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Panasonic Camera Registrations in 2025 - Upcoming Camera Model codes

Panasonic Camera Registrations in 2025 – Upcoming Camera Model codes of Panasonic full-frame and Micro four third format cameras, take a look below at the key points of the article

Key points of the article

  • From the beginning of the year, Panasonic has registered approximately four cameras in the wireless application agency P2307, P2303A, P2305A, and P2306A
  • It seems like the registered model code P2307 is the Panasonic S1R Mark II camera.
  • After doing a little bit of research, we have found that the Panasonic P2303A could be the upcoming Panasonic S1H Mark II camera.
    The registered model codes Panasonic P2305A and P2306A are less certain in terms of being a full-frame camera, so it can be any of the models, including the Lumix LX100 Mark III or a G series model.

Panasonic P2303A – The Panasonic S1 H II

Panasonic registered the P2303AA camera in DEC 2024. It is believed that the 2303A is the S1H Mark II camera, the camera is dedicated to SPEED and not Resolution, just like we have the A7 series in Sony, and we have already seen the high-resolution sensor update from Panasonic the S1R II recently, now it is time for the S1 H Mark II.

Panasonic Confirms they are working on S1H Mark II

Now, in a recent post, we have published an acknowledgment from the Panasonic developer team that they are working on the S1H Mark II camera.
After the announcement of the Panasonic S1R Mark II, the next full-frame camera to be announced is the S1H Mark II.

Panasonic P2306A and P2305A – LX100 III and more…

We are confirmed by the nature of product registration that both of the model codes are mentioned. the P2306A and the P2305A are MFT sensor-based updates, potentially one of them is the LX100 Mark II successor, the LX100 III camera expected to feature 25.2MP Live HYBRID MOS Micro Four Thirds Sensor from the G9 Mark II  & GH7 camera. The other model could be a major update to the Panasonic entry-level line, the G100 II, so we have a huge range of possibilities let’s cross our fingers and wait for good news.

Here is a table summarizing the Panasonic camera model codes based on the provided information:

Model Code Camera Model Sensor Type Status Expected Features / Notes
P2307 Panasonic S1R Mark II 44.3MP Full-Frame Announced High-resolution full-frame camera
P2303A Panasonic S1H Mark II 24MP Full-Frame Confirmed High-end video-centric full-frame camera
P2305A Panasonic LX100 III 25.2MP MFT (Live Hybrid MOS) Confirmed Successor to LX100 II, likely compact MFT
P2306A Panasonic G100 II / Entry-Level Model MFT Sensor Unconfirmed Potential update to G100 series

Conclusion

So, if we sum up all the information, then the Panasonic P2307 is the S1R Mark II camera, which has already been announced and features a 44.3-megapixel full-frame sensor. Now, the next camera on the list is the P2303A, which is expected to be the Panasonic S1H Mark II camera with a 24-megapixel sensor. These two models are almost confirmed. Apart from these two, we do have confirmation from Panasonic itself that they are working on a fixed-lens MFT model camera.

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source E888

Panasonic LX100 III and Panasonic S1H Mark II Coming - Confirmed news

Panasonic LX100 Mark III and Panasonic S1H Mark II camera are coming, as well as a telephoto lens is also coming, so let’s explore the type of information we have related to all these, starting from the key points of this article.

Key points of this article

  • Panasonic Confirms Development of a Fixed-Lens Compact Camera
  • Panasonic is Developing New Telephoto Lenses
  • Successor of the Panasonic S1H Camera in Development

The Lumix LX100 series was started by Panasonic in 2014, and it has been one of the most favorite cameras among professional photographers. It offers a 24-75mm equivalent Leica high-quality lens. The LX100 Mark II camera was released in 2018 with a 17-megapixel Micro Four Thirds format sensor.

As per reports, the LX100 II  series line was discontinued by Panasonic Japan back in 2022 [source]. The reports at that time suggested that Panasonic was shifting its entire focus toward the development and announcement of mirrorless cameras.

Panasonic LX100 III Confirmation

The interviews, conducted with Panasonic managers , By a Chinese photography site, siad they are working on fixed lens compact camera, highlight the company’s response to a recovering fixed-lens camera market.

