January 2026 DJI Ban News: Firmware Updates — so there we have another update related to the 2026 DJI ban, and the good thing is that DJI is able to update their drones’ firmware till January 1, 2027, that’s the extension given to DJI for now. It may get extended, may not get extended. That’s a different matter, but initially, all drones were previously announced to be announced before Dec 23 Ban or have the FCC clearance, are eligible to get the Firmware update till Jan 1, 2027.
This extension is especially important if you want to see new features or improvements rolled out to existing drones via firmware. If you feel that the drone that you are flying is well capable and doesn’t need any further firmware support, then why do so, since as a photographer, updating firmware is always a hassle, and apart from all this hassle and mess, if something goes odd, then obviously, DJI Care is absent in the United States of America. Update goes wrong and bricks your drone, recovery can be painful and expensive. You have to restart everything, so you know what I am saying. My advice: only update if you truly need the new features or fixes. Always wait for a stable release
so just use it if you like, and if you feel the announcement firmware is really important and people are using it and none of them are having any issues, then update yours. So never do an early update. Always look for users’ feedback. It’s an iPhone or a camera or a drone, anything.
At TheNewCamera.com, we’ve covered the DJI ban extensively, from its initial proposals to impacts on camera-integrated drones. This article dives deeper into the FCC’s latest decision,
Understanding the FCC’s Waiver on Drone Firmware Updates
The FCC’s Office of Engineering and Technology (OET) issued a waiver (DA 26-69) to allow these changes specifically for security patches and functionality enhancements. The goal? To “mitigate harm to U.S. consumers” by ensuring drones remain secure and compatible with devices like smartphones running iOS or Android. This applies to all UAS and critical components authorized before the Covered List addition, covering popular models used in photography.
Timeline of FCC Drone Regulations and Updates
Yes, to simplify everything, we have created a table that is going to help you understand how things were working. Obviously, the decision to keep the drone updated is a nice and welcome step.
Date
Key Event
Impact on Drone Users
Dec 22, 2025
Foreign UAS added to Covered List
Potential ban on firmware updates for security and functionality.
Jan 2026
FCC issues waiver (DA 26-69)
Updates allowed until Jan 1, 2027, focusing on vulnerability fixes.
Jan 1, 2027
Waiver expiration
Possible new review processes, like source code submissions, for future updates.
This table distills the regulatory journey into key milestones, emphasizing the temporary nature of the relief.
Effects on DJI Users and Aerial Imaging Professionals
While DJI and only a few others regularly provide firmware updates for their drones, the rule that we are talking about here is implemented for all foreign-made drones, which includes Chinese and other manufacturers. Those who are not present in the Blue UAS List are affected. The Blue UAS List is a list that has already gone through the approval process.
So the list includes some drones from companies like Skydio and a majority of drones being manufactured in the United States of America. The biggest issue is that the drones that have cleared the Blue UAS List are not affordable. They come at a price of $5,000–$7,000, and obviously, they are not consumer drones.
So what we hope and expect is that until 2027 or so, we are going to have some consumer drones in that list at a budgetary level at the very same time, those which have the same good flying experience and camera capability of the ecosystem that we have seen in DJI.
So let’s just hope that other than that, the drones that are already announced by DJI, those that already have the FCC certification, are fully eligible to fly, with no issues over those drones.
Future Outlook: Navigating Drone Regulations in 2027 and Beyond
Looking ahead, the FCC’s waiver buys time but doesn’t resolve underlying issues.
Obviously, the consumers are in trouble, and specifically, the good drone makers are under budget. Those are specifically making a transfer for a consumer under a thousand dollar of $500, really great bill. Since we are providing one of the finest technologies available at GPS price, but if you’re going to buy a Seeker vision, FPV drone, which is able to capture, 4K footage is available at $3399, and the cheapest road we have in the List again. We have run from a parrot in the third budget, drone List TANAFIUSA, and the drone cost $7000. So the list, which is approved by the US administration, contains rooms that are not usable for consumers, obviously, due to the price factor.
Blue UAS Cleared List, 14 appear to be available for consumers to purchase in the USA based on retail availability through public drone shops and manufacturer sites without apparent restrictions to government or enterprise only.
Platform
Manufacturer
Price (USD, base/starting)
Stinger Vision FPV
ModalAI
3,399
Seeker Vision FPV
ModalAI
4,999
ANAFI USA GOV/MIL
Parrot
7,000
Edge 130
FlightWave Aerospace Systems
10,000
eBee VISION
AgEagle Aerial Systems
13,500
eBee TAC
AgEagle Aerial Systems
13,500
Spirit
Ascent AeroSystems
13,999
Osprey (Free Flight Version)
Easy Aerial
14,550
Teal 2
Teal
15,000
IF800
Inspired Flight Technologies
19,950
Drone enthusiasts should monitor updates from the FCC—contact points like Katherine Nevitt at the OET (katherine.nevitt@fcc.gov) could provide more clarity. At TheNewCamera.com, we’ll continue tracking how these changes affect camera drones, including tips on optimizing your DJI setup for professional shoots.
The article “List of Approved DJI Drones, Pocket Series Models and Action Cameras: DJI USA Ban Update 2026” was updated by thenewcamera.com team on 2:37 pm, Monday, 26 January 2026, Greenwich Mean Time (GMT) | You can also follow us on our official social media handles: Facebook | TWITTER | INSTAGRAM to get live news — > DJI Rumors
Well, DJI is finally preparing for its next series of announcements via Xtra Muse. Xtra US is not new in the United States of America. As DJI faces increasing tariffs and import challenges in the American market, Xtra Technology—a dynamic US startup—has stepped in with rebranded versions of DJI’s top innovations
Now, we have spotted the Xtra ATTO. This is said to be the newer version, or a carbon copy, of the DJI Osmo Nano, an ultra-portable camera specifically designed for content creation. It is made for creators who are constantly moving in and out, capturing content within their own creative space. In this article, we will explore the possible arrival time and price of Xtra ATTO in the United States of America.
