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Sony Upcoming 200-400mm Fullframe Mirrorless Lens Image Leaked

Sony 200-500mm f/5.6-6.3 G OSS FE lens image leaked before its official announcement. Based on the set of latest rumors we are getting the lens is rumored to arrive on before June 7. So, we will having a Sony lens announcement very soon.

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Panasonic S1H vs Panasonic GH5

With very limited video specification Panasonic completed the development announcement of the Panasonic S1H camera. The camera is still under development process and lot of specs remains unconfirmed. However, Panasonic does confirmed all of us that the upcoming camera will capture 6K video without crop and which is of-course a groundbreaking thing.

Panasonic S1H vs Panasonic GH5, take a look at quick specification comparison between the Panasonic S1H and the Panasonic GH5.

Panasonic S1H Panasonic GH5
 TBA (Most probably 24.2MP Full-Frame MOS Sensor) 20.3MP Digital Live MOS Sensor
Venus Engine Image Processor

6K 24fps (3:2 aspect ratio, No Crop)

5.9K 30fps (16:9 aspect ratio)

4K Video with No Crop
4K DCI & UHD 4:2:2 10-bit 60fps Internal 4:2:2 10-Bit 4K Video at 24/30p
Sensor-Shift Image Stabilization 5-Axis Sensor Stabilization; Dual I.S. 2
5.760K-dot 120Hz OLED EVF 0.76x 3.68m-Dot OLED Viewfinder
3.2″ triaxial Touchscreen tilting LCD 3.2″ 1.62m-Dot Free-Angle Touchscreen
 Price (Body Only) $4000 (approx)   $1497

So, right we have only the video specification of the camera. And it’s look very impressive compared to Panasonic GH5.

With Panasonic S1H you get a option to record 4K videos at 24 fps, but the aspect ratio is 3:2. So If you record high resolution videos for production purpose than u have to use 5.9K @30fps which gives you standard 16:9 aspect ratio.

One more thing you are getting in Panasonic S1H is you can record 4K video recording mode 4:2:2 10-bit 60fps.

Additionally you are also getting larger sensor area so details will be great as well as low-light performance is also expected to be better than of M4/3s sensor.

So, overall Panasonic S1H do have a upper hand when we talk about video recording modes. but is will cost you 2X and more

No information about bit-rates and ISO range in still and video mode available for now. We will update this specs once we will get the full specification of the camera officially from Panasonic.

Panasonic GH6 will also get goodness of S1H, but not so soon. We have to wait till next year.

Panny Pushing Limits with 6K Camera, Canikon Remain Silent ?

With only one image and very limited details Panasonic completed the development announcement of S1H camera.

This camera is industry first FF Mirrorless camera able to record 6k videos at 24 frames per second internally. So, they are pushing up-limits of camera industry limit to a next level, while recording 6K videos Panasonic uses entire sensor area and it also means you can record unlimited amount of 18MP+ files @ 24fps with the new Panasonic S1H camera.

Panasonic S1H camera is hitting out the limits of video industry.

We were expecting 6k video recording options from Sony A7S III camera, at the same time Sony senior manager also hinted that they are creating a camera beyond someone’s expectations. There are several interviews, they clearly tells us that they are creating a 6k consumer level video camera.

18 megapixel stills from Panasonic S1H

Panasonic S1H is also highly capable still camera, since when you are creating a 6k video you are recording 18 megapixel at 24 frames per second. Panasonic S1H camera gives you enormous possibilities to grab the perfect picture which was not what possible with the previous generation of hybrid cameras.

This camera will sure going to help wedding photographers, event shooters to grab a perfect pictures later on while sitting in the editing room.

4K created from oversampled 6k videos

highly detailed 4K video footage from the Panasonic S1H camera at the same time the 4K videos are more stabilized according to Panasonic since they are being oversampled from 6k just like we have in the Sony A7 III, and the Sony A9 camera.

DFD AF System again

The only lag you can find about this camera is DFD AF system which is typically based on contrast based AF system. It do need a good amount of light to lock AF quickly otherwise the AF lag is noticeable.

