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By admin, on February 12th, 2021
According to the latest rumors surfaced over the web, the upcoming Sigma fp camera will use Sigma home-made 60MP faveon sensor. The new fp L camera also features a built-in IBIS unit and a mechanical shutter unit.
That’s all the information available now for the Sigma fp L camera. We will soon publish the images and specs of the camera.
Update: Take it with a grain of salt
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By admin, on February 9th, 2021
Leica to announce one more limited edition of the Leica Q2 camera, The camera is coming again with some enhanced gold graphics to give users a more premium feel. The Q2 is an advance compact camera with a 47.3MP Full-Frame CMOS Sensor paired with Summilux 28mm f/1.7 ASPH. Lens. The Camera features an amazing ISO range ISO 50-50000, Manual Focus, up to 10-fps Shooting. But, wait… you can also record DCI 4K24p, UHD 4K30p, Full HD 120p Video with this camera.
Get the Leica Q2 from B&H
will post an update as the announcement happens.
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By admin, on February 8th, 2021
Hasselblad Smartphone camera module spotted behind the OnePlus 9 Pro. As you can notice, we have a total of 4 cameras with the branding of Hasselblad on it. Will post more details once we have the specs of the camera.
et LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to to get live news + Hasselblad Rumors
By admin, on January 27th, 2021
Sony A1 vs Canon R5 Specification Comparison – Sony announced a brand new Sony A1 Mirrorless camera with a newly developed 50MP sensor. We are comparing the core specification of the Sony A1 and the Canon EOS R5 camera.
Table of contents
1. Sony A1 Camera Image Sensor with Stacked BSI CMOS tech
2. ISO Range, Shutter, Metering Method, and much more…
3. Best Camera for Sports Photography Sony A1
4. Auto Focus, Canon still Lead with DPAF II
5. 8k Video Capable Mirrorless Camera saga
6. Verdict
1. Sony A1 Camera Image Sensor with Stacked BSI CMOS tech
Sony A1 camera features a newly developed 50MP Stacked BSI Hybrid CMOS sensor. The Canon EOS R5 uses a 45MP Conventional DPAF CMOS sensor. We have very little difference in resolution of both the camera. As you all know, BSI sensors are known for better low-light performance. However, we will soon publish the High ISO test between the two cameras and will also update this article.
|
Sony A1 |
Canon EOS R5 |
Lens Mount |
Sony E |
Canon RF |
Camera Format |
Full-Frame (1x Crop Factor) |
Full-Frame (1x Crop Factor) |
Sensor Resolution |
Actual: 50.5 Megapixel
Effective: 50.1 Megapixel |
Actual: 47.1 Megapixel
Effective: 45.0 Megapixel |
Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
1:1, 3:2, 4:3, 16:9 |
Sensor Type |
BSI CMOS |
CMOS |
Sensor Size |
35.9 x 24 mm |
36 x 24 mm |
Image File Format |
JPEG, Raw, HEIF |
JPEG, Raw, HEIF |
Bit Depth |
14-Bit |
14-Bit |
Image Stabilization |
Sensor-Shift, 5-Axis |
Sensor-Shift, 5-Axis |
2. ISO Range, Shutter, Metering Method, and much more…
THE standard ISO sensitivity of the Canon R5 camera is more than that of the Sony A1 camera. But, with the Sony A1 camera you can push the base ISO up to 50. Which will bring an enormous amount of details inside the camera, and really very helpful for professional Landscape shooters.
Canon EOS R5 features TOP LCD display panel and DSLR styled body controls
3. Best Camera for Sports Photography Sony A1
The Canon R5 brings AF support to 20 fps continuous shooting mode. Now, moving a step forward Sony captures 30FPS while maintaining the Full 50MP sensor resolution.
High-Speed Shooting up to 20 fps in Canon EOS R5. The EOS R5 can capture fast-moving subjects in high-speed burst. At up to 12fps with a mechanical shutter and up to 20fps with a silent shutter, the EOS R5 can capture the split-second details between a subject’s movement.
Sony A1 offers 50.1 megapixels at up to 30 frames/second – The α1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1-MP sensor allows continuous bursts at up to 30fps with AF and AE tracking using the electronic shutter. Perfect for sports or any situation where the critical action is over in an instant.
