Sony is pushing the boundaries with its latest Sony A7V camera. As we approach the announcement date of the camera, recent leaks have emerged, showcasing the latest images of the highly anticipated A7V camera. According to the leaked image from Sony Alpha Rumors, it provides a detailed glimpse of the camera’s rear portion, showing the controls and the EVF. Additionally, a screenshot is included, which reveals the resolution of the upcoming camera. So here at thenewcamera.com we are tracking the Sony A7V rumours very closely, now starting from the early disperses till its release timeline, we are covering the development of the upcoming camera.
In our previous detailed coverage, Sony A7V Rumours: Release Date, Specs, Price & Everything We Know in September 2025, let’s dive into the latest leaks, and analyse what the NEW CAMERA images reveal.
Breaking Down the Leaked Images: What Do They Tell Us?
The leaked photos, captured from a prototype unit, let’s talk about that leaked images of the prototype and the most important image is the one which clearly displays the LCD screen with JPEG image size in the menu and where the large option size is clearly highlighted as “L: 33M,” with additional choices including “M: 14M” and “S: 8.2M.” That confirms the presence of a 33-megapixel full-frame sensor inside the Sony A7V camera. At the very same time, it has been noted by the source that the prototype was running on a very early firmware, so the display data could be placeholders and are subject to change.
The second image focuses on the top-down view of the camera body, which clearly shows the A7V Camera model designation near the mode dial button of the camera. At the very same time, controls are very visible, specifically the custom buttons like the C1, C2, and C3 custom buttons, AF-ON, AEL, and the multi-selector joystick controller. The source doesn’t mention the introduction of a hand grip, as we have in the Alpha A1 series camera, so it will remain stuck to its compact design, like the earlier 7 series models with a compact hand grip.
This visual and the set of information confirm our earlier report from reliable sources related to the Sony A7V camera announcement on or before September 2025 which was speculated on an October or November reveal. At the very same time, we do understand that earlier we were getting rumours related to the 33 megapixel partially stacked CMOS sensor. After that, we have also received a series of rumors from the rumor mills that suggested a probability of a 44 megapixel sensor inside A7V. We do know a camera maker tests several prototypes of the camera before its final release. At the end, it all depends on the marketing team, which specific prototype they will pick for the production line, and for now it looks like the 33 megapixel prototype is finalized for the A7V model.
Thenewcamera.com takes on the 33 megapixel Sony A7V camera
It’s always good to have a very stable resolution in your camera, if you want to go higher resolution, we do have the Sony A7R series. Still, at the very same time the big issue with the Sony A7 IV camera was the 33 megapixel slow sensor which was a big reason behind the slow continuous shooting speed, visible rolling shutter effect even while shooting at 10 fps, doing an excessive DX crop even while recording 4K 60fps video which is completely unacceptable in 2025 for a price range at which the camera is coming off. Specifically if you look at the competitors right now like we have the Canon R6 Mark III, available at lesser price, even the Canon R8 records uncropped 4K 60FPS video at half price, Nikon Z6 III and ZR both can record uncropped 4K 60 FPS video and also offer 4K 120 FPS recording option with a crop.
So, if Sony can add a partially stacked CMOS sensor for faster readout inside the body of the Sony A7V camera it would be a great hit. At the very same time, they have to unlock the continuous capture speed, and should allow the camera to record uncropped 4K 60fps video. If they are going to cap the values to protect the higher-end camera sales then it would be a great mess. They will surely lose a big consumer base of the A7 series.
Potential Specs at a Glance: What Sony Might Pack In
Drawing from leaks and Sony’s historical playbook, here’s a speculative rundown of the Sony A7V’s key features:
Feature
Speculation
Comparison to A7 IV
Sensor
33MP Full-Frame CMOS (possibly partially stacked)
Same resolution, faster readout due to partially stacked CMOS tech
What do you think about the specs? Will you buy the Sony A7V camera or move towards a different option like Canon R6 Mark III, Nikon ZR or Z6 III?
Why This Matters: Positioning the Sony A7 V in a Competitive Landscape
Sony needs to be very careful this time since the Canon R6 Mark III camera is coming with the Canon C50 sensor. We already have the Nikon Z6 Mark III, which is continuously getting boosts from Nikon itself and is upgrading its core specifications time to time, and the recent addition is the Nikon ZR. Those who love cinematography or are professional content creators can easily pick this camera, which has a very RED camera factor inside it. So the competition is now getting tougher for Sony. It’s not like 2018, when you could just launch the Sony A7 Mark III camera with subtle core specifications and it became a big market hit. This very moment in 2025, you have to be very competitive. Just forget about capping the core specifications or crippling them to protect your higher-end camera sales. If you have to protect your existing A7 series consumer base and if you wish to add new people inside it, you have to be very aggressive with the core specs, just like the competitors.
