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By admin, on February 6th, 2025
Nikon Z5 II is coming in the summer of 2025, according to the latest information available on the web. We already have the rumored core specifications of the upcoming camera.
Nikon Z5 II Rumored Specification
- 24.5MP Full-Frame BSI CMOS Sensor
- Expeed 7 image processor
- 4K UHD 30p / Full HD 120p Video Recording, 1.5x 60p with crop
- 273-Point Hybrid AF with Eye and Animal Detection
- 5-Axis In-Body Image Stabilization
- Bright 3.69M-Dot OLED Electronic Viewfinder
- 3.2″ Tilting Touchscreen LCD
- Dual UHS-II SD Card Slots
- Built-In Wi-Fi and Bluetooth Connectivity
- USB-C Charging and Power Delivery Support
Earlier, we were receiving continuous information that the Nikon Z5 II camera would arrive just after the announcement of the Nikon Z50II. However, it now seems that the announcement has been delayed. One of the reasons behind this delay is the huge demand for the Nikon Z50II camera in the market. Nikon will surely allow the Z50II to reach its peak period, which generally lasts 7 to 8 months after the camera’s announcement. In general, camera manufacturers avoid announcing two different cameras in the approx same price range due to the fear that each will cannibalize the other’s sales.
Best Lenses for Nikon Z50 II in 2025
Since the Nikon Z50 II was announced back in November 2024, it seems quite logical for Nikon to announce the Z5 II camera sometime in the summer months of 2025.
List of Upcoming Nikon Cameras and Lenses
– COOLPIX P1000 (P1100?)
– Z 35mm f/1.2 S (Already Announced)
– Z 28-135mm F4 PZ (announced )
– New series of cinema lenses
– Z9II
– Z5II (probably summer 2025)
– Z series video cameras
We will post updates as soon as we receive any new information related to the upcoming camera.
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source nikonrumor (NR)
By admin, on February 6th, 2025
Get Nikon 35mm F1.2 Lens from Adorama.com | B&H Store
REDEFINE THE ART OF STORYTELLING: NIKON RELEASES THE NIKKOR ® Z 35MM F/1.2 S, A FAST WIDE-ANGLE PRIME LENS FOR NIKON Z MOUNT MIRRORLESS CAMERAS
Environmental Portrait Lens Provides Outstanding Optical Performance and Smooth, Beautiful Bokeh
MELVILLE, NY (February 4, 2025)—Today, Nikon Inc. announced the highly anticipated release of the NIKKOR Z 35mm f/1.2 S, a medium-wide-angle prime lens with an impressively fast f/1.2 maximum aperture for professional photographers and filmmakers.
The NIKKOR Z 35mm f/1.2 S is Nikon’s latest S-Line lens, a series synonymous with outstanding optical performance and handling. The lens emphasizes the main subjects with soft and beautiful bokeh, a dramatic shallow depth-of-field, and the realistic expression of textures. This classic wide-angle prime lens allows a creative use of the environment to tell a deeper story that connects meaningfully with the viewer.
“Our latest f/1.2 lens truly demonstrates the power of Nikon’s optical expertise, creating a lens that helps the user to portray more of the environment within a single, beautiful frame,” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc. “The NIKKOR Z line of lenses continues to expand as we now offer more than 40 impressive optical solutions for Nikon Z Series users.”
The optical characteristics of the NIKKOR Z 35mm f/1.2 S are finely tuned to create the perfect combination of sharpness and atmosphere. Soft, delicate organic textures, such as skin and hair, are rendered with a natural authenticity, while reflective objects like jewelry are sharp and free of distracting color aberrations. The NIKKOR Z 35mm f/1.2 S is a must-have lens for those shooting events, weddings, fashion, as well as for cinematography.
Sharing a similar design concept to the NIKKOR Z 50mm f/1.2 S and the NIKKOR Z 85mm f/1.2 S, the new lens offers superior rendering capabilities as well as depiction of the scene with a sense of depth, even with its wide angle of view. The optical design includes three ED glass elements and one aspherical ED element, enabling effective reduction of false color aberrations. In addition, the application of Nikon’s proprietary Meso Amorphous Coat, Nano Crystal Coat, and ARNEO Coat minimize ghosting and flare and provide outstanding optical performance.