What Is the Xtra ATTO Camera? A Deep Dive into Its Origins and Purpose
The Xtra ATTO Camera isn’t just another gadget. It is a strategic rebranding effort, specifically tailored for the US market. Now, the Xtra ATTO is officially categorized under listings that include cameras, wearable cameras, camera cases, mounts, head-mounted cameras, gimbals for digital cameras, and even 360-degree video cameras.
This strongly suggests a versatile nano-scale device, perfect for content creators, and it closely resembles the recently announced DJI Nano. This appears to be an upcoming body cam, or better described as a point-of-view (POV) camera, coming from the Xtra brand. We all know DJI’s video quality, and it should be more than sufficient, so the POV camera market is sure to heat up after the ATTO’s arrival.
The ATTO follows a very similar design pattern to what we have seen with the Nano, essentially being the “DJI Osmo Nano US version.” It is expected to share the same core specifications that we have seen inside the DJI Nano. Now, let’s explore the core specs of the camera.
The image was shared by one of our subscribers from China. He said the camera was there from Xtra Direct Store for a few moments, then it was quickly removed. However, he was successful in grabbing the screenshot.
Key Features and Specs: What Makes the Xtra ATTO Stand Out?
Based on Xtra’s lineup and DJI’s Osmo heritage, here’s what we anticipate for the Xtra ATTO Camera (subject to official confirmation):
Feature
Expected Specs
Benefits for Users
Sensor and Resolution
1/1.3″ Sensor Captures up to 4K60 Video
Cinematic footage with low-light performance, ideal for vlogging and social media.
Stabilization
3-axis gimbal or electronic (EIS)
Rock-steady shots during movement—perfect for hiking, biking, or dancing.
How Does the Xtra ATTO Compare to the DJI Neo Drone?
As you can see from the specifications of the Xtra ATTO camera, it highly overlaps with the DJI Nano. Other than that, there is no issue with the DJI Nano right now—it is widely available, often with discounts. However, at the same time, the future is always unpredictable, so this appears to be a smart move by DJI to protect its camera lineup in a parallel way.
As we all know, DJI is continuously facing problems due to the ban issues in the USA and related complications. So even if DJI is not able to continue the Nano lineup directly, they will likely push follow-up updates and successors through the Xtra ATTO series.
Price and Availability
The Xtra ATTO Camera’s US price is unconfirmed but expected to range from $199-349, following Xtra’s affordable strategy. It is expected to be available in Q1 / Q2 2026, via xtra-us.com, Amazon, B&H, and Adorama.
Will surely update here at thenewcamera.com once become available
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The article “Xtra ATTO Camera Leaked: A Rebranded DJI Osmo Nano? Specs, Price and Arrival Time” was written by thenewcamera.com team on 8:21 am, Tuesday, 20 January 2026, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM to get live news — > DJI Rumors
Ricoh announces a new dedicated monochrome GR IV camera. Street photography is actually a play of shadows and the highlights, and if you are capturing them in pure black and white mode, candid portraits and urban landscapes become more and more interesting. The thing is that colour cameras do create monochromes, but they always fall short in capturing the multiple monochrome tones present in the environment, and that’s why dedicated black-and-white kicks in, to capture the perfect compositions.
We do have monochrome editions (Leica Q mono), but they cost a lot and remain reserved for premium street shooters. The GR IV Monochrome makes black-and-white photography reachable for budget professionals—those who don’t want to spend a fortune, but love to have a dedicated black-and-white sensor to capture all the possible black-and-white tones that are never possible with a colour sensor.
Why Monochrome Still Rules the Roost in a Color-Saturated World
In the smartphone space, we have multiple filters, and they obviously never ask before implementing them. The HDR look, the vivid colour look, studio light, more and all that stuff make everything so fancy and polished, but going back to black-and-white photography feels like a rebellious act. Black-and-white photography is all about stripping out all the distractions present in front and just focusing on the texture, the contrast, and the raw emotional punch that you get from the image.
The Ricoh GR IV Monochrome flips the entire script of black-and-white photography with its customised 26MP BSI CMOS sensor, where every pixel of the sensor is dedicated to capturing light. Ultimately, due to the absence of a colour filter layer inside it, it captures sharp details and excellent noise performance, ranging from an ISO range available from 160 to 409,600, so that is really quite insane that we have seen in any APS-C format camera, but the GR IV Monochrome edition can push to the maximum extent. Base ISO is a tad higher (about 2/3 stop), but who cares when the results are this clean? Ricoh’s calling it a game-changer for creative photographers who live for contrast and drama, and I couldn’t agree more. If you’ve ever desaturated a color shot and felt it lacked oomph, this is why: a mono sensor sees the world differently from the get-go.
The First GR Dedicated to Black-and-White
At the end, the most important thing is the carrying capability for street photography. That is highly essential to fit in pocket size and remain easy to handle with single-handed operation.
To make it a perfect companion and flawless support for your street photography journey. The Ricoh GR IV camera features a magnesium alloy body and rugged design, not like a bulky DSLR—a compact camera with DSLR-style photographing capabilities, or even better than that, with a dedicated black-and-white sensor. Overall, Ricoh redefined the GR for this time, and the controls and this time, its highly polished and effectively designed for capturing quick snaps without losing them. Obviously, it is not rainproof, and the only factor that makes it vulnerable is the retractable zoom lens, although it was necessary to put a retractable lens inside the camera to make it ultra-compact and pocketable for a long day shoot.
Specs That Pack a Punch: What Makes the GR IV Monochrome a Beast
Don’t let the compact size fool you – under the hood, this camera is a powerhouse tailored for monochrome mastery. Here’s a quick rundown of the standout specs:
Sensor: 26MP BSI CMOS, no CFA for ultimate sharpness and noise control.
Lens: Fixed 28mm equivalent F2.8 – wide enough for immersive street scenes, sharp as a tack.
Autofocus: On-sensor phase detection with clever interpolation to keep things snappy.
Shutter Speeds: In-lens shutter up to 1/4000 sec with flash sync; electronic shutter hits 1/16,000 sec for bright-light shooting without ND filters.
ISO Range: 160-409,600 – hello, nighttime alleyways without grainy regrets.