Bhai, adding a refined 33 megapixel stacked CMOS sensor and a dedicated AI chip will revive the existing AF performance of the Sony A7 IV camera. I do believe that Sony can appeal to hybrid creators who demand a balanced performance in both stills and video. As always, we will keep monitoring the further announcements and leaks, and if these images are really reliable and true, then the first official announcement is very near to us. Stay tuned to thenewcamera.com for the updates.
If you want to get more updates related to Canon’s upcoming compact camera. GET LIVE NOTIFICATION, Select Your Trusted Source GET LIVE NOTIFICATION Click ON Check BOX for Latest NEWS and Rumors
The article “Sony A7 V Leaks: First Real-World Images Surface, Hinting at 33MP Sensor and AI Upgrades – In-Depth Analysis” was written on 4:07 pm, Monday, 22 September 2025 (GMT-4), Time in Washington, DC, USA
See the latest information related to the Sony A7V camera that surfaced on the web. Now, before we jump to the set of information, let me tell you one thing: at thenewcamera.com, we are continuously tracking information related to the Sony A7V camera, whether it comes from insider email leaks or any other source. We are continuously analyzing and posting the specifications on our website. In this article, we have calibrated with all the possible sets of credible information that is available to us till date that is October 2025, so if you are searching for the Sony A7V specification, then obviously this is the ultimate resource for you, where we have kept everything in text, starting from the release date, features, pricing and the release date.
Latest Sony A7V Rumors: What’s New in October 2025?
Let’s discuss the recent information that has surfaced regarding the Sony A7V camera announcement. The Sony A7V camera is expected to be released in October or November 2025.
Analysis of Recent Information:See the timeline that the source has said is not different from the rumors that we are getting from the past, that in late 2025 or maybe in the first quarter of 2026, the announcement is possible; however, the rumor mill still failed to give us any specific date or confirmed specification. To this date, neither specs nor an exact date are available.
Specifically, if we see the insider leaked letter that we published a while ago, it also mentions the late 2025 or early 2026 timeline, but again, this particular information was shared by Andrea of Sony Alpha Rumors, who obviously shares correct information most of the time. I am going to rate this info 8/10.
However, the delay is occurring specifically due to the new tariff imposed by the US government, as well as the high demand for existing models; these are the two big reasons behind the delay of the announcement of the Sony A7V camera.
Sony A7V Release Date: Timeline Breakdown
Announcement Date: October/November 2025, Shipping expected from Q1 2026.
Sony’s constant delay in the announcement of the Sony A7V camera model is creating market fatigue, most of our subscribers those who are waiting for the A7V camera specifically for their cinematography/professional content creation work are now inclined to use the Nikon ZR camera, since they are very much impressed with the new design, specifically the display screen as well as the video core specification. Sony should announce the A7V asap, to avoid consumer base migration to a different brand.
Sony A7V Specs: Rumoured
The A7V is positioned as an “evolution” with a bigger upgrade.
Sensor: New ~44MP BSI CMOS (non-stacked variant), Dedicated AI Chip, enhanced AF.
Performance: 20fps bursts, Mechanical, RAW, triple base ISO (800/4000/25600) for Log3 / Log2 / HLG-HDR.
Autofocus & Stabilization: AI Real-Time Body + Face Tracking, BIONZ XR processor, 8-stop IBIS.
The 44MP has been mentioned via insider leaks and rumour mills.
Sony A7V Price: Expectations and Market Positioning
Sony A7V at around $2,799-$3,000 USD body-only.
Will have a notable hike from the A7IV’s $2,499. Regional: ~€3,400 / ¥400,000.
To visualize the rumored advancements, let’s do a specs comparison
Feature
Sony A7IV (2021)
Sony A7V (Rumored)
Sensor
33MP BSI CMOS
44MP New BSI (Stacked Option)
Burst Shooting
10fps
20fps
Video
4K/60p
6K/30p (8K Potential)
AF
Real-Time Tracking
AI-Enhanced
Price
$2,499
~$2,799-$3,000
Why the Sony A7V Could Dominate 2025
The Sony A7V camera can emerge as a powerhouse for photographers as well as video creators. Earlier, it was expected that the A7V camera would arrive in mid-2025, but some unconditional delay is occurring, and that’s completely not normal. Maybe we have a major technical upgrade inside the camera, and that will continue to dominate the sales for the next 2 to 3 years. Just like the Sony A7III camera did in 2018, it dominated the sales and helped Sony to become the mirrorless market leader.
