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Leica S3 Announced, Press Release and Intro Videos

Leica finally announced the new S3 Medium format camera today. The camera features new 64MP CMOS sensor, the new sensor also has expanded sensitivity, from ISO 100-50000. But, you can shoot images upto 3FPS only with the Leica S3 camera. The camera also features DCI 4K recording at 24 fps and Full HD up to 30 fps. Take a look at the Major specification of the camera below

Leica S3 Major core specification

  • 64MP 30 x 45mm CMOS sensor
  • DCI 4K and full HD video; 4:2:2 color
  • ISO 100-50,000
  • Up to 3 fps shooting
  • Optical pentaprism viewfinder, 0.87x-Mag
  • Shipping starts in March 2020
  • Detailed specifications PDF available here
  • US price: $18,995

We have already published the Leica S3 tear down post back on 2018.

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More Canon EOS R5 Images

New set of Canon EOS R5 images now available via DCwatch website. We have already published the rumored core specification of the camera a while ago. The Mode code of the registered camera is DS126832. The Camera is coming before 2020 Olympics.

More Canon EOS R5 Images Link Here

We will update you soon as we get any new information. Also see – Canon EOS R6 Coming in Late 2020

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Fuji X-T4 vs. Fuji X-T3

We have compared the ultra popular Fuji X-T3 with the Fuji X-T4. So, in this Fuji X-T4 vs. Fuji X-T3 you will get detailed report of the new features we have in the new camera .

Lens Mount FUJIFILM X FUJIFILM X
Camera Format APS-C (1.5x Crop Factor) APS-C (1.5x Crop Factor)
Pixels Effective: 26.1 Megapixel Effective: 26.1 Megapixel
Maximum Resolution 6240 x 4160 6240 x 4160
Aspect Ratio 1:1, 3:2, 16:9 1:1, 3:2, 16:9
Sensor Type CMOS CMOS
Sensor Size 23.5 x 15.6 mm 23.5 x 15.6 mm
Image File Format JPEG, Raw, TIFF JPEG, Raw
Bit Depth 16-Bit 14-Bit
Image Stabilization Sensor-Shift, 5-Axis None

Image Stabilization

One of the  most noticeable improvements we have in the new Fuji XT-4 camera compared to Fuji X-T3 is the introduction of a 5-axis image stabilization system. The Fuji X-T4 is able to compensate upto 6.5 stops of shutter speed. Not only that Fuji is also able to give us DIS (digital image stabilization), specifically for video. But while using DIS mode we have to face at least 1.1X crop factor while using that.

Fuji says that they are able to improve the IBIS accuracy by 8 times when compared to Fuji X-H1 camera.

ISO Sensitivity Auto, 160 to 12800 (Extended: 80 to 51200) Auto, 160 to 12800 (Extended: 80 to 51200)
Shutter Speed Mechanical Shutter
1/8000 to 900 Second in Manual Mode
Electronic Shutter
1/32000 to 900 Second in Manual Mode
Mechanical Shutter
1/8000 to 900 Seconds
Electronic Shutter
1/32000 to 900 Seconds
Electronic Front Curtain Shutter
0 to 60 Minutes in Bulb Mode
Metering Method Average, Center-Weighted Average, Multiple, Spot Average, Center-Weighted Average, Multi-Zone, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -5 to +5 EV (1/3 EV Steps)
White Balance Auto, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting Mechanical Shutter
Up to 15 fps at 26.1 MP for up to 38 Frames (Raw) / 110 Frames (JPEG)
Up to 10 fps at 26.1 MP for up to 44 Frames (Raw) / 164 Frames (JPEG)
Up to 8 fps at 26.1 MP for up to 49 Frames (Raw) / 200 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 26.1 MP for up to 36 Frames (Raw) / 79 Frames (JPEG)
Up to 30 fps at 20.9 MP for up to 35 Frames (Raw) / 60 Frames (JPEG)
Up to 20 fps at 20.9 MP for up to 37 Frames (Raw) / 114 Frames (JPEG)
Up to 10 fps at 20.9 MP for up to 48 Frames (Raw) / 500 Frames (JPEG)
Up to 11 fps at 26.1 MP for up to 145 Frames (JPEG) / 42 Frames (Raw)
Up to 8 fps at 26.1 MP for up to 200 Frames (JPEG) / 49 Frames (Raw)
Up to 5.7 fps at 26.1 MP for Unlimited Frames (JPEG) / 62 Frames (Raw)
Up to 30 fps at 16.6 MP for up to 60 Frames (JPEG) / 35 Frames (Raw)
Up to 20 fps at 16.6 MP for up to 114 Frames (JPEG) / 37 Frames (Raw)
Up to 10 fps at 16.6 MP for up to 500 Frames (JPEG) / 48 Frames (Raw)
Interval Recording Yes Yes
Self-Timer 2/10-Second Delay 2/10-Second Delay

The design of Hand-grip in both the camera remains almost same without any significant change.