Primary Features of the NIKKOR Z 35mm f/1.2 S
- Enables unique imaging styles through the combination of high resolving power achieved by superior optical performance, smooth and beautiful bokeh that takes full advantage of the shallow depth-of-field at f/1.2, and 35mm angle of view.
- Achieves a sense of depth with smooth bokeh that transitions gently as it moves away from the focal plane.
- A lens structure with symmetry in front of and behind the aperture realizes outstanding optical performance.
- Three ED glass elements and one aspherical ED glass elements enable effective correction of various lens aberrations.
- Adoption of Meso Amorphous Coat, Nano Crystal Coat and ARNEO Coat effectively reduces ghosting and flares for clear rendering even in tough lighting conditions.
- Adoption of a multi-focusing system1 that uses stepping motors (STMs) realizes fast and accurate AF drive for both still images and video.
- Features a design optimized for video, including a clickless control ring, silent focusing and stable exposure, and suppressed focus breathing to effectively reduces shifts to the angle of view when focusing.
- Two convenient L-Fn buttons, to which a wide variety of functions can be assigned, enable smooth adjustment of settings, even during vertical shooting.
- Superior dust and drip-resistant performance2 is ensured by sealing various parts of the lens, including movable parts of the lens barrel.
Price and Availability
The new Nikon NIKKOR Z 35mm f/1.2 S lens will be available in late February 2025 for a suggested retail price of $2,799.95*3. For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras
By admin, on February 5th, 2025
 Identical twins – Body design, and button layout remain the same, the only change in the camera name is noticeable Now we have created a different table where we have sorted out the major differences between the two. The thing that disappoints us, number one, is that there is no major upgrade we can find in the hardware zone of the camera. The sensor, the image processor, the lens, and even the battery—everything remains as it was in the predecessor of the camera. And the thing that disappointed us more is the drop in image stabilization support. Now, the P1100 camera got an IBIS rating of 4.0 stops only, whereas the Nikon P1000 camera had an image stabilization rating of 5.0 stops from CIPA.
Pre order – Buy Nikon P1100 at Adorama.com – B&H Store
Differences Between Nikon P1100 and Nikon P1000
| Feature |
Nikon P1100 |
Nikon P1000 |
| IBIS Rating CIPA |
4.0 Stops |
5.0 Stops |
| IP Streaming |
No |
Yes |
| Power/Data I/O |
USB-C input (modern standard) |
Micro-USB input + extra Micro-USB data port |
Some more differences between the two model
| The flash’s guide number drops from 16 to 12m in the new Nikon P1100 |
| New Fireworks Show Scene Mode and Long Exposure NR. |
| Connectivity Features Improved – WPA3-SAE Wi-Fi for greater security and Bluetooth 5.1 |
Verdict:
The Nikon P1100 camera announced, does carry some necessary updates— most notably, the addition of a USB-C port, which is now mandatory for all electronic devices in the European Union. Other than that, the camera does have some minor upgrades, so if someone already has a P1000 camera, there is no need to spend extra money on this one, as the overall core specifications remain the same as those of the P1000.
Those who are looking for a mega zoom camera can buy it, since the P1000 has now been discontinued by Nikon, making the P1100 the only remaining super mega zoom model in the market.
Common Features Between Nikon P1100 and Nikon P1000
| Feature |
Both Cameras |
| Sensor |
16MP 1/2.3″ CMOS sensor |
| Lens/Zoom |
125x optical zoom (24–3000mm equivalent) |
| Image Stabilization |
Optical stabilization |
| ISO Range |
100–6400 |
| Shutter Speed |
1/4000–30 sec (manual mode) |
| Viewfinder/Display |
2.36M-dot EVF + 3.2″ 921k-dot articulating LCD |
| Continuous Shooting |
7 fps (7-frame JPEG buffer) |
| Battery Life |
~250 shots (EN-EL20a) |
| Weight/Dimensions |
Identical: 3.11 lb / 1415 g, 5.8 x 4.7 x 7.1″ |
The cameras are nearly identical in core specs, sharing the same sensor, zoom range, stabilization, and ergonomics.
