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By admin, on February 13th, 2025
Today, the Z Cinema camera was officially announced. As we all know, RED Digital Cinema is now a subsidiary brand of Nikon. They have modified and relaunched the V-RAPTOR with a Z Mount and the KOMODO with a Z Mount.
We were the first ones to talk about the Z KOMODO [read our expectation article], and just a few months later, we received information about the RAPTOR. The context was that they were working on both series one after the other, and finally, they announced them today.
The new RAPTOR and KOMODO with the Z Mount feature inherit all the goodness of the Z Mount system. This means the autofocus performance has also been integrated into these cameras. So if you are using the recently announced Z Cinema lenses or Nikon Z Mount system lenses, there should be no problem. As we all know, the RAPTOR camera offers 20+ stops of dynamic range, and using it with improved autofocus lenses will be a game changer in the field of cinematography.
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RED DIGITAL CINEMA’S V-RAPTOR [X] AND KOMODO-X CAMERA SYSTEMS EXPAND CAPABILITIES WITH POWERFUL NIKON Z MOUNT
FOOTHILL RANCH, Calif. (Feb. 12, 2025 at 8p.m. PACIFIC TIME)—RED DIGITAL CINEMA® announced today that its groundbreaking V-RAPTOR [X] and KOMODO-X camera systems will also now be available with Nikon’s premier Z Mount, providing filmmakers with ultimate flexibility in lens choice and a complete capture solution from lens to sensor to codec.
“This marks the beginning of RED and Nikon’s collaborative products and it is the exciting first step in a new Z Cinema Series,” said RED Digital Cinema CEO Keiji Oishi. “By integrating the Z Mount, RED is providing more lens choices than ever before, empowering filmmakers with greater artistic flexibility. This development grants filmmakers the versatility of Nikon’s innovative Z lineup and PL options, as well as access to F Mount glass and many popular vintage lenses.”
With a shallower flange depth and a wider diameter, the Nikon Z Mount enables lens designs with higher sharpness and superior aberration control. The Z lenses can deliver unrivaled low-light performance and edge-to-edge detail as well as autofocus performance on both the V-RAPTOR [X] and KOMODO-X cameras.
Key Features, Pricing and Availability
RED’s V-RAPTOR [X] Z MOUNT, recognized for its unmatched low-light performance, dynamic range, resolution, high frame rates, and industry-leading 8K VV global shutter large format sensor, is available for a suggested retail price of $29,995.
RED’s KOMODO-X Z MOUNT features a 6K S35 global shutter sensor and frame rates at 6K 80P and 4K 120P, all in a form factor measuring only 4x4x5 inches and 2.6 lbs. The KOMODO-X Z MOUNT is available for a suggested retail price of $6,995.RED is also announcing all-new Z to PL Adapter Packs, which provide a robust PL mount solution and added flexibility for V-RAPTOR [X] Z MOUNT and KOMODO-X Z MOUNT shooters. Currently, there are four different Z to PL Adapter Pack options available, with shipments starting in spring 2025:
| Z to PL Adapter Pack Options |
Suggested Retail Price |
| RED V-RAPTOR Z to PL Adapter Pack |
$1,500 |
| RED V-RAPTOR Z to PL with Electronic ND Adapter Pack |
$3,500 |
| RED KOMODO Z to PL Adapter Pack |
$1,500 |
| RED KOMODO Z to PL with Electronic ND Adapter Pack |
$3,500 |
Both the RF and the all-new Z mount versions of the V-RAPTOR [X] and KOMODO-X cameras, and Z to PL adapter packs are available now on RED.com or through RED Premium Dealers.
RF Mount Transition
Filmmakers now also have the option to convert their RF mount versions of the V-RAPTOR [X] and KOMODO-X cameras to the all-new Z Mount systems. This transition costs $1,695 for the V-RAPTOR [X] and $1,595 for the KOMODO-X.