Improved Shutter Mechanism 

Fuji introduced a new shutter mechanism inside the Fuji X-T4 camera. With the help of new shutter mechanism the Fuji X-T4 camera is able to shoot 15 FPS continuous shooting mode (with AF/AE tracking). As we know the Mechanical shutter of Fuji X-T.3 camera is limited to 11 FPS per second.

If you need faster burst speeds, note that both cameras can go up to 20fps with the electronic shutter, or 30fps with the electronic shutter and crop mode (1.25x). The cropping issue isn’t a Fuji problem, Sony IMX 571 sensor crops images upto 1.25x while you move on @ 20 or 30 fps per second.

 

Recording Modes MOV/H.264/H.265 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/240p [50 to 200 Mb/s]
MOV/H.265 4:2:0 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at
MOV/H.264 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 400 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
External Recording Modes 10-Bit
DCI 4K (4096 x 2160)
4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Recording Limit Up to 30 Minutes Up to 29 Minutes, 59 Seconds
Video Encoding NTSC/PAL NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input (Stereo)
Built-In Microphone (Stereo)
External Microphone Input
Audio File Format AAC, Linear PCM (Stereo) Linear PCM (Stereo)

Video modes compared 

As usual Fuji X-T4 and the Fuji X-T3 camera are able to shoot  4K up to 60p and 200Mbps. But while shooting 4K video at 60 fps we have to face crop 1.18x crop. If you are using both cameras  at 4K up to 30 and 400Mbps we have to face no cropping issue. You can have 10-bit 4:2:0 for internal recording and 10-bit 4:2:2 via HDMI [external recorder].

10X SloMo Mode: With the new Fuji X-T4 camera we are able to shoot 10X slo Mo videos with an impressive shooting speed of 240 FPS. The X-T3 can do a maximum of 120fps, which is half that (5x slow motion effect). Note that the High Speed mode works with a 1.29x crop.

But recent update suggest – Upcoming Firmware update will uplift the Full HD frame rates to 240FPS, same as we have in the Fuji X-T4.

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Phase Detection: 425 Phase Detection: 425

Reworked AF Algorithms 

Fuji X-T4 camera features brand new AF algo inside it, If we believe Fuji official press text, the accuracy of the Fuji X-T4 camera is now improved over 2X compared to Fuji X-T3 camera.

‘The Fuji X-T4 AF lock speed is also improved under standard shooting conditions. The AF lock speed of Fuji X-T4 camera is now the same 0.02sec as we have in the Sony A6600 camera.

Viewfinder Type Electronic (OLED) Electronic
Viewfinder Size 0.5″ 0.5″
Viewfinder Resolution 3,690,000 Dot 3,690,000 Dot
Viewfinder Eye Point 23 mm 23 mm
Viewfinder Coverage 100% 100%
Viewfinder Magnification Approx. 0.75x Approx. 0.75x
Diopter Adjustment -4 to +2 -4 to +2
Monitor Size 3″ 3″
Monitor Resolution 1,620,000 Dot 1,040,000 Dot
Monitor Type Articulating Touchscreen LCD Tilting Touchscreen LCD

Larger Body

Larger Body Due to presence of image stabilization inside the camera, The Body of Fuji X-T4 camera is slightly Larger and thicker compared to the Fuji X-T3 camera.

  • X-T3: 132.5 x 92.8 x 58.8mm, 539g
  • X-T4: 134.6 x 92.8 x 63.8mm, 607g

The battery grip of the camera remains the same as its predecessor. The only noticeable change we have spotted in the button layout of the camera is AEL and Q buttons have switched positions.

New Display Screen

Instead of a tilting display screen, the camera now arrived with a vari-angle display screen which is now more user friendly and Vloggers will feel a bit more comfy with the camera. And not only that, they have also improved the resolution of screen to 1.6 Million dot from 1.04 of Fuji X-T3 display.