Storage: 53GB internal memory plus UHS-I Micro SD slot – no more “card full” excuses mid-shoot.
Battery: 250 shots per charge – pack an extra, but it’s efficient for its class.
Is the Premium Price Justified? Spoiler: For Purists, Yes
Add $2199, the camera doesn’t seem to be cheap or a kind of budget camera. When compared to its colour sibling, the GR IV, the Monoi costs approximately 50% more than the colour edition. For someone who loves to shoot black-and-white images and is waiting for the Leica Q3 price to come down, this is the best option.
If black and white is your jam, the investment pays off in shots that sing. Noise is controlled, details remain crisp, and that red filter adds versatility without extra gear. For hobbyists, maybe stick with the colour version and edit in post-production
Wrapping It Up: Time to Go Mono or Go Home
In the end, the Ricoh GR IV Monochrome isn’t just a camera – it’s a mindset shift.
Things that we were limited to previously were available only with a very premium price tag. Now it’s available at a reasonable price. Ricoh finally did it, and we are really proud that Ricoh always tries to break unusual barriers in the photography industry, specifically with the popularity of their GR series. They are experimenting with different variants, and that’s a very welcome step.
Nikon, Canon, and Sony are the three giant camera makers of the world, and they should at least have a single camera series dedicated to black-and-white photography in their lineup.
For now, Ricoh has democratized monochrome excellence, and in 2026, that’s something worth celebrating. Grab your gear, hit the streets, and let the shadows tell your story. What are you waiting for?
The article “Ricoh GR IV Monochrome: The Leica Slayer That’s Making Black-and-White Photography Accessible Again” was written on 6:59 am, Thursday, 15 January 2026, Greenwich Mean Time (GMT)
Canon G7 X Mark III successor latest information, specs, pricing, and expected arrival time—all of this we are going to discuss in this article. However, before that, let me tell you one thing: the Mark III camera’s popularity and demand remain very high, and it has been selling at a significantly higher price than its original MSRP at which it was announced.
The only reason for this is that only a few sellers have it Amazon.com, either as new stock or renewed bodies, which are being sold at much higher price points. Since most content creators and bloggers still use this camera to shoot their content, the G7 X Mark III excels in this area, particularly in the compact camera category.
Now, talk about the successor of the G7 X Mark III, and it may surprise you to know that the Canon rumour mill has confirmed that the name of the G7 X Mark III successor will not be Canon G7 X Mark IV. Why? Let’s discuss that first, and then we will discuss pricing and the expected arrival date.
Canon PowerShot G7 X Mark IV Rumors: Name Change and Release Timeline
It retains a compact form factor and 4K capturing ability with natural color, strong tonal quality, and good image quality. It remains high in demand, but it has also reached its lifecycle endpoint and has already been discontinued by Canon.
Rumors related to the successor of the Canon G7 X Mark III camera are surging. Before that, we had already received a hint from one of our sources that the G7 X Mark III successor was expected to arrive sometime in September 2026, and we have published this information earlier.
One of the most intriguing Canon compact camera rumors is a shift in naming conventions. The successor won’t be called the “Canon PowerShot G7 X Mark IV,” according to sources.
Now, CanonRumors.com has received some new tips, and they come with a surprise element. The surprise is that the successor of the G7 X Mark III will not be called the G7 X Mark IV. Instead, it is going to be named something else, meaning it may appear under Canon’s recently announced V-series of compact cameras, with a different model name.
Expected Features and Specs for the Canon PowerShot G7 X III Successor
What could make the Canon PowerShot G7 X Mark III replacement a must-have? Rumors point to several enhancements that could elevate it to flagship status in the compact category. Here’s a breakdown of the speculated features:
First of all, earlier we were expecting the introduction of a 1-inch CMOS sensor with a hybrid or Dual Pixel AF system inside the G7X Mark III successor, but right now the new set of specifications indicates that we are going to get the same 1.4-inch, 22.3MP sensor that we have already seen inside the Canon PowerShot V1 camera. So, it would be an extension of the same core specifications into a new body.
Canon G7X Mark III Successor Core Specification
New 1.4-inch 22.3MP sensor, borrowed from the Canon PowerShot V1
The current 24-100mm f/1.8-2.8 lens is versatile, but the successor might feature a fixed-aperture design, such as a 24-70mm f/2 lens.
losing some zoom range for a constant wide aperture—could deliver sharper images at telephoto and superior background blur.
Canon is expected to leverage digital corrections for distortion and vignetting, allowing for a slimmer, lighter lens profile that appeals to on-the-go users.
Electronic viewfinder (EVF) and built-in flash.
30fps burst shooting, advanced autofocus with face, eye, animal, and possibly vehicle tracking, and optical image stabilization for shake-free results.
Weather sealing is another rumored perk, ideal for travel photographers facing unpredictable conditions.
While in-body stabilisation might be skipped due to size constraints, the optical system should suffice for most scenarios.
Video Capabilities and Ergonomics
Full-width 4K video recording at up to 30p. By oversampling from a 5.7K image area
10-bit Recording; Canon Log 3
Mic and headphone jacks for proper audio recording and monitoring.
No Active cooling Like the V1
Accessories are a big focus: A self-powered GPS unit via the flash shoe could eliminate reliance on smartphone apps
Pricing Expectations
Anticipated to launch under $1,000—likely around $900—the successor aims to maintain affordability while delivering premium value.
That’s the expected price we have for the Canon G7 X Mark III successor, which is quite reasonable for the specifications we are discussing.
Canon’s Strategy for Compact Cameras in 2026 and Beyond
Canon will be putting more effort into the video division as well as the compact camera segment to expand its reach among the consumer base. Canon has already made several full-frame camera announcements in the past, but now it is time for APS-C upscaling and a stronger focus on compact cameras, as we have strong rumors related to the Canon R7 Mark II camera.
Similarly, a Canon R10 update is also expected, and along the same line of expectations, today we are discussing the possible successor of the Canon G7 X Mark III camera.
Again, 2026 will not remain limited to these three cameras. To explore further details on what other models are expected to arrive in 2026, you can read our article here: the list of Canon cameras we are expecting in 2026.