 

Before Sony A7S III Announcement

But just before Sony A7 III announcement, Panasonic grabbed all the limelight by doing development announcement their flagship video oriented full frame mirrorless camera which uses the L-mount and capture 6k video at 24 frames per second at the same time the camera also features built-in images stabilization system which was absent in the Panasonic GH 5S camera. probably due to the heat dissipation issue Panasonic engineers at that time we are not able to add the IBIS feature inside the Panasonic GH 5S camera.

Now what about Sony ? We are sure that Sony A7S III camera will have Hybrid AF system with super accurate and fast Eye AF as we have seen inside A7III camera integrated with 6K video recording capability. At the same time Sony will also push low-light limit and this time we do expect they will cross up the ISO 409600 barrier with Sony A7S III.

Canon  should be doing that ? – When we talk about pushing limits

Canon DSLR and Mirrorless camera do not have proper 4K video mode (all suffer from Crop issues and some of them have CDAF AF system in 4K mode). In an interview Canon rep said that they donot want to cannibalize their cinema range of cameras that’s why DSLR and Mirrorless have limited video modes.

BTW, I personally think, they should give all they have to consumers without putting any forced limitation, otherwise Sony and Panasonic will Cannibalize Canon Camera division.

Nikon is giving 100% what they have, I don’t have any complain about Nikon but they should move fast. Nikon announced Z6 and Z7 camera same time without being worried about Z7 low sales, ( Z6  may kill some sales of Z7 due to affordable price tag and more video centered camera). Based on the latest set of information we have they will be soon announcing new Mirrorless cameras and a DX format mirrorless camera with same Z-mount to retain the versatility of the DSLR era.

What you think about Panasonic S1H announcement do share your thoughts with us.

Nikon Patent - Hybrid DSLR without Phase AF Sensor

TNC exclusive: We have spotted a Nikon DSLR patent without Phase AF sensor. Although from the patent it’s very clear that the DSLR is using Hybrid AF Sensor and the camera will carry pixels block (AF segments) . These pixel block can be determined by camera CPU or by user itself. We have got hints in past that Nikon is working on Canon 200D II / SL3 / 250D competitor. More or less this patent sure confirm that News.

1. Sensor of the camera

The sensor of the camera isn’t a traditional sensor, but based on patent description it’s a hybrid sensor with dedicated AF zones.

We have added a patent translated description if you want to dig up more details.  In the entire description as well as in image the Phase AF sensor part / module is missing.

2. Nikon DSLR Patent Image

So, finally Nikon is moving in into the era of  Hybrid DSLR by removing the Phase AF module, however it also indicate the phase AF pixels of the camera sensor will remain always active even in viewfinder mode, display mode as well as video mode.

 

Translated patent details (Machine translation)

Translated Patent Details

The camera body 600, the lens mount 550 is coupled. The camera body 600 includes a mirror 672 on the side of the third direction than the body mount 660. Mirror 672 is fixed to the shaft so as to be rotatable between the lens unit 500 and obliquely disposed position provided inclined with respect to the subject light flux entering the third direction, and a retracted position retracted from the subject light flux .

If the mirror 672 is in the obliquely disposed position, most of the subject light beam incident through the lens unit 500 is guided is reflected on the mirror 672 in the focusing plate 652. Focusing screen 652 is disposed on the light receiving surface a position conjugate with the image pickup device 200 to visualize an object image optical system of the lens unit 500 has been formed. Formed focusing screen 652 subject image is observed from the finder 650 through a pentagonal prism 654 and the finder optical system 656.

Focusing screen 652, pentaprism 654, the mirror 672 is supported in the mirror box 670 as a structure. Image sensor 200 is attached to the mirror box 670. Mirror 672 is retracted to the retracted position, if the front curtain and rear curtain of the shutter unit 340 is opened, the subject luminous flux transmitted through the lens unit 500 reaches the light receiving surface of the imaging element 200.

The opposite side of the shutter unit 340 to the imaging device 200, the body board 620 and the rear display unit 634 are sequentially disposed. Rear display unit 634 in which the liquid crystal panel or the like is employed, located on the back of the camera body 600.The body board 620, CPU 622, electronic circuits such as the image processing unit 624 are implemented. The output of the image sensor 200 is delivered to the image processing unit 624.

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Canon to Replace 7D Mark III with RF-Mount APS-C Mirrorless [Rumor]

According to latest rumor coming from rumor mills. Canon may postponed the announcement of Canon 7D Mark III, In favor of Canon RF Mount based APS-C Mirrorless camera.

