Panasonic Lumix S1 II vs. Nikon Z6 III – Which One Is the Best Camera for Photo and Video? Let’s explore which one is the Best Camera for you. Here is the verdict / quick recommendation whcihexplained in the later part of the video
Choose Nikon Z6 III for:
- For Photography, Nikon Z6 III is more recommended
- For 4K vlogging, travel, and run-and-gun videography, the Nikon Z6 Mark III is highly recommended
- Excellent for recording slow-mo video, starting from Full HD 240 FPS and 4K up to 120 FPS
- Projects prioritizing sharp 4K footage and high frame rates.
Choose Panasonic Lumix S1 II for:
- 6K cinematic video with Open Gate and ARRI LogC3 for High-End post-production flexibility.
- 6K documentary, When you actually need the 6K quality, Panasonic S1 II is more recommended
- for thermal management, built-in FAN, and advanced 32 BIT audio.
- Anamorphic in-camera De Squeez Frame.io integration.
| Feature | Nikon Z6 Mark III | Panasonic S1 II |
| Lens Mount | Nikon Z | L-Mount |
| Dimensions (W x H x D) | 5.5 x 4 x 2.9″ (138.5 x 101.5 x 74 mm) | 5.29 x 4.03 x 3.61″ (134.37 x 102.36 x 91.69 mm) |
| Weight | 23.6 oz / 670 g (Body Only) | 1.58 lb / 717 g (Body Only), 1.76 lb / 798 g (With Battery, Media) |
| Battery | EN-EL15c Rechargeable Lithium-Ion (~360 shots) | Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh |
| Operating Conditions | 32 to 104°F / 0 to 40°C, up to 85% Humidity | 14 to 104°F / -10 to 40°C, 10 to 80% Humidity |
| Media/Memory Card Slot | Slot 1: CFexpress Type B / XQD, Slot 2: SD/SDHC/SDXC (UHS-II) | Slot 1: CFexpress Type B, Slot 2: SD/SDHC/SDXC |
| Wireless | 2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 | 5 GHz Wi-Fi 5 (802.11ac) |
| Mobile App | Nikon Imaging Cloud (Android/iOS, file access, firmware updates) | Lumix Lab (Android/iOS) |
| Monitor | 3.2″, 2,100,000 Dot, Articulating Touchscreen LCD, Top Status Display | 3″, 1,840,000 Dot, Free-Angle Tilting Touchscreen LCD |
| Viewfinder | Electronic, 0.5″, 5,760,000 Dot, 0.8x Magnification, -4 to +2 Diopter | Electronic (OLED), 5,760,000 Dot, 0.78x Magnification, -4 to +2 Diopter |
| Video I/O | 1x HDMI Output | 1x HDMI Output |
| Audio I/O | 1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input | 1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input |
| Power I/O | 1x USB-C Input | 1x USB-C Input |
| Other I/O | 1x Nikon DC2 Data Input, 1x USB-C Data Output (Shared with Power Input) | 1x USB-C Data Output (Shared with Power Input) |
Still image comparison between Panasonic S1 Mark II, Nikon Z6 Mark III in JPEG mode – Image quality-wise, the Nikon Z6 Mark 3 camera can capture with more detail compared to the Panasonic S1 Mark II, and even considering the price and AI autofocus mode, the best investment should be the Nikon Z6 Mark 3.
Video Core Specification Comparison
| Feature | Nikon Z6 III | Panasonic Lumix S1 II |
| Max Video Resolution | 6K (6048 x 3402) @ 60p (RAW) | 6K (5952 x 3968) @ 29.97p, 5.1K (5088 x 3392) @ 60p (Open Gate) |
| 4K Frame Rates | 4K UHD (3840 x 2160) @ 120p | 4K (3840 x 2160) @ 119.88p, C4K (4096 x 2160) @ 119.88p |
| Slow Motion | Full HD (1920 x 1080) @ 240p | Full HD (1920 x 1080) @ 239.76p |
| RAW Recording | N-RAW, ProRes RAW HQ (12-bit) | Apple ProRes RAW (10-bit) |
| Compression Options | ProRes 422 HQ (10-bit), H.265/HEVC, H.264/AVC (8/10-bit) | Apple ProRes, H.264/MPEG-4 AVC, H.265/HEVC, HEIF (10-bit) |
| Log Recording | N-Log, HDR (HLG) | V-Log, ARRI LogC3 (with DMW-SFU3A upgrade) |
| Audio | Linear PCM (48 KHz, 24-bit), AAC (48 KHz, 16-bit), 3.5mm mic/headphone | LPCM (48/96 KHz, 24/32-bit), AAC (48 KHz, 16-bit), XLR via DMW-XLR2 |
| Max Recording Time | 2 hours 5 minutes | Not specified (internal fan for extended recording) |
| Stabilization | 5-axis IBIS (8 stops) | 5-axis IBIS (8 stops), Active I.S., cropless mode |
| Additional Features | Waveform, focus peaking, zebra, time code, e-VR, dual-format proxy | Real Time LUT, Frame.io C2C, anamorphic desqueeze, full HDMI output |
| Weight | 1.5 lbs (675 g) | 1.76 lbs (800 g) |
| Dimensions | 5.47 x 4.02 x 2.91 in | 5.28 x 4.04 x 3.63 in |
Nikon Z6 Mark 3 and Panasonic S1 Mark II camera – Which is best for your videographic needs?
