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By admin, on May 15th, 2025
Which one is the Best Camera for Recording Video – Panasonic Lumix S1 II vs. Nikon Z6 III? this the the most asked question in my DM and mailbox from the day of the announcement of the Panasonic S1 II camera. I wish I had a one-size-fits-all all answer, but there just isn’t one…
Why Panasonic S1 II better, and what about the Nikon Z6 III?
Panasonic Lumix DC-S1 II’s video capabilities “surpass” the Nikon Z6III in its broader range of video features, such as Open Gate recording (6K/30p, 5.1K/60p) and as we all know that the open gate recording is not available in the Nikon Z6 III camera., extensive monitoring tools (vectorscope, anamorphic lens support and in camera desqueez), although we all know that now Nikon has also included waveform support, timecode in their camera but some specical features that may fall under the “must have” list of a PRO cinematographer may be absent in the Z6 III. So, it actually at the end depend on users what they want from the camera and the budget boundaries are.
and let’s explore the 4 K high frame rate mode, in the 4K/120p with a smaller crop (1.17x vs. Z6III’s APS-C). However, there are some features that only the Nikon Z6 III has at this moment, the Z6III can record 6K/60p in N-Raw, which the S1II cannot, as its 6K is limited to 30fps and internal NRAW, which is about to arrive in S1 II in paid firmware update section. The S1II’s strengths lie in its creative flexibility and toolset, but the Z6III’s 6K/60p capability gives it an edge for high-frame-rate, high-resolution video.
| Feature / Spec |
Panasonic Lumix DC-S1II |
Nikon Z6III |
| Price |
$3197 – B&H Store |
$2096 – B&H Store |
| 6K Recording |
6K/30p (Open Gate), 5.9K/60p (16:9), 5.1K/60p (Open Gate) |
6K/60p (N-Raw) |
| High-Frame-Rate Video |
4K/120p with 1.17x crop |
4K/120p with APS-C crop (~1.5x) |
| Rolling Shutter Performance |
~12.8ms |
~9.4ms (better for fast motion) |
| Recording Formats |
ProRes, ProRes RAW, internal 10-bit |
N-Raw, ProRes RAW (via external) |
| Internal fan |
Yes |
No |
| Monitoring Tools |
Vectorscope, waveform, anamorphic desqueeze, LUTs, timecode |
Waveform and timecode available
(No vectorscope or anamorphic tools) |
| Audio Features |
24 Bit standard Audio input
32-bit float audio support with XLR |
Standard audio support
no XLR option |
| Creative Flexibility |
High (Open Gate, multiple aspect ratios, pro tools) |
Moderate (focus on resolution and frame rate) |
| Crop at 4K/120p |
1.17x |
APS-C crop (~1.5x) |
| Overall Advantage |
Better for filmmakers, flexible workflows |
Superior for 6K/60p high-res, high-speed video |
When buying a camera for filmmaking or wedding cinematography, here’s an oversimplified way to look at it:
See, we have three major factors supporting the Panasonic S1 II camera, and here they are: Open Gate modes, advanced monitoring tools, and a less severe crop at 4K/120p, which provide creative flexibility for PRO filmmakers. However, I don’t overlook the Z6III’s ability to record 6K/60p in N-Raw, a significant advantage for users needing high-resolution, high-frame-rate video without cropping. The S1II’s 6K is capped at 30fps, and while it offers 5.9K/60p and 5.1K/60p, these don’t directly match the Z6III’s 6K/60p capability. The Z6III’s edge in 6K/60p while noting the S1II’s strengths in other areas, ensuring accuracy and relevance.
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By admin, on May 14th, 2025
Panasonic finally announced the Panasonic S1 II camera. The camera features 24 Mp BSI CMOS sensor that we have seen in the Nikon Z6 Mark 3, continuous speed up to 70 frames per second including RAW and 1.5 seconds of pre-burst capture which is longest among competitors, and also it includes open gate 6K video recording with full-width 5.9K and up to 4K 60p recording, 4K 120 APS-C with slight crop, and 6G-SDI over HDMI as well as they have included a built-in fan for extended recording. So these are the basic features we have with the camera.