By admin, on February 5th, 2025
The Nikon P1100 announced today, but it’s really hard to find hardware differences in this new camera compared to the predecessor, Now, the ONLY noticeable difference we have is the addition of a USB-C port for faster charging and data transfer. However, its core specifications remain nearly identical to the P1000, including the same 16MP 1/2.3″ CMOS sensor, 125x optical zoom (24–3000mm equivalent), and 4K UHD video recording at 25/29.97 fps, so it’s disappointing to see such a subtle update in the new camera from Nikon even after a long gap. If you already own the Nikon P100 camera, upgrade from the existing camera offers minimal benefits unless USB-C charging, which I think but budget-conscious photographers will not upgrade their camera based on the minor improvements against the P1000’s.
Pre order – Buy Nikon P1100 at Adorama.com – B&H Store
20 Major Features of Nikon COOLPIX P1100
- 125x Optical Zoom (24-3000mm equivalent)
- 250x Dynamic Fine Digital Zoom (6000mm equivalent)
- 16MP Backside-Illuminated CMOS Sensor
- Dual Detect Optical Vibration Reduction (4-stop stabilization)
- 4K UHD Video Recording (30 fps)
- Vari-angle 3.2″ LCD Display (921k-dot, non-touch)
- 2.36m-Dot Electronic Viewfinder (OLED)
- RAW Image Capture (.NRW format)
- ISO Range 100-6400
- Fast Continuous Shooting (Up to 7 fps)
- External Microphone Support (3.5mm jack)
- Clean HDMI Output (for external recording)
- Customizable Control Ring (Focus, ISO, Exposure)
- Snapback Zoom Button (Quick zoom out for tracking)
- Special Shooting Modes (Moon Mode, Bird Mode, Light Trails, etc.)
- Built-in Wi-Fi & Bluetooth (SnapBridge, remote control)
- Remote Shooting with ML-L7 (Optional)
- Hot Shoe for External Flash
- Single SD/SDHC/SDXC Card Slot
- Approx. 250 Shots Per Charge (EN-EL20a battery)
Price of Nikon P1100 – Worlwide
| Rank |
Country |
Currency (Code) |
Exchange Rate* (per USD) |
Equivalent Amount |
| 1 |
USA |
Dollar (USD) |
1 |
$1,096 |
| 2 |
Germany |
Euro (EUR) |
~0.90 |
€986 |
| 3 |
China |
Yuan (CNY) |
~7.2 |
¥7,891 |
| 4 |
India |
Rupee (INR) |
~83 |
₹90,968 |
| 5 |
Indonesia |
Rupiah (IDR) |
~15,700 |
Rp17,183,200 |
| 6 |
Pakistan |
Rupee (PKR) |
~280 |
₨306,880 |
| 7 |
Brazil |
Real (BRL) |
~4.9 |
R$5,370 |
| 8 |
Nigeria |
Naira (NGN) |
~1,450 |
₦1,587,200 |
| 9 |
Bangladesh |
Taka (BDT) |
~110 |
৳120,560 |
| 10 |
Russia |
Ruble (RUB) |
~90 |
₽98,640 |
| 11 |
Mexico |
Peso (MXN) |
~17 |
Mex$18,632 |
(*Exchange rates are approximate and may vary.)
Nikon P1100 Arrival Date
Est. Ship Date: Thu Feb 27
Nikon P1100 Official Press Release
REACH FOR THE STARS: NIKON RELEASES THE COOLPIX P1100 COMPACT DIGITAL CAMERA WITH AN EXTRAORDINARY 125X OPTICAL ZOOM
The Compact Camera That Sets the Gold Standard for Super Zooms
MELVILLE, NY (February 4, 2025) – Today, Nikon Inc. announced the COOLPIX P1100, a compact digital camera that features an incredible 125x optical super-telephoto zoom, with creative features that help users create amazing photos and videos from the most extreme distances.