Now, as of March 4, 2025, based on recent interviews with Panasonic representatives, without specifically taking the name of the LX100 Mark II camera successor, they have confirmed in the interview that they are working on a fixed-lens compact camera, and it is under development.

Panasonic S1H Mark II

An interview video with Panasonic’s Matt Frazer has been released on the CineD YouTube channel. The interview itself confirms the development of the Panasonic S1 H II camera

(What about the Lumix S1HII?)
The successor to the S1H will come out eventually, but there is a development order to it, and it made sense to start with the successor to the S1R, since the sensor was already ready.

(Will there be more LUMIX products this year?)
Of course, we are working on future camera developments, and new products will be released in the future. I can’t really comment on the specific timeline, but I believe that many people will be satisfied with the new products that Panasonic will release. source CINED

Panasonic Confirms High-End L-Mount Telephoto Lenses

Upcoming L-mount lenses will have a focal length exceeding 300mm. That’s a clear indication that more and more high-end L-mount lenses are coming alongside the announcement of the S1H Mark II camera, which is focused on speed over resolution.

Rumors of a Panasonic Camera Inspired by Leica Q3

Prior to CP+ 2025, there were some rumors that Panasonic may announce a camera that is very similar to Leica Q3, possibly inspired by its design while having almost the same core specifications. However, at the same time, we cannot deny the possibility of a full-frame compact camera from Panasonic.

Upcoming Cameras and Lenses Confirmed by Panasonic

To organize the findings, here’s a table summarizing key points:

Aspect Details
Fixed-Lens Cameras Confirmed in development, possibly an LX100 successor, with no specific release date.
Telephoto Lenses Need to be acknowledged, R&D increased, focus on full-frame >300mm, L-mount alliance collaboration.
S1H Successor In development, targeting professional video, potential 8K features, no launch date.
Market Insight Fixed-lens market recovering, young interest in retro CCD style noted.

Conclusion: Panasonic’s Future Developments

So, the conclusion is that, based on the CP+ 2025 interviews, Panasonic is very actively working on the research and development of a fixed-lens compact camera as well as the Panasonic S1H Mark II camera. They are also focusing on high-quality L-mount telephoto lenses with enhanced video capabilities. We will update you as soon as we get any new information related to these developments.

Get the Panasonic S1R Mark II Camera from Adorama.com | B&H Store | Amazon.com

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Nikon Next F1.2 Lenses

What’s next from Nikon specifically in F1.2 lenses? Matt Irwin Photography, we have some gaps in the wide range and the tele range, although we do have lenses like:

We already have lenses like Nikon 50mm, 85mm, and the recently announced 35mm F1.2 lens. [check Nikon F1.2 Lenses at B&H Store and Adorama]

So the next upcoming lenses should be 24mm F1.2, maybe 28mm F1.2 (28mm is less likely to happen), and finally the 105mm F1.2 S. Yes, we do have the micro edition of 105mm F2.8, but not the portrait one with an F1.2 aperture.

Once the lineup is complete, Nikon will have an elite series of F1.2 lenses for the desired bokeh. Not limited to that, we will see some additions to the Noct lenses shortly.

source Matt Irwin Photography

Nikon added Shutter angle and Waveform Monitor in Nikon Z6 III and Nikon Z8

List of Camera and Lenses Announced in CP+ Show 2025

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Sony A7 V Delayed, Sony A7S IV Coming this Year [2025]

According to the latest coming from rumor mill, the Sony A75 camera has been delayed. Earlier, it was expected sometime in April 2025, but the recent information coming from trusted sources of the rumor mill suggests the camera will arrive sometime in late 2025.

The exact reason is not known yet, take a look at what the sources of the rumor mill said about the dealy

Source 1

The Sony A7V is ready but Sony is waiting for Canon R6III to make the first pricing move in this segment, and are willing to postpone the A7V launch if they have to.

Source 2

The Sony A7v will be delayed, unfortunately a lot.
It could be so bad that it won’t come until the end of the year, late autumn at the earliest. This is information I have received from the depths of Sony.

Source 3 (trusted source):

Sony is still having problems producing enough Sony A1II cameras. This is also a reason why they are waiting with the launch of the new A7V. The production of the A1II should reach the targets by the end of March/April.