Trade-In Program
RED is excited to announce the return of its trade-in program, now available for the latest generation of RED cameras, including the new Z Mount models. Customers can trade in their existing RED DSMC, RAVEN, SCARLET-W, DSMC2, or RANGER cameras and receive a credit towards the purchase of a new, eligible RED V-RAPTOR XL [X] Pack or RED V-RAPTOR Pack [X] Pack with either the new Z Mount or RF Mount. For more information on the trade-in process and eligibility, please visit RED.com.
“We are committed to providing filmmakers with limitless possibilities for realizing their desired vision, and the fusion of RED and Nikon’s robust technologies and expertise will generate even more advanced tools, enhancing our filmmaking community’s creative capabilities,” added Oishi.
For more information on the V-RAPTOR [X] and KOMODO-X Z MOUNT camera systems, visit RED.com or RED Premium Dealers. Filmmakers can also visit the RED Studios Hollywood store location or any one of the RED Premium Dealers across the globe to schedule a demo and learn more about the products.
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By admin, on February 6th, 2025
Olympus today announced the OM-3 camera. The camera features a retro design and a metal body finish, with a top and end metal plate, along with many customizable controls and dials that give you the feel of using a vintage retro camera in your hand. Apart from its design, the internal core specifications of the camera are also very impressive. The camera uses a professional-grade 20-megapixel Micro Four Thirds stacked CMOS sensor and IBIS rating up to 6.5 Stops with Non-IS lenses and up to 7.5 Stops with OIS Lenses. The camera also offers 4K video recording up to 60fps, but log and HLG are available in 8-bit recording only. Take a look at the Major specifications of the camera
25 Major Features of Olympus OM-3 Camera
- 20MP Stacked BSI Live MOS Sensor
- TruePic X Image Processor
- 1053-Point Cross-Type Quad Pixel AF
- AI Detection AF (People, Animals, Birds, Vehicles)
- Starry Sky AF for astrophotography
- 120 fps Continuous Shooting (50 fps with AF/AE)
- Pro Capture Mode (Up to 70 frames pre-buffering)
- 5-Axis Sensor-Shift Image Stabilization (6.5 stops)
- Sync IS Support (Up to 7.5 stops with compatible lenses)
- 4K UHD & DCI 60p Video Recording
- OM-Cinema Mode for cinematic quality
- Slow & Quick Motion (1-120 fps)
- Built-in 2-64 Stop Electronic ND Filter
- 3″ Articulating Touchscreen LCD (1.62M-dot)
- 2.03M-dot OLED Electronic Viewfinder (1.23x magnification)
- Dual UHS-II SD Card Slots
- IP53 Weather Sealing (Dust & Splash resistant)
- Magnesium Alloy Body (Lightweight & Durable)
- USB-C Charging & Power Delivery
- Wi-Fi & Bluetooth Connectivity
- Microphone & Headphone Jacks
- Custom Mode Labels
- Advanced Computational Photography (Live ND, Focus Stacking, HDR)
- TTL Hot Shoe for External Flash Support
- OM Image Share App Compatibility
Olympus OM-3 Camera Price
OM-3 w/ M.ZUIKO DIGITA L ED 12-45mm F4.0 PRO KIT $2,299.99 [ Amazon.com | Adorama.com | B&H Store] Lenses Announced
OM System M.Zuiko Digital ED 100-400mm F5.0-6.3 IS Lens for Micro Four Thirds, Black $1,499.99 [ Amazon.com | Adorama.com | B&H Store] OM System M.Zuiko Digital ED 17mm f/1.8 II Lens for Micro Four Thirds, Black $549.99 [ Amazon.com | Adorama.com | B&H Store] OM System M.Zuiko Digital ED 25mm f/1.8 II Lens for Micro Four Thirds, Black $499.99 [ Amazon.com | Adorama.com | B&H Store] OM System Wireless Remote RM-WR2 for select OM Cameras $99.99 [ Amazon.com | Adorama.com | B&H Store]
Olympus OM-3 Camera Official Press Release
Style Meets Functionality: OM SYSTEM Launches Camera & Lenses Designed for Photographers on the Go
Blending Heritage Style Design with Advanced Features for Every Creator’s Camera Bag
BETHLEHEM, PA, February 6, 2025 – OM Digital Solutions is thrilled to announce the launch of its latest innovations in digital imaging: the OM SYSTEM OM-3 Mirrorless Interchangeable Lens Camera and two premium prime lenses, the M.ZUIKO DIGITAL 17mm F1.8 II and 25mm F1.8 II. Designed for photographers and creators of all skill levels, these products deliver a perfect combination of style, performance, and versatility, opening doors for creative exploration.
