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By admin, on February 4th, 2025
Upcoming Camera and Lenses at CP+ Show 2025 -Take a look at the list of upcoming cameras and lenses at the CP+ show
1. Sigma Lenses
Sigma unique Zoom Lens Announcement
SIGMA Will be releasing a new, never-before-seen zoom lens. In December, we got some strong hints during an interview with the Sigma CEO on a SIGMA UK channel. He hinted that they are working on a telephoto zoom lens that has never existed. [Sigma is About to Announce a TELEPHOTO Lens that has NEVER Existed Before]
2. SONY NEW LENSES
Possibly three new lenses from Sony on CP+ event 2025
Sony 16mm f/1.8 G
Sony 400-800mm f/6.3-8.0 G
Sony FE 50-105mm f/2.8 G
Although the long-awaited Sony A7V is expected to arrive in Q1 of 2025
3. Olympus OM-3 and Lenses
Olympus in CP+ SHOW 2025 – Coming with three New Lenses and a new OM camera
New Olympus OM-3 camera
– Same 20MP sensor
– Metal body
– Price around $1500
– Rumored to be officially announced at CP+ in February 2025
– Various color profiles for video, similar to Fujifilm’s simulations
– Based on the OM-1
New lenses: 17mm f/1.8 and 25mm f/1.8, 100-400mm
4. Panasonic S1R Mk II
Panasonic S1R II Camera – This will be announced before the CP+ show, but Panasonic will also showcase it at the even alongside the other S-Line of cameras. The camera will share the same core specifications we have already seen in the Leica SL3 camera. That means it will carry forward the same 60-megapixel BSI CMOS sensor and 8K video capabilities. Full specification below
- 60MP Full-Frame BSI CMOS Sensor
- Hybrid AF System with PDAF & Contrast AF
- 5-Axis Sensor-Shift Image Stabilization
- 5.76m-Dot 0.78x-Mag. EyeRes OLED EVF
- 3.2″ 2.3m-Dot Tilting Touchscreen LCD
- 8K, C8K, 4K, C4K & FHD 10-Bit Recording
- ProRes 1080p & Apple MFi Support
- CFexpress Type B & SD UHS-II Card Slots
5. Canon V1 Camera
The Canon V1 compact camera is also expected to arrive in the month of FEB, take a look at the rumored specification of the camera
- 24MP CMOS Sensor (approx)
- 16-50mm (35mm Equivalent)
- 3″ Screen (Approx 1 million pixels)
- The screen has a 170° viewing angle
- 4K Video (Very slight crop, but likely for aspect ratio)
- 1.4X Crop Mode for Stills
- RAW, C-RAW, Dual Pixel RAW
- H.265 / HEVC
- C-Log3 / HDR PQ
- Launch: Late Q1/Early Q2 2025
6. Nikon Nikkor Z 35mm f/1.2
Nikon is about to announce the Z35mm F1.2 Lens in the next few days, and will be showcased during the CP+ show too.
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By admin, on February 3rd, 2025
Discuss the best camera based on the specification comparison we have.
Let’s begin with the Canon R8. The R8 is a full-frame camera, and the major advantages we have with this camera are superior low-light performance as well as better dynamic range. Since we have a full-frame sensor, the background blur or the depth in the images will be greater when using the same aperture-based lenses.
In the Sony A6700 camera, the major advantage we have is a compact, ultralight body with a huge range of E-mount lenses, as well as Sony’s advanced AI autofocus and sensor-shift stabilization system.
Now, both of these cameras are excellent choices for any beginner or semi-professional photographer, but at the same time, it’s very important to know your requirements and budget before purchasing a camera. Since you also need to invest a good amount of money in lenses, choosing the right camera for your needs is essential.
Get Canon R8 from – Amazon.com | Adorama | B&H Store |
Get Sony A6700 from – Amazon.com | Adorama | B&H Store |
Portrait & Wedding Photography
For portrait and wedding photography, where skin tones, background blur, and low-light performance are crucial, a camera’s ability to perform well in dim environments is highly important.
For portrait and wedding photography, we highly recommend the Canon R8. The full-frame sensor produces excellent background blur, and at the same time, Canon sensors are known for producing high-quality skin tones. So, if you are into wedding or portrait photography, where you frequently work with skin tones, it is highly recommended to use a Canon camera.
Additionally, the Canon R8 has superior low-light performance. Despite not having an FSI sensor, this particular camera’s low-light performance is phenomenal, as the sensor comes directly from the Canon EOS R6 Mark II. Overall, this particular camera offers a professional-grade body at a reasonable price.
