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By admin, on July 25th, 2025
List of Sony Sensors that may get used inside Upcoming Sony’s own Mirrorless cameras. So, without a doubt, the market leader in sensor manufacturing for mirrorless full-frame cameras as well as smartphones. Although we are not talking about the smartphone sensors here, we do have an updated list of camera sensors — the sensors that might be used in upcoming mirrorless camera bodies, or some of them are already being used in existing mirrorless cameras. Some of the sensors are reserved for future Mirrorless bodies
1. Sony Micro Four Thirds (M4/3) Sensors
Here is the list of the Latest M4/3 format sensors – we have two sensors in the list and both are new ready to get used in upcoming M4/3 format based cameras
- IMX492LQJ
- Resolution: 47.08M effective pixels
- Technology: Color square pixel array
- Performance: Capable of 31.3 frames per second (FPS) for still shots and 8K video recording
- Potential Use: Likely to be used in high-resolution M4/3 cameras from Panasonic or OM System
- IMX594CQR
- Resolution: 41MP
- Performance: Capable of recording DCI 4K video
- Potential Use: Suitable for M4/3 cameras focused on video, such as Panasonic’s Lumix GH series
2. Sony APS-C Sensors
Sony’s APS-C sensor is primarily being used by Fuji in their camera, so now we have a 43 MP Stacked CMOS sensor, the latest one, a perfect upgrade for the Fuji X-H2 camera. The IMX510 sensor is already available in the market for a while
- IMX671AQR
- Resolution: 43MP
- Technology: Stacked DRAM, up to 16-bit depth for still images
- Performance: Capable of 8K 12-bit video recording
- IMX510
- Resolution: 32MP
- Technology: APS-C sensor (introduced in 2018)
- Performance: Limited data available; likely supports high-resolution stills
3. Sony Full-Frame Sensors
Full-frame sensors are the backbone of Sony’s Alpha series and also of Nikon’s. Nowadays Panasonic is also heavily dependent on Sony sensors
- IMX521CQR
- Resolution: 15.3MP (with Quad Bayer design, potentially up to 61MP)
- Technology: Quad Bayer structure for enhanced dynamic range and resolution
- Performance: Capable of 4K/60p video with HDR mode
- IMX311
- Resolution: 48.9MP
- Technology: Back-illuminated (BSI) CMOS, active pixel technology
- Performance: Up to 24 FPS in still picture mode
- Potential Use: Suitable for high-resolution full-frame cameras from Sony, Nikon, or Panasonic
- IMX313
- Resolution: 48.97MP
- Technology: BSI CMOS, active Pixel technology
- Performance: Up to 24 FPS in still picture mode
- IMX409
- Resolution: 55MP
- Technology: BSI, square pixel array technology
- Performance: Up to 13.2 FPS in still picture mode
- IMX410
- Resolution: 24.6MP
- Technology: BSI CMOS, square pixel array technology
- Performance: Delivers 24MP stills at 19 FPS in full readout mode
- IMX554DQC
- Resolution: 30MP
- Technology: BSI, square pixel technology
- IMX366 (New for 2025)
- Resolution: 44MP
- Technology: Back-illuminated (BI), non-stacked full-frame sensor
- Performance: Capable of 26 FPS in still image mode, 8K 12-bit video, and 4K 120p video
- IMX455 (New for 2025)
- Resolution: 61MP
- Technology: Back-illuminated (BI), non-stacked full-frame sensor
- Performance: Capable of 9 FPS in still image mode
4. Sony Medium-Format Sensors
Medium-format sensors are used in high-end cameras from brands like Fuji and Hasselblad.
- 247MP Medium-Format Sensor (New for 2025)
- Resolution: 247MP
- Technology: CMOS, designed for medium-format cameras
- Performance: Capable of shooting 16-bit images at over 5 FPS
- Potential Use: Intended for high-end medium-format cameras, such as those from Fuji (GFX series) or Hasselblad. May appear in new medium-format systems launching in 2025 or beyond.
- Source: PetaPixel, 2024
Sensor Specifications Table
| Sensor Model |
Resolution |
Sensor Size |
Max FPS |
Technology |
| IMX492LQJ |
47.08MP |
M4/3 |
31.3 |
Color Square Pixel |
| IMX594CQR |
41MP |
M4/3 |
– |
– |
| IMX671AQR |
43MP |
APS-C |
– |
Stacked DRAM, 16-bit |
| IMX510 |
32MP |
APS-C |
– |
– |
| IMX521CQR |
15.3MP (up to 61MP) |
Full-Frame |
– |
Quad Bayer |
| IMX311 |
48.9MP |
Full-Frame |
24 |
BSI CMOS |
| IMX313 |
48.97MP |
Full-Frame |
24 |
BSI CMOS |
| IMX409 |
55MP |
Full-Frame |
13.2 |
BSI, Square Pixel |
| IMX410 |
24.6MP |
Full-Frame |
19 |
BSI CMOS |
| IMX554DQC |
30MP |
Full-Frame |
36.6 |
BSI, Square Pixel |
| IMX366 |
44MP |
Full-Frame |
26 |
BI |
| IMX455 |
61MP |
Full-Frame |
9 |
BI |
| 247MP Sensor |
247MP |
Medium-Format |
5+ |
CMOS |
This updated list incorporates the latest information on Sony sensors as of July 2025, including new full-frame and medium-format sensors, we will continue to update this page as soon as we get any new information.
