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By admin, on July 15th, 2025
The lens features ultra-wide 12mm coverage and f/1.4 aperture, specifically designed for APS-C mirrorless cameras. It is one of the fastest wide-angle prime lenses Sigma ever announced for APS-C sensors. It is an ideal lens for low-light photography, astrophotography, and most importantly, one for vloggers, those who need ultra-wide coverage for travel blogging. The lens also features a dedicated aperture ring, so you can isolate yourself or/subject from the background when you are recording live video without touching the controls of the camera.
Price of Sigma 12 mm F1.4 APS-C E-Mount lens
The price of the Sigma 12 mm 1.4 DC DN is approximately USD $649
B&H Store
Amazon.com
Key Features Sigma 12mm F1.4 DC DN
Based on Sigma’s reputation for high-quality optics and the latest rumors, here are some anticipated features of the Sigma 12mm f/1.4 APS-C E-Mount lens:
- Ultra-Wide 12mm Focal Length: Equivalent 18mm on a full-frame camera, perfect for Vlogging, architecture, landscapes and astrophotography.
- Fast f/1.4 Aperture: Best for ultra-lowlight photography and videography.
- Compact and Lightweight Design: Sigma’s Contemporary line of lenses is generally compact and easy to carry.
- Aperture Ring: A clickable/de-clickable dedicated aperture for smooth transitions while shooting without messing up with camera controls.
- Advanced Optics: Inclusion of Super Low Dispersion (SLD) glass and aspherical elements for sharp, high-contrast images with minimal aberrations.
- Dust and Moisture Resistance: A robust build for challenging shooting conditions.
That’s the update we have related to the 12mm F1.4 DX DN Lens from Sigma. Stay tuned for more updates.
Sigma recently announced a 17-40mm F1.8 Lens for APS-C cameras (available at B&H Store), we have added the samples of 17-40mm F1.8 on our website. You can check them
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By admin, on July 14th, 2025
Finally, the Hasselblad X2D Mark II has become official. The official press release, Hasselblad X2D II Price is $7,399 only. Which is $800 less than the Hasselblad X2D, the price Hasselblad X2D is slightly less than the Fujifilm GFX 100s II.
Pre-order and release timeline
Pre-order of Hasselblad X2D II 100C will begin from Aug 27, 2025. The Shipping will start from late September 2025. Stay tuned once the camera appears in the B&H Store, we will post and update here.
Hasselblad X2D II Price
The Hasselblad X2D II 100C will be available at £6,400 / $7,399, while the XCD 2,8–4/35–100E lens is priced at £4,100 / $4,599. The Vandra Backpack is £369 / $469, with the new 86mm filters priced between £259–£469 depending on type. Availability will be through Hasselblad Flagship Stores, authorised dealers,
| Item |
Price (GBP) |
Price (USD) |
Availability |
| Hasselblad X2D II 100C |
£6,400 |
$7,399 |
Hasselblad Flagship Stores, Authorised Dealers |
| XCD 2,8–4/35–100E Lens |
£4,100 |
$4,599 |
Hasselblad Flagship Stores, Authorised Dealers |
| Vandra Backpack |
£369 |
$469 |
Hasselblad Flagship Stores, Authorised Dealers |
| 86mm Filters (depending on type) |
£259–£469 |
– |
Hasselblad Flagship Stores, Authorised Dealers |
Hasselblad X2D II Specifications
The X2D II anticipated specifications, corroborated by industry leaks and filings:
| Feature |
Details |
| Sensor |
100-megapixel CMOS medium format sensor (43.8 x 32.9mm), 16-bit color depth |
| Autofocus |
DJI LiDAR autofocus system, with face detection and improved tracking speed |
| Stabilization |
5-axis in-body image stabilization (IBIS) with 8 stops |
| Dynamic Range |
Approximately 15 stops, ideal for high-contrast scenes |
| Storage |
Built-in 1TB SSD, supports CFexpress Type B memory cards |
| Color Technology |
Hasselblad Natural Colour Solution (HNCS) for true-to-life tones |
| Lens Compatibility |
Compatible with XCD, HC, HCD, XPan, and V System lenses |
The Hasselblad X2D II camera is the first for Hasselblad, powered by deep learning algorithms to deliver faster, more reliable subject detection and tracking. Its Phase Detection Autofocus system now covers 425 zones, supported by LiDAR-assisted focusing and a new AF illuminator for improved performance in low light.