Nikon Z6 III captures more details in a video clip compared to the Panasonic S1 II
Based on videographic requirements, which camera is the best one for you? The Nikon Z6 Mark 3 camera delivers excellent 4K video quality, and the details are very sharp. You can also see the samples that have been attached to this page. The 4K details captured by the Nikon Z6 III are remarkably sharp. Panasonic Lumix S1 Mark II camera 4k samples, doesn’t carry that many details that which we can notice in the Nikon Z6 III camera.
What users are saying, those who have both the camera
The Nikon Z6 Mark 3 camera can capture 4K videos up to 120 frames per second, so that’s the best option we have if you wish to capture high-quality dance moves or action sequences in slow motion. The Nikon Z6 Mark 3 camera also offers the latest Nikon RED LUTs to put a cinematic feel inside your camera. The camera also offers waveform functionality and timecode support.
Why should you buy the Nikon Z6 Mark 3? If you are a content creator, travel blogger, street filmmaker, or even wedding cinematographer, and your requirement is limited to 4K video recording, then of course, the Nikon Z6 Mark 3 is more recommended for you.
At first, we were also confused when we saw the samples, since the Z6 III details are less compared to the Nikon Z6 III at 6K mode., but keep in mind since Nikon has unlocked the RAW mode of the camera, and the samples are clipped from RAW files not the in-camera processed mp4 that’s why the details visually less compared to the Panasonoc processed 6k MP4 file.
In 5k mode, when both are set at H.265, 10 bit, then as you can see, the Nikon Z6 III renders more details compared to the Panasonic S1 II camera.
Panasonic S1 Mark II Lacks RAW 6K Recording
The big problem with the Panasonic S1 Mark II camera is no RAW video recording mode is available at 6K and that creates a big confusion while comparing the clips of the camera that the S1 Mark II is generating a higher amount of detail, but the fact is the Z6 Mark III camera is giving us complete RAW footage, that’s why the details are soft in the initial inspection that can create confusion to any of us.
5K Comparison Shows Nikon Z6 III Advantage
But again, in 5K video recording mode, when you compare both the files or the clips of the camera, where none of them are recording in RAW format, then you can clearly see that Z6 Mark III camera details are much clearer.
Nikon Z6 III Offers 6K 60fps and 4K 120fps – But Misses Key Features
And since only the Nikon Z6 III camera is able to give us exclusively 6K 60 fps mode as well as 4K 120 fps mode, what we are missing inside the Z6 III is the anamorphic de-squeeze function as well as 32-bit float audio.
Which One Should You Buy – Final Recommendation
So to be very clear, for photography purposes, Nikon Z6 Mark III camera is the best option. Other than that, in videography purposes, if you’re going to shoot in anamorphic lenses and you have to use the in-camera de-squeeze functionality as well as you’re connected to post-production and your requirement is actually 32-bit float audio, in this specific scenario I am going to recommend you Panasonic S1 Mark II camera. Otherwise, Nikon Z6 Mark III is the best camera available at a lesser price and you should go with that camera.
Best camera for high-quality slow-motion video
Nikon Z6 Mark 3 is the straightforward answer. With this camera, you can record high-quality Full HD videos up to 240 frames per second. You can use it later in 10x slow-motion mode, delivering ultra-smooth, super slow-motion footage for a cinematic look. Other than that, the camera also offers 4K video recording up to 120 frames per second. So again, you are getting an option to record high-quality slow-motion footage—although you have to face a crop while recording at 120 FPS, but at least you get the option.
There is no such option present in the Panasonic S1 Mark II. It has advantages in its 6K mode, but yes—even in the 6K mode—it’s missing the 60fps frame rate which the Z6 Mark 3 is able to deliver.
Best camera for higher resolution Video
Please note, the Panasonic S1 Mark II does not offer RAW recording in 6K, whereas the Nikon Z6 Mark III offers full 6K RAW video, which gives more flexibility in post-production even if initial clips may look softer.
The Nikon Z6 Mark III offers 6K 60fps and 4K 120fps with internal RAW, but lacks 32-bit float audio and anamorphic de-squeeze support, making the S1 Mark II still a better choice if audio and anamorphic workflows are a priority.
Verdict – Best Camera for You
Choose Nikon Z6 III for:
- For Photography, Nikon Z6 III is more recommended
- For 6k 60FPS / NRAW video Nikon Z6 III
- For 4K vlogging, travel, and run-and-gun videography, the Nikon Z6 Mark III is highly recommended
- Excellent for recording slow-mo video, starting from Full HD 240 FPS and 4K up to 120 FPS
- Projects prioritizing sharp 4K footage and high frame rates.
Choose Panasonic Lumix S1 II for:
- 6K cinematic video with Open Gate and ARRI LogC3 + 32-bit Audio
- for thermal management, built-in FAN, and advanced 32 BIT audio.
- Anamorphic in-camera De Squeez Frame.io integration.
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You keep saying the lumix has higher resolution video despite the z6 doing 6k 60p internal raw? Better then the lumix
Logan, my preparation was similar to yours, and we both agree that the Nikon Z6 III is impressive, especially with its ability to shoot 6K 60p, better processor, and RED LUT support. We’re also both correct about the Nikon Z6 III’s performance in 4K UHD video, as the 4K samples demonstrate an excellent level of detail. However, when switching to 6K mode, the Nikon Z6 III’s video clips show reduced detail compared to the Panasonic S1 II, which performs better in this regard. As I mentioned in the article, if your needs are limited to 4K or 4K 120 FPS, the Nikon Z6 III is undoubtedly an excellent camera. But if you prioritize shooting in 6K, the Panasonic S1 II is the better choice.