The COOLPIX P1100 is a compact digital camera and offers further improvements in usability and connectivity. The COOLPIX P1100 covers a vast range of focal lengths beginning at the wide-angle 24mm equivalent, extending to the super-telephoto 3000mm 1 equivalent. If that is not enough, the P1100 is capable of going even farther, with up to a 250x 2 zoom when Dynamic Fine Zoom is enabled.
The COOLPIX P1100 makes it easy to enjoy the world of super-telephoto shooting with the ability to capture dynamic images of subjects that are difficult approach, including birds and celestial bodies. The camera features Dual Detect Optical VR, which achieves a level of vibration reduction equivalent to 4.0 stops 3 at the center of the frame, effectively suppressing camera shake when handheld shooting. The P1100 is also able to capture 4K UHD/30p and superlapse movie recordings, helping the user make creative videos of nature and
the night sky.
Further enhancements include a selectable AF-area mode in Bird-Watching Mode, and the same functions that can be assigned to the camera’s Fn button can now be assigned to the Fn1/Fn2 buttons on the optional ML-L7 Remote Control 4 . What’s more, a Fireworks option has been added to [Multiple exp. Lighten] scene mode. This function reduces instances of blown-out highlights that often occur when shooting long exposures, making it easier to capture impressively clear scenes of fireworks displays in which the brightness of the foreground or
the background differs.
Primary Features of the COOLPIX P1100
- Incredible 125x optical zoom for super-telephoto performance up to a 24-3000mm equivalent.
- Super ED and ED lens elements provide superior chromatic aberration compensation and deliver outstanding rendering capabilities across the entire zoom range, even with super-telephoto shooting.
- Dual Detect Optical VR accurately suppresses the effects of camera shake with super-telephoto handheld shooting. This enables the capture of sharp and clear images of birds, celestial bodies, and other distant subjects at dynamic angles of view.
- Bird-Watching and Moon modes can be accessed directly using the mode dial.
Support for 4K UHD/30p movie recording lets users beautifully record subjects with the power of super-telephoto 3000mm equivalent. Frames from movies recorded in 4K UHD format can also be saved as still images.
- Massive zoom, small size: Despite coverage of focal lengths up to 3000mm equivalent, the camera weighs only approx. 3.1 lbs. (1,410g), allowing users to enjoy super-telephoto shooting more comfortably than with DSLR and mirrorless camera systems.
Additional Features of the COOLPIX P1100:
- The camera is equipped with a focus mode selector that can be used to change the focus mode even after it has been acquired, along with a control ring that enables the adjustment of settings such as white balance and manual focus.
- Optional accessory ML-L7 Remote Control connects to the COOLPIX P1100 via Bluetooth®︎, and the same functions that can be assigned to the camera’s Fn button can be assigned to the remote.
- A 3.2in. TFT LCD Vari-angle monitor with a wide-viewing angle makes it easy to compose handheld or on a tripod.
Compatible with Nikon’s exclusive RAW (.NRW) format.
- COOLPIX Picture Control 5 , which can be used to make adjustments in accordance with the subject, shooting situations and intentions.
- Capability to record superlapse and time-lapse movies.
- Support for Clean HDMI output 6 , which cleans the information display from the
- image output to an external monitor during recording.
- The ability to set long-exposure noise reduction to [Auto] or [Off].
- Adoption of a USB Type-C input/output connector.
- Compatible with the optional DF-M1 Dot Sight that facilitates image composition during telephoto shooting.
Price and Availability
The new Nikon COOLPIX P1100 will be available in late February 2025 for a suggested retail price of $1,099.95*. For more information about the latest Nikon products, including the large collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit nikonusa.com.
By admin, on February 5th, 2025
Olympus OM3 camera announcements will happen on Feb 6, 2025. We now have the core specification of the camera as well as leaked images of the upcoming camera also available
New Olympus OM-3 camera
– Same 20MP sensor
– Metal body
– Price around $1500
– Rumored to be officially announced at CP+ in February 2025
– Various color profiles for video, similar to Fujifilm’s simulations
– Based on the OM-1
Olympus OM3 camera B&H Store | Adorama.com | Amazon.com
Stay tuned we will update you soon, with comparison and sample images once the camera gets officially announced.