Main cameras in the $7,000–$8,000 range are Hasselblad X2D II 100C and Fujifilm GFX 100 II.
| Feature |
Hasselblad X2D II 100C |
Fujifilm GFX 100s II |
| Price (USD) |
$7,399 |
$8,199 |
| Sensor Resolution |
100MP |
102MP |
| Sensor Type |
BSI CMOS, 43.8 x 32.9mm, 16-bit color, 15 stops DR |
BSI CMOS HS, 43.8 x 32.9mm, 16-bit color |
| Image Stabilization |
5-axis IBIS, up to 7 stops |
5-axis IBIS, up to 8 stops |
| Autofocus |
DJI Advance LiDAR system with face detection | Fastest in MF Cameras |
Phase detection with subject detection (face, eye, animal, etc.) |
| Video Capabilities |
None |
8K30, 4K60 |
| Viewfinder |
Built-in 5.76M-dot OLED EVF |
Detachable 9.44M-dot OLED EVF |
| Rear Display |
3.6″ 2.36M-dot tilting touchscreen |
3.2″ 2.36M-dot 3-way tilting touchscreen |
| Storage |
Built-in 1TB SSD, CFexpress Type B slot |
CFexpress Type B + SD UHS-II slots |
| Weight (with battery) |
Approx. 895g |
1,030g (with EVF) |
while I am writing this article, I have recently checked the B&H store page of the Hasselblad X2D 100C camera and it has been in the top selling cameras of B&H store. So Hasselblad has its fan base. And they will buy the camera despite the fact that cameras like GFX100S II have the same 102 MP sensor, alongside, they also offer video recording in 4k30p Flog2.
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source camerabeta weibo
By admin, on July 14th, 2025
Well, in Japan, Fuji is dominating the mirrorless market share as well as their Fuji X100VI compact dominating the June and July sales report. Now in the USA, it’s almost mid-July and if you are going to explore the sales ranking, Canon R50 holds the crown, and surprisingly, the next camera in the list is Canon R6 Mark II and you are not going to believe the third camera is Canon R100. So in the USA, Canon is more popular and in the top 3 we have all Canon cameras, and in 4th we have Sony’s A6400 camera, and in the fifth ranking we have the A6700. You can explore all the rankings below.
Top 5 Best-Selling Mirrorless Cameras on Amazon for July 2025
1. Canon EOS R50 Mirrorless Camera (RF-S18-45mm F4.5-6.3 IS STM Lens Kit)
2. Canon R6 Mark II (Body Only)
3. Canon EOS R100 (RF-S18-45mm F4.5-6.3 IS STM Lens Kit)
4. Sony Alpha a6400 (16-50mm Lens)
5. Sony Alpha 6700 (Body Only)
6. Canon EOS RP (RF24-105mm F4-7.1 IS STM Lens Kit)
7. Sony a7 III (28-70mm Lens)
8. Panasonic Lumix G7 (14-42mm and 45-150mm Lenses)
9. Canon EOS R8 (Body Only)
10. Sony Alpha ZV-E10 II (16-50mm Lens)
Why this camera stands out in July 2025
Canon camera dominance can be clearly seen in the top three spots, so it is very clear that these cameras appeal to both beginner photographers and professional shooters. Sony A6400 is still in the list, that’s a really big surprise. Apart from this, Panasonic G7 remains the best budget mirrorless M4/3 camera. I will request Panasonic to at least introduce autofocus in the same price range — it would be great, and they will continue to keep the dominance for the next 5 to 7 years. Other than that, we also have A6700 and ZV-E10, but surprisingly, Nikon seems to be a bit less popular in the USA as of now, specifically in July.
By admin, on July 14th, 2025
Take a look at the latest camera sales ranking published by the Map Times for June and mid-July 2025. In this particular list, we have the Fuji X-Half camera as the top-selling camera of this month. Surprisingly, the next two cameras in the list are again the Fuji X100 VI and Fuji XM-5. It looks like Fuji is running some cashback programs specifically in Japan, maybe? Only Japanese users can answer this question.
Another factor is that Fuji’s production line often faces stock shortage issues across its entire camera lineup. Currently, there’s a huge possibility that the stock levels can meet user demands, which is why they’re ranking at the top.
Top 5 Best-Selling Cameras at Map Camera for June 2025
1. Fujifilm X-Half (X-HF1)
2. Fujifilm X100VI
3. Fujifilm X-M5
4. Nikon Z5 II
5. Ricoh GR IIIx
6. Nikon Z50 II
7. Sony α7C II
8. Fujifilm X-T5
9. Canon R6 Mark II
10. Ricoh GR III
Fuji is dominating the sales ranking of July – July 2025. And Nikon, Canon, and Sony are far behind Fuji in the June-July sales volume of cameras in Japan.
