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Firmware Update

Sony A7 V Rumors: A 44MP Sensor and AI Power – What You Need to Know!

Let’s talk about what we know so far regarding the Sony A7V camera, We were expecting its arrival a bit early in November, but Sony disappointed us with the Announcement of the A1 Mk II. The Sony A7 V camera is overdue for an announcement, but despite that you have to wait a few months more, it looks like Sony is updating their cameras strictly according to their update schedule.

If they strictly follow their schedule, the next announcement from Sony will most likely be a cinema camera, probably the Sony FX3 Mark II, or the Sony A7S IV camera.

But when will the Sony A7V camera arrive? According to the current rumors, the Sony A7V camera is expected to arrive on or before April 2025 (90% chance). However, if delayed, the announcement could be stretched to October 2025.

As for the core specifications I was expecting from the Sony A7V camera, the arrival of a 33-megapixel stacked sensor, the presence of an AI chip, and a new generation of the BIONZ X image processor. But, Recent rumors suggest that Sony is testing prototypes with the IMX366 sensor, which has a 44-megapixel resolution. The good thing about this sensor is that despite being a non-stacked sensor, the readout speed is very fast. The camera will be paired with Sony’s latest BIONZ X image processor and AI chip. This is not the first time we have gotten hints of a 44 Mp sensor, check here Unbelievable! Sony A7 V May Feature a 44-Megapixel Sensor

This looks impressive if the camera arrives with Sony’s latest IMX366 sensor. It will surely raise the competition level. Again, the model will have a decent price increase, and it will likely fall in the same category as the existing Canon R5 camera.

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Best Sony Camera Deals for Black Friday 2024

Take a look at the recent ongoing deal on Sony digital cameras. Not only Sony, but we also have exclusive deals running on Apple products at the B&H Store. The link is below. Unfortunately, when I am creating this article, Canon and Nikon are silent on pre-black Friday deals or holiday deals. As soon as they start any offers, I will be posting Canon and Nikon deals too.

Trending Links

Holiday BIG SAVINGS 2024

Apple B&H Exclusive Deals

EDU Special Deals for students and teachers

The B&H Super Deal Zone – Save up to 80%

Special Sony Deals – Exclusive THE BASIC BUNDLE @ $0 [ +1 Extra Battery + Bag + Memory Card]

Sony a6700 Mirrorless Camera with Basic Bundle

Sony a7 IV Mirrorless Camera with Basic Bundle

Sony a7R V Mirrorless Camera with Basic Bundle

Sony A7S III also available with a basic bundle deal

Black Friday Deals on Vlogging Cameras 2024

Camera Name Current Price MSRP Purchase Link
Sony ZV-1 Digital Camera $678.00 $748.99 B&H
Sony ZV-1F Vlog Camera $397.99 $499.99 B&H
Sony ZV-E10 Mirrorless Camera $698.99 $799.99 B&H
Sony ZV-E1 Full-Frame Mirrorless Camera $2,198.00 $2,198.00 B&H

Here is a list of current Sony cameras, along with their current prices, manufacturer’s suggested retail prices (MSRP) and Deals price mentioned in the table

Camera Name Deal Price MSRP Purchase Link
Sony a7 IV Mirrorless Camera $2,098.00 $2,498.00 B&H
Sony a7R IVA Mirrorless Camera $2,998.00 $3,198.00 B&H
Sony a7R V Mirrorless Camera $3,498.00 $3,898.00 B&H
Sony a9 III Mirrorless Camera $5,998.00 B&H
Sony Cyber-shot DSC-RX1R II Digital Camera $3,298.00 B&H
Sony a7R IIIA Mirrorless Camera $1,998.00 $2,198.00 B&H
Sony a9 II Mirrorless Camera $4,498.00 B&H

Please note that prices are subject to change. For the most current information, visit the provided links.