You can share your thoughts in the comment section. If you have any tips or rumours, you can also use our email. Stay tuned for real-time updates. Subscribe below.
If you want to get more updates related to Canon’s upcoming compact camera. GET LIVE NOTIFICATION, Select Your Trusted Source GET LIVE NOTIFICATION Click ON Check BOX for Latest NEWS and Rumors
The article “Sony A7V Rumors: Release Date, Specs, Price & Everything We Know in October 2025” was written on 6:59 am, Thursday, 2 October 2025, Greenwich Mean Time (GMT)
Sony has just rolled out a massive firmware update for its most popular cinema cameras—the Sony FX3 and the Sony FX30. So, this is not a minor tweak. In this article, we are going to explore the major changes that will be made with these firmware updates. We have directly taken official update data from Sony.com, and we are highlighting here the major advantages of the new firmware compared to the previous versions we have in the Sony FX30 and the FX3 cameras.
Yes, the new firmware update that we are getting does bring a major change, which includes user interface improvements, advanced shooting modes, RAW output capabilities, and seamless cloud connectivity. They actually listened and addressed real pain points for pros shooting with Sony FX3 and FX30 cameras in fast-paced environments. These updates will potentially save time, reduce errors, and open new creative doors.
We all know that the Sony FX3 and FX30 are already workhorse cameras, but after this update, they will become, for sure, cinematography monsters. So let’s see the list of updates we have with the new firmware:
1. A Revamped Home Screen: Streamlining Your Pre-Shoot Workflow
One of the biggest advantages with this new update is we have a new dedicated home screen dubbed as BIG6. In the BIG6, you have all the important shoot settings in front. In the BIG6 boxes visible in your frame—starting from the left, it’s FPS; in the next box, there is ISO; and on the extreme right, we have shutter speed.
Now in the bottom part, again starting from the extreme left, we have the lens aperture setting, the LUT you are using, and finally, the white balance.
It is really helpful if you are busy in a high-stakes documentary shoot or doing cinematography. It’s not always easy to jump into the Sony complex camera menu system and bring out and edit each of your workflow settings. So this gives you, on-screen, all the available settings at a single glance, and the chances of error become very low. At the very same time, the camera becomes a run-and-gun camera which directly boosts productivity that allows creators or cinematographers to focus on storytelling, mood of the shot instead of diving into the menu system of your camera.
2. Enhanced Slow & Quick (S&Q) Modes: Greater Creative Control Without the Hassle
Adds a Fixed/Variable mode that supports S&Q shooting settings by directly specifying the shooting frame rate without needing to set the S&Q mode.
Sony has now introduced a fixed and variable mode for S&Q shooting, now letting users specify their frame rates directly without jumping into the dedicated menu. So now you have the freedom to select your maximum frame rate that is available only in S&Q settings, in your existing shooting mode. It means whatever mode you are using, the S&Q maximum frame rate is now available to you.
So this particular update expands the high-frame-rate capabilities of your camera. Once the update is done, you don’t have to switch to different modes and break your shooting flow. You can upskill the setup to a maximum extent available—like directly jumping from 24 FPS to 120 FPS in 4K with the FX30 camera without interrupting the workflow.
3. Focus and Monitoring Upgrades: Precision for Demanding Shoots
The update adds 1.5x and 1.6x magnifications to the De-Squeeze Display. The Focus Magnifier and the Auto Magnifier have now been added to the anamorphic De-Squeeze mode. So whether you are shooting with 1.5x or 1.6x lenses/options for discreet display, you now have the ability to magnify the focus area while you are in Manual Focus mode. That ensures a tack-sharp focus without any guesswork.
Adds support for the Focus Magnifier and Auto Magnifier in MF settings while using the Bright Monitoring feature. The Bright Monitoring integration actually means you can magnify extremely dim light areas—a huge win over older firmware where this was limited. This advantage shines when you are involved in professional workflows/projects, and where precise focus can make or break a shot.
4. RAW Video Output Revolution: Blackmagic RAW via HDMI
Many of the Sony users who were buying these professional cameras were asking why Sony is avoiding Blackmagic RAW. But now, Sony has finally listened to all of you, and you can get Blackmagic RAW from both the FX30 as well as the Sony FX3 via the HDMI port. So it actually opens the door to external recorders like the Blackmagic Video Assist to record the video. The other advantage also includes a massive jump in color grading and post-production.
