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By admin, on February 13th, 2025
Today, the Z Cinema camera was officially announced. As we all know, RED Digital Cinema is now a subsidiary brand of Nikon. They have modified and relaunched the V-RAPTOR with a Z Mount and the KOMODO with a Z Mount.
We were the first ones to talk about the Z KOMODO [read our expectation article], and just a few months later, we received information about the RAPTOR. The context was that they were working on both series one after the other, and finally, they announced them today.
The new RAPTOR and KOMODO with the Z Mount feature inherit all the goodness of the Z Mount system. This means the autofocus performance has also been integrated into these cameras. So if you are using the recently announced Z Cinema lenses or Nikon Z Mount system lenses, there should be no problem. As we all know, the RAPTOR camera offers 20+ stops of dynamic range, and using it with improved autofocus lenses will be a game changer in the field of cinematography.
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RED DIGITAL CINEMA’S V-RAPTOR [X] AND KOMODO-X CAMERA SYSTEMS EXPAND CAPABILITIES WITH POWERFUL NIKON Z MOUNT
FOOTHILL RANCH, Calif. (Feb. 12, 2025 at 8p.m. PACIFIC TIME)—RED DIGITAL CINEMA® announced today that its groundbreaking V-RAPTOR [X] and KOMODO-X camera systems will also now be available with Nikon’s premier Z Mount, providing filmmakers with ultimate flexibility in lens choice and a complete capture solution from lens to sensor to codec.
“This marks the beginning of RED and Nikon’s collaborative products and it is the exciting first step in a new Z Cinema Series,” said RED Digital Cinema CEO Keiji Oishi. “By integrating the Z Mount, RED is providing more lens choices than ever before, empowering filmmakers with greater artistic flexibility. This development grants filmmakers the versatility of Nikon’s innovative Z lineup and PL options, as well as access to F Mount glass and many popular vintage lenses.”
With a shallower flange depth and a wider diameter, the Nikon Z Mount enables lens designs with higher sharpness and superior aberration control. The Z lenses can deliver unrivaled low-light performance and edge-to-edge detail as well as autofocus performance on both the V-RAPTOR [X] and KOMODO-X cameras.
Key Features, Pricing and Availability
RED’s V-RAPTOR [X] Z MOUNT, recognized for its unmatched low-light performance, dynamic range, resolution, high frame rates, and industry-leading 8K VV global shutter large format sensor, is available for a suggested retail price of $29,995.
RED’s KOMODO-X Z MOUNT features a 6K S35 global shutter sensor and frame rates at 6K 80P and 4K 120P, all in a form factor measuring only 4x4x5 inches and 2.6 lbs. The KOMODO-X Z MOUNT is available for a suggested retail price of $6,995.RED is also announcing all-new Z to PL Adapter Packs, which provide a robust PL mount solution and added flexibility for V-RAPTOR [X] Z MOUNT and KOMODO-X Z MOUNT shooters. Currently, there are four different Z to PL Adapter Pack options available, with shipments starting in spring 2025:
| Z to PL Adapter Pack Options |
Suggested Retail Price |
| RED V-RAPTOR Z to PL Adapter Pack |
$1,500 |
| RED V-RAPTOR Z to PL with Electronic ND Adapter Pack |
$3,500 |
| RED KOMODO Z to PL Adapter Pack |
$1,500 |
| RED KOMODO Z to PL with Electronic ND Adapter Pack |
$3,500 |
Both the RF and the all-new Z mount versions of the V-RAPTOR [X] and KOMODO-X cameras, and Z to PL adapter packs are available now on RED.com or through RED Premium Dealers.
RF Mount Transition
Filmmakers now also have the option to convert their RF mount versions of the V-RAPTOR [X] and KOMODO-X cameras to the all-new Z Mount systems. This transition costs $1,695 for the V-RAPTOR [X] and $1,595 for the KOMODO-X.
Trade-In Program
RED is excited to announce the return of its trade-in program, now available for the latest generation of RED cameras, including the new Z Mount models. Customers can trade in their existing RED DSMC, RAVEN, SCARLET-W, DSMC2, or RANGER cameras and receive a credit towards the purchase of a new, eligible RED V-RAPTOR XL [X] Pack or RED V-RAPTOR Pack [X] Pack with either the new Z Mount or RF Mount. For more information on the trade-in process and eligibility, please visit RED.com.
“We are committed to providing filmmakers with limitless possibilities for realizing their desired vision, and the fusion of RED and Nikon’s robust technologies and expertise will generate even more advanced tools, enhancing our filmmaking community’s creative capabilities,” added Oishi.