The Sony A6700, on the other hand, has an APS-C sensor, resulting in a smaller depth of field and less background blur compared to a full-frame sensor. That’s why we do not directly recommend it over the Canon R8 when working on portrait sessions or weddings.
Lens Recommendations for Portrait & Wedding Photography
One important thing to note is that the Canon R8 does not have sensor-shift image stabilization, so it becomes highly essential to use optically stabilized lenses.
- For weddings and events, we recommend the Canon RF 28-70mm f/2.8 IS STM.
- For portrait photography, the Canon RF 85mm f/1.8 STM is a great choice.
Landscape & Travel Photography
For landscape and travel photography, where dynamic range, portability, and battery life matter the most:
When it comes to travel or landscape photography, most of the shooting will be done handheld. Specifically, when traveling or capturing landscapes, you need sensor-shift image stabilization (IBIS) inside your camera body to ensure sharp images.
Verdict: Sony A6700 is More Recommended for Landscape and Travel Photography.
Wildlife & Sports Photography
For wildlife and sports photography, where autofocus speed, continuous shooting, and telephoto reach are crucial:
If we compare the continuous shooting speed of both cameras:
- Canon R8 is capable of capturing 40 frames per second in JPG mode and up to 30 frames per second in RAW mode, which is far superior to the Sony A6700, which is limited to 11 frames per second.
- For action photography, capturing fast-moving subjects like birds or animals, the Canon R8 has a clear advantage in burst shooting speed.
Another associated advantage of a full-frame sensor is its low-light performance and dynamic range. When you are shooting wildlife or animals, they are often found in uncontrolled lighting conditions. Having a full-frame sensor allows you to extract more details and recover highlights in post-processing.
However, despite all these advantages of the Canon R8, for sports and wildlife photography, we highly recommend the Sony A6700, and here’s why:
Why the Sony A6700 is Recommended for Wildlife & Sports
- Sensor-Shift Image Stabilization (IBIS)
- The Sony A6700 has IBIS, which is a huge advantage for wildlife and sports photographers.
- If you are using lenses like the Sony 200-600mm f/5.6-6.3 G OSS, the sensor-shift IBIS will pair with the lens’s optical stabilization, allowing for stable handheld shots of moving subjects.
- While a tripod or monopod is always recommended, IBIS helps tremendously in handheld shooting.
- APS-C Crop Factor for Extra Telephoto Reach
- The 1.5x crop factor of the APS-C sensor gives more reach with telephoto lenses.
- Even with a 200-600mm lens, the effective focal length increases, providing exceptional close-up shots of birds and animals.
- With a full-frame sensor, you are limited to native telephoto lenses, which are significantly more expensive.
- If you use a full-frame camera in crop mode, the resolution drops significantly (Canon R8 in APS-C mode drops to ~10MP). In contrast, the Sony A6700 maintains its full 26MP resolution.
Final Verdict
Based on the specifications:
- For Portrait & Wedding Photography → Canon R8 (Full-frame, superior skin tones, better background blur, low-light performance)
- For Landscape & Travel Photography → Sony A6700 (IBIS, compact, battery life, dynamic range for landscapes)
- For Wildlife & Sports Photography → Sony A6700 (IBIS, AI autofocus, crop factor for better telephoto reach, affordable telephoto lenses)
Would you like further lens recommendations or a budget breakdown for your needs?