Hey, we have discussed that the current G7 X Mark III successor is expected to arrive in late 2026, most probably in September, as we received this date earlier. However, it may also be delayed further, so for now there is no confirmed announcement timeline for the Canon G7 X Mark III successor. The only thing we know is that it is expected to arrive sometime in 2026.
Stay tuned—as soon as we get any updates related to upcoming cameras and lenses, we will be posting them here at TheNewCamera.com.
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The article “Canon PowerShot G7 X Mark III Replacement: Rumors Point to a 2026 Successor with Game-Changing Features” was written by thenewcamera.com team on 6:02 pm, Tuesday, 13 January 2026, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM | Threads – to get live news — > get live news Camera News + Canon Rumors 24X7.
We have two fresh images of the Avata 360 drone, and the best part is that these images reveal a lot about the drone’s functionality, which we will discuss in the latter part of the article. Other than that, we are already providing extensive coverage of the DJI Avata 360 here at TheNewCamera.com, and the price of the DJI Avata 360 has also recentlybeen revealed. Now, what is actually new in the latest leaked images, and what do they actually reveal? So, let’s jump into the details.
The leaked images, posted by trusted leaker Igor Bogdanov (@Quadro_News), leave us with no doubt about their integrity. At the very same time, the first image that we are discussing here, where the DJI RC 2 is active, reveals very fine details, which make us more excited.
The drone is connected to a DJI RC controller (resembling the RC 2) via cable, displaying a live feed. It features a gray cinewhoop-style frame with full spherical propeller guards for safe indoor and proximity flying. Labels indicate DJI branding and an advanced transmission module, likely O4, for enhanced range.
Interestingly, the camera module in the image clearly shows a tiltable camera module, so that one of the lenses points forward. This suggests that the Avata 360 is not only intended as a 360-degree camera drone, but can also be used as a regular FPV drone, similar to the Avata 2. In that scenario, the pilot can simply operate with a forward-facing view during flight, as with existing Avata models. DJI thus potentially combines two use cases in a single platform.
Now, the second image displays the entire kit, where we have the battery charging hub and spare batteries. It looks like someone who purchased a kit of the Avata 360 drone just unboxed it in front and captured the image.
Pricing and Bundles: China Leads, US Follows
Leaks confirm affordable China pricing, with US estimates adding a premium:
DJI Care ~$57. FCC pre-approval ensures US sales despite bans.
Arrival Time
As per the initial set of information, the Avata 360 will arrive in Q1 of 2026
These are the updates we have related to the Avata 360. As soon as we get a confirmed set of core specifications related to the upcoming drone, or any other updates, we will be publishing them here. Stay tuned for future updates.
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The article “DJI Pocket 4 Front View Leaked: Dual Camera Design Exposed” was written by thenewcamera.com team on 10:31 am, Wednesday, 7 January 2026, Greenwich Mean Time (GMT)) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM to get live news — > DJI Rumors
Here in this article, we are coming up with all the latest and upcoming cameras, specifically the top 10 cameras of the year 2026. All major camera makers, starting from Canon, Nikon, Sony, and Panasonic, are gearing up for new camera announcements. In the previous year, we already saw the introduction of a partially stacked CMOS sensor inside the iconic Nikon Z6 Mark III camera body. It’s not only Nikon—almost all brands are in the race to introduce partially stacked or stacked sensors in their upcoming camera bodies, specifically to boost performance and speed.
Now, if you’re looking forward to 2026 announcements, whether you are waiting for cinema and mirrorless cameras with newly advanced stacked sensors or high-resolution cameras for landscape photography, this guide covers it all.
At TheNewCamera.com, we have compiled the most credible camera rumours of 2026, specifically from highly trusted insiders like Canon Rumours, Nikon Rumours, Sony Alpha Rumours, and Fuji Rumours, along with reputed platforms such as PetaPixel and Digital Photography Review. All this information is cross-verified against real-time X discussions, patent filings, and the expected specifications, merged with timelines, pricing, and estimated arrival dates of the cameras. This provides updated guidance on the top 10 upcoming cameras of 2026.
1. Canon R7 Mark II: 40MP Stacked APS-C Beast for Hybrid Speed Demons
The long-awaited Canon flagship APS-C camera, the Canon EOS R7 Mark II, is expected to arrive in the first half of 2026. Earlier, the camera was expected to arrive in late 2025, but it was delayed due to undisclosed reasons. However, now we are very confident based on multiple rumours that the Canon R7 Mark II is indeed coming.
The Canon R7 Mark II camera is expected to feature a brand-new 40-megapixel stacked CMOS sensor, specifically aimed at landscape shooters, sports shooters, photojournalists, wedding and event photographers, wildlife photographers, commercial photographers, and bloggers who love to create content and shoot casual shorts using a professional camera.
Expected Key Specs for Canon EOS R7 Mark II
Sensor: 40MP stacked BSI APS-C CMOS (15% resolution uplift; 80% rolling shutter reduction for fluid panning).
Processor: Enhanced DIGIC X (AI for subject prioritisation and upscaling).
Autofocus: Dual Pixel CMOS AF II (6,400 points; deep-learning for humans/animals/vehicles/aircraft; 100% coverage).
Buyer’s Tip: For upcoming cameras 2026 under $2,000, kit it with the RF 100-400mm—perfect R7 upgrade for cropping pros.
Earlier, the camera was rumoured to arrive with a 33-megapixel stacked CMOS sensor, but now we also have some fresh rumours, specifically related to a 40MP sensor being spotted in Canon EOS R7 Mark II prototypes. That’s why trusted sources claim that Canon is actively testing this configuration.
As we always say, camera makers always test multiple prototypes of flagship camera bodies before finalising the production model. Based on current information, we are expecting Canon to choose the 40-megapixel sensor for the Canon R7 Mark II camera body.
If any new updates arrive related to the Canon EOS R7 Mark II or any other upcoming cameras, we will be posting them here on TheNewCamera.com.
Now, let’s move on to our second most expected camera of 2026.