Transforming the Creative Experience: The OM SYSTEM OM-3 Camera
The OM SYSTEM OM-3 marries the timeless elegance of a classic SLR with cutting-edge technology. Inspired by the iconic Olympus OM-1 film camera, its compact and lightweight body features intuitive controls and powerful capabilities equip creators of both stills and video with a versatile tool at their fingertips.
Key Highlights:
- Timeless Design Meets Advanced Performance: Merging a sleek, retro-inspired design with the latest in imaging technology.
- Customizable Profiles for Creative Individuality: Create signature styles with intuitive color and monochrome profile controls.
- Innovative Computational Photography Features: Access features like Live ND/GND, Focus Stacking, and HDR directly in-camera—no additional software needed.
- Cinematic Video Capabilities: Seamlessly switch between stills and professional-grade video with OM-Cinema profiles and extended recording reliability.
Whether capturing stills or cinematic content, the OM-3 offers unbeatable versatility, making it a powerful tool for any creative journey.
High Performance Prime Lenses for All Your Needs
The M.ZUIKO DIGITAL 17mm F1.8 II and 25mm F1.8 II lenses complement the OM-3’s capabilities, offering exceptional performance and durability. Compact and lightweight, these lenses feature robust splash- and dust-proof construction, making them perfect companions for your travels, whether capturing the sights on urban streets or iconic landmarks.
Lens Highlights:
- M.ZUIKO DIGITAL 17mm F1.8 II: A wide-angle lens ideal for landscapes and cityscapes, with a large f/1.8 aperture for stunning bokeh and depth of field control.
- M.ZUIKO DIGITAL 25mm F1.8 II: A standard focal-length lens for capturing realistic perception and depth, perfect for portraits and everyday photography.
Both lenses are equipped with fast and quiet autofocus, ensuring sharp, professional-quality images and videos with ease.
Crafted for Creators, Designed to Roam
Together, the OM SYSTEM OM-3 and the M.ZUIKO DIGITAL Prime Lens II series offer a comprehensive solution for creators who demand style, performance, and reliability. With their weather sealed designs and innovative features, photographers and videographers can confidently tackle any project, no matter the conditions.
Pricing and Availability
- The highly anticipated OM SYSTEM OM-3 Mirrorless Camera will be available starting in late February 2025, with a suggested retail price of $1,999.99 (US)/$2,799.99 (CAD). A bundled kit, which includes the OM-3 camera body and the M.ZUIKO DIGITAL ED 12-45mm F4 PRO lens, will also be offered at a suggested retail price of $2,299.99 (US)/$3,199.99 (CAD).
- Additionally, the M.ZUIKO DIGITAL 17mm F1.8 II and 25mm F1.8 II lenses will be available beginning in late February 2025. The M.ZUIKO DIGITAL 17mm F1.8 II will be priced at $549.99 (US)/$769.99 (CAD), while the 25mm F1.8 II lens will retail for $499.99 (US)/$699.99 (CAD).