Table 1: Differences Between Sony A6700 and Canon R8
| Feature |
Sony A6700 |
Canon R8 |
| Lens Mount |
Sony E-mount |
Canon RF-mount |
| Sensor Size |
APS-C (23.3 x 15.5 mm) |
Full-Frame (35.9 x 23.9 mm) |
| Resolution |
26 MP |
24.2 MP |
| Image Stabilization |
5-Axis Sensor-Shift |
Digital (Video Only) |
| ISO Range |
100–32,000 (Ext. 50–102,400) |
100–102,400 (Ext. 50–204,800) |
| Continuous Shooting |
11 fps (59 RAW / 1000 JPEG) |
40 fps (56 RAW / 120 JPEG) |
| Autofocus Points |
759 (Photo) / 495 (Video) |
4897 (Photo) / 4067 (Video) |
| AF Sensitivity |
-3 to +20 EV |
-6.5 to +21 EV |
| Video Modes |
UHD 4K 120p / FHD 240p / 10-Bit 4:2:2 |
UHD 4K 60p / FHD 180p / 10-Bit 4:2:2 |
| External Video |
4K 60p 4:2:2 10-Bit via HDMI |
1080p 60p via HDMI |
| Gamma/Log Profiles |
S-Log3, HLG, S-Cinetone |
Canon Log 3, HDR-PQ |
| Recording Limit |
Unlimited |
120 Minutes (4K/1080p HFR) |
| Viewfinder Magnification |
1.07x |
0.70x |
| Battery Life |
550 Shots (NP-FZ100) |
150 Shots (LP-E17) |
| Weight |
493g (1.1 lb) |
461g (1.0 lb) |
| Display Resolution |
1.03M Dots |
1.62M Dots |
| Wireless |
Wi-Fi 5 (802.11ac) |
Wi-Fi 4 (802.11n) |
| Exposure Compensation |
-5 to +5 EV |
-3 to +3 EV |
| Shutter Speed (Electronic) |
1/8000s |
1/16000s |
| Price |
~$1,398 (Body) |
~$1,299 (Body) |
Table 2: Similarities Between Sony A6700 and Canon R8
| Feature |
Sony A6700 |
Canon R8 |
| Capture Type |
Stills & Video |
Stills & Video |
| Shutter Type |
Mechanical & Electronic Rolling Shutter |
Mechanical & Electronic Rolling Shutter |
| Bulb/Time Mode |
Bulb Mode |
Bulb Mode |
| Metering Method |
Center-Weighted, Multi-Zone, Spot |
Center-Weighted, Evaluative, Partial, Spot |
| White Balance |
2500–9900K, Multiple Presets |
2500–10,000K, Multiple Presets |
| Interval Recording |
Yes |
Yes |
| Self-Timer |
2/5/10-Second Delay |
2/10-Second Delay |
| Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
1:1, 3:2, 4:3, 16:9 |
| Image File Format |
HEIF, JPEG, Raw |
C-RAW, HEIF, JPEG, Raw |
| Bit Depth |
14-Bit |
14-Bit |
| Fast/Slow Motion |
Yes |
Yes |
| Built-In Microphone |
Stereo |
Stereo |
| Media Slot |
Single SD/SDHC/SDXC (UHS-II) |
Single SD/SDHC/SDXC (UHS-II) |
| Video I/O |
1x Micro-HDMI Output |
1x Micro-HDMI Output |
| Audio I/O |
1x 3.5mm Mic Input, 1x 3.5mm Headphone Output |
1x 3.5mm Mic Input, 1x 3.5mm Headphone Output |
| Power I/O |
1x USB-C Input |
1x USB-C Input/Output |
| Mobile App |
Sony Creators’ App (Remote Control, File Access) |
Canon Camera Connect (Remote Control, Settings, Live Feed, Firmware Update) |
| GPS |
Via Connected Smartphone |
Via Connected Smartphone |
| Display Size |
3.0″ Articulating Touchscreen LCD |
3.0″ Articulating Touchscreen LCD |
| Viewfinder Type |
0.39″ OLED, 100% Coverage |
0.39″ OLED, 100% Coverage |
| Diopter Adjustment |
-4 to +3 |
-4 to +1 |
| Built-In Flash |
No |
No |
| Flash Compensation |
-3 to +3 EV |
-3 to +3 EV |
| Tripod Mount |
1/4″-20 Female |
1/4″-20 Female |
| Operating Temperature |
0 to 40°C (32 to 104°F) |
0 to 40°C (32 to 104°F) |
By admin, on February 2nd, 2025
According to the latest rumors, Canon will soon announce the Canon V1 PowerShot compact camera. The rumor is not new; we published updates on December 30, 2023. At that time, we saw multiple prototypes of the compact camera.
Latest rumors surfaced over the web suggest Canon is working on the V1 camera, which is expected to carry a large one-inch sensor OR a Micro Four Thirds format sensor. In the past, we have seen that Canon has implemented a 20Mp 1inch sensor in their G7X series cameras and a 24-megapixel DPAF sensor inside their G1 X Mark series camera, respectively.
The previous generation of Canon G7 accessories cameras used the one-inch sensor, mainly dependent on Sony Imaging Division for their sensor supply. So what I feel at this very moment is that either Canon will again seek help or shake hands with Sony Imaging Corporation for their 1-inch 20MP hybrid sensor supply for their upcoming compacts, or they can directly use the 24-megapixel DPAF sensor of their R50 and R10 in their premium V-series compact camera. As they did in the past with the G1X flagship series.