Upcoming Fuji Cinema Camera Explained in 15 Points

Fujifilm is about to announce their new line of cinema cameras featuring the medium format sensor used in their GFX lineup. The upcoming camera will be called the GFX ETERNA Cinema camera.

Initially, the camera model will arrive with a 102-megapixel CMOS sensor, and the rest of the core specifications and details about the upcoming model can be read in the points below.

Upcoming Fuji Cinema Camera Explained in 15 Points

  1. Model Name: Fujifilm GFX ETERNA
  2. Target Audience: Pro Filmmakers
  3. Sensor: GFX 102MP CMOS II HS (as seen in GFX 100S II and GFX 100 camera)
  4. Resolution: 102 million pixels, oversampled 4K, 6K and 8K will have extreme level of details
  5. Processor: X-Processor 5 (Latest Fuji Processor)
  6. Video Quality: Enables rich, true-to-life visuals with enhanced flexibility for post-production work.
  7. Showcase Event: Fujifilm will exhibit the GFX ETERNA as a reference at InterBEE 2024 (November 13-15, 2024).
  8. Lens Compatibility: Fujifilm is developing a power zoom GF lens with a focal length of 32-90mm, specifically for the GFX mount.
  9. Mount Adapter: A G to PL mount adapter is in development, allowing compatibility with PL mount lenses commonly used in cinema.
  10. GFX Series Evolution: Built on Fujifilm’s GFX series heritage, known for large-format sensors and high-quality video capabilities.
  11. Cinematic Design Influence: Named “ETERNA” after Fujifilm’s historical “ETERNA series” motion picture film line, emphasizing its cinematic focus.
  12. Purpose: Designed to cater to the growing demand for high-quality video across feature films, documentaries, web content, and more.
  13. Launch Date: Planned for release in 2025.
  14. Field Testing: Fujifilm will conduct rigorous field tests to ensure performance and reliability.
  15. Production Commitment: Fujifilm aims to enhance its video production lineup to offer high-quality, productive solutions across filmmaking and video production.

We will bring more updates soon related to the upcoming GFX Medium Format Cinema camera, stay tuned.

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Nikon Z50 II vs Sony A6700

Which camera is better for capturing images or recording content, the Nikon Z50 II or the Sony A6700? In this specification comparison, we will focus on the major differences between these two cameras. Besides the key feature differences, these cameras also vary in price, so when selecting your camera, consider all these factors before making a purchase.

Initially, in the design part, one thing I like about the Sony A6700 camera is its larger battery life. The Sony A6700 uses an NP-FZ100 battery, so you get approximately 2x battery life compared to the Nikon Z50 Mark II camera. However, the Z50 II has an upgraded Bluetooth antenna, which allows for faster transfer speeds. Another good feature introduced in the Z50 II is the silent transfer mode, enabling you to use your camera for shooting or capturing video while it silently transfers your images or videos in the background to your smartphone or PC. Although there aren’t many differences in the design patterns, both cameras are highly usable for photographers and content creators in terms of design and build

Nikon Z50 II vs Canon R10

Table 1: Design Comparison

Feature Nikon Z50 II Sony A6700
Lens Mount Nikon Z Sony E
Body Dimensions (W x H x D) 5 x 3.8 x 2.6 in (127 x 96.8 x 66.5 mm) 4.8 x 2.7 x 3 in (122 x 69 x 75.1 mm)
Weight 17.46 oz / 495 g (Body Only) 1.1 lb / 493 g (With Battery, Recording Media)
Material Magnesium Alloy Magnesium Alloy
Battery Type EN-EL25a or EN-EL25 (Approx. 230 Shots) NP-FZ100 (Approx. 550 Shots)
Weather-Sealing Yes Yes
Operating Temperature 32 to 104°F / 0 to 40°C 32 to 104°F / 0 to 40°C
Connectivity Ports USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks
Memory Card Slot Single SD/SDHC/SDXC (UHS-II) Single SD/SDHC/SDXC (UHS-II)
Wireless Wi-Fi 5, Bluetooth 5.0 Wi-Fi 5 (2.4/5 GHz), Bluetooth 4.2
GPS Via Connected Smartphone Via Connected Smartphone

