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By admin, on May 22nd, 2019
Finally we have the full specification of the upcoming Fuji GFX100 camera, the announcement is about to happen in next two days. Take a look at the detailed specification of the upcoming camera.
Fuji GFX 100 Full Specification
- Equipped with a backside illuminated CMOS sensor with 120 million pixels
- High-speed image processing engine “X-Processor 4”
- Achieves high-speed AF with up to twice the speed of the current model and excellent in moving object tracking
- 3.78 million image plane phase difference pixels are placed on the entire surface of the image sensor (coverage ratio about 100%)
- The accuracy of “face and pupil detection AF” has dramatically improved
- In addition to face detection of objects farther away, it is also possible to achieve high followability even when the face turns sideways or is blocked by an obstacle.
- Equipped with a 5-axis camera shake correction mechanism in the body that has an effect of up to 5.5 steps
- Equipped with 4K / 30P video shooting function
- Recording to an SD card 4K 30p 10bit 4: 2: 0, recording to an external media via HDMI 4K 30p 10bit 4: 2: 2
- The first “GFX Series” to be equipped with “ETERNA” mode
- In addition to 3.2 type back liquid crystal monitor for three directions tilt, we adopt 2.05 type back sub monitor newly
- The newly installed 1.80 top screen sub LCD monitor can use “Virtual dial mode” to display dial design
- Newly developed 5.76 million dots organic EL electronic view finder
- View finder magnification 0.86 times, optional EVF tilt adapter “EVF-TL1” can be attached
- It supports “16bit RAW” “16bit TIFF” recording
- Newly developed Smooth Skin Effect, a new function that automatically performs skin retouching
- We realize small size, light weight of thinnest part 48.9mm, weight approximately 1400 g (we include two pieces of batteries, memory card, electronic view finder)
- High dust and water proof performance and low temperature resistant structure with 95 places sealing
- First to support “IEEE 802.11ac” as “GFX series”
- Since two “NP-T125” can be mounted, approximately 800 images can be taken when using the rear LCD monitor
- Power supply and charge from USB terminal is possible
According to the specs the AF accuracy is greatly improved, Face and eye detection is also greatly improved. So. let wait
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By admin, on May 21st, 2019
In an interview Canon representatives, clearly told photo.ru the real reason behind the 4K cropped mode of the Canon cameras and much more…
Major Points of the interview
1. Reason Behind Canon Cropped 4K video mode in Canon Cameras
Canon do not want Kill their Cinema Lineup by putting class leading video specs in DSLR or Mirrorless.
We can put 4K from a full frame in the SLR and mirrorless, but we do not want to “cannibalize” our own video segment.
2. Why Canon 200D II / SL3 / 250D have a weak video mode, cropped 4K without DPAF support ?
Canon entry level users can’t afford 4K editing software and hardware like Macbook Pro preferably with Adobe Premiere by subscription. So, they want to treat the 4K video mode as marketing feature only.
3. In next 5 years, they have a plan to announce High Resolution Mirrorless camera.
4. No clear answer given when asked about Canon announcement before Olympics
5. When asked about built-in image stabilization inside Camera Body
We already have three patents on IBIS – on a mobile matrix and stabilization, Canon is currently developing a matrix stabilization technology – it will be coming soon. Other companies had a huge amount of problems with this. They test it essentially on users.
Fortunately here at thenewcamera.com we have published three different patents of Canon working in built-in image stabilization system See patent 1 | patent 2 | patent 3
Detailed Part – Translated Interview
….do not digest the marketing policy of the company. Why, for example, in one of the new C anon cameras – neither in the flagship, nor the middle or entry level, is it not possible to record 4K video without a crop? The company is technologically unable to carry out this task?
– We did not set such a function intentionally. We have a series of Cinema EOS – movie cameras. Canon separates EOS R and Cinema EOS from each other. This series is aimed at shooting a professional video. Camera Canon C700 – there certainly is 4K from the whole frame.
We can put 4K from a full frame in the SLR and mirrorless, but we do not want to “cannibalize” our own video segment.
………
The new Canon 250 D camera couldn’t be able to drag Cinema EOS users to yourself if you gave it Dual Pixel autofocus in 4K and at the same time read it without an additional matrix.