Updated on 3:08 pm, Friday, 25 July 2025, Greenwich Mean Time (GMT) by thenewcamera.com team Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > –>see more Sony Alpha Rumor
By admin, on July 24th, 2025
The Insta360 Antigravity A1 was officially announced on August 14, 2025, and is one of the world’s first 8K 360-degree drones. Now, with Insta360’s expertise in 360-degree cameras, it’s quite obvious to expect groundbreaking features inside the new drone. It is designed for creators and professionals. While the final pricing is yet to be confirmed, since we have the official announcement — or better to say, the global launch — in January 2026, we have compiled all the possible latest information related to the upcoming 360 drone, including its estimated Insta360 Antigravity A1 prices, official specifications, and how it stacks up against the existing competitors like DJI. So here’s everything you need to know.
Release Date and Availability
- Announcement Date: August 14, 2025 (official reveal)
- Pre-Order Date: Expected to start in January 2026
- Shipping Date: Global shipping begins January 2026
Antigravity A1 Drone Price
| Bundle Tier |
Inclusions |
Estimated Price Range (USD) |
Notes |
| Standard Bundle |
Drone + Grip controller + Vision goggles |
$1,199–$1,399 |
Entry-level |
| Fly More Combo |
Standard bundle + 2 extra batteries + spare props + carrying case |
$1,300–$1,499 |
Mid-tier bundle aligning |
| Creator/Pro Kit |
Fly More bundle + creative mounts + ND filters + editing software voucher + premium case |
$1,500–$1,699 |
Premium consumer bundle |
| Enterprise Add-Ons |
Pro Kit + commercial extras (e.g., SDK access, extended warranty) |
$1,700–$1,999 |
Niche tier for business users |
As of August 18, 2025, Insta360 has not yet revealed the final pricing for the Antigravity A1, but we do have early estimates based on the industry, existing online drone lineup, and 360 cameras, as well as experts’ opinion. So here is the expected price range of the main bundles:
Why Antigravity Could Redefine Aerial Storytelling in 2025
- Industry Insight: Just after the announcement of the Insta360 A1 drone, I stumbled across the web, and, starting from The Verge, they have suggested the Antigravity A1 shouldn’t cost $2000. While in a Reddit discussion and in some of the YouTube creators’ videos, I have found that a $999–$1,299 price for the Standard Bundle Kit, is what they are claiming for the upcoming drone.
- Value Proposition: The Creator/Professional Kit targets Insta360’s existing camera users, as well as it also offers bundled savings valued at a $500 premium but feeling like a $200 to $300 add-on.
- Stay Updated: Final pricing and the regional details are expected closer to the January 2026 pre-order phase, and you can bookmark this page — thenewcamera.com — or follow us on Facebook, Twitter, and Instagram for the latest updates.
Official Specification and Features of the Insta360 Antigravity A1
The Antigravity A1 combines Insta360’s 360-degree camera expertise. The drone has one of the newest and most innovative designs. The drone never had a 360 ° camera on it before, and it has been designed in such a way that the drone becomes completely invisible, and you get a 360° viewing angle in 8K resolution.
Weight: Under 249 grams – so that’s a perfect weight when you want to fly the drone everywhere you want without taking any permission, since most countries do not have any restrictions on drones which weigh under 249g.
Camera: Insta360 features dual 360-degree 8K recording cameras, which can record smooth 8K 30FPS video with FlowState image stabilization and AI-powered editing tools.
Camera Specs:
- Resolution: 8K
- Capture Type: 360-degree capture
- Lens Configuration: Dual-lens setup (top-and-bottom)
- Stitching: Advanced algorithms for invisible drone effect in live video feed and final footage
The Invisible Drone Effect: That’s the best part of the 360 recording. Some users also say while using the DJI goggles they feel like Superman, since with the drone perspective you can explore everything everywhere in 8K resolution — and that gives the true “Superman Effect.”
Flight Performance:
- Flight Experience: Immersive 360-degree flight with FreeMotion technology
- Control: Intuitive point-to-fly controls via Grip controller
- Live View: 360 immersive live view with head tracking via Vision goggles
- Editing Flexibility: Fly first, frame later; allows post-flight reframing and editing in any aspect ratio without quality loss
- FreeMotion Technology: Enables immersive flying experiences, compatible with Insta360’s Vision goggles and Grip controller for intuitive control
Modular Design: So we have the attached propeller guards and a complete modular compartment that can be easily repaired. Portability is also easy.