Battery 1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 600 Shots) 1 x NP-W126S Rechargeable Lithium-Ion
Dimensions (W x H x D) 5.3 x 3.65 x 2.51″ / 134.6 x 92.8 x 63.8 mm 5.2 x 3.7 x 2.3″ / 132.5 x 92.8 x 58.8 mm
Weight 1.16 lb / 526 g (Body Only) 1.19 lb / 539 g (Body with Battery and Memory)

More Battery 

The Fuji X-T4 camera arrived with brand new battery X-T4 (NP-W235) with a capacity of 2350mAh, if we compare it with Fuji X-T3 battery then we have double backup power compared to the predecessor.

Economy mode to Save More Power

Fuji added a new economy mode with the Fuji X-T4 camera , And with the eco mode you can shoot more than 600+ shots with a single charge without any issue.. But, Even while you are shooting under standard mode you can capture more than 500 shots with a single charge.

That;s really impressive when you compare it with the Fuji X-T3 camera, since the predecessor was limited to 390 shots only with a single charge.

There is a new battery grip designed for the new camera, the VG-XT4, to accommodate two NP-W235 batteries.

————————————-

Major improvements

We can write our video files simultaneously on both the cards. BTW, SD card failure isn’t a big issue nowadays. F-Log View Assist which allows you to display normal contrast and colours when recording with Log (F-Log is available on the X-T3 as well).

Both Fuji X-T3 and Fuji X-T4, have a 3.5mm audio input that can be used for microphones. On the X-T4 it doubles as a line input for other types of audio equipment.

USB-C adapter instead (included in the box).  Is being used to monitor the audio level of the camera while recording. The feature was introduced with Fuji X-T30.

Verdict: If you already won Fuji X-T3 camera, then no need to invest your money again on Fuji X-T4, you should wait for Fuji X-T5. If you are planning to buy a new Fuji X-T series camera than for sure go with the new Fuji X-T4 camera.

Nikon Future Cameras Will have a Camera Module on Rear Side...

Camera sample image to show the location of secondary camera module

Recent patent surfaced over the web shows Future Nikon camera’s will have a small camera module on the rear side of the camera to snap Photographers images when the review their shot once it captured. Photographers images will be saved in the Exif information file of the camera as well as it can also inserted in the main image if anyone wish to.

Nikon Patent Timeline

Application JPxxxxxxxxxA events  – 2019-02-28
Application filed by  Nikon Corp – 2019-02-28
Priority to JPxxxxxxxxxA – 2019-08-15
Publication of JPxxxxxxxxA – 2020-03-01
Application status is Pending

If photographer wish, they can add their pics on the main image of the camera.

This tool is Specifically useful for war photography.

Patent Translated from Japanese (Machine translated)

  In addition to a main imaging device that captures a subject, a digital camera that includes a sub-imaging device that captures a person who is viewing a liquid crystal screen during image playback is known. This digital camera obtains the favorite degree of the image displayed on the display screen based on the smile information of the image of the viewer photographed by the sub imaging device.

 The voice output unit 8 outputs a voice message by voice synthesis according to an instruction from the control unit 4.

  The storage unit 9 stores a subject image, a photographer image, a viewer image, and the like, which will be described later. The control unit 4 performs predetermined image processing on the image signals acquired from the image sensors 22 and 32 to generate still image data, performs compression processing by a predetermined method such as JPEG, and performs subject image and photographer shooting. Images, browser images, etc. are recorded in the storage unit 9.

  The photographer holds the imaging device 1 and photographs the subject by the first imaging unit 2. At this time, if the imaging device 1 is held, the right hand touches the touch sensor 5a. If the photographer is located on the back side of the image pickup apparatus 1, the second image pickup unit 3 photographs the photographer. In addition, after the photographing is finished, the viewer holds the imaging device 1 and reproduces the image, and when the image displayed on the display unit 7 is browsed, the second imaging unit 3 photographs the viewer. .

  FIG. 3 is a diagram illustrating a storage state of the storage unit 9. A photographer image 9b, a viewer image 9c, identification information 9d, and an evaluation value 9e are stored in association with the subject image 9a. The subject image 9a is an image of a subject photographed by the first imaging unit 2 by operating the release button 6a by the photographer. The photographer image 9 b is an image of the photographer photographed by the second image capturing unit 3 when the photographer is photographing the subject by the first image capturing unit 2.

We will be updating you with more details soon.