Canon V1 Specification [Rumored]
- 24MP CMOS Sensor (approx)
- 16-50mm (35mm Equivalent)
- 3″ Screen (Approx 1 million pixels)
- The screen has a 170° viewing angle
- 4K Video (Very slight crop, but likely for aspect ratio)
- 1.4X Crop Mode for Stills
- RAW, C-RAW, Dual Pixel RAW
- H.265 / HEVC
- C-Log3 / HDR PQ
- Launch: Late Q1/Early Q2 2025
Technically, it’s easy for them to announce a one-inch sensor-based compact or an APS-C sensor-based camera instead of using a brand-new M4/3 sensor from the NEW supply chain. What I think is that there is a very rare possibility or probability that the upcoming Canon V-series compact will use a Micro Four Thirds format sensor.
Right now we have two different variations of Sony’s 1-inch sensor being used in Sony ZV-series compact cameras, the first one of the CDAF sensor being used in the ZV-1F camera, and the other variation of Sony compact the ZV-1, which uses HYBRID CMOS AF sensor, comes at a higher price. So, it will be really interesting to see which 20MP variant is being used by the upcoming Canon camera.
At the same time, while I am writing this article, very few specifications are available about the upcoming camera. As soon as we get any, we will be posting them on our website. Stay tuned.
Canon V1 or V100 – New Camera Patent Spotted | Spotted Back on December 2023
Canon V100 Latest Rumors – A step above the Canon V10
Sony ZV1 vs Sony ZV-1F | Know a major difference if you wish to
also, see – Canon Upcoming Cameras 2025
Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news + Canon rumors 24X7
source CanonRumor.com
By admin, on January 31st, 2025
Recent reports suggest the demand for the Nikon P1000 camera has gained huge momentum. The camera is now selling for more than its recommended MSRP retail price range (approximately 2X price), and this is very clearly visible in online stores all around the world.
The demand for compact cameras has returned to the market, and most influencers right now are willing to buy a high-quality compact camera. However, the supply of compact cameras is very low, and at the same time, there is only one super high-zoom camera available: the Nikon P1000.
As we have already said, the recent report shows that the price of the P1000 is skyrocketing globally. Now let’s dive into the details and explore the possibilities, starting with the name of the camera.
Nikon P1100 or P2000: What’s Next from Nikon?
First of all, the scarcity of the Nikon P1000 camera and the high price tag clearly indicate a very high demand for a new model. Another big hint is that most of the P1000 stock has been sold out. It looks like the company is clearing up the previous stock in order to announce the new camera.
What will be the name of the upcoming Nikon mega-zoom camera? Based on leaks and speculations, the name is not very clear. If they move in chronological order, the name of the upcoming camera will likely be Nikon P1000, which would be the successor to the P1000. Earlier, the P1000 was the successor to the P900 camera, so this is how they are moving in chronological order in their mega-zoom series. However, if they take a bold leap with a major upgrade in the core specifications of the camera, or if some groundbreaking features like AI autofocus, a larger image sensor, and better optics are introduced, it may lead to a major leap in the name too, like Nikon P2000. Chinese sources are specifically speculating that the camera name will be the Nikon P2000 and not the P1100.
Rumored Specifications of the P1000 Successor:
- 150x high-quality optical zoom lens, with digital zoom up to 200x. – As per the initial rumors, the camera is set to have a 3500mm zoom lens. Earlier, the P1000 model had a 3000mm zoom lens, which was equivalent to 125x optical zoom.
- The new lens will have an aperture of f/2.8 ultra-wide aperture, which will improve the overall low-light performance of the camera and will also help ensure more artistic depth of field in the shots.
- The NEW 1/1.8-inch CMOS sensor (larger than the P1000’s 1/2.3-inch sensor) aims to boost dynamic range, reduce noise, and enhance image quality
- New AI Auotofous: Similar to what we have seen in Nikon Z50 II, Z6 III, Z8, and Z9.
- 4k 60FPS Video and continuous, refined autofocus and color grading tools for enhanced video production
Nikon P2000 camera can easily dominate the bridge camera market with its unmatched zoom and new AI modes. The best thing is that literally no competitor is present in the bridge camera market to compete against the Nikon P2000 camera.
The camera is targeted towards bird lovers, travel photographers, and even professionals who want to have a secondary body and an alternative to heavy and bulky DSLR setups. At the same time, a huge market demand has emerged from content creators who love to have tax-saver products and higher-zoom cameras that produce better image quality than their smartphones.
Nikon should announce the P1000 camera as soon as possible. The fan base is eagerly waiting for Nikon’s next move. Stay tuned—we will update you as soon as we get any new information related to the company’s upcoming cameras and lenses.
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source webio and NR.com
By admin, on January 30th, 2025
The first photo of DJI‘s new Action 6 sports camera has been leaked, and it is expected to be released sometime in 2025. The specific release date is expected to be between March and June of 2025.