2. Nikon Z9 II: Coming After March 2026
The iconic Nikon Z9 Mark II camera is coming in 2026. The Nikon Z9 camera was announced back in October 2021, just before the Beijing Winter Olympics in February 2022. As we all know, Nikon strategically timed the Z9 announcement ahead of the Olympics, and in a similar manner, there were strong rumours that the Nikon Z9 Mark II would arrive before the Milan–Cortina Winter Olympics 2026, which are set to begin in early 2026.
It is well known that after the announcement of the Nikon Z8 (May 2023), which carries approximately 95% of the same core specifications as the Nikon Z9, the sales of the Z9 have been significantly cannibalised after its announcement. As a result, the Z9 flagship is no longer generating the same level of sales momentum as before.
To create a clear and strong difference between the Nikon Z8 and Nikon’s true flagship model, Nikon is expected to release the Nikon Z9 Mark II with extensive upgrades and updates.
Nikon Z9 II Specification [Updated]
45 MP Global Shutter Sensor [nEXT GEN Stacked CMOS Sensor]
Pre-Capture RAW mode support [Confirmed]
New EXPEED 8 image processor [Confirmed]
40 FPS RAW burst shooting (rumoured)
240 FPS full resolution JPEG
Faster image sensor (rumored)
Possible hybrid global shutter (rumored)
N-Log2 support [Confirmed]
Launch expected late 2025 (Development announcement)
Will launch alongside Canon R1
Aimed at wildlife and sports professionals
Although we are also getting some hazy reports and unverified rumours related to a higher-resolution sensor–based Nikon Z9 Mark II camera, we are waiting for further updates before publishing a new set of detailed specifications related to the Nikon Z9 Mark II. For now, we will be publishing the same information that we received back in 2025.
Nikon Z9 II Arrival Date
However, for some reason, the launch of Z9 II has been delayed until March 2026, which was expected to arrive in late 2025. The Announcement timeline is now shifted sometime in between Q2 and Q4 of 2026. (Better to say you can expect the Z9 II official announcement in the 2026 financial year)
3. Sony A7R VI: 80-100MP AI Resolution Titan for Pixel Perfectionists
The Sony A7R series is a megapixel monster lineup, and technically, it has always proven to be among the best and highest-resolution full-frame cameras in the market. However, the Sony A7R V now desperately needs an update, as it was originally announced back in October 2022. But that’s not the main issue.
The real concern is that it is still using a sensor architecture similar to the Sony A7R IV, which was announced on July 16, 2019. Technically, this makes the sensor more than 6–7 years old, which is quite dated by today’s standards.
According to the latest rumours coming from trusted sources like Sony Alpha Rumours, the Sony A7R VI camera may hit a new resolution benchmark with a full-frame sensor somewhere around 80 megapixels to 100 megapixels. The announcement is expected sometime in mid-2026, and if delayed, it may arrive in Q4 2026.
Now, it’s time to take a look at the expected set of specifications that are rumoured to arrive with the Sony A7R VI camera.
Build & Connectivity: Sealed; dual CFexpress A/SD; USB 3.2/Wi-Fi 6.
Battery & Size: NP-FZ100 (530 shots); ~723g.
It’s really exciting to see the core specifications of the Sony A7R VI camera. If these rumors turn out to be true, then for sure, the Sony A7R VI is going to break all existing records of high-resolution full-frame cameras with its massive megapixel count.
We will update you as soon as we receive any latest information or confirmed updates related to the upcoming Sony A7R VI camera.
4. Fujifilm X-Pro 4: 40MP Stacked Rangefinder Renaissance for Street Poets
Okay, we are not completely sure about the final name yet. However, we do have confirmation that the X-Pro3 successor is coming in 2026, and this is not the first time we have reported on this particular rumour. This rumour was initially reported back in March 2025, when a Fujifilm representative officially confirmed that they are working on a successor to the Fujifilm X-Pro series camera.
“He noted that a simple upgrade with the latest processor or just a 40-megapixel sensor would be boring, indicating a major shift or upgrade in the upcoming X-Pro series camera.”
The most important part is that during the interview, the General Manager of Fujifilm Professional Imaging Group clearly mentioned this development. Even in the post we published back on March 24, 2025, once again, we should clarify that the camera may not be named X-Pro4 or X-Pro5. Instead, it could be named X-Pro6, since it is arriving after a very long gap. However, the final naming depends on Fujifilm’s marketing team and will be confirmed later. The good thing is that even at that time, we clearly mentioned that the camera is coming in 2026.
It has already been six years, and people are waiting for an update after the Fujifilm X-Pro3.
What specifications are we expecting? 40MP 6th generation Redefined Stacked CMOS sensor for speed, that’s we are expecting from the next X-Pro camera.
We would love to see a major upgrade in sensor resolution introduced inside the X-Pro series. However, as the General Manager of Fujifilm stated, a simple 40MP sensor upgrade or just a new image processor would feel like a boring update. This clearly indicates that the next-generation X-Pro camera is expected to arrive with a brand-new sensor and processor. For now, speculating on the exact sensor type or image processor would not be accurate.
He also noted that a simple upgrade with the latest processor or just a 40-megapixel sensor would be boring, indicating a major shift or significant upgrade in the upcoming X-Pro series camera.
Yes, we are closely monitoring Fuji Rumours and other reliable sources that regularly publish updates on their websites. Apart from that, such interviews provide valuable insight into the upcoming Fujifilm models. Specifically, we are waiting for the next X-Pro series camera, and any update that reaches us will be posted on TheNewCamera.com.
The X-Pro3’s bold 2019 design split opinions, but the X-Pro successor is expected to unite users in early 2026 as Fujifilm’s hybrid viewfinder icon. Targeting documentary and street photographers, in the first half of 2026, around $1,799 could introduce 6th-generation stacked sensor technology and IBIS, further refining the “photography-first” experience.
5. Canon Retro Camera 2026: AE-1 Legacy with 32.5MP Modern Heart
We have recently covered in-depth details about the upcoming Canon retro camera in our December 7, 2025 post. The upcoming Canon retro camera is expected to use the same 32.5-megapixel sensor that we have already seen inside the Canon EOS R6 Mark III / Canon EOS R50 camera.