New Features added inside the Sony A1 camera
Anti-distortion Shutter
The newly developed algo of Fast sensor readout minimizes still-image distortion when using the electronic shutter2. The BIONZ XRTM engine and a large buffer achieve about 1.5x less distortion than the α9 II.
Flash sync with the electronic shutter
For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages remain available for flash shooting.
Dual driven shutter drive for flash sync up to 1/400 s.
The world’s first5 dual driven shutter system allows flash sync up to 1/400 s., making it easier to capture dynamic action, and opening the door to new creative possibilities.
|
Sony A1 |
Canon EOS R5 |
ISO Sensitivity |
Auto, 100 to 32000 (Extended: 50 to 102400) |
Auto, 100 to 51200 (Extended: 100 to 102400) |
Shutter Speed |
Mechanical Shutter
1/8000 to 30 Second
Bulb Mode
Electronic Shutter
1/32000 to 30 Second
Bulb Mode
1/8000 to 1/4 Second in Movie Mode |
Mechanical Shutter
1/8000 to 30 Seconds
Electronic Front Curtain Shutter
1/8000 to 30 Seconds
Electronic Shutter
1/8000 to 0.5 Seconds |
Metering Method |
Center-Weighted Average, Highlight Weighted, Multiple, Spot |
Center-Weighted Average, Evaluative, Partial, Spot |
Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority |
Aperture Priority, Manual, Program, Shutter Priority |
Exposure Compensation |
-5 to +5 EV (1/3 EV Steps) |
-3 to +3 EV (1/3, 1/2 EV Steps) |
Metering Range |
-3 to 20 EV |
-3 to 20 EV |
White Balance |
Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten |
Continuous Shooting |
Electronic Shutter
Up to 30 fps at 50.1 MP for up to 155 Frames (Raw) / 165 Frames (JPEG)
Up to 20 fps at 50.1 MP for up to 238 Frames (Raw) / 400 Frames (JPEG)
Up to 15 fps at 50.1 MP
Up to 5 fps at 50.1 MP
Mechanical Shutter
Up to 10 fps at 50.1 MP (Raw) / (JPEG)
Up to 8 fps at 50.1 MP
Up to 6 fps at 50.1 MP
Up to 3 fps at 50.1 MP |
Mechanical Shutter
Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG) |
Interval Recording |
Yes |
Yes |
Self-Timer |
2/5/10-Second Delay |
2/10-Second Delay |
4. Auto Focus, Canon still Lead with DPAF II
Canon features a total no of 5940 AF points in its sensor. These overall AF points are grouped into 1053 AF zones. In Sony A1 camera we have a total of 759 AF points in the sensor supported by 425 contrast-based AF points.
AF coverage has been expanded to approximately 100% × 100% of the image area of Canon EOS R5 whereas in Sony we have 92% coverage and less density of AF points compared to the R5 sensor.
Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
Focus Mode |
Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) |
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) |
Autofocus Points |
Phase Detection: 759
Contrast Detection: 425 |
Phase Detection: 1053 |
Autofocus Sensitivity |
-4 to +20 EV |
-6 to +20 EV |
5. 8k Video Capable Mirrorless Camera saga
Canon EOS R5 knows of overheating issue in its 8k video mode, however, after the latest firmware update, the camera now allows you to record 2X more time in a single run. Canon EOS R5 overheating chart below
Sony A1 uses an A7S III Heat sink unit, Now the Sony A1 camera down samples 8.6K footage from a 50MP sensor whereas the Sony A7S III uses a 12MP sensor. So. how much capable the Sony A1 heat sink unit is capable of we will know soon once the camera reached in the hand of real-world users. There are now a few confirmed reports by the first Sony A7S III reviewers that the camera has an overheating problem in the bright midday sun.