imagecredit: 43rumors.com | Photorumors.com
By admin, on February 4th, 2025
Upcoming Camera and Lenses at CP+ Show 2025 -Take a look at the list of upcoming cameras and lenses at the CP+ show
1. Sigma Lenses
Sigma unique Zoom Lens Announcement
SIGMA Will be releasing a new, never-before-seen zoom lens. In December, we got some strong hints during an interview with the Sigma CEO on a SIGMA UK channel. He hinted that they are working on a telephoto zoom lens that has never existed. [Sigma is About to Announce a TELEPHOTO Lens that has NEVER Existed Before]
2. SONY NEW LENSES
Possibly three new lenses from Sony on CP+ event 2025
Sony 16mm f/1.8 G
Sony 400-800mm f/6.3-8.0 G
Sony FE 50-105mm f/2.8 G
Although the long-awaited Sony A7V is expected to arrive in Q1 of 2025
3. Olympus OM-3 and Lenses
Olympus in CP+ SHOW 2025 – Coming with three New Lenses and a new OM camera
New Olympus OM-3 camera
– Same 20MP sensor
– Metal body
– Price around $1500
– Rumored to be officially announced at CP+ in February 2025
– Various color profiles for video, similar to Fujifilm’s simulations
– Based on the OM-1
New lenses: 17mm f/1.8 and 25mm f/1.8, 100-400mm
4. Panasonic S1R Mk II
Panasonic S1R II Camera – This will be announced before the CP+ show, but Panasonic will also showcase it at the even alongside the other S-Line of cameras. The camera will share the same core specifications we have already seen in the Leica SL3 camera. That means it will carry forward the same 60-megapixel BSI CMOS sensor and 8K video capabilities. Full specification below
- 60MP Full-Frame BSI CMOS Sensor
- Hybrid AF System with PDAF & Contrast AF
- 5-Axis Sensor-Shift Image Stabilization
- 5.76m-Dot 0.78x-Mag. EyeRes OLED EVF
- 3.2″ 2.3m-Dot Tilting Touchscreen LCD
- 8K, C8K, 4K, C4K & FHD 10-Bit Recording
- ProRes 1080p & Apple MFi Support
- CFexpress Type B & SD UHS-II Card Slots
5. Canon V1 Camera
The Canon V1 compact camera is also expected to arrive in the month of FEB, take a look at the rumored specification of the camera
- 24MP CMOS Sensor (approx)
- 16-50mm (35mm Equivalent)
- 3″ Screen (Approx 1 million pixels)
- The screen has a 170° viewing angle
- 4K Video (Very slight crop, but likely for aspect ratio)
- 1.4X Crop Mode for Stills
- RAW, C-RAW, Dual Pixel RAW
- H.265 / HEVC
- C-Log3 / HDR PQ
- Launch: Late Q1/Early Q2 2025
6. Nikon Nikkor Z 35mm f/1.2
Nikon is about to announce the Z35mm F1.2 Lens in the next few days, and will be showcased during the CP+ show too.
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By admin, on February 3rd, 2025
Discuss the best camera based on the specification comparison we have.
Let’s begin with the Canon R8. The R8 is a full-frame camera, and the major advantages we have with this camera are superior low-light performance as well as better dynamic range. Since we have a full-frame sensor, the background blur or the depth in the images will be greater when using the same aperture-based lenses.
In the Sony A6700 camera, the major advantage we have is a compact, ultralight body with a huge range of E-mount lenses, as well as Sony’s advanced AI autofocus and sensor-shift stabilization system.
Now, both of these cameras are excellent choices for any beginner or semi-professional photographer, but at the same time, it’s very important to know your requirements and budget before purchasing a camera. Since you also need to invest a good amount of money in lenses, choosing the right camera for your needs is essential.
Get Canon R8 from – Amazon.com | Adorama | B&H Store |
Get Sony A6700 from – Amazon.com | Adorama | B&H Store |
Portrait & Wedding Photography
For portrait and wedding photography, where skin tones, background blur, and low-light performance are crucial, a camera’s ability to perform well in dim environments is highly important.