All of these are initial reports, but since they are coming from trusted sources, they are considered highly reliable.
Canon retro camera humour is not New. It is wobbling up from past year and as per the initial report, the camera is expected to arrive on AE-1’s 50th anniversary, Canon executives At CP+ 2025, Manabu Kato, a key Canon figure, shared: “I’m really glad to hear that you’re an AE-1 enthusiast because I also like that camera. … So if we were to do that with the design of the AE-1, would it really achieve the kind of ergonomics and usability that we need in a Canon camera? That’s the big question.” Yes, he clearly hinted at the Canon AE1 retro camera arrival, but will it really happen? At least we are expecting sometime in April 2026
The Canon AE-1 was originally released in April 1976, so its 50th anniversary falls exactly on April 2026.
With high hopes and fingers crossed, and Canon isn’t the first camera maker to try RETRO design for the first time, Nikon has its own retro line of cameras, like the ZF/ZFC and Fuji, already highly popular with their retro style Mirrorless and compact cameras,
Viewfinder & Display: 2.36m-dot rangefinder OLED; 3-inch vari-angle under leatherette.
Build & Connectivity: AE-1 ergonomics; single UHS-II SD; Wi-Fi 6/Bluetooth.
Battery & Size: LP-E17 (~450 shots); ~485g.
Toasting the AE-1’s 50th, Canon’s retro mirrorless revives ’70s aesthetics in April 2026. For film nostalgics, it’s R6 III guts in vintage shell at ~$1,999—photo-focused, outselling Nikon’s Zf via RF lenses.
6. Nikon Z7 III: 61-80MP High-Res Revival for Landscape & Studio Savants
The Nikon Z7 Mark III camera prototype was spotted on August 27th, 2022, reportedly featuring a 67-megapixel sensor. This accidental leak happened just before the announcement of the Nikon Z8 camera, making it very clear that Nikon has been testing multiple high-resolution camera prototypes for a long time.
However, the official announcement has been delayed, and these delays can occur at various levels.
One of the most prominent reasons (predecessor sales + cannibalisation fears) for such delays often occurs when the marketing team does not approve a camera, typically due to the sales performance of its predecessor / Z8’s announcement overlap in the high-res hybrid space, which makes this a credible hurdle and the fear of internal product cannibalisation.
The Nikon-RED tie-in as a resource drain- Other contributing factors may include the Nikon and RED Cinema collaboration, which could be another reason why, after the Nikon Z8 announcement, Nikon’s research and development team became heavily involved in the development and announcement of the ZR series cameras. This shift logically diverts R&D from stills-focused bodies like the Z7 III, especially since ZR aims to democratise pro cinema features (e.g., internal RAW recording) as an affordable entry to Nikon’s lineup, potentially supplanting pricier options like the Z9 for video workflows, making cinema-grade features accessible to a wider audience.
Nikon’s Z7 II lags in speed, but the Z7 III is expected to refresh in mid-2026 as a 61-80MP photography-focused model. At ~$3,499 post-CES, it targets DSLR defectors with vari-angle screens and refined colour science.
These are the initial set of core expected specifications, which should provide you with a clear idea. This is not a camera made for sports shooters. If you are a nature lover, prefer a maximum dynamic-range–based sensor, and want high-resolution images for commercial shoots, then you may prefer to wait for the Nikon Z7 Mark III.
As soon as we get any updates related to Nikon Z7 III, we will update here
7. Sony A7S IV: 24MP Video Colossus with Global Shutter Tease
According to the source, the Sony FX3 Mark II camera or the Sony A7S IV will feature a 24-megapixel fully stacked sensor, and the sensor will incorporate dual-layer transistors — a step up in the efficiency of light gathering as well as data processing capability.
This sensor is also stated to be used in the upcoming Sony FX6 Mark II camera, creating a cohesive ecosystem for professional videographers starting from the Sony A7S IV.
The triple base ISO, which is said to start from 800, 4000, and 25600, means it can easily be tagged as a low-light king or night specialist camera, promising superior low-light performance and a good update from the existing Sony A7S III’s ultra-low-light-sensitive 12MP sensor. Specification-wise, the sensor is able to record 6K open gate at 120 frames per second without any significant crop. This allows professional videographers to capture highly detailed data without any lag or crop.
If this information is true, the upcoming Sony A7S IV, FX3 Mark II, and FX6 Mark II cameras will revolutionize filmmaking with their ultra-high-speed 24MP sensors and amazing low-light performance. The Sony FX3 series as well as the A7S series have always remained a popular choice among filmmakers, and if the above specs are true, they will continue to dominate.
8. Canon R3 Mark II: Canon Global QShutter Candidate
The Canon EOS R3 Mk II camera is rumoured to arrive in 2026, as both Canon and Nikon traditionally align their flagship announcements with major Olympic events. As we have already discussed above, theNikon Z9 Mark II is also expected to arrive in 2026, and Canon is expected to introduce the Canon EOS R3 Mark II around the same period. Although the announcement of both cameras is expected after March of 2026.
The Mark II version of the Canon R3 is often treated as a technology playground for Canon, where the company tests intensive and next-generation technologies before fully implementing them in the Canon EOS R1.
The Canon R3 was announced back in September 2021, one of the cameras that introduced Eye/Iris Control AF and that has impressed everyone as a flagship camera. The price is way too high, costing around $5999, specifically built for wildlife, sports, events, and photojournalism.
Canon R3 Mark II Rumoured Specification
Global Shutter Sensor: 24MP
DIGIC X Mark II: DIGIC X was first announced on January 6, 2020. As of December 11, 2025, it is approximately 5 years and 11 months old (or nearly 6 years). It debuted in the Canon EOS-1D X Mark III, Canon’s flagship professional DSLR at the time.
Eye-Control AF 2.0: Building on the original’s magic, with deeper AI for subject detection in chaotic scenes—sports, birds-in-flight, you name it.
EVF Upgrade: A 5.76M-dot OLED like the R1, but tuned for the gripped form factor.