It’s a clear indication that they are strictly following up the rule of DSLR cannibalization, at the same they don’t want to loosen up the versatility as they have in DSLR era. The  EOS M camera carry EF-M mount which is bit Isolated, and based on the set of rumors we have Canon may announce a EOS APS-C RF camera as a replacement of Canon 7D Mark III.

However, take this information with grain of salt. We will update you soon as we get any new information.

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Also see – Reason Behind Canon Cropped 4K Video Mode DSLR and Mirrorless and More…

source CR

Panasonic S1H Camera Press Release, Full Specification and Intro Videos

Finally we have the Panasonic S1H camera , the third camera dedicated to cinematography announced after the Panasonic S1 and S1R. The Panasonic S1H is dedicated to videographers / cinematographers and arrived with class leading specification to attract prosumers of different brands.

Watch out this space for more updates and information, we will be adding more details soon.

World first Mirrorless to Record 6K Videos

The Panasonic is world first fullframe mirrorless camera to record 6k  @ 24p video and 5.9K @ 30p. The Panasonic SH1 also introduce Cinema 4K mode in the S1H camera, now you can record DCI 4K videos in 60p at 10 bits internally.

Major features of Panasonic S1H Camera

  • 6K 24fps (3:2 aspect ratio)
  • 5.9K 30fps (16:9 aspect ratio)
  • 4K DCI & UHD 4:2:2 10-bit 60fps
  • 14+ stops of dynamic range
  • V-Log/V-Gamut
  • 4:3 Anamorphic mode
  • No time limits on recording
  • 225-Area DFD Contrast-Detect AF system
  • Sensor-Shift Image Stabilisation
  • 3.2″ triaxial tilting LCD (no flippy out LCD here, folks!)
  • 5.760K-dot 120Hz OLED EVF

They have done their best to Manage overheating issue

Panasonic engineers done their best to manage heat suppression inside the camera. But, as we all know the higher the video resolution the more heat it generate,  they have done their best to mange hear suppression inside the camera. However, the company also says that once the temperature of the camera goes above the certified temperature range the camera will automatically stop video recording.

4K oversampled from 6K

With a completely new sensor, the camera now does a 6K full pixel readout to produce ‘perfect’ oversampled 4K video.  At the same time the image stabilization is also more improved.

With the support of V-Log / V-Gamut with a dynamic range of 14 stops the camera has become industry best Mirrorless camera for cinematographers. Note that the S1H’s recording format is compatible with the V-Log format recorded by a VariCam or the V-Log L recorded by the LUMIX GH5 / GH5S.

No recording limit, the camera has unlimited buffer memory without any restriction. The camera will record video as long as the memory card / external storage is full.

The prototype of the LUMIX S1H will be exhibited at the “Cine Gear Expo 2019” show from May 30 to June 2, 2019.

Panasonic S1H Full Specification

Coming Soon [Space for Panasonic S1H Full Specification]

Panasonic S1H Official Press Release

Panasonic Announces the New LUMIX S1H Full-Frame Mirrorless Camera

With Cinema-Quality Video and the World’s First 6K/24p*1 Recording Capability

Newark, NJ (May 31, 2019) – Panasonic Corporation is proud to announce the newest addition to the LUMIX S series, the LUMIX S1H, a new Digital Single Lens Mirrorless camera equipped with a full-frame image sensor. As the world’s first camera capable of video recording at 6K/24p *1 (3:2 aspect ratio), 5.9K/30p (16:9 aspect ratio), and 10-bit 60p 4K/C4K.*2 *3, it combines the video quality of a professional camera and the high mobility of a mirrorless camera. The LUMIX S1H will be released to world markets in fall 2019.

The main features of the new LUMIX S1H are as follows:

  1. High resolution up to 6K for multiple formats.

Maximizing the use of the pixels in the full-frame image sensor, the LUMIX S1H, as a digital camera, has achieved 6K/24p (3:2 aspect ratio) or 5.9K/30p (16:9 aspect ratio) video recording for the first time in the world.*1 It is also the world’s first full-frame digital interchangeable lens system camera*1 to enable 10-bit 60p 4K/C4K *2*3video recording. It accommodates a variety of recording formats like 4:3 Anamorphic mode, to meet professional needs. Its high-resolution data can also be used to create 4K videos with higher image quality or to crop images in 4K.