Sony A7S IV announcement this year

Now finally, one more important piece of information related to the upcoming camera—Sony will be announcing the A7S IV camera this year, and that’s the hint that we have received from the rumor mill. It’s not the A7R6 or the A75, which has been delayed, of course. We already have updates on the Sony A93 camera recently, which is not too old with a newer Global sensor and advanced processing power.

The only leftover series that actually needs an URGENT update in the consumer-level mirrorless lineup of cameras is the Sony A7S series, which has been continuously ignored and is still waiting for an update. So, we are expecting the arrival of the A7S4 this year. We will keep you updated as soon as we get any new information related to the upcoming camera.

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor

source sonyalpharumors.com

Nikon added Shutter angle and Waveform Monitor in Nikon Z6 III and Nikon Z8

Due to the growing pressure of Panasonic’s recent camera announcement, models like  S5, S5IIX, and S1R II intensifying the market competition with built-in professional video graphics features like an anamorphic de-squeeze setter, angle waveform, and a lot of features that professionals in videography would love to have in their cameras. But again, they also have some limitations, like the first generation of hybrid autofocus system, which is not as good as the other brands.  But, the recent set of feature upgrades announced by Nikon for the Nikon Z6 III and Z8, give us a clear hint that Nikon is consdering Lumix  as their main competitor, and upscaling their camera features o match or surpass Panasonic’s advanced videography capabilities, catering to both professional filmmakers and hybrid shooters.

Nikon’s Interest in Cinematography

We all know that Nikon is now more interested in cinematography since it acquired the RED camera division. It is a bit more serious about filmmaking and enhancing videography for cinematographic features in its consumer professional mirrorless cameras.

Nikon’s Recent Firmware Update

In addition to that, in a recent firmware update, Nikon has updated the N-Log of the Z6III, reducing noise in the dark areas of N-Log videos. They have mentioned this in the recent update, so it’s a kind of major update that UPSCALES the N-Log video recording of the Z6III camera.

Shutter Angle and New Features in Nikon Z6III & Z8

Apart from this major update, 15 steps of shutter angle from 5.6 degrees to 360 degrees have been added in the Z6III and Nikon Z8 cameras.

Apart from these two major updates, a lot of various custom control settings have been added, like selecting the color of the zebra pattern that includes black, grey, red, green, blue, etc. A waveform monitor—which was not available in the previous generation of their cameras—has also been added.

At the same time, high-resolution lossless zoom has also been added. If you are creating your videos and experimenting with your FX camera, then the digital high-resolution lossless zoom feature is available to you.

Download the latest Nikon Z6 III firmware update

Download the latest Nikon Z8 Firmware update

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Panasonic S1R II vs Nikon Z8

Panasonic S1R Mark II – Best for Landscape & Fine Art Photography

Let’s directly jump to the recommendations. Panasonic S1R Mark II camera is recommended for landscape and fine art shooters, and its specifications in indoor architecture suit well. The big reason is the higher resolution sensor and the ability to record higher resolution handheld modes, allowing you to generate 150+ megapixel images in a single handheld shot.

Buy and help us to visit the barista again Nikon Z8 B&H Store

Professional Cinematography & Open-Gate Recording

Now, the big thing is that if you are a professional cinematographer or videographer, then the Panasonic S1R Mark II camera may fit your needs more perfectly since, for professionals, we do have an option to record videos in open-gate format. Right now, with the basic settings, you are getting open-gate at 5.8K, but soon after a series of firmware updates, open-gate recording will become available up to 8K 30fps.

Why Panasonic S1R Mark II for Professional Cinematographers?

So why are we recommending the Panasonic S1R Mark II camera for professional cinematographers? Since we are getting wavefront functionality, we are also getting anamorphic lens recording support, so you can de-squeeze your footages in-camera, as well as options like false color, which helps you judge the level of accuracy in color tones while shooting.

Another important feature is the shutter angle, and the list doesn’t end here. You also get an option to directly record your videos on an SSD drive, so there’s no big issue regarding memory cards—you can simply replace your SSD when it’s full.