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Canon EOS R7 Rumors

According to the latest rumors we have, canon is working on an RF Mount based APS-C Mirrorless camera. The name of the camera is said to be Canon EOS R7, camera will have the same 32.5MP sensor we have seen inside the Canon EOS M6 Mark II camera as well as the Canon EOS 90d camera. The camera will also have IBIS inside. From the set of core specification it’s look the the camera is coming to compete against the Fuji X-T4 and Sony A6600.

Canon EOS R7 Rumored Specification

  • 32.5MP APS-C CMOS Sensor
  • IBIS – Sensor shift Image Stabilization upto 5.5 Stops
  • DIGIC 8 Image Processor
  • UHD 4K30p

Well we all know that Canon already has an EF-M Mount mirrorless system camera line-up, but they have lost the versatility they have in the DSLR era. To regain the same versatility Canon is now planning to introduce Canon RF- Mount based APS-C mirrorless camera system in the market. They are also working on lenses dedicated for the new APS-C mirrorless system. Canon will be announcing the new APS-C system mirrorless camera along with few lenses at very beginning of 2021.

The rumored surfaced over the web, so take it with grain of salt.

We will update you soon as we get any new information.

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Fuji X-T4 Camera Press Release, Full Specification and Intro Videos

Fuji today announced Fuji X-T4 camera with IBIS, new mechanical shutter and improved battery life. The camera doesn’t have long list of improvements compared to it’s predecessor. Take a look at the Major features of the camera

Fuji X-T4 Major Specification

  • 26MP BSI CMOS sensor
  • IBIS upto 6.5 Stops
  • 20 fps shooting with AF (15 with new mechanical shutter)
  • 4K video (DCI or UHD) at up to 60p
  • 1080 video at up to 240 fps, output as 4-10x slow-motion footage
  • Fully articulated rear touchscreen
  • 3.68M-dot OLED electronic viewfinder (up to 100 fps refresh rate)
  • New NP-W235 battery rated to give 500 shots per charge
  • Dual UHS-II card slots
  • USB-C type connector allowing USB PD charging
  • 12 Film Simulation modes, including Eterna Bleach Bypass

The X-T4 body price is $1699. It will also be available as a kit with the 18-55mm F2.8-4.0 OIS lens for $2099 or with the 16-80mm F4 OIS WR for $2199.

see more images of Fuji X-T4 images

Download Fuji X-T4 Full Specification

Fuji X-T4 Press Release

INTRODUCING THE FUJIFILM X-T4: CRAFTED FOR THE MODERN IMAGE-MAKER

Valhalla, New York – February 26, 2020 – FUJIFILM North America Corporation is proud to announce the launch of the FUJIFILM X-T4 (hereinafter “X-T4”), a flagship model of the X Series family of mirrorless digital cameras.

The X-T4 is an astounding imaging tool, packing a newly designed IBIS, a quiet new shutter unit, a new vari-angle LCD screen, a new Eterna Bleach Bypass Film Simulation, and a new, large-capacity, battery all into a compact and lightweight camera body. This camera is the perfect tool for today’s image makers and is an ideal multi-functional solution for visual storytellers to use in creating their stories.

More information about the key features of X-T4:

Designed for Quality and Speed

Fujifilm’s state-of-the-art X-Trans CMOS 4 sensor and X-Processor 4 combination sits at this camera’s core, pairing this exceptional, 26.1MP, back-side illuminated sensor with a powerful quad-core CPU to produce images with wide dynamic range and incredible image quality, doing so with lightning-fast processing and precision AF performance, right down to -6EV.

IBIS Puts Stability in the User’s Hands

A huge part of creating great photos or videos is being in the right place at the right time – and that often means making handheld images to get to the heart of the action. X-T4’s five-axis In-Body Image Stabilization (IBIS) provides up to 6.5 stops1 of image stabilization to make sure that, even in the midst of all the excitement, images remain steady and sharp. Combine this with the new four-axis Digital Image Stabilizer, and there’s lots of room to maneuver.

Steady, Reliable Performance

For any serious image maker, having a tool that can be relied upon to perform flawlessly whenever it is required is extremely important. For this reason, X-T4 features a newly developed mechanical shutter that is the fastest and most robust in the history of the X Series. Not only can it make 26.1 Megapixel images at 15 frames per second, but it is also rated for 300,000 actuations. Combined with its larger capacity battery that is capable of up to 600 frames per charge2, X-T4 has the power and the durability to give users the peace of mind that they’ll never miss the perfect opportunity.