For detailed product specifications and additional information, please visit the OM SYSTEM website at:
By admin, on February 4th, 2025
Upcoming Camera and Lenses at CP+ Show 2025 -Take a look at the list of upcoming cameras and lenses at the CP+ show
1. Sigma Lenses
Sigma unique Zoom Lens Announcement
SIGMA Will be releasing a new, never-before-seen zoom lens. In December, we got some strong hints during an interview with the Sigma CEO on a SIGMA UK channel. He hinted that they are working on a telephoto zoom lens that has never existed. [Sigma is About to Announce a TELEPHOTO Lens that has NEVER Existed Before]
2. SONY NEW LENSES
Possibly three new lenses from Sony on CP+ event 2025
Sony 16mm f/1.8 G
Sony 400-800mm f/6.3-8.0 G
Sony FE 50-105mm f/2.8 G
Although the long-awaited Sony A7V is expected to arrive in Q1 of 2025
3. Olympus OM-3 and Lenses
Olympus in CP+ SHOW 2025 – Coming with three New Lenses and a new OM camera
New Olympus OM-3 camera
– Same 20MP sensor
– Metal body
– Price around $1500
– Rumored to be officially announced at CP+ in February 2025
– Various color profiles for video, similar to Fujifilm’s simulations
– Based on the OM-1
New lenses: 17mm f/1.8 and 25mm f/1.8, 100-400mm
4. Panasonic S1R Mk II
Panasonic S1R II Camera – This will be announced before the CP+ show, but Panasonic will also showcase it at the even alongside the other S-Line of cameras. The camera will share the same core specifications we have already seen in the Leica SL3 camera. That means it will carry forward the same 60-megapixel BSI CMOS sensor and 8K video capabilities. Full specification below
- 60MP Full-Frame BSI CMOS Sensor
- Hybrid AF System with PDAF & Contrast AF
- 5-Axis Sensor-Shift Image Stabilization
- 5.76m-Dot 0.78x-Mag. EyeRes OLED EVF
- 3.2″ 2.3m-Dot Tilting Touchscreen LCD
- 8K, C8K, 4K, C4K & FHD 10-Bit Recording
- ProRes 1080p & Apple MFi Support
- CFexpress Type B & SD UHS-II Card Slots
5. Canon V1 Camera
The Canon V1 compact camera is also expected to arrive in the month of FEB, take a look at the rumored specification of the camera
- 24MP CMOS Sensor (approx)
- 16-50mm (35mm Equivalent)
- 3″ Screen (Approx 1 million pixels)
- The screen has a 170° viewing angle
- 4K Video (Very slight crop, but likely for aspect ratio)
- 1.4X Crop Mode for Stills
- RAW, C-RAW, Dual Pixel RAW
- H.265 / HEVC
- C-Log3 / HDR PQ
- Launch: Late Q1/Early Q2 2025
6. Nikon Nikkor Z 35mm f/1.2
Nikon is about to announce the Z35mm F1.2 Lens in the next few days, and will be showcased during the CP+ show too.
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By admin, on January 25th, 2025
 Image of Sony 11mm APS-C Lens image file As we have discussed earlier, Sony is releasing two new lenses and two new cameras. Let’s first discuss these two lenses. Then, we will discuss the cameras we have already discussed in the previous post.
Sony FE 16mm F1.8
The first is the vlogging-friendly 16 mm f/1.8 lens. This particular lens is a budget f/1.8 lens developed for full-frame sensor-based cameras. We already weigh the VILTROX 16 mm f/1.8 lens. That being said, the upcoming Sony lens is more compact and looks very similar to their APS-C line of compact lenses, like maybe the 11 mm f/1.8. The next thing Sony is working on is a budget telephoto zoom lens for wildlife and landscape photographers.
Sony FE 400–800 mm f/6.3–8.0 lens
We already have Sony’s 200–600 mm lens, and this will be an extended edition in the same series, where you can reach from 400 to 800 mm. This new lens will undoubtedly become more popular over time due to its reach. Wildlife photographers and bird shooters love to have a lens beyond 600 mm to capture details more closely, and if a lens option like 400–800 mm is available, anyone would surely pick this lens instead of getting a 200–600 mm.
Sony Upcoming Camera Model Codes 2025
1. WW 773396 – Sony A7 V [Registered on December 5th, 2024]
2. WW277226 – Model Name Unknown [Registered on January 21st, 2025]
Stay tuned more updates coming
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source – SAR.com
By admin, on January 21st, 2025
Sony registered a new camera with the wireless certification agency, and the model code of the camera is WW277226. What we are expecting for now is the Sony A7 V camera, since if we pick up the rumors we just published recently [ Sony A7V surfaced at wireless certification agency and Sony A7 V and Sony 50-105mm F2.8 Lens Coming], it all indicates that Sony is planning to announce the A7 V camera in early 2025, as per the Sony rumor mill that the announcement may happen in March 2025. Generally, whenever camera makers like Sony, Nikon, or Canon register a camera with the wireless certification agency, they take 2–3 months to announce their product in the market. And since the Wireless certification details of the Sony A7V camera surfaced back in December it’s quite obvious that the camera is expected to arrive in March 2025.