The new camera’s battery capacity will be the same as the previous generation Action 5 Pro, at 1950mAh. No other specifications are currently available. Stay tuned.
DJI RS4 Mini camera gimbal Image Leaked
Now, as we can see in the leaked image, we have the DJI RS4 Mini camera gimbal that perfectly holds the Sony Z10 camera. Now, the major feature we will have in this particular version of the DJI RS4 Mini is the major improvement. DJI RS4 mini is rumored to launch later in 2025.
AI Tracker for Mini 4
The DJI Intelligent Tracking System is not a software feature; it’s a piece of hardware that gets attached to a camera. A mini-camera module is provided to track your movement and move the camera as you move. The RS4 Mini gimbal is helpful for new-age content creators who love to have an AI assistant along with them.
OSMO Mobile 7p with AI Tracker
The photos of the DJI Osmo Mobile 7P. Dark color, tracking and built in flash, the Mobile 7p is also expected to be announced on or before June 2025.
Stay tuned more updates coming
DJI Hasselblad to Expand Mirrorless System Cameras [Rumor]
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Camera News and DJI Rumors
Source website Webio | Quadro_News
By admin, on January 29th, 2025
According to the latest rumors surfaced from reputed rumor mills, the Panasonic S1R Mark II camera announcement date is now confirmed, and it is said to arrive in February 2025. Take look at the set of updated specification of the upcoming camera
Panasonic S1R Mark II Core Specification [Updated specs]
-
- 44MP – Full frame CMOS Sensor
- No Optical low-pass (anti-aliasing) filter
- ISO 80 – 51200( expands to 40 – 102400)
- 5-axis Sensor-shift Image Stabilization
- 3.00″ Fully Articulated Screen
- 5760k dot Electronic viewfinder
- 9.0fps (40.0fps Electronic) continuous shooting
- 8K at 30fps , 4K at 60fps and FHD at 60fps Video Recording
- 10-bit 4:2:2 Color Sampling
- Built-in Wireless
- 800g. 134 x 102 x 92 mm
- Weather-sealed Body
Collaboration – Panasonic X Capture One – Panasonic has just collaborated to announce the S1R Mark 2 camera with Capture One. Capture One is industry-leading RAW editing software, so they have collaborated to bring out the maximum from the upcoming S1R Mark 2 camera.
One more Camera announcement is Due on April 2025
There is one more that Panasonic will be announcing a new camera in April 2025. The source of the rumor mill suggests is a very unique camera, although, after the Panasonic S1R Mark II update, we are waiting for the Panasonic S1H Mark II camera. Stay tuned, more updates coming.
We will publish more details very soon as we get any new updates.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumor
source SAR YT
By admin, on January 28th, 2025
It is said that Canon will release a new APS-C camera in the first half of the year, and its specifications have been leaked, although the specs was leaked without mentioning the name of the model: The rumor was published on camerabeata webio
Canon Upcoming Camera Specification
- the new camera uses a 24.1-megapixel stacked CMOS sensor;
- with DIGIC X processor + DIGIC accelerator;
- supports 6K RAW and 120-fps 4K video shooting;
- a new body design;
- high-speed continuous shooting of 30 frames per second;
- supports C-Log2/C-Log3;
- equipped with a full-size HDMI interface;
- expected price of US$1,500;
TNC analysis
As per the rumor, specifications suggest it looks like an Upcoming APS-C flagship camera. We 100% confirm that Canon R7 Mark II coming this year,
Based on the rumored specs we can, we can clearly see a camera with a 24-megapixel stacked CMOS sensor with a DIGIC X processor and DIGIC accelerator. Not only that, the camera is also capable of recording 6K RAW and 120 fps 4K, A new body design has also been hinted at,
But again, the biggest loophole in the shared specification is the sensor resolution. The Canon R7 series already uses a 33.2 MP sensor, and even the competitors now like the Sony A6700, Fuji X-T5, and even some baseline models like the Sony ZV-E10 II and even fuji X-M5 use high-resolution sensors. So, Canon has no option other than to bring a 32.3 MP stacked CMOS sensor in the upcoming Canon R7 Mark II.
Will Canon go back in terms of resolution or sacrifice resolution in favor of speed? That’s the big question.
Now even if it’s a dedicated EOS C cinema camera (Canon R7C), Canon will never announce it in $1500 price range, Generally, cinema camera prices are comparatively higher, even the Sony FX30 which was announced back on 2023, comes at $1799 BODY ONLY price tag.
Let me know in the comment section what u guys think about this… I would love to see a Canon camera with this kind of specification in $1500 price range in 2025.
Also take a look at – Canon Upcoming Cameras 2025
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source camerabeata webio
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