In the imaging comparison, we have compared the two different sensors and their specs. The big advantage of the Nikon Z50 II camera’s sensor—and a major reason why Nikon continues using it in their mirrorless lineup—is its strong low-light performance. The sensor pixel area is larger than that of the A6700, so even without optical stabilization, it captures more detail in low-light environments. Additionally, the Z50 II has an expanded ISO range that offers one more stop than the A6700. With these core differences, it’s clear that the Nikon Z50 II will perform better in low-light or uncontrolled lighting environments compared to the A6700.

Resolution Advantage of Sony A6700:

Now, with the Sony A6700 camera, we are getting a resolution advantage, but will it work in actual conditions? We will test and find out that capturing images near the base ISO range will bring more details from Sony with OLPF or with a 20.9 MP sensor without OLPF (Optical low-pass filter).

Table 2: Imaging Comparison

Feature Nikon Z50 II Sony A6700
Sensor Resolution Actual: 21.51 MP, Effective: 20.9 MP (5568 x 3712) Actual: 27 MP, Effective: 26 MP (6192 x 4128)
Sensor Type APS-C CMOS, 23.5 x 15.7 mm APS-C CMOS, 23.3 x 15.5 mm
Sensor Pixel Area
4.22µ 3.76µ
Low pass Fiter
No Yes
Sensor Crop Factor 1.5x, 1.2x in some video modes 1.5x, 1.6x in some video modes
Image Stabilization Digital (Video Only) Sensor-Shift, 5-Axis
ISO Range (Photo) 100 to 51,200 (Expandable: 100 to 204,800) 100 to 32,000 (Extended: 50 to 102,400)
ISO Range (Video) 100 to 25,600 100 to 32,000
Continuous Shooting Speed Up to 11 fps (Raw) / 30 fps (JPEG) Up to 11 fps (26 MP)
Pre- burst
Yes No
White Balance Range 2500 to 10,000K 2500 to 9900K
Autofocus Points 231 Phase & Contrast Detection 759 Phase Detection (Photo), 495 (Video)
AF Sensitivity -9 to +19 EV -3 to +20 EV
Image File Format HEIF, JPEG, Raw HEIF, JPEG, Raw
Aspect Ratio Options 3:2, 1:1, 16:9 3:2, 4:3, 16:9, 1:1
Bit Depth 14-Bit 14-Bit

Continuous Shooting Speed:

Another significant difference is continuous shooting speed. Both cameras feature up to 11 fps with their mechanical shutters, but Nikon allows up to 30 fps with its electronic shutter. And in A6700 we don’t have the support of an Electronic shutter in Brust mode, so the maximum speed we are getting in A6700 is 11 Fps.

Buffer Memory and Pre-Burst Capture Mode:

Comparing buffer memory, the Z50 II can store up to 200 RAW files in a single shot, whereas the A6700 can store approximately 50. Now with the help of Pre Brust capture mode feature in the Z50 II is that it engages its buffer memory before shooting starts. This means that when you capture an image, the camera saves a stack of images even before the shutter is pressed, ensuring you don’t miss key moments.

Low-Light Autofocus Sensitivity:

Another strength is the Z50 II’s low-light AF sensitivity, which reaches -9 EV, compared to -3 EV on the Sony A6700.

Autofocus System:

The Sony A6700 has 759 phase-detect AF points for autofocus, while the Z50 II is limited to 231 points. This gives the A6700 a more advanced autofocus system, but Nikon has closed the gap by introducing similar AF algorithms to those seen in the Nikon Z8. So, while Sony may still have the edge in AF, the Z50 II’s performance now comes very close.