For more information on the V-RAPTOR [X] and KOMODO-X Z MOUNT camera systems, visit RED.com or RED Premium Dealers. Filmmakers can also visit the RED Studios Hollywood store location or any one of the RED Premium Dealers across the globe to schedule a demo and learn more about the products.
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By admin, on February 12th, 2025
So, that’s the teaser TTartisan has uploaded to its page. They are making very bold claims about their upcoming product on 27 February at the CP+ Show in Yokohama, Japan.
And the level of excitement they have is just amazing, you can see their Teaser text, a hypothetical chat that is full of excitement and no logic behind that 🙂 , that sounds fascinating and at the very same time it excites us too what coming next from these guys
Some rumors also state that they are about to announce their first Mirrorless Camera, is it is true then it’s a piece of very good news. Once they have started something other Chinese third-party lens makers will also follow soon, and after a while, we have a huge range of budget mirrorless camera options…. just a thought
Btw, we have to wait, and see what coming up Next from TTartisan at Yokohama on Feb 27, before that if we get any new updates about upcoming TTartisan cameras and lenses we will post an update soon.
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By admin, on February 11th, 2025
 creative image of RAPTOR with Z Mount Finally, we are getting more confirmation about Nikon’s upcoming cinema camera with Z-mount. We already mentioned in the post we published on November 27, 2024, that the Nikon RED cinema camera will arrive in Q4 of 2025, and the design is inspired by the RED V-Raptor.
Now, suddenly, RED sent out an email offering users the opportunity to upgrade their Raptor camera with a Z-mount. The list of the camera names shared in RED emails are
- V-RAPTOR [X] Z Mount Starter Pack
- V-RAPTOR [X] Z Mount Production Pack (V-Lock)
- V-RAPTOR [X] Z Mount Production Pack (Gold Mount)
- V-RAPTOR [X] 8K VV Starter Pack
- V-RAPTOR [X] 8K VV Production Pack (V-Lock)
- V-RAPTOR [X] 8K VV Production Pack (Gold Mount)
- V-RAPTOR XL [X] 8K VV Production Pack (V-Lock)
- V-RAPTOR XL [X] 8K VV Production Pack (Gold Mount)
As you probably already noticed, the first three cameras are listed as RED for Z Mount. Now we are waiting for an official confirmation from Nikon, or they will keep it in their silent update list? we don’t know at this moment. At the very same time, they should also announce the Cinema Lenses roadmap soon, as they have for their Z Mount of cameras.
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source NR.com
By admin, on February 10th, 2025
We don’t know the reason why this happened, but Nikon’s financial results recently came out, showing an overall decline in profits with a huge margin, specifically in the third quarter of the fiscal year ending March 2025.
As the report says, they have achieved only 39.1% of the sales target, so it doesn’t look that good. This is what they projected or what they thought—they have achieved only approximately 40% of that.
The company’s consolidated net profit from April to December fell 74.9% year over year and dropped to 6.26 billion. And now Profits for the most recent quarter (October-December) dropped 78.3% to 3.29 billion yen. Now, Nikon expects a 28.2% profit increase in the months of January to March, bringing the net profit to an overall figure of 9.73 billion yen.
The biggest thing that I have noticed is that their operating profit margin has also shrunk from 10.5% to 1.3%, which is really not good for any company out there, whether it’s a camera maker or a cellphone maker.
When a company’s operating profit margin drops to 1%, it indicates that the company is barely making money from its core business operations.
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source – kabutan.jp vai digicameinfo
By admin, on February 10th, 2025
Before we begin, let me tell you one thing: both cameras carry almost the same core specifications like sensors, image processors, and other technical aspects, so the image quality and video quality will be the same.
Here comes the design part: if you would like a slightly retro-looking camera, you can go with the Olympus OM-3, the latest edition. But if you love to have the Olympus OM-1 Mark II, why would you love it? Because it has a deeper DSLR-style hand grip. Another thing is that due to the type of body construction, there is no overheating issue associated with this particular camera. Now, the OM-3 heatsink isn’t as good as the OM1 II, so it may be prone to overheating while recording 4K videos for a longer period.
Which Camera is Recommended for You?
If you love to have a DSLR-style hand grip and a professional-grade weather-sealed rugged body, then the OM-1 Mark II is the better choice. Another thing—yes, we do have some slight photography advantages inside the OM-1 Mark II, like an extended ISO range. Right now, we don’t have confirmation about the OM-3, but it does not have a very high-resolution electronic viewfinder of 5.76 million dots, as well as a mechanical shutter range up to 1/8000 of a second.
