even during 30fps continuous shooting
  • Bright and large 0.64-type 9.44 million-dot (approx.) OLED Quad-XGA electronic viewfinder with the world’s first[iv] refresh rate of 240 fps
  • Silent, vibration-free electronic shutter
  • World’s first[v] anti-flicker shooting with both mechanical and electronic shutter
  • Electronic shutter flash sync[vi] up to 1/200 sec. for the first time in the Alpha™ series
  • World’s fastest[v] mechanical shutter flash sync up to 1/400 sec.
  • 8K 30p[vii] 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling for extraordinary detail and resolution, in addition to 4K 120p[viii] 10-bit 4:2:2 movie shooting capabilities
  • Wide dynamic range of 15 stops for stillsand 15+ stops for video[x]
  • Improved Real-time Eye AF (autofocus) for humans and animals, and new Real-time Eye AF for birds, as well as Real-time Tracking that automatically maintains accurate focus
  • 5-axis optical in-body image stabilization for a 5.5-step shutter speed advantage
  • S-Cinetone color matrix as seen in FX9 and FX6 to deliver expressive cinematic look
  • Professional workflow support with the industry’s fastest built-in Wi-Fi, SuperSpeed USB 10Gbps, 1000BASE-T Ethernet and more

SAN DIEGO, CA – January 26, 2021 – Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.

The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they’ve never been able to before.

“We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations.” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1’s ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible.”

The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1’s shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps, ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed and more.

Unprecedented Resolution and Speed

Continuous Shooting at Up to 30 Frames Per Second

The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images or 165 full-frame JPEG images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance.

At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 seconds[ii].

Advanced Electronic Viewfinder with the World’s Firstiv Refresh Rate of 240 fps

Complimenting the camera’s ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world’s first[iv] 240 fps refresh ratexiv, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its classiv. It also offers 0.90 viewfinder magnification, a 41° diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.

Advanced Autofocus

Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.

Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous system[i], thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject’s face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birds, a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes.

The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.

Silent, Vibration-free Electronic Shutter

High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first time[v] in the world. The electronic shutter operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.

Dual Driven Shutter System for 1/400 Flash Sync

The Alpha 1 boasts the world’s fastest flash sync speed[v] of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.

High Resolution Shooting Enhancements

Even with this sensor’s high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).

Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony’s Imaging Edge™ desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.

Professional Video Quality

8K High-resolution Movie Shooting

For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony’s acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It’s 8K footage can also be used for flexible 4K editing during post-production.

Supporting Various Video Formats for Professionals

The Alpha 1 offers in-camera 4K recording at up to 120 frames per second[viii] which allows the user to shoot up to 5X slow-motion video. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.

The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.

Heat-dissipating Structure

A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes[xxiv].

Supporting Hand-held Shooting

A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The Alpha 1 also features an Active Mode[xxv] that offers outstanding stabilization for handheld movie shooting. When using Sony’s desktop applications Catalyst Browse or Catalyst Prepare[xxvi] for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera’s built-in gyro.

Other features that the Alpha 1 offers include; 16-bit RAW output to an external recorder[xxviii] via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera’s Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8K oversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.

Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices

The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry’s fastest[xiii] built-in wireless LAN allows communication on 2.4 GHz and 5 GHz[xxix] bands with dual antennas to ensure reliable communications. 5 GHz includes 2×2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II – a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C® connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony’s Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new “Light” JPEG/HEIF image quality setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.

The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop, professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Prepare allow professionals to browse and manage video clips shot by Sony’s camera. In addition, the Remote Camera Tool can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.

Reliable and Easy Operability

Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.

A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera’s shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.

The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $6,500 USD and $8,500 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

 

Sony New Fullframe Mirrorless Camera Announcement on 26th Jan 2021

Sony will announce a new alpha series Mirrorless Camera on 26th Jan 2021. Sony’s official youtube channel already uploaded a video that will premier on Jan 26th.

No detailed information available about Upcoming products from reliable sources.

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Sony A7R V Camera Specifications [prediction]

Sony A7R IV Camera specs making round on web,  prediction of these specs done by semorg a preview forum Contributing Member with Posts: 961 pos. (that means the member is genuine). Now, if you have less time let me summarize for you

Sony A7R V Specifications (prediction by SAM)

    1. 61MP Full-Frame Exmor Sensor
    2. BIONZ XR image processor
    3. DCI / UHD 4K 60p/30p Video
    4. 8K at 30fps
    5. 4K 120FPS and Full HD 240 FPS by using pixel binning algo and slight crop to save up from overheating
    6. Upto 6 Stop of IBIS
    7. Dual CFExpress A
    8. Full Size HDMI like A7S III

Sony A7R V AKA nail in the coffin of Canon.