Safety Features for Your Drone: We have attached propeller guards to the Antigravity A1, and a return-to-home feature is also included — so if you lose the signal, the drone will automatically return home. At the same time, obstacle avoidance and precise landing capabilities are already in place.
Additional Features: So we have AI-enhanced editing, advanced image stabilization, and compatibility with the existing Insta360 software ecosystem.
How Does It Compare to DJI Drones?
Insta360 Antigravity A1 enters a competitive market dominated by the DJI Mini and Air series. So let’s have a quick comparison:
- Weight and Portability: 249 grams — the Antigravity A1 exactly matches the DJI offerings at the very same price point, making it equally travel-friendly and easy to carry.
- Camera: Now we have the Antigravity A1 drone, which is capable of recording 8K 360° video. At this moment, none of the DJI drones are able to do so. But yes, we do have some rumours related to DJI’s upcoming 360 drone. So it may not compete directly, but it will be a great option for us. Right now in the standard DJI 4K offering, we have the Mini 4 Pro, which is also affordable at a very reasonable price point
So now we have the big question: Will the Insta360 Antigravity Drone A1 — and not only the A1, since others are also coming just behind the A1 — challenge DJI’s dominance?
For the latest updates, check Insta360’s official blog or thenewcamera.com
Post last updated on October 16, 2025
- Updated Content structure and Price
ABout the author: The article “Insta360 Antigravity Drone, Price, Specs, Camera, Release Date: Official Details” written and updated by thenewcamera.com team on 12:38 am, Wednesday, 1 October 2025, Greenwich Mean Time (GMT) | Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > get live get live Drone news + Insta360 Drone Rumors 24X7
By admin, on July 21st, 2025
The Nikon ZF camera was launched back in 2023, and it was one of its kind of camera with extensive manual control and retro look, so it’s actually a blend of retro aesthetics with modern performance. As we know, the Nikon Z6 Mark III camera has already been announced with a partially stacked CMOS sensor, and the Nikon Z9 Mark II camera is expected to arrive with Nikon’s latest image processor on or before the 2026 Winter Olympics, according to the latest set of rumours we have. So what we are expecting right now is that the ZF Mark II will have the best of both worlds – a new sensor and a new image processor. Let’s explore it further.
Nikon ZF Mark II Specification
- 24.5MP FX-Format Partially Stacked CMOS Sensor
- EXPEED 8 Image Processor
- 6K 60p N-RAW, 4K 120p ProRes RAW
- 6K 60p and 4K 120p Video, 10-Bit Internal
- Up to 20 fps RAW, 60 fps JPEG Shooting
- 273-Point AF, AI-Based Subject Detection with Bird Mode
- Blackout-Free 5.76M-Dot OLED Viewfinder
- 3.2″ Fully Articulating Touchscreen LCD
- Optional Vertical Grip, CFexpress Type B and UHS-II SD Slots
- 5 GHz Wi-Fi, Bluetooth 5.0, and GNSS
The Sensor of the Nikon ZF Mark II Camera
The Nikon ZF Mark II camera usually picks up the sensor from the Z6 line and since the Nikon Z6 Mark 3 has been already announced a year ago with a partially stacked CMOS sensor, it has raised the expectation that the next variation of the ZF series camera — the ZF Mark II — will use the same sensor to enhance the overall performance. As we all know, the partially stacked CMOS sensor allows 3.5x faster readout speed compared to a conventional CMOS sensor being used inside the Nikon ZF and the Z6 Mark II camera.
Expeed 8 Image Processor Inside the Nikon ZF Mark II
With the introduction of the Nikon Z9 Mark II camera in the first half of 2026, Nikon will then unleash its powerful Expeed 8 image processor to lower-end cameras, and what we do believe is that ZF Mark II does have a very high chance of adopting it — specifically if it arrives in late September 2026 or in the first quarter of 2027.
6K 60fps RAW and 4K 120fps ProRes RAW
The Nikon ZF Mark II camera is expected to inherit the same video core specifications that we have already witnessed in the Z6 Mark 3 camera. Capability to record 6K 60fps videos and 4K 120fps videos in 10-bit H.265 is highly expected. Alongside with the 4K 120fps recording, the camera is expected to support Full HD 240fps recording for extreme slow-motion videos.
AI Autofocus Including Bird Detect Mode
Pairing the partially stacked CMOS sensor with an even faster image processor will elevate the autofocusing performance of the Nikon ZF Mark II camera to the next level. Since with the introduction of a new image processor, a camera maker always introduces a new autofocus algorithm alongside the image decoding algorithm, what we are expecting here is that the camera will surpass the autofocus capability and even the image quality of the existing Nikon Z6 Mark 3 and the ZF camera.
Additional Expected Features of the Nikon ZF Mark II Camera
In-Camera Pixel Shift Mode: The Nikon Expeed 8 image processor will end the requirement of stitching pixel shift mode images outside the camera.