– 250D is an Entry segment camera. We all know that in order to process 4K, on the one hand, in addition to the camera that can shoot it, there must be a computer that will be able to live through it, mount it and render it. Macbook Pro preferably with Adobe Premiere by subscription for 1500 rubles per month. How many entry-level camera users have this extra equipment? Probably not enough. Negligible. Therefore, I would treat 4K in the Entry segment as a marketing feature, which is nice to see with the eye on the box, on the price tag, and buy a 4K camera and never use it.
What is the resolution of the RF lenses?
– We learn in 5 years.
Could it be that the company is already testing a new camera, which will later be announced, for example, before the Olympiad?
“I’m sure Canon is already developing next-generation cameras, because testing usually starts at least a year before the camera enters the market.”
And when does testing end?
– A few months before the camera announcement. We have a very serious program of ambassadors, a very tough selection. Canon has the whole EMEA region – the whole of Europe, the whole of Africa, the Middle East and Russia – only 40 people. These are people with publications, participants of professional exhibitions of various genres, people who have really proved their professionalism, and we are working with them on testing
Why is the matrix stabilization not developed yet?
– We already have three patents on IBIS – on a mobile matrix and stabilization,
but we continue to work on them. Canon never uses technology that has not yet been tested. It took us so much time, because the technology itself requires a very detailed study, because the moving matrix is good, on the one hand. On the other hand, go to any service and ask how many cameras they have there with broken moving dies. The stabilization system is a very fragile thing.
Canon is currently developing a matrix stabilization technology – it will be coming soon. Other companies had a huge amount of problems with this. They test it essentially on users. Why do they have stabilization on almost all lenses? Because the matrix is not very effective.
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source Photo.ru
By admin, on May 20th, 2019
Canon SL3 / 200D II camera High ISO (via dpreview) test images are Let’s talk about the high ISO test of Canon SL3 camera and what we are able to observe through the test.
Canon SL3 RAW HIGH ISO Test
On RAW mode all the four camera (Canon SL3, Canon EOS M50, Canon 80D and Nikon D5600). After looking at the entire test, It’s very clear that Canon SL3 is controlling color noise slightly more better than Canon 80D or Canon EOS M50. But, the difference is very minimal and sometime it remains unrecognized. And finally we have Nikon D5600 camera with bit more better noise control than the other three camera.
None of the camera producing usable image at ISO 3200. We have to do proper post-processing to make these camera files usable. AT ISO 3200 Canon 80D RAW file generating Maximum color noise compared to the other three, Nikon D5600 features minimal noise at ISO 3200. Canon 200D II / SL3 and Canon EOS M50 color noise level look similar.
Canon SL3 JPEG File Test
JPEG High ISO Test Comparison, Canon 80D again showing more color noise in the group. At ISO 3200 Canon EOS M50 and Canon 200D II exhibit similar amount of color noise, Nikon D5600 image sample is bit more clean and usable.
Canon 200D II / SL3 vs Others at ISO 6400 (MAX JPEG Usable ISO Limit)
ISO range in the specification sheet doesn’t matter, you have to look for usable ISO range in you camera. After looking at the High ISO JPEG files its look like usable ISO range in Canon camera is upto ISO 3200 and when you are having Nikon D5600 you can push it one-stop further upto ISO 6400.
Buy Canon 200D II / SL3 camera from B&H Store
Also see – Best Lenses for Canon 200D II / Canon SL3 / Canon 250D
Follow Canon 200D II page at Facebook
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By admin, on May 18th, 2019
Nikon Z6 and Z7 few units are facing some serious issue. According to Nikon, few models of Nikon Z6 and Z7 camera have faulty VR unit. So, users will not get the proper feature they are paying off.
Check out your Nikon Z6 and Z7 camera serial number
Nikon issues a Technical Service Advisory for Users of the Nikon Z 6 and Z 7 Cameras.
Nikon Press Release
MAY 16, 2019
Thank you for choosing Nikon for your photographic needs.
Issue
While Nikon has taken great measures to assure the high quality expected of Nikon products, it has come to our attention that the vibration reduction (VR) feature in some Nikon Z 6 and Z 7 cameras may not function fully. We sincerely apologize for any inconvenience this may have caused.
