Prior to the announcement of Fuji GF250mm F4 R LM OIS WR Image and Specs Leaked. The official announcement of the lens is expected sometime in April, 12th 2018. Take a look at the major specs of the lens
Fuji GF250mm F4 R LM OIS WR Leaked Specification
Lens construction: 10 groups 16 pieces (2 ED lenses, 1 super ED lens)
Number of diaphragm blades: 9 (circular aperture)
Minimum shooting distance: 1.4 m
Maximum magnification: 0.22 times
Filter diameter: φ 82 mm
Size: φ 108 mm 203.5 mm
Weight: 1425 g
Camera shake correction performance for 5.0 steps according to CIPA guideline
Dustproof and drip-proof · Low temperature resistant structure at -10 ° C
Focus preset function
Four focus control buttons
Focus preset and focus control button are compatible with GFX 50S Ver. 3.10
Not only that, GF1.4X TC WR” is a high-performance teleconverter capable of multiplying the focal length by 1.4x is also coming
Take a look at the list of lenses expected to arrive in near future, all we have fullframe lenses in the list and except in all lenses belongs to L series.
Take a look at the list of upcoming lenses
Canon EF 400mm f/2.8L IS 1.4x / 2.0x TC Replacement for the EF 800mm f/5.6L IS
Canon EF 600mm f/4L IS 1.4x TC Replacement for EF 800mm f/5.6L IS?
Canon EF 200-600mm IS w/1.4TC superzoom lens for FF / APS-C DSLRs
Canon EF 14mm f/2L A faster replacement for the EF 14mm f/2.8L II?
Canon EF 50-300mm f/2.8-5.6 IS DO One DO lens also one the list for arrival
We have already posted that Canon 5DS Mark II camera is rumored to arrive in early 2019, and if you want to see detailed list of products coming from Canon in 2018 – 2019 you must take a look at this page.
Blackmagic Design pocket cinema camera announced with 4K HDR and and records Full HD videos at 120fps. The camera is able to shoot 4K @ 60fps, uses M4/3 format sensor and lens mount. So, you can use your 4/3 lenses with the camera.
The new cinema camera images are recorded into standard SD/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second!
Blackmagic Cinema Camera Major features
4/3″ Sized HDR Sensor
Record DCI 4K 4096 x 2160 up to 60 fps
Dual Native ISO to 25,600
5″ Touchscreen Display
Active Micro Four Thirds Lens Mount
Record up to 120 fps Windowed HD
CFast 2.0 & SD/UHS-II Card Slots
External Recording via USB Type-C
13-Stop Dynamic Range, 3D LUT Support
Includes DaVinci Resolve Studio License
The new cinema camera is optimized for performing in low-light, that’s why dual native ISO is being introduced with camera, the camera featured 13 stops of dynamic range and dual native ISO up to 25,600.
On the rear side of the camera we have a large 5 inch display screen and the camera features built-in 4 microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more!
You can get adapters for PL, C, EF and more, so you can use lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision!
Next generation 4K camera features dual native ISO, full 4/3 HDR sensor, 13 stops of dynamic range, and ProRes or RAW recording to internal SD/UHS-II and CFast cards, or even external USB‑C drives!
The new Blackmagic Cinema Camera – Cost you US$1,295 and shipping will start from Q4 of 2018.
Click here to pre-order Blackmagic camera B&H Store
According to latest rumors Canon will going to announce the Canon 5DS/5DSR successor next year, possibly in the first half of 2019. The reports are Coming from an internal presentation of Canon that happened last week, according to the trusted source of the rumor mill.
Last week, we have published a bunch of new products, expected to arrive in next two year. Among the list of products registered in the wireless certification agency we have a model code – Model code – K424
According to the trusted Japanese sources the physical size of the model K424 is same as of the 5DMark IV DSLR, that clearly indicated the long awaited Canon 5DS Mark II camera is in replacement pipeline.
Well 2018 is a year of Mirrorless cameras, We are expecting one more mirrorless announcement in next few months and yes I am talking about the Canon EOS M5 Mark II camera.
And finally on September during photokina event we are expecting some serious mirrorless announcement from Canon.
Sony FS5 II now arrived with new color science and with stunning 4096 x 2160 4K HDR and 120fps performance at 60Hz mode (and 100fps at 50Hz mode), as well as RAW capabilities, the new Super 35 mm camcorder marries outstanding image quality with an ergonomic modular frame, offering content creators ultimate creative flexibility.
The FS5 II interchangeable lens, E-mount camcorder so you can easily attach or use your E-mount lens with the camcorder.
The camera is capable to record 4K at 120fps limited to 4 sec only. Continuous 4K 60fps RAW output at 59.94p is fully supported, with 50fps supported at 50Hz mode.
The FS5 II is planned to be available in June, with expected pricing as follows:
PXW-FS5M2, body only — $4,750 US and $5,940 CA
PXW-FS5M2K, with lens — $5,250 US and $6,560 CA
Check out the FS5 camcorder at B&H store | The FS5 II will arrive on June.
A new Hybrid Image Stabilization patent from Panasonic surfaced over the web. That, clearly shows Panasonic is working to improve the image stabilization system. Well, Panasonic is one of the world leading mirrorless makers and they do offer Hybrid IS in most of their cameras. However, they are step behind Olympus Hybrid IS systems and with E-M1 Mark II camera which offer IS upto 6.5 Stops when used with Olympus lenses.
This is not the first time, We have also published Panasonic Dual IS patent a while ago you can check here. And as you can see below I am adding the screen shot of the patent image.
Recent Patent suggest that Canon is planning to introduce Mirrors inside the Canon EOS Cinema Series so, they can also add a optical viewfinder wrapped over the EVF. So, you can get both view at a time, larger mirrored OVF view as well as EVF view.
Understanding The Canon Hybrid EVF Patent
What is Canon actually trying to do, they want to give you more display area by adding a extra layer of optical viewfinder wrapped around corners of EVF. They won’t going to overlap each other, the Mirror will have a cut out around the sensor to cover up the left-over area of the sensor. So when you are looking through the viewfinder
From Mirrorless to SLT – EOS Lineup Journey
Canon latest patent suggest that they are working on a hybrid optical viewfinder for the Canon EOS cinema lineup. The Canon EOS cinema lineup is mirrorless, that is they don’t have mirror inside as of DSLR cameras. By the way despite of having no mirror inside their system the flange distance remains same (Canon EOS Cinema EF Mount Version ) so they can easily adapt the Canon EF Mount lenses without altering the focal length or loosing any feature.
By adding a Fixed Mirror for sure the EOS Cinema lineup will lose their Mirrorless status for sure. And eventually they will going to become a SLT camera with fixed Mirror inside.
Flange distance isn’t a issue , since they are designed to use EF Mount / DSLR lenses.
SLT system type mirror – fixed and non movable
Yes the mirror Canon will going to introduce is not a movable one as we have seen in the DSLR. The mirror inside a cinema EOS lineup will always going to remain fixed at a certain point, So the user can get uninterrupted view of what they are recording.
Image / Video Quality will remain unaffacted, Since the fixed Mirror isn’t covering up the sensor. So literally we will not going to see any change in the Video quality of the camera.
The Canon EOS in my lineup doesn’t actually need a hybrid viewfinder
But why Canon is trying to add a mirror inside the cinema EOS series. well I have seen professional cinematographers those who never look through the viewfinder while creating a movie or short film, they always prefer external display in their work.
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