For portrait and wedding photography, we highly recommend the Canon R8. The full-frame sensor produces excellent background blur, and at the same time, Canon sensors are known for producing high-quality skin tones. So, if you are into wedding or portrait photography, where you frequently work with skin tones, it is highly recommended to use a Canon camera.
Additionally, the Canon R8 has superior low-light performance. Despite not having an FSI sensor, this particular camera’s low-light performance is phenomenal, as the sensor comes directly from the Canon EOS R6 Mark II. Overall, this particular camera offers a professional-grade body at a reasonable price.
The Sony A6700, on the other hand, has an APS-C sensor, resulting in a smaller depth of field and less background blur compared to a full-frame sensor. That’s why we do not directly recommend it over the Canon R8 when working on portrait sessions or weddings.
Lens Recommendations for Portrait & Wedding Photography
One important thing to note is that the Canon R8 does not have sensor-shift image stabilization, so it becomes highly essential to use optically stabilized lenses.
- For weddings and events, we recommend the Canon RF 28-70mm f/2.8 IS STM.
- For portrait photography, the Canon RF 85mm f/1.8 STM is a great choice.
Landscape & Travel Photography
For landscape and travel photography, where dynamic range, portability, and battery life matter the most:
When it comes to travel or landscape photography, most of the shooting will be done handheld. Specifically, when traveling or capturing landscapes, you need sensor-shift image stabilization (IBIS) inside your camera body to ensure sharp images.
Verdict: Sony A6700 is More Recommended for Landscape and Travel Photography.
Wildlife & Sports Photography
For wildlife and sports photography, where autofocus speed, continuous shooting, and telephoto reach are crucial:
If we compare the continuous shooting speed of both cameras:
- Canon R8 is capable of capturing 40 frames per second in JPG mode and up to 30 frames per second in RAW mode, which is far superior to the Sony A6700, which is limited to 11 frames per second.
- For action photography, capturing fast-moving subjects like birds or animals, the Canon R8 has a clear advantage in burst shooting speed.
Another associated advantage of a full-frame sensor is its low-light performance and dynamic range. When you are shooting wildlife or animals, they are often found in uncontrolled lighting conditions. Having a full-frame sensor allows you to extract more details and recover highlights in post-processing.
However, despite all these advantages of the Canon R8, for sports and wildlife photography, we highly recommend the Sony A6700, and here’s why:
Why the Sony A6700 is Recommended for Wildlife & Sports
- Sensor-Shift Image Stabilization (IBIS)
- The Sony A6700 has IBIS, which is a huge advantage for wildlife and sports photographers.
- If you are using lenses like the Sony 200-600mm f/5.6-6.3 G OSS, the sensor-shift IBIS will pair with the lens’s optical stabilization, allowing for stable handheld shots of moving subjects.
- While a tripod or monopod is always recommended, IBIS helps tremendously in handheld shooting.
- APS-C Crop Factor for Extra Telephoto Reach
- The 1.5x crop factor of the APS-C sensor gives more reach with telephoto lenses.
- Even with a 200-600mm lens, the effective focal length increases, providing exceptional close-up shots of birds and animals.
- With a full-frame sensor, you are limited to native telephoto lenses, which are significantly more expensive.
- If you use a full-frame camera in crop mode, the resolution drops significantly (Canon R8 in APS-C mode drops to ~10MP). In contrast, the Sony A6700 maintains its full 26MP resolution.
Final Verdict
Based on the specifications:
- For Portrait & Wedding Photography → Canon R8 (Full-frame, superior skin tones, better background blur, low-light performance)
- For Landscape & Travel Photography → Sony A6700 (IBIS, compact, battery life, dynamic range for landscapes)
- For Wildlife & Sports Photography → Sony A6700 (IBIS, AI autofocus, crop factor for better telephoto reach, affordable telephoto lenses)
Would you like further lens recommendations or a budget breakdown for your needs?