Seeing many YT influencers (I agree they are not all real working pros) talk about how they are considering switching from Canon to Sony after using A7SIII, I can see Sony going for the jugular of Canon and make a canon 5R without overheating.

It safe to say, it’ll take Canon 2 years to resign their body to deal with the heat issue. Canon’s best bet is to take the 5R and put it inside their cinema camera with ample fan and cooling and call it Cinema R 500. Or keep the EF mount and call it EOS C400 and offer it at a reasonable price to keep their base from jumping ship to Sony. They still have the dual gain system in their new C500 that is designed close the gap with Alexa. So they can differentiate pricing and products but at the same time save face a bit with their 8K PR nightmare.

1. 61 MP. Same sensor as A7R IV.

We have seen Sony alternate between image sensor update and processing update. With A7RIV we saw a new sensor, with A7R V will get a new processor.

2. Bionz XR Same processor(s) as A7SIII

This update cycle of the A7Rx is with the image processor. Sony’s new image processor is designed to handle high volume data processing (4K @ 120 fps) and probably room for more.

It’s safe to assume outside of the upcoming A5/A6 which probably will be a crippled A7III (Sony’s answer to Nikon Z5) the future full frame Sony systems will use the new Bionz XR.

3. 8K Video at 30 FPS

It’s safe to assume if the new processor can churn through 120 FPS @4k it can handle 8K at 30 FPS.
We also know the A7R IV sensor is probably able to have a readout of 1/30 if not more, https://blog.kasson.com/a7riv/how-fast-is-the-sony-a7riv-silent-shutter/

The new CFExpress A can handle that kind of bandwidth. Taking 4k 30 All-I H.264 at 300 Mbs. We can assume a 1200 Mbs for 8K All-I. Remember the new Sony Tough Cards are claiming 5600 Mbs (700 MBs). So potentially the could even handle 8K at 120FPS one day.

Sony has figured out how to dissipate heat and will basically release a competitive “halo” product to Canon’s 5R without the heating PR nightmare.

4. 1.1-1.3x crop.

We can assume there will be a slight crop (1.1 ~ 1.3) for 8K (for D and U). This crop will probably allow for a better stabilization by combining IBIS and electronic.

5. 4K HQ at 30 FPS (possibly 60 FPS)

This is the 8K image downsized to 4K. 30 Is probably doable, 60 probably is and to match Canon with specs Sony might just include it.

6. 120FPS (4k pixel binned, APSC or HD)

Just like the Sony A7RIV we’ll have a 120FPS option. With a new processor Sony should be able to have a better 120FPS video but we shall see. Minimum will be HD it’s possible they can do a crop 4K 120 FPS.

7. 5.5 ~ 6 Stops IBIS

It’s possible Sony might need to have a crop option (1.1 ~ 1.2) for even stronger IBIS to match Canon’s or they could just keep what they have.

8. Dual CFExpress A

So long as other manufactures are late to the game, you can view CFExpress card as a bit like the printer cartridge business. For a pro who need to buy 4-5 cards (maybe even more) it grantees additional revenue stream to Sony.

Copied from A7SIII – View finder (for a large pixel camera they’ll keep a high resolution viewfinder), LCD screen, AF system, menu system (this is obviously the menu going forward), color science (we might assume Sony has reached the peak of their color science).

9. Full-size HDMI ?

Unclear if Sony wants to differentiate between S and the R model and not include a full HDMI cable. I have a feeling Sony is going to go for the jugular of Canon and probably offer full HDMI.

10. 16bit linear RAW?

Sony/Atomos might be working on some kind of a recorder to keep all the 16 bit linear for external recording. Atomos Ninja has been upgrading well, but I’m wondering if an upgrade is in the works. I think the A7RV is going to be a canon 5R killer and Sony will probably won’t hold back.

11. What about Sony A7IV?

This is going to be even more of an anticipated wait. A7IV is coming (October/November?). It must be based on the Bionz XR so very possible it’ll be the camera that will dominate the full-frame market in 2021. We could expect a 6K raw camera that will go head to head with Panasonic S1H. It might not have all the video functions like S1H but image quality will be similar to a really good and functioning AF.

What are your thoughts?

Source – dpreview

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