Extended Dynamic Range Mode: This specific mode of the Nikon cameras is under development and we are expecting to see it soon in upcoming Nikon cameras including the Nikon ZF Mark II. And this is not new to the camera industry — the Panasonic S1H Mark II camera is already using this particular mode to officially scale the overall dynamic range performance of the camera by slowing down the sensor readout speed.
Arrival Date of the Nikon ZF Mark II
Based on a 3 to 4 year refresh cycle as well as preserving the sales of other models including the Nikon Z6 Mark 3, we are expecting the potential release of Nikon ZF Mark II camera in September 2026. So this particular date aligns with the Nikon Z9 Mark II camera release as well as having a good gap from Nikon Z6 Mark 3 camera, which will preserve the sales of the mid-range full-frame model.
And it has to be September 2026, since if we go on schedule, then the Nikon Z6 Mark 4 predicted announcement date is June 2027 — if everything goes as per schedule inside Nikon.
Nikon Z6 and Zf Announcement Dates
| Camera Name |
Announcement Date |
| Nikon Z6 |
August 23, 2018 |
| Nikon Z6 II |
October 14, 2020 |
| Nikon Z6 III |
June 17, 2024 |
| Nikon Zf |
September 20, 2023 |
| Nikon Zf II |
September 2026 (Predicted) |
| Nikon Z6 IV |
June 2027 (Predicted) |
The Nikon ZF Mark II Camera Price
The Nikon ZF was announced at $1999, and the Nikon Z6 Mark III camera is now selling at $2199 (the announcement price of the Nikon Z6 III is $2,496). So, Nikon ZF Mark II will have $2699 announcement price tag as per our initial expectation.
The Nikon ZF series camera has a separate fan base inside Nikon, specifically people who love retro-inspired design. Now, we are expecting that the arrival of the Nikon ZF Mark II camera will redefine modern performance in a retro aesthetic body. But at the very same time, they also have to preserve the sales of the Nikon Z6 Mark 3 camera. If the camera arrives in September 2026, the peak sales period of the Nikon Z6 Mark 3 camera will be over at that time. As well as with a new sensor and a bit higher price tag, it will redefine its position in the Nikon lineup.
Do share your thoughts with us.
The article “Nikon ZF Mark II Specification Expectation, Arrival Date and Price” written and updated by thenewcamera.com team on 7:53 am, Monday, 21 July 2025, Greenwich Mean Time (GMT)| Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news + Nikon Rumors 24X7
By admin, on July 16th, 2025
Nikon has rolled out firmware version 3.01 for the Nikon Z8 mirrorless camera. It’s actually a bug fix to the issues that had been raised with the update of firmware version 3.0. The bugs affected the functionality of third-party lenses from manufacturers like Tamron, Viltrox, Meike, 7Artisans, and Sirui Optics.
The Nikon firmware 3.0 was a big, groundbreaking update. We have covered that article in detail. Just after that, Nikon also issued an advisory related to the firmware update of the Nikon 3.0.
Major issues with the firmware 3.0
Shortly after the update, many photographers reported significant compatibility issues with third-party lenses, and we have also received several messages related to the update from our users. The Nikon Z8 was highly affected by some issues, and some of these are:
- Autofocus malfunction: Third-party lenses failing to focus properly when attached to the camera.
- Aperture issues: In some lenses, if autofocus is working properly, then the lens is not responding to the aperture. The aperture of the lens has been frozen after the update or lost control over it.
- Complete incompatibility: In some of the lenses, users have lost all the controls — neither focus nor aperture was responding, and it was a big trouble to them.
Reported Issues with Third-Party Lenses on Nikon Z8 Firmware 3.0
| Manufacturer |
Reported Issues |
Official Response |
| Tamron |
Autofocus failure, aperture control loss |
Working on lens firmware updates |
| Viltrox |
General compatibility issues |
Advised detaching lenses before updating |
| Meike |
Limited functionality |
Issued a cautionary notice |
| 7artisans |
Potential malfunctions |
Recommended to avoid updating until resolved |
| Sirui Optics |
Incompatibility with Z8 |
Urged users to wait for further updates |
After mass reporting of such issues, Nikon has acknowledged the bugs and assured us of a quick solution. Soon after that, on July 16th, they released a firmware update which will soon be available for download to users that will fix most of the issues users are facing with third-party lenses.
Now, the specific details related to firmware 3.01 are very limited for now, but the update promises to fix all the issues that users are facing related to third-party lenses. This specific move reflects Nikon’s commitment to user experience and how active they are in resolving the issues.