Table 1: Differences Between Sony A6700 and Canon R8
| Feature |
Sony A6700 |
Canon R8 |
| Lens Mount |
Sony E-mount |
Canon RF-mount |
| Sensor Size |
APS-C (23.3 x 15.5 mm) |
Full-Frame (35.9 x 23.9 mm) |
| Resolution |
26 MP |
24.2 MP |
| Image Stabilization |
5-Axis Sensor-Shift |
Digital (Video Only) |
| ISO Range |
100–32,000 (Ext. 50–102,400) |
100–102,400 (Ext. 50–204,800) |
| Continuous Shooting |
11 fps (59 RAW / 1000 JPEG) |
40 fps (56 RAW / 120 JPEG) |
| Autofocus Points |
759 (Photo) / 495 (Video) |
4897 (Photo) / 4067 (Video) |
| AF Sensitivity |
-3 to +20 EV |
-6.5 to +21 EV |
| Video Modes |
UHD 4K 120p / FHD 240p / 10-Bit 4:2:2 |
UHD 4K 60p / FHD 180p / 10-Bit 4:2:2 |
| External Video |
4K 60p 4:2:2 10-Bit via HDMI |
1080p 60p via HDMI |
| Gamma/Log Profiles |
S-Log3, HLG, S-Cinetone |
Canon Log 3, HDR-PQ |
| Recording Limit |
Unlimited |
120 Minutes (4K/1080p HFR) |
| Viewfinder Magnification |
1.07x |
0.70x |
| Battery Life |
550 Shots (NP-FZ100) |
150 Shots (LP-E17) |
| Weight |
493g (1.1 lb) |
461g (1.0 lb) |
| Display Resolution |
1.03M Dots |
1.62M Dots |
| Wireless |
Wi-Fi 5 (802.11ac) |
Wi-Fi 4 (802.11n) |
| Exposure Compensation |
-5 to +5 EV |
-3 to +3 EV |
| Shutter Speed (Electronic) |
1/8000s |
1/16000s |
| Price |
~$1,398 (Body) |
~$1,299 (Body) |
Table 2: Similarities Between Sony A6700 and Canon R8
| Feature |
Sony A6700 |
Canon R8 |
| Capture Type |
Stills & Video |
Stills & Video |
| Shutter Type |
Mechanical & Electronic Rolling Shutter |
Mechanical & Electronic Rolling Shutter |
| Bulb/Time Mode |
Bulb Mode |
Bulb Mode |
| Metering Method |
Center-Weighted, Multi-Zone, Spot |
Center-Weighted, Evaluative, Partial, Spot |
| White Balance |
2500–9900K, Multiple Presets |
2500–10,000K, Multiple Presets |
| Interval Recording |
Yes |
Yes |
| Self-Timer |
2/5/10-Second Delay |
2/10-Second Delay |
| Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
1:1, 3:2, 4:3, 16:9 |
| Image File Format |
HEIF, JPEG, Raw |
C-RAW, HEIF, JPEG, Raw |
| Bit Depth |
14-Bit |
14-Bit |
| Fast/Slow Motion |
Yes |
Yes |
| Built-In Microphone |
Stereo |
Stereo |
| Media Slot |
Single SD/SDHC/SDXC (UHS-II) |
Single SD/SDHC/SDXC (UHS-II) |
| Video I/O |
1x Micro-HDMI Output |
1x Micro-HDMI Output |
| Audio I/O |
1x 3.5mm Mic Input, 1x 3.5mm Headphone Output |
1x 3.5mm Mic Input, 1x 3.5mm Headphone Output |
| Power I/O |
1x USB-C Input |
1x USB-C Input/Output |
| Mobile App |
Sony Creators’ App (Remote Control, File Access) |
Canon Camera Connect (Remote Control, Settings, Live Feed, Firmware Update) |
| GPS |
Via Connected Smartphone |
Via Connected Smartphone |
| Display Size |
3.0″ Articulating Touchscreen LCD |
3.0″ Articulating Touchscreen LCD |
| Viewfinder Type |
0.39″ OLED, 100% Coverage |
0.39″ OLED, 100% Coverage |
| Diopter Adjustment |
-4 to +3 |
-4 to +1 |
| Built-In Flash |
No |
No |
| Flash Compensation |
-3 to +3 EV |
-3 to +3 EV |
| Tripod Mount |
1/4″-20 Female |
1/4″-20 Female |
| Operating Temperature |
0 to 40°C (32 to 104°F) |
0 to 40°C (32 to 104°F) |
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