Image Stabilization

Sony A6700 camera features sensor-shift Image stabilization as well as GYRO, so if you are shooting still images of video the Sony A6700 camera is more helpful to you compared to Nikon Z50 II without IBIS and normal E- VR mode.

Best Camera for Different Environments:

So, if you’re working in a controlled lighting environment, the Sony A6700 may be more useful. However, if you’re often in uncontrolled or outdoor environments—like wildlife photography where lighting and subject positions vary—then a camera that performs better in low-light conditions may be preferable, making the Z50 II a better choice.

Table 3: Video Comparison

Feature Nikon Z50 II Sony A6700
Internal Recording Modes H.264/H.265 8/10-Bit XAVC HS/S 4:2:2 10-Bit, XAVC S 8-Bit, XAVC S-I 10-Bit
Max Resolution & Frame Rate UHD 4K 30p Uncropped UHD 4K 30p Uncropped
  UHD 4K 60p 1.5X Crop UHD 4K 60p 1.04X Crop
  NA UHD 4k 120p 1.58x crop
High-Speed Recording 1920 x 1080 up to 120 fps 1080p up to 240 fps
External Recording HDMI 4K (Unspecified Frame Rate) HDMI 4K at up to 59.94 fps, HD up to 59.94 fps
Slow/Fast Motion Slow Motion Only Yes
Recording Limit Up to 125 Minutes Unlimited
Gamma Curve HDR-HLG, Nikon N-Log HDR-HLG, S Cinetone, S-Log 3
Waveform
Yes No
Product showcase Mode
Yes Yes
Auto Framing
No Yes
Built-In Microphone Stereo Stereo
Image Stabilization
VR IBIS / GYRO
Audio Recording Format MOV: 24-Bit 48 kHz LPCM, MP4: 16-Bit 48 kHz AAC XAVC: 2-Channel 16-Bit 48 kHz LPCM
Headphone & Mic Jacks Yes (3.5 mm) Yes (3.5 mm)
Video I/O Micro-HDMI Micro-HDMI

This side-by-side comparison should help you see each camera’s strengths and features in detail. Now its time for a recommendation

Sony A6700: Higher Frame Rates and Minimal Crop in 4K

In the video comparison tables above clearly shows that with the Sony A6700 camera, we are getting higher frame rates up to 120 fps in 4K. Although we have to face significant crop in that mode, at the same time, in the Nikon Z50 Mark II camera, even at 4K 60 fps, we have to face a 1.5X crop, whereas in the Sony A6700 camera, the crop at 4K 60p is minimal, at only 1.04x. So more or less, if we talk about the usability of frame rates, we are getting more advanced specifications in the Sony A6700 camera.

Sony A6700: Superior Gyro-Based Image Stabilization for On-the-Go Shooting

Another significant advantage of the Sony A6700 camera is the presence of a gyro-based image stabilization system, so if you are hand-holding the camera and creating content on the go, then the most suitable camera for you is again the Sony A6700 camera.

Sony A6700: High Frame Rate Options for Slow-Motion and Content Creation

Again, for dance videos or creating reels that need higher frame rates, the Sony A6700 camera allows you to capture full HD videos up to 240 fps for creating super slow-motion videos. So if you talk about frame rates or gyro-based image stabilization, you are getting all that in the Sony A6700 camera, which also supports 10-bit internal recording with S-Log2, S-Log3, and Hybrid Log Gamma, so you can extract as much detail as you require for a given scene.

Nikon Z50 II: Exceptional Low-Light Performance and Professional Cinematography Features

Now, when should you buy the Nikon Z50 Mark II camera? Since the Nikon Z50 II camera features an ultra-low-light-sensitive sensor, if you are a short filmmaker and need a camera that performs exceptionally well under uncontrolled lighting conditions along with support for professional cinematography using RAW LUTs that the camera includes, then new RAW LUTs with the Z50 II camera may be added with updates in the future. Above all, you are also getting waveform support that will help you precisely control exposure, allowing you to rearrange elements to achieve optimal exposure. So if you are professionally involved in creating short films under uncontrolled lighting conditions, then the most recommended camera is the Nikon Z50 II.