Now about WW277226 – it’s one more camera in the two, WW277226 is not Sony A7V it’s something else although the name isn’t known yet. But since it has been surfaced today [on January 21st, 2025] the announcement of the Next ALPHA camera after the Sony A7V is expected sometime in April-May 2025.
Sony Upcoming Camera Model Codes 2025
1. WW 773396 – Sony A7 V [Registered on December 5th, 2024]
2. WW277226 – Model Name Unknown [Registered on January 21st, 2025]
We will update you when we get any new information about the upcoming Sony A7 V camera.
Check out more
Wild Rumors: Sony FX30 II, Sony FX30 R and Sony ZV-E1 II Coming in 2025 | Sony Upcoming Cameras 2025
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
By admin, on January 18th, 2025
The new Camera’s back image clearly shows that the button layout is similar to the OM-5, and there is one more button in the position of the dial. Current products do not have a similar design. The leaked image indicates that the new machine may be named OM-3 (not yet finalized).
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source webio
By admin, on January 17th, 2025
We are comparing the Leica SL3-S camera side by side with the Panasonic S5 IIX. Before we begin, I must tell you that there is a significant price difference between them. Starting with the design part. Next, we will move to the photography part, where we will compare the major core specifications that build up a camera’s character map. This will help photographers decide which camera to buy. In the final part of the comparison, in the third table, we have the video core specifications compared against each other.
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Get Panasonic S IIX DEAL at Amazon.com
1. Design Comparison
| Feature |
Leica SL3-S |
Panasonic S5IIx |
| Lens Mount |
L-Mount |
L-Mount |
| Build Material |
Aluminum, Magnesium Alloy |
Magnesium Alloy |
| Dimensions (W x H x D) |
Not specified |
5.29 x 4.03 x 3.55″ (13.44 x 10.24 x 9.02 cm) |
| Weight |
4.72 lb (2139 g) with battery |
1.64 lb (744 g) with recording media |
| Monitor Display |
3.2″ Tilting Touchscreen LCD, 2,332,800 dots |
3″ Free-Angle Tilting Touchscreen LCD, 1,840,000 dots |
| Viewfinder |
Built-In Electronic OLED, 5,760,000 dots, Approx. 0.76x magnification |
Built-In Electronic OLED, 3,680,000 dots, Approx. 0.78x magnification |
| Eye Point |
21 mm |
21 mm |
| Weather Sealing |
Yes |
Yes |
| Wireless Connectivity |
2.4 GHz MIMO Wi-Fi, Bluetooth 5.0 |
2.4 / 5 GHz Wi-Fi 5, Bluetooth 5.0 |
| GPS |
Yes (via connected smartphone) |
No |
| Dual Card Slots |
1x CFexpress Type B, 1x SD (UHS-II) |
Dual SD (UHS-II) |
Conclusion: So, from the design part, it’s very clear that Leica excels with its design. The most visible thing is the red logo and tank-like design that promises a very well-built quality camera. Besides that, we have a superior resolution electronic viewfinder with 5.7 million dots and a higher-resolution display screen. But again, there are some limitations in the display. It is tiltable but cannot be used for filming yourself. So, for content creators, the Leica SL3-S is not made for you.
The biggest difference you can spot, apart from all this, is that the Panasonic S5IIx camera features an active cooling mechanism with a built-in fan inside the camera. That’s why the camera can handle heat, whereas the Leica SL3-S has no active onboard cooling mechanism.
Now let’s compare the photographic core specifications of both cameras.