Panasonic S1R Mark II – Autofocus System & Its Limitations

The hybrid autofocus system is still in its development stage. The autofocus is reliable but requires expertise to handle the Panasonic AF system correctly. Otherwise, even people operating cameras for more than three years may struggle with it. The reason is very simple: it’s not a turn-and-go AF system.

So, when we talk about the best hybrid autofocus system between these two cameras, without a doubt, the Nikon Z8 is the best. We are not saying that the S1R Mark II is not usable—it is usable—but the precision, fastness, and readout speed due to the presence of stacked sensors, refresh rate, and subject detection, most of which are directly inherited from the Nikon Z9, make the Nikon Z8 a perfect camera for sports and wildlife photography.

Also, keep in mind that the autofocus tracking of the Panasonic S1R Mark II camera remains limited to 10 frames per second. So that’s the limit you get with the S1R Mark II, whereas there is no such limit in the Nikon Z8. The eye-tracking remains active even at 120 frames per second, and it works exceptionally well while using 30fps and 40fps modes of the Z8 at full resolution. The eye-tracking AF and exposure remain fully active.

Another thing to consider: The lens ecosystem

Now, you have to understand the lens ecosystem. The Z mount has been opened up, and we have a range of lens options available inside the Nikon system. That doesn’t mean the L-mount is lacking—L-mount also has a huge range of lenses—but Tamron is still not a part of the L-mount system. If you are a wedding photographer looking for a budget high-quality constant aperture lens, Nikon has options like the Tamron 28-75mm G2 lens for the Z8. At this price point, no equivalent L-mount lenses are available for the S1R Mark II. You have to pay extra to get an f/2.8 constant aperture zoom lens in the L-mount system.

So, should a wedding photographer buy the Panasonic S1R Mark II or the Nikon Z8?

If you are inclined toward the Panasonic S1R Mark II camera, you can buy it—it’s a good-to-go camera. But if we compare all the features offered by both cameras, the Nikon Z8 looks a bit more suitable with its faster stacked CMOS sensor, highly responsive hybrid autofocus system, and the huge range of Z-mount lenses available, especially budget-friendly high-quality lenses like the Tamron 28-75mm f/2.8 G2. All these factors make the Nikon Z8 a more feasible and recommendable camera for wedding photographers.

Autofocus Tracking & Frame Rate Comparison

  • Panasonic S1R Mark II is limited to 10fps AF tracking.
  • Nikon Z8 has no such limiteye-tracking remains active even at 120fps.
  • Works exceptionally well at 30fps and 40fps while maintaining full eye-tracking AF and exposure.

Lens Ecosystem – Nikon Z8 vs. Panasonic S1R Mark II

Now, you have to understand the lens ecosystem:

  • Z mount is open—a wide range of lens options available inside Nikon’s system.
  • L-mount also has a huge range of lenses, but Tamron is still not part of the L-mount system.
  • Wedding photographers looking for budget high-quality f/2.8 lenses have Tamron 28-75mm G2 for the Nikon Z8.
  • No equivalent budget-friendly f/2.8 zoom lens for L-mount—you have to pay extra for a constant aperture zoom lens.

7 Best Lenses for Nikon Z8 (…and 3 to avoid)

A little more about the Nikon Z8 camera

The Nikon Z8 features a stacked CMOS sensor directly inherited from the Nikon Z9. Even the autofocus algorithm and image processor are exactly the same, making it essentially a flagship camera inside a compact Z8 body.

If you are interested in wildlife and sports photography and want rolling shutter-free images, the Nikon Z8 stands out despite the fact that many photographers still use conventional sensors. If you plan to shoot at higher frame rates with the Panasonic S1R Mark II at 30 or 40 frames per second, it’s a well-known fact that Panasonic struggles to track subjects continuously at high frame rates.

At the same time, the Nikon Z8’s sensor image stabilization system works at the pixel level with the help of AI advancements. If you consider all these factors, then the Nikon Z8 is without a doubt recommended for photographers looking for a perfect hybrid camera—especially those interested in wildlife and sports photography.

Final Verdict: Panasonic S1R Mark II vs. Nikon Z8

Who Should Buy the Panasonic S1R Mark II?