Here is the step-by-step method to download the firmware 3.01 of Nikon Z8
| Step |
Action |
| 1 |
Visit the Nikon Download Center. – https://downloadcenter.nikonimglib.com/en/download/fw/550.html |
| 2 |
Choose your operating system. |
| 3 |
Click “View download page” for the latest firmware (e.g., Z_8_0210.bin).[whatever the updated file is available] |
| 4 |
Accept terms, download the .bin file. |
| 6 |
Copy Z_8_0210.bin [whatever the updated file is available] to the root directory of a formatted memory card. |
| 5 |
Insert the card into the camera Slot 1, and turn on the camera. |
| 6 |
Go to MENU > SETUP MENU > Firmware version. |
| 8 |
Select “Update” and follow the on-screen instructions. |
| 9 |
Confirm update completion, and restart the camera. |
Get you Nikon Z8 From Here – online B&H Store | Adorama | Amazon.com |
See more Nikon Z8 Comparison – – Panasonic S1R II vs Nikon Z8 | Nikon Z8 vs Leica SL3-S
The article “Big Relief! Nikon Z8 Firmware 3.01 Fixes Third Party Lens Compatibility” written and updated by thenewcamera.com team on 4:33 am, Wednesday, 16 July 2025, Greenwich Mean Time (GMT)| Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news + Nikon Rumors 24X7
By admin, on July 15th, 2025
Sony has announced the long-awaited RX1R III camera, updating their camera nearly 10 years after the introduction of the RX1R Mark II. The camera features a 61-megapixel BSI CMOS sensor paired with the Sony BIONZ XR image processor, approximately eight times faster than its previous generation, the RX1R Mark 2. Also, an AI chip has been integrated, and the auto-boxing feature has been upgraded to the next level.
Since it’s a compact FF camera, we are getting a 35mm F2 Zeiss lens. Although it’s a fixed lens, the camera does offer digital crop and other creative zoom controls. The camera is able to record 4K videos up to 30 frames per second, 10-bit internally and full HD videos up to 120 frames per second.
Sony RX1R III Specification
61MP Full-Frame Exmor R BSI Sensor
ZEISS Sonnar T* 35mm f/2 Lens
BIONZ XR & AI Processing Unit
693-Point PDAF & Real-Time Tracking AF
4K 30p 10-Bit & FHD 120p Video
2.36m-Dot 0.7x OLED EVF
3.0″ 2.36m-Dot Touchscreen LCD
Step Crop Modes and Creative Looks
Updated Design, Improved Battery Life
SD UHS-II Slot; USB-C, HDMI, Mic Ports
The RX1R III will be available in July 2025 for approximately $5,099.99 and CAD 6,299.99. The TG-2 for approximately USD 299.99 and $349.99 CAD, the LCS-RXL for approximately $249.99 and CAD 224.99, and the LHP-1 for approximately $199.99 and $249.99, in August 2025. They will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.
Sony RX1R III B&H Store
Sony R1R Mark III Press Release
Sony Electronics Introduces The RX1R III: The Flagship Full-Frame Premium Compact Camera With A Fixed Lens
SAN DIEGO, July 15, 2025 – Sony Electronics Inc. announces the RX1R III, the eagerly anticipated third generation of its RX1R series, featuring a 61-megapixel1 35 mm full-frame Exmor R™ CMOS image sensor, the latest BIONZ XR™ image processing engine, and a ZEISS® Sonnar T* 35 mm F2 lens.
“The RX1R III combines Sony’s design savvy with the latest innovations in imaging technology to produce a new flagship in our RX1R camera series that offers uncompromising full-frame quality in a premium compact camera body,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “The RX1R series has resonated greatly among discerning photographers, and we’re proud to now deliver the next generation of this popular camera model.”
A Focus On High-Quality Photography
The combination of the 61-megapixel1 full-frame Exmor R™ back-illuminated CMOS image sensor and the BIONZ XR™ image processing engine delivers high resolution and sensitivity, with low noise and a wide dynamic range. The sensor surface features AR (Anti-Reflection) coating and omits the optical low-pass filter to achieve superior image quality.
The integrated lens offers excellent image quality. By optimizing the position of the lens and the imaging surface one by one at the micron level, RX1R III achieves high optical performance in a compact form factor.
Dedicated To Creative Freedom
To ensure you always get your shot accurately and without effort, RX1R III is equipped with the latest AI-processing unit, a valued feature of top-of-the-line professional Sony AlphaTM cameras. The AI-processing unit can accurately recognize the shape and movement of subjects, human bodies, heads, and the position of eyes, tracking subjects even when their faces are not visible, and is available for both still images and videos2. Up to 693 densely arranged3 phase-detection AF (Auto-Focus) points cover approximately 78% (for still image shooting) of the image capture’s area.
While the camera has a fixed lens, users can tap into the versatility of three prime lenses thanks to the Step Crop Shooting4 function, which allows users to switch between focal lengths equivalent to 35 mm, 50 mm, and 70 mm5 via assigned buttons or dials. When shooting in RAW format, users can reselect the focal length during post-production. The lens’s macro ring enables instant switching to macro mode, allowing users to get as close as 20 cm (maximum magnification: 0.26x).