  1. Rich gradation and a wide color space virtually equal to those of cinema cameras.

The LUMIX S1H features V-Log/V-Gamut with a wide dynamic range of 14+ stops, which are virtually the same as those of the Panasonic Cinema VariCam, allowing it to precisely capture everything from dark to bright areas. So much so, that the color and even the texture of human skin are faithfully reproduced. Designed under consistent color management, the S1H’s recorded footage is compatible with V-Log footage recorded by VariCam or the LUMIX GH5/GH5S.

  1. High product reliability that allows unlimited video recording. *7

In every S1H recording mode, video can be recorded non-stop under the certified operating temperature so the user can concentrate on shooting.

Since the 1990s, Panasonic has been a leader in the development of video recording technologies for digital cinema, and has produced a host of innovative technologies for impressive cinematic imagery, such as 24p video recording, slow motion video using a variable frame rate, and the wide dynamic range and color space of V-Log/V-Gamut. By working with film creators for more than 25 years, Panasonic has successfully designed a number of cinema cameras that exhibit stunningly high video performance. The LUMIX GH1 made its debut in 2009 as the world’s first Digital Single Lens Mirrorless camera capable of full-HD AVCHD video recording. *4 The LUMIX GH4 was launched in 2014 as the world’s first Digital Single Lens Mirrorless camera*5 capable of 4K video recording. Next, the LUMIX GH5 was released in 2017 with the world’s first 4K/60p, 4:2:2 10-bit 4K/30p recording capability.*6 The LUMIX GH5 is highly acclaimed by film creators for its high performance, excellent mobility, and superb versatility in film production. And now, in 2019, the LUMIX S1H joins as Panasonic’s newest cinema camera.

Panasonic now offers three innovative models in the LUMIX S Series of full-frame Digital Single Lens Mirrorless cameras – the S1R, the S1, and the new S1H. The LUMIX S1R is ideal for capturing high-resolution images, while the LUMIX S1 is an advanced hybrid camera for high-quality photos and videos, and the LUMIX S1H is designed especially for film production. With this lineup, Panasonic is committed to meet the demands of every imaging professional by challenging the constant evolution of the photo/video culture in today’s new digital era.

The LUMIX S1H prototype will be exhibited at the 2019 Cine Gear Expo.*8

*1 As a digital interchangeable lens system camera, as of May 31, 2019 (U.S.). Panasonic research.

*2 As a full-frame digital interchangeable lens system camera, as of May 31 May, 2019 (U.S.). Panasonic research. In Super 35mm-equivalent size.

*3 Corresponding to 4K (4096×2160) as defined by Digital Cinema Initiatives (DCI).

*4 As of March 25, 2009, as a digital interchangeable lens system camera. Panasonic research.

*5 As of March 25, 2014, as a Digital Single Lens Mirrorless camera. Panasonic research.

*6 As of January 25, 2017, as a digital interchangeable lens system camera. Panasonic research.

*7 Recording time varies depending on the battery capacity and memory card capacity. When the camera’s temperature rises above the specified operation temperature, the camera may automatically stop video recording to protect it from heat damage.

*8 Cine Gear Expo 2019 is the premier annual event for professionals engaged in the technology, entertainment and media industry to be held at Paramount Studios in Los Angles, U.S., through May 30 to June 2.

・Design and specifications are subject to change without notice.

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Panasonic S1H Camera Leaked Specification

Panasonic SH1 image

According to latest rumors, Panasonic upcoming camera name will be Panasonic S1 H. The announcement is rumored to happen on May 31st 2019. Take a look at the detailed leaked specification of the upcoming camera

Panasonic S1 H Rumored Specification

  • Panasonic Cine Lumix S1H
  • New Full Frame sensors
  • Records 6K24p and 4k60p
  • Records 10bit 4:2:2 internal at 30p and external 60p
  • 14 stops Dynamic Range
  • Cinematography dream gear
  • Slightly bigger than the S1-S1R for better heat dissipation
  • full built-in log settings
  • Expensive than the S1R

We will update you soon as we get any new information about the upcoming Panasonic S1H camera.

We have told you earlier that Panasonic is rumored to announce a new SL Mount camera for cinematographers

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