Best for Landscape & Fine Art Photography – The high-resolution sensor and 150+ megapixel handheld mode make it ideal for professionals focused on fine details and large-format prints.
Great for Cinematographers & VideographersOpen-gate recording (5.8K, up to 8K with updates), anamorphic lens support, false color monitoring, and SSD recording support make it a solid choice for high-end video production.
Not the Best for Fast-Paced Shooting – The autofocus system is still in development, requiring expertise to operate correctly, and AF tracking is limited to 10 fps, making it less suitable for sports and wildlife photography.
Limited Lens Ecosystem & Expensive Lenses – While L-mount has a good selection of lenses, Tamron, Viltrox, and many new third-party lens makers are not part of the system or have very few lenses for L Mount, making affordable fast lenses harder to find.

Who Should Buy the Nikon Z8?

Best for Sports & Wildlife PhotographyStacked CMOS sensor (inherited from the Z9) enables fast readout, high-speed shooting, and advanced subject tracking. AF tracking remains active up to 120 fps, making it superior for action shots.
Stronger Hybrid Autofocus SystemFast, precise, and reliable autofocus, with advanced AI-driven subject detection and Z9-level AF algorithms, makes it easier to use and more responsive.
Expansive & Budget-Friendly Lens Ecosystem – The Z-mount system has a wide range of native lenses, including affordable high-quality options like the Tamron 28-75mm f/2.8 G2.
Great for Hybrid Shooters (Photo & Video) – While it lacks open-gate recording, the stacked sensor, superior autofocus, and high-speed burst shooting make it a more versatile camera for both photo and video work.

Final Recommendation

  • If you are a landscape, fine art, or professional cinematographer, the Panasonic S1R Mark II is a strong contender due to its high-resolution capabilities and pro-video features.
  • If you shoot sports, wildlife, weddings, or need the best hybrid performance, the Nikon Z8 is the clear winner, thanks to its superior autofocus, faster shooting speeds, and larger lens ecosystem.

For most photographers and hybrid shooters, the Nikon Z8 offers a more balanced and versatile package. However, if high-resolution stills or advanced video tools like open-gate recording are your priority, the Panasonic S1R Mark II is the better choice.

Get the Panasonic S1R Mark II Camera from Adorama.com | B&H Store | Amazon.com

Panasonic S1R II vs Nikon Z8 – Specification comparison table

Category Panasonice Lumix S1R II Nikon Z8
– Sensor Type Full-frame BSI CMOS Full-frame stacked CMOS
– Resolution 44.3 MP 45.7 MP
– ISO Range 40-102400 64-25600 (expandable to 32-102400)
– Color Depth 14-bit 14-bit
Autofocus System
– Type Phase + Contrast detection with DFD, AI-based 493-point phase-detect AF / Faster AF Refresh rate due to the stacked sensor
– AF Points Not specified, but improved over previous models 493 points (covers 90% of frame)
– Speed and Accuracy Fast, with AI tracking for subjects Fast and accurate, -7EV to EV19 sensitivity, -9EV with starlight view
– Subject Tracking AI-based for faces, eyes, animals Specific modes for birds, animals, vehicles, etc.
Video Capabilities
– Max Resolution and Frame Rates 8K at 30fps, 4K at 120fps 8K at 60fps (N-RAW), 4K at 120fps
Open Gate Recording 5.8k Opengate (8K soon to be available via Firmware) None
– Formats H.265 10-bit 4:2:0 for 8K, ProRes 422 for lower resolutions N-RAW, ProRes RAW, H.265, H.264, 10-bit color
– Stabilization In-body image stabilization  8 Stops Pixel Level Accuracy – AI IBIS with Full sensor 8 Stops IBIS rating
Shutter angle Yes Yes
False Color yes No
– Audio Built-in stereo mic, external mic jack Built-in stereo mic, microphone, and headphone jacks
Waveform Yes Yes
Recording to SSD Yes No
Anamorphic Yes, it Supports Desqueez in the camera No
Shooting Speed and Performance
– Continuous Shooting Speed Up to 40 fps, but Active tracking works up to 10 fps Up to 120 fps (with crop), 30 fps full-res | 30 Fps full tracking
– Buffer Capacity Large, can shoot extended bursts Large, can handle extended bursts
– Shutter Speed Range 1/8000 to 60s (assumed, typical for mirrorless) 1/32000 to 900s (electronic), 1/8000 to 30s (mechanical)
Display and Viewfinder
– Viewfinder OLED EVF, 5.69m dots (assumed, similar to S5 II) 3.69m-dot OLED EVF
– LCD Screen 3.2-inch, 2.1m dots, articulated (assumed, similar to original S1R) 3.2-inch tilting touchscreen, 2.36m dots
– Touchscreen Yes Yes
Connectivity and Wireless Features Wi-Fi, Bluetooth, smartphone app Wi-Fi, Bluetooth, Nikon SnapBridge app
Battery Life and Power
– Battery Type BLK-22 (same as S5 II) EN-EL15c
– Life ~370 shots (assumed, similar to S5 II) ~300-400 shots
– External Power USB-C USB-C
Physical Design and Ergonomic Features
– Size Smaller and lighter than the original S1R (over 200g lighter) Smaller than Z9, comparable to D850
– Weight ~800g 910g
– Weather Sealing Yes Yes
– Ergonomic Features Classic DSLR-style shape, various dials and buttons Nikon-style layout, various controls
Lens Mount and Compatibility
– Mount Leica L-mount Nikon Z-mount
– Available Lenses Wide range from Leica, Sigma, etc. Wide selection of Nikon Z lenses