Get Panasonic S1 II Camera from Amazon.com | B&H Store
Key specifications
- 24MP partially-stacked BSI CMOS sensor
- Up to 70fps shooting, including Raw
- 1.5 seconds pre-burst capture
- 96MP multi-shot mode with in-cam combination and motion correction
- 10-bit HLG HEIF still images
- In-body stabilization rated at up to 8.0EV of correction
- Open-gate 6K video up to 30p
- Full-width 5.9K or 4K up to 60p
- 4K/120p video with slight crop
- 6K Raw output over HDMI
- Built-in fan for extended recording
- External SSD output for video
- V-Log with 15-stops in DR Boost mode
- Arri C-Log3 paid upgrade option
- 4-channel and 32-bit float audio with XLR2 adapter
- Bluetooth timecode sync
The Panasonic S1 II will ship in June 2025 at a recommended price of $3199. That’s way too high compared to the Nikon Z6 III camera , which is available for $2096.
Panasonic S1 II Press Release
Panasonic Announces Two New Full-Frame Mirrorless Cameras – LUMIX S1II and LUMIX S1IIE – and New LUMIX S 24-60mm F2.8 Lens
Newark, N.J. (May 13, 2025) – Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology.
Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments.
Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing.
The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p.
Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering.
With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility.
The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners.
LUMIX S1II Main Features
High framerate recording and wide dynamic range with a newly developed partially stacked sensor
- Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor
- Supports LUMIX’s first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4).
- Offers LUMIX’s first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4)
- High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1IIE Main Features
Exceptional image quality tailored for diverse shooting conditions
- Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II
- Supports 6K 30p (3:2) open gate video recording
- Offers 14+ stops of dynamic range video recording in V-Log
- High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1II and S1IIE Common Features
Enhanced core performance that unlocks new creative possibilities
- Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people.
- Addition of the new AF recognition for ‘Urban Sports’, accurately capturing dynamic movements like breakdancing, skateboarding, and parkour.
- Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view.
- ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4)
- Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card.
Outstanding reliability and efficiency
- High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles.
- Operating efficiently at temperatures as low as -10 degrees Celsius.
- Dual recording media options supporting SD and CFexpress Type B cards.
- Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2.
Apps and software that seamlessly support workflow
- Compatibility with Capture One, making it work seamlessly with professional studio photography’s widely used editing software.
- Compatibility with Frame.io, enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration.
- Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media sharing.
- Updated ver.1.5 supports the following feature:
- Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.
- Updated ver.1.1 supports the following features:
- Wireless connection
- Additional assist features (Wave form monitor / Vectorscope / False color)
- Mirroring monitor function
- Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models.
By admin, on April 22nd, 2025
In a recent interview with Go Tokura, the Chief Executive Officer of Canon Imaging Group, IR and RDE, once again addressed the same hot topic that Canon users are actually eagerly waiting for: when will Canon open their full-frame RF mount for third-party lens makers?
The Burning Question
During an interview with RDE (Red Dot Edition), the interviewer asked Mr. Tokura if the majority of Canon third-party lenses made by Sigma and Tamron—those who have official access for making the lenses—are only available for APS-C cameras, not for full-frame. So, when are the third-party lenses coming for the Canon RF full-frame mount?
“As in previous years, I’m afraid we can’t disclose details about our agreements with third-party manufacturers. However, as you’ve likely noticed, the range of third-party lenses continues to expand each year, though we don’t closely monitor which specific models are being released. I would suggest keeping an eye on what third-party manufacturers are introducing to the market. And I suspect we’ll be having this same conversation again next year. — Mr. Tokura “
So What Does It Mean for Canon RF Users?
As usual, Tokura is not revealing anything very specific—neither confirming nor denying any news or information related to the development or the announcement of Canon third-party full-frame lenses. So these are the points that you should consider as the summary of the interview:
A Pattern of Carefully Controlled Growth by Canon
Canon already has a bunch of Canon RF full-frame lenses. Now, in total, they have 50+ RF lenses for the full-frame mirrorless system cameras. Even some manual focus lenses are also available from third-party lens makers. But as usual, only licensed third-party lens makers are allowed to make, sell, and distribute Canon full-frame lenses—and none of them as of now have received any sort of approval from the brand. The talks are going on behind closed doors.