Professional grip easy to carry heavier lenses with the camera, and even makes feels you more and more comfortable when you hold this camera for longer hours for shoot, like shooting an event or wedding
Even the continuous shooting speed of the mechanical shutter is approximately 10 frames per second in the Olympus OM 1 mark II, which is limited to 6 frames in the OM-3. So, if you look at all the possible core specifications in both cameras, then for photographers who don’t bother about the type of design they are getting and are not inclined towards the retro-style camera, the best option is to buy the OM-1 Mark II.
The Olympus OM3 is even marketed as a street-style Retro camera. Most of the pics used for promotion showed people holding their cameras with straps and using a lightweight lens, but again professionals who hold their camera hands for longer periods will surely prefer the OM1 Mark II
For Videographers and Photographers
The best thing recently introduced in the new OM-3 camera is the OM-Cinema Mode. With the OM-Cinema Mode, you get a decent, slightly less-contrasty color picture profile, which is more suitable for displaying your captured videos on 4K HD televisions.
But again, you have to consider one thing—if you are a podcaster who records for longer periods, then you should go with the OM-1 Mark II, since it doesn’t have any limitations like the 120-minute recording limit in 4K on the OM-3.
If you are into longer recording sessions, then for sure, the OM-1 Mark II is the best choice. Additionally, it supports Full HD video recording at 240 fps for slow-motion shots.
Again, the Cinema Mode in the OM-3 can be easily adjusted in post-processing, so it’s not a big thing.
Olympus OM-1 Mark II vs. Olympus OM-3 Specification Comparison
OM System OM-3 Camera Body $1,999.99 [ Amazon.com | Adorama.com | B&H Store]
OM System OM-1 Mark II Camera Body $1,999.99 [ Amazon.com | Adorama.com | B&H Store]
Design & Build Quality
| Feature |
OM-1 Mark II |
OM-3 |
| Weight |
511g (1.1 lb) |
413g (0.9 lb) |
| Weather Sealing |
IP53 (dust/splash-proof) |
IP53 (dust/splash-proof) |
| Viewfinder |
5.76M-dot OLED (1.48x magnification) |
2.36M-dot OLED (1.23x magnification) |
| LCD Screen |
3″ 1.62M-dot fully articulating touchscreen |
3″ 1.62M-dot tilting touchscreen |
| Customization |
Rubberized dials, updated menus |
Custom Mode Labels + video light sync |
|
|
|
| Battery Life |
~500 shots |
~500 shots |
Design Winner: OM-3 for portability and custom workflows. OM-1 II for viewfinder quality and articulating screen.
Photography Performance
| Feature |
OM-1 Mark II |
OM-3 |
| Design |
Large DSLR style Handgrip |
Need and rig to make it comfortable for shooting longer hours |
| Sensor & Processor |
20.4MP Stacked BSI MOS + TruePic X |
20.4MP Stacked BSI MOS + TruePic X |
| Bit Depth |
14-bit RAW |
14-bit RAW |
| ND filters |
Built-in e-ND |
Built-in e-ND |
| ISO Range |
80–102,400 (extended) |
200–25,600 |
| Burst Shooting |
120 fps (electronic), 50 fps with AF/AE (10 FPS mechanical) |
120 fps (electronic), 50 fps AF/AE (6 FPS mechanical) |
| Autofocus |
1053-point Cross Quad Pixel AF + AI detection (birds, humans, vehicles) |
1053-point Cross Quad Pixel AF + AI (motorsports, pets, Astro) |
| Stabilization |
7.5 stops (Sync IS with lenses) |
7.5 stops (Sync IS with lenses) |
| Unique Tools |
Live ND, Vertical Video |
Starry Sky AF, Pro Capture Mode (70 pre-shot frames) |
Photography Winner: OM-3 for Astro, motorsports, and street photography. OM-1 II for wildlife, action, and low-light versatility.