Which One to Choose?

  • For landscape, fine art, and professional cinematographersPanasonic S1R Mark II (due to high-resolution mode & video tools).
  • For sports, wildlife, and hybrid photographyNikon Z8 (due to superior AF, stacked sensor, and high-speed tracking).
  • For wedding photographersNikon Z8 (better autofocus, lens options, and hybrid usability).

UPDATE Feb 27 – Nikon added Shutter angle and Waveform Monitor in Nikon Z6 III and Nikon Z8

Canon V1 vs Sony ZV-E10

If ur more into vlogging and the assumption that prices are equal in your location (yes they are mostly), the Canon PowerShot V1 is more recommended for its advanced video features (4K 60p, C-Log 3, cooling fan), portability, and ease of use, which align well with typical day to day vlogging needs. However, if you give priority to superior image, Video quality, and lens flexibility (that’s more important for professionals) for potential expansion into photography, the Sony ZV-E10 is a better choice, especially with its larger APS-C BSI CMOS sensor. Consider your shooting environment (e.g., low light for Sony) and future content plans (e.g., lens variety for Sony) to finalize your decision.

Conclusion / Verdict

Both cameras are made for content creators, but they approach different requirements fields. The Sony ZV-E10 camera gives you low-light flexibility and the opportunity to use a range of available lenses for E-mount. When that happens, you can create as much depth as you want to create cinematic footage by adding lenses like Sigma 30mm f/1.4 or Sigma 56mm f/1.4 in your ZV-E10 camera.

Now, Canon made the Canon V1 camera highly compact and highly portable with advanced video features like 4K 60 FPS recording with Log support. C-Log 3 is also available for color grading, and the camera records 10-bit video, so overall, it gives you flexibility and portability. The only thing that limits you in V1 is the low-light performance since it has a slightly smaller sensor than what you are getting in the Sony ZV-E10.

Another factor that differentiates between the two is the presence of an FSI sensor in Canon, whereas in Sony, we have the BSI CMOS sensor. So technically, in Sony, we will have a kind of better video quality, but again, we highly recommend the Canon V1 camera for lifestyle and travel bloggers.

Must Watch – Best Lense for Sony ZV-E10 Camera


A Canon V1 Camera is recommended for

Take a look at the specific work areas we are recommending the Canon V1 over the Sony ZV-E10 camera,

1. Lifestyle and Travel Bloggers

Now, this Canon V1 camera is perfect for travel bloggers or content creators who generally create lifestyle vlogs, hold their cameras in their hands, and are ready to go anywhere.

One of the biggest advantages that we should talk about with the Canon V1 is its portability, and the built-in fan is one of the major advantages of a compact camera.

Even if you are creating your vlogs in extremely hot and humid conditions, the built-in fan of the camera will keep the camera cool. At the same time, the camera enables Canon C-Log recording at 4K 30 FPS. You get a maximum of 5.7K oversampled video footage, so if you have a dedicated editor who can extract the maximum quality from this camera if you have the time and skill, then this camera is one of the best tools for travel bloggers or daily life content creators.