Resolution
Nikon has resolved this by making available corrective service for affected Z 6 and Z 7 cameras free of charge, including the cost of shipping an affected Z 6 and Z 7 camera to Nikon as well as its return, even if your Z 6 or Z 7 camera warranty has expired.
Identifying Affected Products and Requesting Service
To determine whether your camera is one of those affected, please click the appropriate Check Serial Number button below and enter the serial number for your Z 6 or Z 7 camera as indicated. If your camera is one of those affected, instructions for requesting service, including receiving your free shipping label, will be displayed onscreen. You may also contact Nikon Customer Relations by visiting www.nikonusa.com\support for assistance. If your Z 6 or Z 7 camera is not one of those affected, this will be displayed onscreen and you may continue using your camera without concern for this issue.
Check Serial Number (Z 6 camera customers)
Check Serial Number (Z 7 camera customers)
To locate your camera’s serial number, open the camera’s monitor on the back of the camera and the serial number will be the 7-digit number printed on the label affixed to the camera body, as indicated by the red frame in the image above (the Z 6 camera is represented in the image).
Please understand that Nikon will collect personal information as necessary in order to facilitate the service and shipping of affected cameras. This information will not be used for any other purposes.
Once again, thank you for choosing Nikon for your photographic needs.
By admin, on May 17th, 2019
Finally we have the images and specification of the upcoming Olympus TG-6 camera. The camera features 12 megapixel BSI CMOS sensor. The camera is also capable to record high quality video in 4K 30P Video as well as high-speed Full HD modes. The Olympus TG-6 camera featuresBuilt-in WiFi connectivity for quick file transfer via app.
The TG-6 is waterproof to a depth of 15m, dustproof, shockproof to 2.1m, crushproof up to 100kg, freezeproof to -10c. So it will a perfect rugged photographic tool.
Olympus TG-6 Press Release
The Olympus TG-6 is the latest in Olympus Tough series all-weather cameras. The TG-6 is waterproof down to 15 metres, crushproof, shockproof and freezeproof so you can use this compact camera in all conditions. The TG-6 includes upgraded features such as new underwater modes, more versatile macro photo options as well as a better monitor with improved resolution. The 12 megapixel backlit CMOS sensor, high ISO and ultra-bright lens give great results in low light. You can record great quality video in 4K 30P Video as well as high-speed Full HD modes. You can also share your footage easily with the built-in Wi-Fi or and use your smartphone with the app.
The TG-6 is waterproof to a depth of 15m, dustproof, shockproof to 2.1m, crushproof up to 100kg, freezeproof to -10ÅãC, and features a dual-pane protective glass construction for excellent anti-fogging performance. The Olympus field sensor system makes it possible to record log data such as location, altitude/depth as well as air/water temperature while capturing still images or movies.
Equipped with a class-leading f/2 zoom lens and a 12MP hi-speed back-lit CMOS image sensor that has superb high-sensitivity performance, the TG-6 allows its users to take fantastic photos and video. . Anti-reflective (AR) coating on the image sensor glass now reduces ghosts and flares while the TruePic VIII image processor from the OM-D E-M1X professional model helps to reduce noise levels and improves the resolution in low contrast areas. The option to capture RAW data enables TG-6 users versatile editing options with Olympus Workspace or other image editing software supporting TG-6 RAW files.
For spectacular close-up shots, the Tough TG-6 has an advanced Variable Macro system that goes beyond the limits of what the human eye can see: boasting a closest focusing distance up to 1cm from the end of the lens and a maximum shooting magnification of 7×3, the camera captures high-quality images of microscopic worlds. The macro system features four modes: Microscope, Microscope Control, Focus Bracketing and Focus Stacking. In Focus Stacking mode, users can now set between 3 and 10 shots for more versatility and to fine tune settings for different subjects and more precision in the finished shot.
Tough TG-6 is equipped with five underwater modes, including Underwater Wide, Underwater Snapshot, Underwater Macro, Underwater Microscope, and Underwater HDR. Each mode switches to shooting settings optimized for different situations. The popular Underwater White Balance mode has been expanded to three options, providing appropriate colour adjustment for deep water shooting.