Video Capabilities
| Feature |
OM-1 Mark II |
OM-3 |
| 4K Recording |
DCI/UHD 4K 60p 10-bit 4:2:0 |
DCI/UHD 4K 60p 10-bit 4:2:0 |
| Slow Motion |
240fps @ 1080p |
60fps @ 1080p |
| Audio |
16-bit/48kHz LPCM |
24-bit/96kHz LPCM |
| Cinematic Tools |
Vertical Video, OM-Log, HDR-HLG |
OM-Cinema Mode + IP Streaming |
| Recording Limits |
Unlimited (no overheating) |
120 mins (4K) |
| External Output |
12-bit RAW via HDMI |
12-bit RAW via HDMI |
Pros & Cons
| Camera |
Pros |
Cons |
| OM-1 Mark II |
✅ Best for action, wildlife & sports photography ✅ Superior slow-motion video (240fps @ 1080p) ✅ Live ND (up to ND128) for creative previews ✅ Unlimited recording time for long video shoots ✅ Higher ISO range (80–102,400) for low-light performance ✅ Higher-resolution EVF (5.76M dots) for better clarity |
❌ Larger & heavier than OM-3 ❌ No built-in electronic ND filter ❌ 16-bit audio instead of 24-bit |
| OM-3 |
✅ Lighter, more compact for travel ✅ Built-in e-ND filter (2–64 stops) for true optical ND effects ✅ 24-bit audio recording for professional sound ✅ Starry Sky AF & Pro Capture mode for astrophotography ✅ OM-Cinema mode & IP streaming |
❌ No unlimited recording time (120 min max) ❌ Lower ISO range (200–25,600) ❌ No ultra-slow motion (max 60fps @ 4K) |
By admin, on February 8th, 2025
According to the latest, so much can a Canon R50 V camera is rumored to be announced soon by Canon. They are already working on the expansion of the V series, and we do have rumors related to the Canon V1 compact. Previously, we did believe that Canon will expand their compact range for vloggers without a doubt, but a Canon R50 V camera is a surprise for us.
Canon R50 V Early specs (Canon R50 V – Proposed name of Canon V Series Mirrorless Camera)
- Video-focused APS-C camera.
- It has been described as “boxy” in design.
- Expected price point: $1500
- updated ergonomics suited for video users.
Information related to the specifications of the upcoming Canon R50 is very limited. At the very moment, we are not able to believe that a Canon R50 V or a similar camera will arrive from Canon, even if the rumors is coming out from a reputed rumor mill.
And the best part is the rumors are not just limited to Canon R50 V, there are also rumors related to the Canon R7V camera alongside with the
Latest rumors suggest, two versions are planned:
- EOS R7 V: Video-focused model.
- EOS R7 Mark II: Photography-focused, possibly a “baby EOS R1”.
Canon R7 Mark II arrival. So, the expansion of the V series is just not limited to compact cameras, in the Mirrorless zone also we will feel the presence of V series this year.
Source Canonrumor.com
TNC editorial notes: The specs / Name hints we have received in the past are V1 and V100, also the tipster said the V10 Mark II will carry a 20.2 Mp stacked CMOS sensor of 1 inch. But, he didn’t mention R50 V or R7 V in his note
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By admin, on February 6th, 2025
Olympus today announced the OM-3 camera. The camera features a retro design and a metal body finish, with a top and end metal plate, along with many customizable controls and dials that give you the feel of using a vintage retro camera in your hand. Apart from its design, the internal core specifications of the camera are also very impressive. The camera uses a professional-grade 20-megapixel Micro Four Thirds stacked CMOS sensor and IBIS rating up to 6.5 Stops with Non-IS lenses and up to 7.5 Stops with OIS Lenses. The camera also offers 4K video recording up to 60fps, but log and HLG are available in 8-bit recording only. Take a look at the Major specifications of the camera
25 Major Features of Olympus OM-3 Camera
- 20MP Stacked BSI Live MOS Sensor
- TruePic X Image Processor
- 1053-Point Cross-Type Quad Pixel AF
- AI Detection AF (People, Animals, Birds, Vehicles)
- Starry Sky AF for astrophotography
- 120 fps Continuous Shooting (50 fps with AF/AE)
- Pro Capture Mode (Up to 70 frames pre-buffering)
- 5-Axis Sensor-Shift Image Stabilization (6.5 stops)
- Sync IS Support (Up to 7.5 stops with compatible lenses)
- 4K UHD & DCI 60p Video Recording
- OM-Cinema Mode for cinematic quality
- Slow & Quick Motion (1-120 fps)
- Built-in 2-64 Stop Electronic ND Filter
- 3″ Articulating Touchscreen LCD (1.62M-dot)
- 2.03M-dot OLED Electronic Viewfinder (1.23x magnification)
- Dual UHS-II SD Card Slots
- IP53 Weather Sealing (Dust & Splash resistant)
- Magnesium Alloy Body (Lightweight & Durable)
- USB-C Charging & Power Delivery
- Wi-Fi & Bluetooth Connectivity
- Microphone & Headphone Jacks
- Custom Mode Labels