Video: Leaks are quiet here, but expect 6K/120p raw internals, with pro codecs for filmmakers doubling as stills shoot
As the Canon EOS R3 was the first camera to feature Eye Control Autofocus in a modern mirrorless system, in a very similar fashion, Canon is expected to use the Canon R3 platform to introduce a global shutter sensor inside its flagship camera lineup. Once this technology is successfully tested and adopted by the mass consumer base, the final version of the same sensor may later be used inside the Canon EOS R1 Mark II.
For now, there is a strong set of rumours suggesting that Canon is actively testing a global shutter sensor for its next-generation ultra-fast flagship camera, the Canon EOS R3 Mark II.
9. Nikon ZRC: APS-C Version of Nikon ZR Camera
Nikon Z RC rumours are now heating up, and fresh leaks suggest that the Nikon video powerhouse’s budget entry-level APS-C dedicated expert video camera is set to arrive in 2026. If we discuss the camera ZRC, it carries forward the video-first DNA of the ultra-popular Nikon Z50 II, featuring an ultra-portable body design similar to that of the Nikon Z30. To reduce production costs and simplify the production line, it does not feature any mechanical shutters or electronic viewfinders. The camera is equipped with 4K 60p recording capability, the same as found in the Nikon Z50 II, and supports 10-bit internal recording simultaneously. Red colour profile supports professional recording demands. If the whispers hold, expect a Nikon Z RC release date in Q4 2026, priced at a creator-friendly $649-799 body-only—mirroring the Canon EOS R50V launch tag for maximum market disruption.
Nikon ZRC Key rumoured design perks:
Front weather-sealing for light-duty adventures.
ZR-inspired dials and a dedicated video button for intuitive handling.
Front / Rear Tally lamp to signal recording—bye-bye awkward cuts.
SD slot and USB-C PD charging for seamless workflows.
Battery? The same EN-EL25a as the Z50 II, promising ~330 CIPA shots or 75 minutes of 4K video.
Nikon ZRC Key rumoured design perks:
Front weather-sealing for light-duty adventures.
ZR-inspired dials and a dedicated video button for intuitive handling.
Front / Rear Tally lamp to signal recording—bye-bye awkward cuts.
SD slot and USB-C PD charging for seamless workflows.
Battery? The same EN-EL25a as the Z50 II, promising ~330 CIPA shots or 75 minutes of 4K video.
The Nikon Z RC price rumour? A body-only $649.99-$799spot-on spot-on with the Canon EOS R50 V’s April 2025 debut. Kit with the 16-50mm VR lens? Around $849. This aggressive pricing slots it below the Z50 II while undercutting Sony and Canon in the APS-C video wars.
As for the Nikon Z RC release date, leaks point to Q3/Q4 of 2026. With bundles including extra batteries.
10. Canon R8V: APS-C Version of Nikon ZR Camera
Canon has announced its own V series of cameras, starting from the Canon V1 compact camera. Recently, Canon announced the R50 V camera on March 26, 2025. So they are slowly expanding their V series to compete against Sony.
Now what’s next? We are expecting the arrival of the Canon R8 V camera as part of their expansion to its V series. The Canon R8 is expected to have the same image sensor and image processor, but it will surpass the video capabilities of the R6 Mark II camera.
So let’s discuss the possible specifications, arrival date, and the price of the upcoming Canon R8 V camera. It will be a game-changer camera for professional content creators and beginner filmmakers.
Canon R8V Rumoured Specification
Sensor: 24.2MP full-frame CMOS (same as EOS R8/R6 II) with fast ~1/68s readout to minimise rolling shutter.
Processor: DIGIC X for advanced autofocus and high-quality video output.
6K 60 Opengate FPS RAW
4K/60p uncropped, oversampled from 6K – sharp, detailed footage.
4K/120p (1.2x crop) – better slow motion than R6 II’s Full HD/120p.
Canon Log 3, 10-bit 4:2:2 (H.265), HDR PQ, and 2.35:1 aspect ratio for professional colour grading
Four-channel 24-bit audio – cinema-level sound, inherited from R50V.
IBIS (5–6 stops), combined with lens IS for up to 7.5 stops – a big upgrade over R8’s lack of stabilisation.
Dual Pixel CMOS AF II with deep-learning subject tracking (people, animals, vehicles).
No Eye Control AF to stay below R6 III’s premium tier.
Canon’s 2025 roadmap was already packed with Canon R50 V and PowerShot V1 announcements. We also have a list of rumoured cameras like the Canon R6 Mark III, which will arrive in the 4th quarter of 2025. For details, you must look at the list of Canon’s upcoming cameras in 2025.
Q2 / Q3 of 2026 — somewhere between April to September of 2026 — is the perfect timeline, and it also aligns with Canon R8’s 3-year refresh cycle, which was launched back in April 2023. So, introducing an R8 V in mid-2026 is the best possible timing.
If Canon prioritises the creator market, they may launch it sooner.
According to the latest information surfacing on the web, the Canon EOS R7 Mark II camera is expected to feature a 40-megapixel stacked CMOS sensor. Interestingly, this sensor resolution closely matches that of the Canon EOS R5 / EOS R5 Mark II.
Yes, we are specifically talking about sensor resolution, which falls into a similar megapixel range — not the sensor size. Traditionally, we have seen this pattern before: the Canon 7D series shared a similar resolution philosophy with the Canon 5D series. (long story short, the 32.5 Mp sensor was made for 7D III, which was never introduced and later on used in R7 after 90D, similar to 5D IV / EOS R sensor Res.) The same strategy existed during the DSLR era, and recent rumours now confirm that 40MP APS-C prototypes do exist in the wild.
The big question remains: will these prototypes make it to the final production line? And what else do we know about the Canon EOS R7 Mark II camera? Let’s dive deep into the details.
At TheNewCamera.com, we track the most credible Canon rumours to provide accurate insights. While details remain speculative, we’ve cross-verified information from multiple sources to ensure logical consistency. Here’s a breakdown of the key rumors, starting with the sensor, followed by potential features, release timeline, and competitive context—all grounded in available reports.