4k from 8k (Canon R5) and 5.8k (Sony A1): As you can see, the HQ 4k footage of Canon EOS R5 is being created from an 8k oversampled file, so it contains an enormous amount of fine details captured by the sensor. Sony A1 uses 5.8k oversampled footage to create 4k video.
|
Sony A1 |
Canon EOS R5 |
Recording Modes |
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 280 Mb/s]
H.265/XAVC HS 4:2:0 10-Bit
UHD 8K (7680 x 4320) at 23.976p/25p/29.97p [200 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [30 to 200 Mb/s]
H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]
H.264/XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s]
H.264/XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s] |
Raw 12-Bit
DCI 8K (8192 x 4320) at 23.976p/24.00p/25p/29.97p [2600 Mb/s]
H.265 4:2:2 10-Bit
DCI 8K (8192 x 4320) at 23.976p/24.00p/25p/29.97p [680 to 1300 Mb/s]
UHD 8K (7680 x 4320) at 23.976p/25p/29.97p [680 to 1300 Mb/s]
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/59.94p/100p/119.88p [170 to 1880 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [170 to 1880 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [28 to 230 Mb/s]
H.264 4:2:0 8-Bit
DCI 8K (8192 x 4320) at 23.976p/24.00p/25p/29.97p [470 to 1300 Mb/s]
UHD 8K (7680 x 4320) at 23.976p/25p/29.97p [470 to 1300 Mb/s]
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p [120 to 1880 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [120 to 1880 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [12 to 180 Mb/s] |
External Recording Modes |
Raw 16-Bit
4.2K (4264 x 2408) up to 59.94p
4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i |
4:2:2 10-Bit
DCI 4K (4096 x 2160) up to 59.94p
UHD 4K (3840 x 2160) up to 59.94p |
Recording Limit |
Unlimited |
Up to 29 Minutes, 59 Seconds |
Video Encoding |
NTSC/PAL |
NTSC/PAL |
Audio Recording |
Built-In Microphone (Stereo)
External Microphone Input (Stereo) |
Built-In Microphone (Stereo)
External Microphone Input |
Audio File Format |
AAC LC, Linear PCM (Stereo) |
AAC, Linear PCM |
Viewfinder of the new Sony A1 camera feature 9 Million resolution , Sony uses class leading viewfinder display in it’s A1 camera.
Viewfinder Type |
Electronic (OLED) |
Electronic (OLED) |
Viewfinder Size |
0.64″ |
0.5″ |
Viewfinder Resolution |
9,437,184 Dot |
5,760,000 Dot |
The weight same but physically Canon EOS R5 is highly large compared to Sony A1.
Battery |
1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 430 Shots) |
1 x LP-E6NH Rechargeable Lithium-Ion |
Dimensions (W x H x D) |
5.07 x 3.81 x 2.74″ / 128.9 x 96.9 x 69.7 mm |
5.43 x 3.84 x 3.46″ / 138 x 97.5 x 88 mm |
Weight |
1.6 lb / 737 g (Body Only) |
1.62 lb / 738 g (Body with Battery and Memory) |
6. Verdict
Sony has better sensor technology, a usable AF system (not as good as Canon EOS R5), and faster continuous shooting speed. On the video side, we do have better heat management (as promised by the camera maker) with 8k video capability. The only difference now left is the price, if you’re ok with the Sony price tag then go and buy the Sony A1. Otherwise if you are a photographer and with limited video requirements, you can go with Canon EOS R5.
Source / Reference
- Canon India
- Canon USA
- Sony USA
- Gerald Undone
Also, see –
By admin, on January 26th, 2021
Finally the images of the Fuji X-E4 camera available now. As we have told you the official announcement of the camera was about to happen in 2020 but delayed due to the global pandemic. And finally, we have this, Now, the only camera left in 2020 is Fuji X-H2. Enjoy the images we will bring more updates soon.
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By admin, on January 25th, 2021
Image of the upcoming Fuji GFX 100S camera. Take a look at the images of the to be announced GFX 100S camera. The successor of Fuji GFX 50S and features the same sensor as GFX100. camera.
We will post an update once we get the detailed specification of the upcoming camera
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By admin, on January 11th, 2021
Nikon Japan listed Nikon D5600 and Nikon D3500 as old products, what does that exactly mean? It’s a clear indication that the replacements are on their way. So, literally, Nikon have two options here,
Nikon DSLR vs Mirrorless in 2021?
Option #1 – Nikon will do a regular update As they did before. Nikon D5700 and Nikon D3600 will arrive in 2021
Option #2 – Nikon will release Nikon Z30 and cannibalizes Nikon’s entry-level DSLR line in favor of Mirrorless cameras.
The scheduled update time of Nikon D5600 was 2020, but Nikon skipped that year. let’s hot this year we will see a perfect replacement of Nikon D5600 as well as Nikon D3500 camera.
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source Nikon
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