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source MAP camera Japan
Previous month rankings below
Fujifilm X100 VI Reclaims Top Spot, Nikon Z5II Slips to Second – MAP Camera Rankings
By admin, on July 13th, 2025
The Canon RP camera is available at its lowest price point with a 24 – 105 mm lens $999. Getting a full-frame sensor is always a big advantage compared to an APS-C camera when the full-frame sensor has Dual Pixel CMOS Autofocus. If you are a casual photographer or a street shooter or even a beginner photographer, this camera is best for you to begin with. Just add a 50mm lens to your arsenal to enjoy the best possible quality of the full-frame sensor.
Check out the latest Deal here – Canon Rp with RF 24-105mm Lens @ $999 Amazon.com | B&H Store
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By admin, on July 13th, 2025
According to the latest rumours coming from the webio / rumour mills, the Sony FX8 camera is said to feature 12K resolution, which we have also reported before, and it is expected to arrive in September 2025, possibly at the IBC conference. Now let’s break down the details — the list of rumoured specifications expected to arrive inside the Sony FX8 camera:
Sony FX8 Camera Specification
- The new full-frame product, named FX8, will feature a resolution of 12K, which is four times that of the FX9.
- It uses a 16:9 cropped 12K full-frame (3:2 aspect ratio, 96MP total pixels) CMOS image sensor.
- It doesn’t have internal RAW or X-OCN recording capabilities. Like the FX6, it outputs full-frame crop 3.8K 16-bit RAW to a third-party recorder via SDI at a maximum of 120fps.
- The only recording format available is XAVC, which offers 8K30p or 4K60p recording in full-frame and S35 modes.
- Full-frame crop 3.8K mode provides 4K120p recording.
- The readout specifications are not as good as the URSA Cine 12K, as the processor limits it, but it is still a reliable and easy-to-use camcorder that offers high-speed 4K (for FX6 users) and full-frame/Super35 dual-format 8K30p/4K60p (for FX9 users) for creative freedom.
About Sony FX8: Sony FX8 is said to be a professional filmmaker’s cinema camera set to join the Sony FX line, alongside the Sony FX6 and FX9. The camera will undergo a significant upgrade in its core specifications, offering very tough competition to the Blackmagic URSA Cine 12K camera.
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source/credit webio
By admin, on July 12th, 2025
Panasonic Lumix S1 II vs. Nikon Z6 III – Which One Is the Best Camera for Photo and Video? Let’s explore which one is the Best Camera for you. Here is the verdict / quick recommendation whcihexplained in the later part of the video
Choose Nikon Z6 III for:
- For Photography, Nikon Z6 III is more recommended
- For 4K vlogging, travel, and run-and-gun videography, the Nikon Z6 Mark III is highly recommended
- Excellent for recording slow-mo video, starting from Full HD 240 FPS and 4K up to 120 FPS
- Projects prioritizing sharp 4K footage and high frame rates.
Choose Panasonic Lumix S1 II for:
- 6K cinematic video with Open Gate and ARRI LogC3 for High-End post-production flexibility.
- 6K documentary, When you actually need the 6K quality, Panasonic S1 II is more recommended
- for thermal management, built-in FAN, and advanced 32 BIT audio.
- Anamorphic in-camera De Squeez Frame.io integration.