The Rumoured 40MP Stacked Sensor: A Leap Forward for Canon APS-C
R7 Mark II 2026 Rumors: 40MP Stacked BSI Sensor Incoming
The Canon EOS R7 Mark II camera is rumoured to feature a 40-megapixel APS-C stacked CMOS sensor. If confirmed, this would be Canon’s first-ever 40MP APS-C sensor used in a camera body, significantly elevating the overall performance of Canon’s flagship APS-C camera.
With this move, the EOS R7 Mark II would directly compete with Fujifilm’s X-T5 and X-H2, two of the strongest players in the APS-C lineup.
Have a look at the basic set of improvements we are likely to notice after the introduction of a 40MP sensor inside the Canon EOS R7 Mark II camera body.
Stacked sensor benefits could include:
Enhanced dynamic range and noise reduction via BSI design.
Support for high-frame-rate bursts without blackout.
Potential for advanced video capabilities, such as 8K/60p recording.
Possibility of Canon C7, After Canon R7 III
If confirmed, the Canon EOS R7 Mark II camera, arriving with a 40MP sensor and the ability to record 8K video internally, would clearly indicate that Canon is extending its APS-C roadmap. In that case, likely, Canon will soon introduce professional APS-C Cinema EOS models to compete directly with the Sony FX30 series—possibly in the form of a Canon C7, a dedicated cinema version of the R7 series.
Potential Features: Building on the EOS R7’s Strengths
Yes, we are focusing all our attention on the sensor headlines here, but we must understand that it’s not just one camera. As we already know—and as we have previously posted—the Canon EOS R7 Mark II is one of three EOS R cameras currently under development. Recently, we have also spotted their wireless certification, likely featuring Wi-Fi 5 for prosumer-level wireless capabilities.
Some reports also mention dual-band Wi-Fi 6 support, which could enable faster image transfers and better integration with Canon’s app ecosystem.
If Canon introduces a 40MP stacked BSI APS-C sensor in the EOS R7 Mark II, the updates won’t be limited to resolution alone. A stacked BSI sensor changes the entire performance envelope of the camera. Here’s what we can logically expect:
1. Faster Sensor Readout
A stacked design allows much faster readout speeds, which means:
Severely reduced rolling shutter
Cleaner electronic shutter images (sports, wildlife, drones, fast pans)
Potential move toward a mostly electronic-shutter workflow
This alone would be a huge leap over the current EOS R7.
2. Higher Continuous Shooting Speeds
With faster readout and processing:
30–40 fps burst rates (electronic shutter) become realistic
Minimal or no viewfinder blackout (Blackout-free shooting)
Better subject tracking at high frame rates
This positions the R7 Mark II closer to pro sports bodies in APS-C form.
3. Major Video Upgrades
A stacked 40MP sensor strongly hints at:
8K video recording (likely oversampled or full-width)
Improved 4K quality with less crop
Better heat management
Reduced rolling shutter in video
Potential 8K/60p or 4K/120p, depending on processor limits
This would place Canon much closer to Sony FX30–level performance, and possibly beyond in resolution.
4. Improved Autofocus Performance
Faster readout helps AF systems work more efficiently:
More responsive Dual Pixel CMOS AF
Better AI AF subject detection (birds, animals, vehicles, sports)
Improved tracking accuracy / Due to improve per-frame calculator speed after the introduction of the Stacked CMOS sensor
These features remain unconfirmed, as earlier speculations varied.
Release Timeline: Eyes on Early 2026
Reliable sources point to a first-half 2026 announcement. Period. However, we are not expecting it as early as CP+ in Yokohama, Japan (usually held in late February). At that time, Canon is expected to announce three new EOS R bodies, which will likely include the successor to the Canon EOS R7, known as the EOS R7 Mark II.
Apart from that, the lineup is also expected to include the Canon EOS R10 successor and the Canon EOS R3 Mark II.
How the EOS R7 Mark II Compares to Competitors
To assess the rumoured specs logically, here’s a comparison with current APS-C leaders. Note that R7 Mark II details are speculative:
Feature
Canon EOS R7 Mark II (Rumoured)
Fujifilm X-T5
Sony A6700
Sensor Resolution
40MP Stacked BSI APS-C
40MP BSI APS-C
26MP BSI APS-C
Max Burst Rate
30-40fps (estimated)
15fps (mech)/20fps (elec)
11fps
Video Capabilities
Up to 8K/60p
6.2K/30p
4K/120p
IBIS
Up to 8 stops (estimated)
Up to 7 stops
Up to 5 stops
Connectivity
Wi-Fi 5 or 6
Wi-Fi 5
Wi-Fi 5
Price (Current/Est.)
$1,500+ (estimated)
$1,699
$1,398
These are the basic initial comparisons that give a clear, how a 40MP sensor is going to revolutionise APS-C camera technology within Canon itself. It is the need of the time to scale the overall capabilities of Canon’s APS-C flagship to the next level and make it ready to compete against strong rivals like the Sony A6700, Fujifilm X-T5, and Fujifilm X-H2.
For those considering full-frame alternatives like the EOS R5 II, the R7 Mark II could offer similar performance at a lower cost with APS-C’s crop factor benefits for telephoto work.
So for now, we have to accept one thing: this is the first time we are hearing about a 40MP sensor. Although yes, it is coming from a reliable source, before this, we had rumours of a 32MP stacked CMOS sensor–based camera.
There is a strong possibility that both prototypes exist at Canon, because before a camera maker announces a final product, they usually test multiple prototypes in the wild before a specific model is finalised for the production line.
So, we still need to wait for further confirmation. As 2026 approaches, we will get a clearer and more concrete set of information related to the Canon EOS R7 Mark II, as well as other upcoming Canon cameras.
The article “Canon R7 Mark II Rumors 2026: 40MP Stacked BSI Sensor Incoming?” was written on 9:15 am, Thursday, 18 December 2025, Greenwich Mean Time (GMT)
Sources: Cross-verified from Canon Rumors, The Phoblographer, and certification reports. All details subject to change. Follow @TheNewCamera on X for live updates!
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