Click here to download the full specification of the camera
source – photorumors
By admin, on May 16th, 2019
Canon SL3 vs Canon EOS M50 – We have done a quick specification comparison between the two camera.
| Imaging |
|
| Lens Mount |
Canon EF-S |
|
Canon EF-M |
| Camera Format |
APS-C (1.6x Crop Factor) |
|
APS-C (1.6x Crop Factor) |
| Pixels |
Actual: 25.8 Megapixel
Effective: 24.1 Megapixel |
|
Actual: 25.8 Megapixel
Effective: 24.1 Megapixel |
| Maximum Resolution |
6000 x 4000 |
|
6000 x 4000 |
| Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
|
1:1, 3:2, 4:3, 16:9 |
| Sensor Type |
CMOS |
|
CMOS |
| Sensor Size |
22.3 x 14.9 mm |
|
22.3 x 14.9 mm |
| Image File Format |
JPEG, RAW |
|
JPEG, RAW |
| Bit Depth |
14-Bit |
|
14-Bit |
| Image Stabilization |
Digital, 5-Axis (Video Only) |
|
Digital, 3-Axis (Video Only) |
More Lens option with Canon 200D II / SL3 camera: Let’s begin with mount, Since the Canon 200D II / SL3 / 250D is a DSLR camera it features EF and EF-S Mount. With these mount you can use Canon APS-C or Fullframe lenses without any issue. Lot of third party lens makeras are also offering excellent range of affordable lenses for Canon 200D II camera. So, with Canon 200D II you have a lot of lens option, from native or third party lens makers.
Canon 200D II features more improved Dual IS system: Canon 200D II, image stabilization is more improved compared to Canon EOS M50. The camera features 5-axis compared to 3-axis digital IS. So, you will be getting a bit more stable footage compared to the Canon EOS M50 camera.
Otherwise the rest of the core specification of both camera almost same.
ISO, Exposure and Continuous Shooting
| ISO Sensitivity |
Auto, 100 to 25600 (Extended: 100 to 51200) |
|
Auto, 100 to 25600 (Extended: 100 to 51200) |
| Shutter Speed |
Mechanical Shutter
1/4000 to 30 Second
Bulb Mode |
|
1/4000 to 30 Seconds |
| Metering Method |
Center-Weighted Average, Evaluative, Partial, Spot |
|
Center-Weighted Average, Evaluative, Partial, Spot |
| Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority |
|
Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation |
-5 to +5 EV (1/3, 1/2 EV Steps) |
|
-3 to +3 EV (1/3 EV Steps) |
| Metering Range |
1 to 20 EV |
|
0 to 20 EV |
| White Balance |
Auto, Cloudy, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten |
|
Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten |
| Continuous Shooting |
Up to 5 fps at 24.1 MP for Unlimited Exposures (JPEG)
Up to 5 fps at 24.1 MP for up to 10 Exposures (Raw) |
|
Up to 10 fps at 24.2 MP for up to 10 Exposures (Raw)
Up to 10 fps at 24.2 MP for up to 33 Exposures (JPEG)
Up to 4 fps at 24.2 MP for up to 15 Exposures (Raw)
Up to 4 fps at 24.2 MP for up to 1000 Exposures (JPEG)
Up to 7.4 fps at 24.2 MP for up to 47 Exposures (JPEG) |
| Interval Recording, Self Timer |
Yes, 2/10-Second Delay |
|
|
The low-light performance of both the camera is excatly same: As you can see both camera features exactly ISO ranting. So, more or less both camera will give almost same image quality. Canon 200D II camera features more Exposure Compensation range compared to Canon EOS M50.
Canon EOS M50 camera features faster frame rate: Canon EOS M50 camera feature faster continuous shooting speed comapred to Canon 200D II / SL3 camera. BTW, the image processor of both the camera is excatly same.