| Feature |
Nikon Z6 Mark III |
Panasonic S1 II |
| Lens Mount |
Nikon Z |
L-Mount |
| Dimensions (W x H x D) |
5.5 x 4 x 2.9″ (138.5 x 101.5 x 74 mm) |
5.29 x 4.03 x 3.61″ (134.37 x 102.36 x 91.69 mm) |
| Weight |
23.6 oz / 670 g (Body Only) |
1.58 lb / 717 g (Body Only), 1.76 lb / 798 g (With Battery, Media) |
| Battery |
EN-EL15c Rechargeable Lithium-Ion (~360 shots) |
Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh |
| Operating Conditions |
32 to 104°F / 0 to 40°C, up to 85% Humidity |
14 to 104°F / -10 to 40°C, 10 to 80% Humidity |
| Media/Memory Card Slot |
Slot 1: CFexpress Type B / XQD, Slot 2: SD/SDHC/SDXC (UHS-II) |
Slot 1: CFexpress Type B, Slot 2: SD/SDHC/SDXC |
| Wireless |
2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 |
5 GHz Wi-Fi 5 (802.11ac) |
| Mobile App |
Nikon Imaging Cloud (Android/iOS, file access, firmware updates) |
Lumix Lab (Android/iOS) |
| Monitor |
3.2″, 2,100,000 Dot, Articulating Touchscreen LCD, Top Status Display |
3″, 1,840,000 Dot, Free-Angle Tilting Touchscreen LCD |
| Viewfinder |
Electronic, 0.5″, 5,760,000 Dot, 0.8x Magnification, -4 to +2 Diopter |
Electronic (OLED), 5,760,000 Dot, 0.78x Magnification, -4 to +2 Diopter |
| Video I/O |
1x HDMI Output |
1x HDMI Output |
| Audio I/O |
1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input |
1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input |
| Power I/O |
1x USB-C Input |
1x USB-C Input |
| Other I/O |
1x Nikon DC2 Data Input, 1x USB-C Data Output (Shared with Power Input) |
1x USB-C Data Output (Shared with Power Input) |
Still image comparison between Panasonic S1 Mark II, Nikon Z6 Mark III in JPEG mode – Image quality-wise, the Nikon Z6 Mark 3 camera can capture with more detail compared to the Panasonic S1 Mark II, and even considering the price and AI autofocus mode, the best investment should be the Nikon Z6 Mark 3.
Video Core Specification Comparison
| Feature |
Nikon Z6 III |
Panasonic Lumix S1 II |
| Max Video Resolution |
6K (6048 x 3402) @ 60p (RAW) |
6K (5952 x 3968) @ 29.97p, 5.1K (5088 x 3392) @ 60p (Open Gate) |
| 4K Frame Rates |
4K UHD (3840 x 2160) @ 120p |
4K (3840 x 2160) @ 119.88p, C4K (4096 x 2160) @ 119.88p |
| Slow Motion |
Full HD (1920 x 1080) @ 240p |
Full HD (1920 x 1080) @ 239.76p |
| RAW Recording |
N-RAW, ProRes RAW HQ (12-bit) |
Apple ProRes RAW (10-bit) |
| Compression Options |
ProRes 422 HQ (10-bit), H.265/HEVC, H.264/AVC (8/10-bit) |
Apple ProRes, H.264/MPEG-4 AVC, H.265/HEVC, HEIF (10-bit) |
| Log Recording |
N-Log, HDR (HLG) |
V-Log, ARRI LogC3 (with DMW-SFU3A upgrade) |
| Audio |
Linear PCM (48 KHz, 24-bit), AAC (48 KHz, 16-bit), 3.5mm mic/headphone |
LPCM (48/96 KHz, 24/32-bit), AAC (48 KHz, 16-bit), XLR via DMW-XLR2 |
| Max Recording Time |
2 hours 5 minutes |
Not specified (internal fan for extended recording) |
| Stabilization |
5-axis IBIS (8 stops) |
5-axis IBIS (8 stops), Active I.S., cropless mode |
| Additional Features |
Waveform, focus peaking, zebra, time code, e-VR, dual-format proxy |
Real Time LUT, Frame.io C2C, anamorphic desqueeze, full HDMI output |
| Weight |
1.5 lbs (675 g) |
1.76 lbs (800 g) |
| Dimensions |
5.47 x 4.02 x 2.91 in |
5.28 x 4.04 x 3.63 in |
Nikon Z6 Mark 3 and Panasonic S1 Mark II camera – Which is best for your videographic needs?
Nikon Z6 III captures more details in a video clip compared to the Panasonic S1 II
Based on videographic requirements, which camera is the best one for you? The Nikon Z6 Mark 3 camera delivers excellent 4K video quality, and the details are very sharp. You can also see the samples that have been attached to this page. The 4K details captured by the Nikon Z6 III are remarkably sharp. Panasonic Lumix S1 Mark II camera 4k samples, doesn’t carry that many details that which we can notice in the Nikon Z6 III camera.
What users are saying, those who have both the camera
The Nikon Z6 Mark 3 camera can capture 4K videos up to 120 frames per second, so that’s the best option we have if you wish to capture high-quality dance moves or action sequences in slow motion. The Nikon Z6 Mark 3 camera also offers the latest Nikon RED LUTs to put a cinematic feel inside your camera. The camera also offers waveform functionality and timecode support.