- Advanced Computational Photography (Live ND, Focus Stacking, HDR)
- TTL Hot Shoe for External Flash Support
- OM Image Share App Compatibility
Olympus OM-3 Camera Price
OM-3 w/ M.ZUIKO DIGITA L ED 12-45mm F4.0 PRO KIT $2,299.99 [ Amazon.com | Adorama.com | B&H Store] Lenses Announced
OM System M.Zuiko Digital ED 100-400mm F5.0-6.3 IS Lens for Micro Four Thirds, Black $1,499.99 [ Amazon.com | Adorama.com | B&H Store] OM System M.Zuiko Digital ED 17mm f/1.8 II Lens for Micro Four Thirds, Black $549.99 [ Amazon.com | Adorama.com | B&H Store] OM System M.Zuiko Digital ED 25mm f/1.8 II Lens for Micro Four Thirds, Black $499.99 [ Amazon.com | Adorama.com | B&H Store] OM System Wireless Remote RM-WR2 for select OM Cameras $99.99 [ Amazon.com | Adorama.com | B&H Store]
Olympus OM-3 Camera Official Press Release
Style Meets Functionality: OM SYSTEM Launches Camera & Lenses Designed for Photographers on the Go
Blending Heritage Style Design with Advanced Features for Every Creator’s Camera Bag
BETHLEHEM, PA, February 6, 2025 – OM Digital Solutions is thrilled to announce the launch of its latest innovations in digital imaging: the OM SYSTEM OM-3 Mirrorless Interchangeable Lens Camera and two premium prime lenses, the M.ZUIKO DIGITAL 17mm F1.8 II and 25mm F1.8 II. Designed for photographers and creators of all skill levels, these products deliver a perfect combination of style, performance, and versatility, opening doors for creative exploration.
Transforming the Creative Experience: The OM SYSTEM OM-3 Camera
The OM SYSTEM OM-3 marries the timeless elegance of a classic SLR with cutting-edge technology. Inspired by the iconic Olympus OM-1 film camera, its compact and lightweight body features intuitive controls and powerful capabilities equip creators of both stills and video with a versatile tool at their fingertips.
Key Highlights:
- Timeless Design Meets Advanced Performance: Merging a sleek, retro-inspired design with the latest in imaging technology.
- Customizable Profiles for Creative Individuality: Create signature styles with intuitive color and monochrome profile controls.
- Innovative Computational Photography Features: Access features like Live ND/GND, Focus Stacking, and HDR directly in-camera—no additional software needed.
- Cinematic Video Capabilities: Seamlessly switch between stills and professional-grade video with OM-Cinema profiles and extended recording reliability.
Whether capturing stills or cinematic content, the OM-3 offers unbeatable versatility, making it a powerful tool for any creative journey.
High Performance Prime Lenses for All Your Needs
The M.ZUIKO DIGITAL 17mm F1.8 II and 25mm F1.8 II lenses complement the OM-3’s capabilities, offering exceptional performance and durability. Compact and lightweight, these lenses feature robust splash- and dust-proof construction, making them perfect companions for your travels, whether capturing the sights on urban streets or iconic landmarks.
Lens Highlights:
- M.ZUIKO DIGITAL 17mm F1.8 II: A wide-angle lens ideal for landscapes and cityscapes, with a large f/1.8 aperture for stunning bokeh and depth of field control.
- M.ZUIKO DIGITAL 25mm F1.8 II: A standard focal-length lens for capturing realistic perception and depth, perfect for portraits and everyday photography.
Both lenses are equipped with fast and quiet autofocus, ensuring sharp, professional-quality images and videos with ease.
Crafted for Creators, Designed to Roam
Together, the OM SYSTEM OM-3 and the M.ZUIKO DIGITAL Prime Lens II series offer a comprehensive solution for creators who demand style, performance, and reliability. With their weather sealed designs and innovative features, photographers and videographers can confidently tackle any project, no matter the conditions.
Pricing and Availability
- The highly anticipated OM SYSTEM OM-3 Mirrorless Camera will be available starting in late February 2025, with a suggested retail price of $1,999.99 (US)/$2,799.99 (CAD). A bundled kit, which includes the OM-3 camera body and the M.ZUIKO DIGITAL ED 12-45mm F4 PRO lens, will also be offered at a suggested retail price of $2,299.99 (US)/$3,199.99 (CAD).
- Additionally, the M.ZUIKO DIGITAL 17mm F1.8 II and 25mm F1.8 II lenses will be available beginning in late February 2025. The M.ZUIKO DIGITAL 17mm F1.8 II will be priced at $549.99 (US)/$769.99 (CAD), while the 25mm F1.8 II lens will retail for $499.99 (US)/$699.99 (CAD).
For detailed product specifications and additional information, please visit the OM SYSTEM website at:
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