Find the Best Angle for the Story

When chasing the perfect image, versatility is key. The 1.62 million pixel vari-angle touchscreen LCD featured on X-T4 can be adjusted to make it visible from a wide range of positions. This not only provides a high-quality monitor to frame with, but also provides quick and simple controls when they’re needed most. On the flip side, there are times when it’s necessary to minimize the light and distractions that a screen can create. That’s why X-T4’s LCD has been designed to easily fold away so it is completely hidden from view, leaving the updated 3.69 million pixel/100fps electronic viewfinder to focus on the moment at hand.

When a Story Needs Movement

The modern image maker is blurring the lines between photography and videography, and X-T4 has been designed to celebrate this new generation of hybrid creativity. With the simple flick of a switch, movie mode is activated, meaning X-T4 is capable of recording both professional-level DCI 4K/60p and Full HD/240p super slow-motion video. It is also possible to record F-Log footage in 10-bit color, straight to the card. What’s more, the innovative AF-C subject tracking works in low-light conditions down to -6EV and the camera’s use of a new, high capacity battery lets content creators push their creative limits.

Powerful Image Manipulation Made Easy

For over 86 years, FUJIFILM Corporation has produced photographic films that have been used by some of the world’s best-known moviemakers to create some of the world’s most successful movies. This legendary reputation in color science is celebrated with the company’s hugely popular selection of film simulation modes, which digitize some of the industry’s most iconic films and puts them right at hand. X-T4 introduces ETERNA Bleach Bypass, the newest addition to the much-loved collection of Film Simulation modes available in the X Series product line, which creates a beautiful de- saturated, high-contrast look that image-makers will find irresistible.

X-T4 will be available in both black and silver and is expected to be available for sale in Spring 2020 at a manufacturer’s suggested retail price of $1,699.95 USD and $2,199.99 CAD.

Sony FE 20mm F1.8 G Lens Announced

Get Sony 20mm F1.8 Lens from B&H

Sony announced a new Fullrame Mirrorless today, The lens isn’t too affordable and comes at $898 price tag. I think they should keep the price of Lens somewhere areound $495 to 550. When they are offering FF Mirrorless bodies with more features at a less price compared to Canon and Nikon FF DSLRs or Mirrorless, then they should announce affordable range of Mirrorless lenses too for their user base.

 

Sony FE 20mm F1.8 G Press Release

Sony Boosts Full-Frame Lens Line-up with Introduction of New FE 20mm F1.8 G Large-aperture Ultra-wide-angle Prime Lens

Adding to its extensive range of native full-frame E-mount lenses, Sony today announced the launch of a new G LensTM series, the FE 20mm F1.8 G (Model name SEL20F18G). Ensuring excellent G Lens resolution and bokeh, the FE 20mm F1.8 G is a compact, lightweight, ultra-wide prime – the widest full-frame prime lens in the E-mount line-up – which gives Sony’s full-frame users more freedom to shoot stunning landscapes and starscapes as well as capturing impressive video.

The smart lens design features two AA (advanced aspherical) elements, three ED (Extra-low Dispersion) glass elements for the effective suppression of chromatic aberration and delivery of high corner-to-corner image quality even at the maximum aperture F1.8. It has excellent close-up performance with a minimum focus distance of 0.19 metres (max. magnification: 0.2 times) and delivers beautiful bokeh.

The compact design and versatility of the FE 20mm F1.8 G make it the perfect all-rounder for photographers and videographers. Weighing only 373g, its small size and light weight make it truly mobile when used with compact E-mount bodies as part of a well-balanced system that is ideal for use on gimbals or accessory grips.

In addition, the use of two XD (extreme dynamic) Linear Motors delivers fast, precise and quiet auto focusing for both stills and video shooting.

Designed to be dust and moisture resistant[i] and having a fluorine front element coating, the FE 20mm F1.8 G is highly reliable and easy to operate. It offers a customisable focus hold button and an aperture ring with a click on/off switch. It is also compatible with a variety of 67mm filters for extra creative control.

“One of the key pillars of our lens development strategy is listening to what our customers want from us and a large amount of landscape photographers who shoot with our E-mount system have asked for a fast, ultra-wide prime lens that is extremely light and versatile,” said Yann Salmon Legagneur, Director of Product Marketing, Digital Imaging, Sony Europe. “We feel that the new SEL20F18G hits the sweet spot in combining image quality, portability, superb AF performance and price. Being suitable for video shooting on both full-frame and APS-C bodies, it is an important addition to our lens line-up.”

Pricing and Availability: the FE 20mm F1.8 G will be available in Europe from March 2020, priced at approximately €1100 Euros.