For creators who enjoy unique and personalized visuals, RX1R III offers twelve built-in Creative Looks. Adjustments to hue, saturation, brightness, contrast, and sharpness can be applied not only to still images but also to videos. Most notable among the Creative Looks6, FL2 allows the capturing of a nostalgic expression with subdued colors, and FL3 allows for a more vibrant image.
Streamlined Design & Reliable Hardware
Made of lightweight yet highly rigid magnesium alloy, the RX1R III design balances aesthetics and functionality. While maintaining excellent operability, the dials and Multi-Interface (MI) Shoe are embedded into the camera body and the top surface of the body features a flat design. The grip design and surface texture provide a secure and comfortable hold.
RX1R III is equipped with an electronic viewfinder featuring an approximately 2.36 million-dot XGA OLED with high resolution and high contrast, offering a magnification of approximately 0.70x.
RX1R III uses the rechargeable battery pack NP-FW50, allowing the capture of up to 300 still images7. It features a USB Type-C® port that allows rapid charging when connected to USB Power Delivery8 -compatible devices, or the addition of external power sources, such as mobile batteries, for extended shooting sessions.
Social Responsibility
Aligned with Sony’s ambitious ‘Road to Zero’ initiative, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The Sony Group’s manufacturing facilities for imaging products, including the RX1R III, are operating at 100% renewable energy. The RX1R III packaging uses Sony’s proprietary environmentally friendly Original Blended Material9 instead of plastic10.
The camera system incorporates comprehensive accessibility options, including a Screen Reader function11 and Display Magnification, to support visually impaired users across an expanded range of menu items.
Optional Accessories
TG-2 is a dedicated thumb grip that attaches to the Multi Interface (MI) Shoe to provide stable holding and operability, including when operated with one hand. When attached to the body, the metal material and high-quality paint finish provide exceptional design unity.
LCS-RXL is a compact body case dedicated to this camera model intended to protect the camera from scratches and dirt and enhance its elegance with its refined texture material. The body case allows access to all ports—USB, HDMI, battery, memory card, and tripod attachment—without removal. The grip design improves the holding experience.
LHP-1 is a lens hood made specifically for this camera. It features a robust construction using lightweight and high-strength aluminum material, protecting the lens from impact and dirt. The bayonet mount allows for quick and secure attachment.
Pricing & Availability
The RX1R III will be available in July 2025 for approximately $5,099.99 USD and $6,299.99 CAD. The TG-2 for approximately $299.99 USD and $349.99 CAD, the LCS-RXL for approximately $249.99 USD and $224.99 CAD, and the LHP-1 for approximately $199.99 USD and $249.99 CAD, in August 2025. They will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.
By admin, on July 13th, 2025
According to the latest rumours coming from the webio / rumour mills, the Sony FX8 camera is said to feature 12K resolution, which we have also reported before, and it is expected to arrive in September 2025, possibly at the IBC conference. Now let’s break down the details — the list of rumoured specifications expected to arrive inside the Sony FX8 camera:
Sony FX8 Camera Specification
- The new full-frame product, named FX8, will feature a resolution of 12K, which is four times that of the FX9.
- It uses a 16:9 cropped 12K full-frame (3:2 aspect ratio, 96MP total pixels) CMOS image sensor.
- It doesn’t have internal RAW or X-OCN recording capabilities. Like the FX6, it outputs full-frame crop 3.8K 16-bit RAW to a third-party recorder via SDI at a maximum of 120fps.
- The only recording format available is XAVC, which offers 8K30p or 4K60p recording in full-frame and S35 modes.
- Full-frame crop 3.8K mode provides 4K120p recording.
- The readout specifications are not as good as the URSA Cine 12K, as the processor limits it, but it is still a reliable and easy-to-use camcorder that offers high-speed 4K (for FX6 users) and full-frame/Super35 dual-format 8K30p/4K60p (for FX9 users) for creative freedom.
About Sony FX8: Sony FX8 is said to be a professional filmmaker’s cinema camera set to join the Sony FX line, alongside the Sony FX6 and FX9. The camera will undergo a significant upgrade in its core specifications, offering very tough competition to the Blackmagic URSA Cine 12K camera.
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source/credit webio
By admin, on July 12th, 2025
Panasonic Lumix S1 II vs. Nikon Z6 III – Which One Is the Best Camera for Photo and Video? Let’s explore which one is the Best Camera for you. Here is the verdict / quick recommendation whcihexplained in the later part of the video
Choose Nikon Z6 III for:
- For Photography, Nikon Z6 III is more recommended
- For 4K vlogging, travel, and run-and-gun videography, the Nikon Z6 Mark III is highly recommended
- Excellent for recording slow-mo video, starting from Full HD 240 FPS and 4K up to 120 FPS
- Projects prioritizing sharp 4K footage and high frame rates.
Choose Panasonic Lumix S1 II for:
- 6K cinematic video with Open Gate and ARRI LogC3 for High-End post-production flexibility.
- 6K documentary, When you actually need the 6K quality, Panasonic S1 II is more recommended
- for thermal management, built-in FAN, and advanced 32 BIT audio.