2. Photography Comparison
| Feature |
Leica SL3-S |
Panasonic S5IIx |
| Sensor Resolution |
24.6 MP effective (Full-Frame BSI CMOS) |
24.2 MP effective (Full-Frame CMOS) |
| ISO Range |
100 to 200,000 (Manual Mode) |
100 to 51,200 (Extended: 50 to 204,800) |
| Image Stabilization |
Sensor-Shift, 5-Axis |
Sensor-Shift, 5-Axis |
| Shutter Speed |
Mechanical: 1/8000 to 30 sec, Electronic: 1/16000 to 60 sec |
Mechanical: 1/8000 to 60 sec, Electronic: 1/8000 to 60 sec |
| Continuous Shooting |
Up to 30 fps [Latger Buffer] |
Up to 30 fps for 200 frames (JPEG/RAW) |
| Autofocus Points |
779 (Phase Detection and Contrast Detection) |
779 (Phase Detection and Contrast Detection) |
| Metering Modes |
Center-Weighted, Highlight Weighted, Multi-Zone, Spot |
Center-Weighted, Highlight Weighted, Multiple, Spot |
| Aspect Ratios |
3:2, 16:9, 17:9 |
1:1, 2:1, 3:2, 4:3, 16:9, 65:24 |
| Image Formats |
DNG, JPEG |
JPEG, RAW |
| Bit Depth |
14-Bit |
14-Bit |
| White Balance |
Auto, Cloudy, Color Temp, Daylight, Flash, Fluorescent (Cool/Warm), Manual, Shade, Tungsten |
AWB, Cloudy, Color Temp, Daylight, Flash, Incandescent, Shade, Custom (4 presets) |
Conclusion: In our table, we can see that there is a kind of negligible difference between these two. But if you consider the Leica body, the superior electronic viewfinder, the higher-resolution display screen, and budget doesn’t matter to you, then for sure, the Leica SL3-S is a great camera between the two. However, if you love to save $2,000, then the S5IIx is the best.
The alternatives of the Leica SL3-S camera
The best alternatives to the Leica SL3-S camera in this price range are the Nikon Z8 camera and the Canon R5. These are some of the best cameras available. Specification-wise, these are far better than the Leica SL3-S, and you have to pay almost a similar or a bit less price compared to the two.
3. Video Comparison
| Feature |
Leica SL3-S |
Panasonic S5IIx |
| Max Resolution |
UHD 6K (5888 x 3312) at 23.98/25/29.97 fps |
5.9K (5952 x 3968) at 23.98/24.00/25/29.97 fps |
| Video Formats |
H.264/H.265 Long GOP, MP4 (4:2:0 8/10-Bit), ProRes 4:2:2 |
H.264/H.265, MOV/MP4, ProRes 4:2:2/4:2:0 8/10-Bit |
| External Recording |
4:2:2 12-Bit via HDMI |
4:2:212-Bit via HDMI |
| Frame Rates |
Up to UHD 4K (3840 x 2160) at 59.94 fps |
Up to UHD 4K (3840 x 2160) at 59.94 fps |
| Slow Motion |
Slow Motion Only |
Yes |
| Gamma Curve |
Rec709, Rec2020 |
Panasonic V-Gamut, V-Log |
| Built-In Microphone |
Stereo |
Stereo |
| Audio Formats |
AAC, LPCM |
MOV: LPCM 24-Bit, MP4: AAC 16-Bit |
| Recording Limit |
No |
No |
| IP Streaming |
No |
RTP, RTSP (up to 4K at 25 Mb/s) |
| Bitrate |
Not specified |
Up to 800 Mbps |
| Heat Management |
Not specified |
Active Cooling |
| Autofocus in Video |
Phase Detection |
Phase Detection with AI Tracking |
| HDMI Port |
Full-Size HDMI |
Full-Size HDMI 2.1 |
| Timecode Support |
No |
Yes |
| Vertical Video Support |
Yes |
Yes |
Conclusion: Both cameras offer 6k at 30fps, 4k 30FPS uncropped and 4k60fps with crop [1.5x]. Again, in the video core specification part, you can see there is very little difference to spot. Other than that, I prefer the Panasonic S5 series camera’s V-Log. At the same time, we also have an active cooling mechanism that prevents it from overheating. So, more or less, for video core specification-wise, the Panasonic S5IIx camera is more recommended.
Also see – Sony FX30 vs Panasonic S5 IIX
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