Get a Sony A6700 Camera from B&H Store and Amazon.com

Sony A6700 Recommended for:

  • Portrait Photography
  • Landscape Photography
  • Street Photography
  • Event Photography
  • Sports Photography
  • Vlogging
  • YouTube Content Creation
  • Product Photography
  • Cinematic Videography (with high frame rates)
  • Casual Travel Videography
  • Action/Adventure Videography

Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com

Nikon Z50 II Recommended for:

  • Low-Light Photography
  • Wildlife Photography
  • Documentary Videography
  • Cinematic Filmmaking (low light)

Support us – Use or affiliate link Amazon.com | B&H Store  for the next purchase u make – it helps us 🙂

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DJI Mavic 4 Enterprise Image Leaked

DJI Mavic 4 Enterprise edition, during its extensive crash test

DJI Mavic 4 Enterprise edition, during its extensive crash test

We published the image of the DJI Mavic 4 Pro back on September 24th, 2024. Now, as we all know, the DJI Mavic 4 Pro is in the announcement pipeline, and we have something brand new to share with you.

Today, the image of the DJI Mavic 4 Enterprise edition has been leaked. It’s not the DJI Mavic 4 Pro since the design of the camera is entirely different from what we have seen in the Mavic 4 Pro image. The system reportedly incorporates multiple imaging capabilities:

  • Wide-angle lens
  • Telephoto lens
  • Thermal camera
  • Range finder

Since it’s an enterprise edition drone, we can expect some added features, which are mentioned below.

  • RTK module mounted on the top surface for enhanced positioning accuracy
  • Expansion port on the rear for connecting specialized accessories, including:
  • Loudspeaker for public announcements
  • LED beacon for enhanced visibility
  • Spotlight for night operations or search missions

DJI is always known for innovating things, Stau tuned we will post an update soon as we get any new information.

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source

Nikon Z6 III to get Bird Eye AF Mode in 2025

So in the latest update, we have that Nikon is currently working on the implementation of bird eye autofocus mode in the Nikon Z6 Mark III camera since the camera doesn’t have that particular mode, and many wildlife photographers are disappointed with this.

They have become more disappointed after the release of the Nikon Z50 II, which does have a birds-eye autofocus mode under the $1000 price range.

But not to worry, since, as per the latest information coming out from @Jan Wegener’s YT Channel, Nikon Japan is listening to us, and very soon in upcoming firmware updates, they will add the bird eye AF feature in the Z6 III camera.

Best Lenses for Nikon Z6 III

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Nikon Imaging Business Booms! - Nikon Z8, Zf, Z6 III Lead to Huge Profits

As per the latest report we have Nikon’s imaging business has shown steady growth, leading to an upward revision of its forecast for the current fiscal year.

Nikon recently released its latest financial report, revealing that its imaging business maintained strong sales momentum from April 1st to September 30th. Overall sales have steadily increased.

Due to the strong performance of its full-frame Nikon Z8, Nikon Zf, and the new Nikon Z6 III, sales of mid-to-high-end cameras and lenses have been robust, resulting in growth in both sales revenue and profit. Imaging business operating revenue increased by 10.2% year-on-year to 151.791 billion yen, while operating profit rose by 14.4% year-on-year to 28.848 billion yen.

This growth was driven by both cameras and lenses. Camera sales reached 410,000 units (a 20,000 unit increase year-on-year), while lens sales reached 650,000 units (a 40,000 unit increase year-on-year).

Based on this recent strong performance, Nikon has revised its forecast for the current fiscal year. It expects to sell 850,000 cameras (a 50,000 unit increase year-on-year) and 1.35 million lenses (a 100,000 unit increase year-on-year) for the entire fiscal year 2025.

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source – Nikon Japan