Will 2025 Be the Year?
Canon never denied the possibility of Canon’s full-frame third-party lenses. It means they are in the process of approval. Canon took a lot of time in approving APS-C RF mount lenses, so they are not slamming the doors shut—they are taking their time and very selectively opening it strategically based on the market requirement and their profit margin.
So, for Canon users, they have to wait. But I do have hope that in the year 2025, we will see at least two or three full-frame third-party lens announcements from Sigma and Tamron.
source – imagineresource.com
The article was published at 9:05 am, Tuesday, 22 April 2025 GMT. By thenewcamera.com Team. You can Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more live news + Canon rumors 24X7
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By admin, on March 24th, 2025
So finally, we got confirmation from the general manager of Fuji Film Professional Imaging Group that the Fuji X-Pro 4 is under development. In a recent interview with PetaPixel, he clearly stated that.
He noted that a simple upgrade with the latest processor or just a 40-megapixel sensor would be boring, indicating a major shift or upgrade in the upcoming X-Pro series camera.
Previous reports suggest that the upcoming X-Pro series camera will be called X-Pro 6 since Fuji will sync the name of the X-Pro series camera with others in 2026. It has been almost six years since the Fuji X-Pro 3 was released. The camera was announced in October 2019, and now it feels too old. Fuji has taken too much time, considering that even flagship cameras from other brands receive regular updates every four to five years. However, we have been waiting for more than six years now.
The Fuji X-Pro 3 had very low sales, and many owners of Fuji’s X-Pro 2 cameras decided not to upgrade their gear due to its unusual display setup. The Hidden flipping screen design of the X-Pro 3 failed to impress professional photographers. Due to the low sales of the series, Fuji decided to halt the research, development, and announcement of the next X-Pro camera for a while. And at one point of time, Fuji also realized that introducing a Hidden tilting display—which was practically useless—was a mistake. That so-called innovative design failed to impress professional photographers, ultimately leading to the X-Pro 3’s poor sales performance.
We have seen how Fuji handled the X100 series in its recent update. Not only did they add a 40-megapixel high-resolution sensor to that compact body, but they also introduced a 6-stop sensor-shift IBIS mechanism, making the Fuji X100VI one of the best street photography cameras ever created.
And that’s not all—the camera also includes a built-in 4-stop ND filter paired with a fast lens. What more could one ask for in a camera like this?
Similarly, Fuji is now focusing all its attention on developing the next version of the X-Pro series. Let’s hope that this time, we see a massive upgrade with significant changes. Stay tuned for more updates!
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By admin, on March 14th, 2025
According to the latest rumor surfaced over the web, Canon will be announcing their Canon RV, Canon PowerShot V1, as well as Canon R50 V on or around March 26, 2025. Let’s explore the possible set of details we have related to these cameras.
1. Canon V1 Camera
The Canon V1 camera is a compact camera that is already announced in the Asian region. We already have the full core specifications and even a comparison with the Sony ZV-E10 camera. So, V1 is about to arrive officially in the USA and European region. Canon has already announced it in Asia, check details below
The image of the Canon RV camera was leaked a while ago, which gives a clear indication that the announcement is near. We have also analyzed the image of the leaked Canon RV camera. From the design, it looks like an entry-level interchangeable-lens mirrorless vlogging camera made for beginners. With its price and features, it will compete against the existing Sony ZV-E10 camera. Just like we have the Canon R100 camera in the entry-level zone for photographers, the Canon RV will be the beginner model for the vlogging mirrorless series.
3. Canon R50 V
Canon R50 V is also rumored to be announced on the same day, but we have the least information about this camera, and we are waiting for more details related to the same. So, we are very sure about two announcements—the first, which has already been announced in the Asian region, the Canon V1 compact camera, and the other, the Canon RV. As soon as I get more information, I will be updating you.