Canon 200D II / SL3 vs Canon EOS M50 – Video Mode
| Recording Modes |
MP4/H.264
UHD 4K (3840 x 2160) at 23.976p/25p [120 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p/50p/59.94p [12 to 60 Mb/s]
HD (1280 x 720) at 50p/59.94p [26 Mb/s] |
|
MP4/H.264
UHD 4K (3840 x 2160) at 23.976p
Full HD (1920 x 1080) at 59.94p [60 Mb/s]
Full HD (1920 x 1080) at 23.976p/29.97p [30 Mb/s]
HD (1280 x 720) at 120p [52 Mb/s]
HD (1280 x 720) at 59.94p [26 Mb/s] |
| External Recording Modes |
4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/29.97p
Full HD (1920 x 1080) at 59.94i/59.94p
SD (640 x 480) at 59.94p |
|
|
| Recording Limit |
Up to 29 Minutes, 59 Seconds |
|
Up to 29 Minutes, 59 Seconds |
| Audio Recording |
Built-In Microphone (Stereo)
External Microphone Input (Stereo) |
|
Built-In Microphone (Stereo)
External Microphone Input |
| ISO Sensitivity |
100 to 12800 |
|
NA |
Video recording modes of both the camera is almos identical, Both camera records Full HD videos with fulltaime DPAF support. But, when we switch to 4K video recording mode both camera uses CDAF (Contrast Detect AF System) which is ofcourse slow and sluggish.
The 2nd issue users face while recording 4K video us additonal 1.6X crop factor, so you have to keep in mind that 18mm focal legth will become 28.8mm lens. The issues is faced by both camera, Canon EOS M50 and Canon 200D II.
Canon 200D II / SL3 can shoot 10bit video via HDMI, so its a great option if you want to get more details from your camera.
Canon 200D II / SL3 vs Canon EOS M50 – AF system
| Focus Type |
Auto and Manual Focus |
|
Auto and Manual Focus |
| Focus Mode |
Automatic (A), Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) |
|
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) |
| Autofocus Points |
Phase Detection: 9 (1 Cross-Type)
DPAF – Dual Pixel CMOS AF
3975 AF Points grouped in 143 AF zones |
|
Contrast Detection: 143
Phase Detection: 99 |
| Autofocus Sensitivity |
-0.5 to +18 EV |
|
-2 to +18 EV |
Canon 200D II / SL3 camera features revised sensor. With the new sensor, you will be getting 3975 AF points, which make this camera as a best in its class and even better than most of the Mid-rang Mirrorless and DSLR camera avaible in the market.
As you can see the AF senstivity of the camera Canon EOS M50 camera is better compared to Canon 200D II / SL3.
Physical and Battery Life
| Battery |
1 x LP-E17 Rechargeable Lithium-Ion, 7.2 VDC, 1040 mAh (Approx. 1630 Shots) |
1 x LP-E12 Rechargeable Lithium-Ion, 7.2 VDC, 875 mAh |
| Dimensions (W x H x D) |
4.82 x 3.65 x 2.75″ / 122.4 x 92.6 x 69.8 mm |
4.6 x 3.5 x 2.3″ / 116.3 x 88.1 x 58.7 mm |
| Weight |
15.84 oz / 449 g (Body with Battery and Memory) |
13.65 oz / 387 g (Body with Battery and Memory) |
Canon 200D II / SL3 camera is a DSLR, so you get more comfortable handgrip compared Canon EOS M50. The othe big advantge you are getting with Canon 200D II is BIG Battery life of 1630 Shots per charge according to CIPA and at the same time the Canon EOS M50 camera limited to 230 Shots percharge. (When u switch to eco-mode (Still only) the camera shots per chrage can be upseacled upto 700-800 Shots per charge)
Canon 200D II / SL3 vs Canon EOS M50 Verdict
If you ask me, I will buy Canon 200D II / SL3 camera. The main reason behind the selection is support of EF-S and EF Lenses. New revised sensor for more faster AF performance, Excellent battery life and a comfortable design with a bit affordable price tag.
By admin, on May 13th, 2019
Finally we have the leaked images and the specification of the upcoming DJI Osmo camera. Take a look at the rumored specification of the camera below
DJI Osmo Rumored Specification
- 1/2.3′′ 12MP CMOS Image Sensor – Sony IMX377
- Image stabilization system
- Dual LCD display
- Ambarella H2 image processor
- FOV: 145° f2.8
- Shutter: 1/8000-120s
- Video specifications: 4K60p with 8x slow motion, 1080p video 120k
- HDR and automatic time-lapse photography
- Shooting mode: single, AEB continuous shooting, countdown shooting, multiple continuous shooting, interval shooting
The announcement date of the camera is May 15 2019.
We will update you soon as we get any rumors.
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