2. Canon V1 for Longer Video Recording

Another good use of the Canon V1 camera is creating long podcast videos as the camera will not overheat due to the internal fan present inside it. It supports using 4K 60fps for a prolonged time, although you are not able to use max aperture-based lenses—that’s the limitation we have. But when the priority is more important than the depth, it means the artist wants to record as long as possible from the camera, then we have no option.

Comparative Table: Key Specifications

Feature Sony ZV-E10 Canon PowerShot V1
Sensor Size APS-C, 24.2MP, 23.5×15.6mm 1.4-inch, ~22.3MP, 18.63×12.42mm
Type of Sensors BSI FSI
Video Capabilities 4K 30p (crop), Full HD 120p 4K 30p full, 4K 60p (crop)
Log 8 Bit, HLG, Slog2 and Slog3 10 Bit, CLog3
Lens Interchangeable E-mount Fixed 16-50mm equiv., F2.8-4.5
Autofocus Fast Hybrid AF Dual Pixel AF II
LCD 3-inch vari-angle touchscreen 3-inch vari-angle touchscreen
Audio Directional mic, 3.5mm jacks Stereo mics, 3.5mm jacks likely
Portability Larger, with lens Compact, highly portable
Battery Life ~440 shots, NP-FW50 Extended with cooling fan, TBD
Stabilization IBIS or lens-based, varies 5EV in-body image stabilization
Recording Time Limited by heat Extended with cooling fan
Connectivity Wi-Fi, likely Bluetooth Wi-Fi, likely Bluetooth
Ease of Use More controls, slight learning curve Simple, fixed lens, beginner-friendly
Price (Typical) $598 body, $698 with lens Expected $899
Future Expandability High, with lens options Limited, fixed lens

Reasons to buy the Sony ZV-E10 Camera

Take a look at the reason for selecting the Sony ZV-E10 camera over the Canon V1.

1. Freedom to select your LENS

The biggest reason for the selection of the ZV-E10 camera is lens flexibility. This is one of the major advantages associated with the ZV-E10. If you are creating talking head videos, then you can use a Sigma 30mm f/1.4 lens to have the best possible cinematic output for your content. And if you are creating handheld vlogs, then you can use lenses like Sony 11mm f/1.8 or the Viltrox 13mm f/1.4 to generate the best possible content even in low-light conditions with maximum possible cinematic depth.

That is the biggest freedom we have with the Sony ZV-E10 camera, but that comes with a price. You have to pay more and more for lenses depending upon your requirements for a camera.

Sony ZV-E10 using VILTROX Lens


2. Gyro Image Stabilization

That’s an added advantage, and if you love to have completely stabilized videos in your camera, then the ZV-E10 is still a great option for you. But it’s not that easy. First, you have to capture the footage, then you have to apply it in Sony’s Catalyst Browse software.


Sony ZV-E10 Recommended for:

  • Vlogging with high-quality stills: Its APS-C sensor + Interchangeable Lenses
  • In-room / office Solo content creation Like product showcase mode make it suitable for solo creators.
  • Low-light photography and video:
  • Travel photography with interchangeable lenses: Lens flexibility allows for diverse shooting scenarios during travel.
  • Customization and control for advanced users: More settings and More lens options

Canon PowerShot V1 Recommended for:

  • Portability and simplicity: Ideal for users who prefer compact cameras with highest possible quality
  • Advanced daily / Travel vlogging with 4K 60p and color grading:
  • Documentary and travel videography
  • Extended recording: Built-in FAN for a long podcast / outdoor shoot
  • Street and candid photography: Best for street shoot with 4 STOPS of OIS
  • On-the-go content creation: Highly portable, making it easy to carry for spontaneous shooting.
  • User-friendly interface with fixed lens: Simple operation suits users who prefer not to deal with lens changes.

Price Consideration

Typically, the Sony ZV-E10 body only is priced at around $598, with a kit including a 16-50mm lens at about $698, while the Canon PowerShot V1 is expected at $899.

Sony ZV-E10 Amazon.comB&H Store