Why should you buy the Nikon Z6 Mark 3? If you are a content creator, travel blogger, street filmmaker, or even wedding cinematographer, and your requirement is limited to 4K video recording, then of course, the Nikon Z6 Mark 3 is more recommended for you.
At first, we were also confused when we saw the samples, since the Z6 III details are less compared to the Nikon Z6 III at 6K mode., but keep in mind since Nikon has unlocked the RAW mode of the camera, and the samples are clipped from RAW files not the in-camera processed mp4 that’s why the details visually less compared to the Panasonoc processed 6k MP4 file.
In 5k mode, when both are set at H.265, 10 bit, then as you can see, the Nikon Z6 III renders more details compared to the Panasonic S1 II camera.
Panasonic S1 Mark II Lacks RAW 6K Recording
The big problem with the Panasonic S1 Mark II camera is no RAW video recording mode is available at 6K and that creates a big confusion while comparing the clips of the camera that the S1 Mark II is generating a higher amount of detail, but the fact is the Z6 Mark III camera is giving us complete RAW footage, that’s why the details are soft in the initial inspection that can create confusion to any of us.
5K Comparison Shows Nikon Z6 III Advantage
But again, in 5K video recording mode, when you compare both the files or the clips of the camera, where none of them are recording in RAW format, then you can clearly see that Z6 Mark III camera details are much clearer.
Nikon Z6 III Offers 6K 60fps and 4K 120fps – But Misses Key Features
And since only the Nikon Z6 III camera is able to give us exclusively 6K 60 fps mode as well as 4K 120 fps mode, what we are missing inside the Z6 III is the anamorphic de-squeeze function as well as 32-bit float audio.
Which One Should You Buy – Final Recommendation
So to be very clear, for photography purposes, Nikon Z6 Mark III camera is the best option. Other than that, in videography purposes, if you’re going to shoot in anamorphic lenses and you have to use the in-camera de-squeeze functionality as well as you’re connected to post-production and your requirement is actually 32-bit float audio, in this specific scenario I am going to recommend you Panasonic S1 Mark II camera. Otherwise, Nikon Z6 Mark III is the best camera available at a lesser price and you should go with that camera.
Best camera for high-quality slow-motion video
Nikon Z6 Mark 3 is the straightforward answer. With this camera, you can record high-quality Full HD videos up to 240 frames per second. You can use it later in 10x slow-motion mode, delivering ultra-smooth, super slow-motion footage for a cinematic look. Other than that, the camera also offers 4K video recording up to 120 frames per second. So again, you are getting an option to record high-quality slow-motion footage—although you have to face a crop while recording at 120 FPS, but at least you get the option.
There is no such option present in the Panasonic S1 Mark II. It has advantages in its 6K mode, but yes—even in the 6K mode—it’s missing the 60fps frame rate which the Z6 Mark 3 is able to deliver.
Best camera for higher resolution Video
Please note, the Panasonic S1 Mark II does not offer RAW recording in 6K, whereas the Nikon Z6 Mark III offers full 6K RAW video, which gives more flexibility in post-production even if initial clips may look softer.
The Nikon Z6 Mark III offers 6K 60fps and 4K 120fps with internal RAW, but lacks 32-bit float audio and anamorphic de-squeeze support, making the S1 Mark II still a better choice if audio and anamorphic workflows are a priority.
Verdict – Best Camera for You
Choose Nikon Z6 III for:
- For Photography, Nikon Z6 III is more recommended
- For 6k 60FPS / NRAW video Nikon Z6 III
- For 4K vlogging, travel, and run-and-gun videography, the Nikon Z6 Mark III is highly recommended
- Excellent for recording slow-mo video, starting from Full HD 240 FPS and 4K up to 120 FPS
- Projects prioritizing sharp 4K footage and high frame rates.
Choose Panasonic Lumix S1 II for:
- 6K cinematic video with Open Gate and ARRI LogC3 + 32-bit Audio
- for thermal management, built-in FAN, and advanced 32 BIT audio.
- Anamorphic in-camera De Squeez Frame.io integration.
Stay Updated with TheNewCamera.com
At TheNewCamera.com, we’re dedicated to keeping you informed about the latest camera news. The article “Panasonic Lumix S1 II vs. Nikon Z6 III – Which one is the Best Camera for Photo and Video?” by thenewcamera.com team on 9:04 am Saturday, 12 July 2025 Greenwich Mean Time (GMT) | Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + Canon Rumors 24X7.
Credit Image Dpreview.com
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