- Anamorphic in-camera De Squeez Frame.io integration.
| Feature |
Nikon Z6 Mark III |
Panasonic S1 II |
| Lens Mount |
Nikon Z |
L-Mount |
| Dimensions (W x H x D) |
5.5 x 4 x 2.9″ (138.5 x 101.5 x 74 mm) |
5.29 x 4.03 x 3.61″ (134.37 x 102.36 x 91.69 mm) |
| Weight |
23.6 oz / 670 g (Body Only) |
1.58 lb / 717 g (Body Only), 1.76 lb / 798 g (With Battery, Media) |
| Battery |
EN-EL15c Rechargeable Lithium-Ion (~360 shots) |
Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh |
| Operating Conditions |
32 to 104°F / 0 to 40°C, up to 85% Humidity |
14 to 104°F / -10 to 40°C, 10 to 80% Humidity |
| Media/Memory Card Slot |
Slot 1: CFexpress Type B / XQD, Slot 2: SD/SDHC/SDXC (UHS-II) |
Slot 1: CFexpress Type B, Slot 2: SD/SDHC/SDXC |
| Wireless |
2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 |
5 GHz Wi-Fi 5 (802.11ac) |
| Mobile App |
Nikon Imaging Cloud (Android/iOS, file access, firmware updates) |
Lumix Lab (Android/iOS) |
| Monitor |
3.2″, 2,100,000 Dot, Articulating Touchscreen LCD, Top Status Display |
3″, 1,840,000 Dot, Free-Angle Tilting Touchscreen LCD |
| Viewfinder |
Electronic, 0.5″, 5,760,000 Dot, 0.8x Magnification, -4 to +2 Diopter |
Electronic (OLED), 5,760,000 Dot, 0.78x Magnification, -4 to +2 Diopter |
| Video I/O |
1x HDMI Output |
1x HDMI Output |
| Audio I/O |
1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input |
1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input |
| Power I/O |
1x USB-C Input |
1x USB-C Input |
| Other I/O |
1x Nikon DC2 Data Input, 1x USB-C Data Output (Shared with Power Input) |
1x USB-C Data Output (Shared with Power Input) |
Still image comparison between Panasonic S1 Mark II, Nikon Z6 Mark III in JPEG mode – Image quality-wise, the Nikon Z6 Mark 3 camera can capture with more detail compared to the Panasonic S1 Mark II, and even considering the price and AI autofocus mode, the best investment should be the Nikon Z6 Mark 3.
Video Core Specification Comparison
| Feature |
Nikon Z6 III |
Panasonic Lumix S1 II |
| Max Video Resolution |
6K (6048 x 3402) @ 60p (RAW) |
6K (5952 x 3968) @ 29.97p, 5.1K (5088 x 3392) @ 60p (Open Gate) |
| 4K Frame Rates |
4K UHD (3840 x 2160) @ 120p |
4K (3840 x 2160) @ 119.88p, C4K (4096 x 2160) @ 119.88p |
| Slow Motion |
Full HD (1920 x 1080) @ 240p |
Full HD (1920 x 1080) @ 239.76p |
| RAW Recording |
N-RAW, ProRes RAW HQ (12-bit) |
Apple ProRes RAW (10-bit) |
| Compression Options |
ProRes 422 HQ (10-bit), H.265/HEVC, H.264/AVC (8/10-bit) |
Apple ProRes, H.264/MPEG-4 AVC, H.265/HEVC, HEIF (10-bit) |
| Log Recording |
N-Log, HDR (HLG) |
V-Log, ARRI LogC3 (with DMW-SFU3A upgrade) |
| Audio |
Linear PCM (48 KHz, 24-bit), AAC (48 KHz, 16-bit), 3.5mm mic/headphone |
LPCM (48/96 KHz, 24/32-bit), AAC (48 KHz, 16-bit), XLR via DMW-XLR2 |
| Max Recording Time |
2 hours 5 minutes |
Not specified (internal fan for extended recording) |
| Stabilization |
5-axis IBIS (8 stops) |
5-axis IBIS (8 stops), Active I.S., cropless mode |
| Additional Features |
Waveform, focus peaking, zebra, time code, e-VR, dual-format proxy |
Real Time LUT, Frame.io C2C, anamorphic desqueeze, full HDMI output |
| Weight |
1.5 lbs (675 g) |
1.76 lbs (800 g) |
| Dimensions |
5.47 x 4.02 x 2.91 in |
5.28 x 4.04 x 3.63 in |
Nikon Z6 Mark 3 and Panasonic S1 Mark II camera – Which is best for your videographic needs?
Nikon Z6 III captures more details in a video clip compared to the Panasonic S1 II
Based on videographic requirements, which camera is the best one for you? The Nikon Z6 Mark 3 camera delivers excellent 4K video quality, and the details are very sharp. You can also see the samples that have been attached to this page. The 4K details captured by the Nikon Z6 III are remarkably sharp. Panasonic Lumix S1 Mark II camera 4k samples, doesn’t carry that many details that which we can notice in the Nikon Z6 III camera.