Stay tuned stay updated
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source Canonrumor.com
By admin, on February 18th, 2025
Its all coming from Bobby Tonelli And Matt Irwin PODcast
About Sony A7 V
Sony A7 V is expected to feature Same Resolution Sensor but FASTER readout speed,an AI autofocus chip, improved video capabilities (possibly 4K 120 or 6K), and (MAY BE )open gate functionality.
I am talking about this podcast because they are very, very accurate about camera predictions, and if you talk about Matt, he predicted the arrival of the Nikon Z Raptor camera 4 months ago, and now we have the Raptor from Nikon. This is not only about one prediction—Matt is generally very accurate about Nikon’s upcoming cameras, ofcourse he is deeply connected with Nikon.
Talking about his 2024 predictions related to Sony, they were mostly accurate. So now, both are talking in the podcast, which is summarized below, and you can see the main parts of the podcast as well.
Bob Tonelli said we will have the Sony A7 V camera with the same resolution sensor but a faster readout, which is able to record 4K 60fps. Later on, Matt asked if there is any possibility to have 6K open-gate recording or something similar to that what we have seen in the S5II and S5IIx, and then discussion goes on about possibilites. What we get straight from Bob Tonelli this time is that there is a high probability—if he is right—then the resolution is expected to remain the same, but we will have a stacked CMOS sensor like what we have seen recently in the Nikon Z6 III.
Summary of Video
Take a look at the set of other things discussed in that VIDEO
Camera Technology Advancements
RED cameras now support Nikon Z mount lenses via firmware update, offering customizable focus speed, programmable buttons, and accurate iris control on Komodo X and V-Raptor models.
Viltrox’s 135mm f/1.8 LAB lens, priced 50% less than competitors, delivers exceptional image quality resolving up to 60-50 megapixels with no chromatic aberration.
RED’s $1,500 lens mount upgrade program allows existing Komodo X and V-Raptor owners to switch to Z mount, retrofitting most models except the original Komodo.
Upcoming Cameras
Sony A7 V is expected to feature the Same Resolution Sensor but FASTER readout speed,an AI autofocus chip, improved video capabilities (possibly 4K 120 or 6K), and (maybe)open gate functionality.
Sony A7R VI is expected to arrive in Q4 of 2025, But he didn’t discuss about the resolution of the upcoming camera A7R 6 camera.
Market Dynamics and Competition
Viltrox’s upcoming 35mm f/1.2 LAB and 85mm f/1.2 LAB lenses, combined with RED Komodo X or A9 III, offer a budget-friendly filmmaking kit with fast, accurate autofocus.
RED’s Z mount integration revitalizes the Komodo X, providing a competitive 6K option against Sony A9 III at a similar price point.
🔬LAB lenses challenge native manufacturers by offering high build quality and features at lower prices, potentially forcing them to improve quality and pricing.
Niche Market Innovations
Leica’s rumored digital EVF M camera could attract younger audiences and aid older users with declining eyesight, while maintaining the M series design ethos for their 100th anniversary in 2025.
8 LAB lens offers firmware updates via phone app and Bluetooth, enabling improved performance and support beyond traditional desktop or camera system methods.
Fujifilm’s rumored GFX100 compact camera could succeed if it offers 100MP resolution in a portable body with a fixed lens, similar to the popular GFX50R rangefinder.
Source Matt Irwin Photography YT channel
ALso See – Sony Upcoming Cameras 2025
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By admin, on February 5th, 2025
Olympus OM3 camera announcements will happen on Feb 6, 2025. We now have the core specification of the camera as well as leaked images of the upcoming camera also available
New Olympus OM-3 camera
– Same 20MP sensor
– Metal body
– Price around $1500
– Rumored to be officially announced at CP+ in February 2025
– Various color profiles for video, similar to Fujifilm’s simulations
– Based on the OM-1
Olympus OM3 camera B&H Store | Adorama.com | Amazon.com
Stay tuned we will update you soon, with comparison and sample images once the camera gets officially announced.
imagecredit: 43rumors.com | Photorumors.com
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