What users are saying, those who have both the camera
The Nikon Z6 Mark 3 camera can capture 4K videos up to 120 frames per second, so that’s the best option we have if you wish to capture high-quality dance moves or action sequences in slow motion. The Nikon Z6 Mark 3 camera also offers the latest Nikon RED LUTs to put a cinematic feel inside your camera. The camera also offers waveform functionality and timecode support.
Why should you buy the Nikon Z6 Mark 3? If you are a content creator, travel blogger, street filmmaker, or even wedding cinematographer, and your requirement is limited to 4K video recording, then of course, the Nikon Z6 Mark 3 is more recommended for you.
At first, we were also confused when we saw the samples, since the Z6 III details are less compared to the Nikon Z6 III at 6K mode., but keep in mind since Nikon has unlocked the RAW mode of the camera, and the samples are clipped from RAW files not the in-camera processed mp4 that’s why the details visually less compared to the Panasonoc processed 6k MP4 file.
In 5k mode, when both are set at H.265, 10 bit, then as you can see, the Nikon Z6 III renders more details compared to the Panasonic S1 II camera.
Panasonic S1 Mark II Lacks RAW 6K Recording
The big problem with the Panasonic S1 Mark II camera is no RAW video recording mode is available at 6K and that creates a big confusion while comparing the clips of the camera that the S1 Mark II is generating a higher amount of detail, but the fact is the Z6 Mark III camera is giving us complete RAW footage, that’s why the details are soft in the initial inspection that can create confusion to any of us.
5K Comparison Shows Nikon Z6 III Advantage
But again, in 5K video recording mode, when you compare both the files or the clips of the camera, where none of them are recording in RAW format, then you can clearly see that Z6 Mark III camera details are much clearer.
Nikon Z6 III Offers 6K 60fps and 4K 120fps – But Misses Key Features
And since only the Nikon Z6 III camera is able to give us exclusively 6K 60 fps mode as well as 4K 120 fps mode, what we are missing inside the Z6 III is the anamorphic de-squeeze function as well as 32-bit float audio.
Which One Should You Buy – Final Recommendation
So to be very clear, for photography purposes, Nikon Z6 Mark III camera is the best option. Other than that, in videography purposes, if you’re going to shoot in anamorphic lenses and you have to use the in-camera de-squeeze functionality as well as you’re connected to post-production and your requirement is actually 32-bit float audio, in this specific scenario I am going to recommend you Panasonic S1 Mark II camera. Otherwise, Nikon Z6 Mark III is the best camera available at a lesser price and you should go with that camera.
Best camera for high-quality slow-motion video
Nikon Z6 Mark 3 is the straightforward answer. With this camera, you can record high-quality Full HD videos up to 240 frames per second. You can use it later in 10x slow-motion mode, delivering ultra-smooth, super slow-motion footage for a cinematic look. Other than that, the camera also offers 4K video recording up to 120 frames per second. So again, you are getting an option to record high-quality slow-motion footage—although you have to face a crop while recording at 120 FPS, but at least you get the option.
There is no such option present in the Panasonic S1 Mark II. It has advantages in its 6K mode, but yes—even in the 6K mode—it’s missing the 60fps frame rate which the Z6 Mark 3 is able to deliver.
Best camera for higher resolution Video
Please note, the Panasonic S1 Mark II does not offer RAW recording in 6K, whereas the Nikon Z6 Mark III offers full 6K RAW video, which gives more flexibility in post-production even if initial clips may look softer.
The Nikon Z6 Mark III offers 6K 60fps and 4K 120fps with internal RAW, but lacks 32-bit float audio and anamorphic de-squeeze support, making the S1 Mark II still a better choice if audio and anamorphic workflows are a priority.
Verdict – Best Camera for You
Choose Nikon Z6 III for:
- For Photography, Nikon Z6 III is more recommended
- For 6k 60FPS / NRAW video Nikon Z6 III
- For 4K vlogging, travel, and run-and-gun videography, the Nikon Z6 Mark III is highly recommended
- Excellent for recording slow-mo video, starting from Full HD 240 FPS and 4K up to 120 FPS
- Projects prioritizing sharp 4K footage and high frame rates.
Choose Panasonic Lumix S1 II for:
- 6K cinematic video with Open Gate and ARRI LogC3 + 32-bit Audio
- for thermal management, built-in FAN, and advanced 32 BIT audio.
- Anamorphic in-camera De Squeez Frame.io integration.
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At TheNewCamera.com, we’re dedicated to keeping you informed about the latest camera news. The article “Panasonic Lumix S1 II vs. Nikon Z6 III – Which one is the Best Camera for Photo and Video?” by thenewcamera.com team on 9:04 am Saturday, 12 July 2025 Greenwich Mean Time (GMT) | Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + Canon Rumors 24X7.
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