5. List of Additional Updates Added to Both Cameras
Allows the camera to automatically recognize the USB-LAN conversion adapter (sold separately) and connect to the network when powered on
Allows the remaining capacity of both storage devices to be displayed during movie recording when using Simult. or Auto Switch Media (Relay Recording)
Allows the optical density of pre-registered ND filters to be recorded in the metadata
Allows the filtering of camera images for smartphone transfer and FTP transfer using Clip Flag
Allows the direct upload of camera videos to Creators’ Cloud based on OK/NG/KEEP flags
Settings must be adjusted in the Creators’ App in advance. For more information, please visit the Creators’ App support website.
Ver. 3.1.0 or later of the Creators’ App is necessary.
This service may not be available in some countries or regions.
For more information, please visit the Creators’ Cloud support website.
6. Supports the Following Monitor & Control App Functions:
Manual framing function
Attach Clip Flag
Notes:
Ver. 2.4.0 or later of the Monitor & Control app is necessary.
The Monitor & Control app may not be available in some countries or regions.
7. Security & Stability:
The Security (IPsec) functionality is no longer supported. Please enable and use Access Authentication as it provides more secure protection
WPA and WEP functionalities are no longer supported. You will no longer be able to select WPA or WEP when connecting to Wi-Fi. Please use the more secure WPA2 or WPA3 moving forward
Improves the operational stability of the camera
This firmware is not just a normal firmware update — this is a complete transformation of your Sony FX30 and Sony FX3 camera into a Sony Venice-style professional cinematography camera. It exploits the camera hardware to its maximum potential available, addressing user feedback for a better user interface, creativity, and integration of all the key major features possible at this moment with the available set of hardware performance.
So this major update will give the two Sony cameras a competitive edge over other rivals in the $5,000 cinema camera range available from different brands. And the best part is — the firmware update is available for free; you don’t have to pay a single penny to download it.
We are very much excited to share this update with you, and at the very same time, we are also excited to know — have you installed it? And what are your experiences with this latest update? Let us know in the comments section!
Hope you enjoyed reading this article, At TheNewCamera.com, we’re dedicated to keeping you informed about the latest camera news. The article “Unlock Pro-Level Filmmaking: Sony’s Massive FX3/FX30 Update Is a Must-Have for Creators” was published on 10:31 am, Tuesday, 26 August 2025, Greenwich Mean Time (GMT) by thenewcamera.com team | Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + see moreSony Alpha Rumor
So finally, the Sigma 200mm f/2.0 lens is about to arrive. We have almost all the details related to the lens, and the lens will become official on August 19. It will initially become available for the Sony E and the Leica L mount. The lens is optimised specifically for full-frame cameras but will also deliver exceptional performance when used with APS-C cameras.
Let’s have a look at the key specifications of the upcoming Sigma 200mm f/2.0 FE lens.
Key Specifications of the Sigma 200mm f/2.0 FE Lens
Weight: 1850g (excluding hood and tripod collar)
Teleconverter Compatibility: Not compatible with teleconverters
Filter Size: 105mm
Design: White finish, mirroring the premium aesthetic of Sigma’s 300-600mm lens
Autofocus: Super-fast autofocus, ideal for dynamic shooting scenarios
Sensor Compatibility: Full Frame
Mounts: Sony E and Leica L
Announcement Date: August 19, 2025
Price: To be announced
Sigma 200mm f/2.0 vs Laowa 200mm f/2.0 – The Comparison
At 1850 grams, Sigma 200mm f/2.0 is approximately 150 grams heavier than the Laowa 200mm f/2.0 lens. So it’s not all about the weight only — of course, we will have a price difference too between these two lenses. Sigma lenses are premium quality and made in Japan, so they generally cost a bit more compared to lenses made in China.
These lenses are highly suitable for use in portraits, sports, and wildlife photography. Although the Sigma and the Laowa both are missing teleconverter support from their respective brands.
Design and Build
The design and build quality of the lens can be seen in the leaked image that we have published above. Holding a 2 kg lens always in your hand is not that easy, and that’s why Sigma has given a tripod collar for this lens.
Overall, it is weather-sealed and can be used in any kind of weather conditions for shooting purposes, and it features a 105mm filter size.
What to Expect from the August 19 Announcement
With the official announcement scheduled on August 19, 2025, all we are waiting for is the price. If it becomes available at a reasonable price range, then for sure, many wedding photographers around the globe will buy this lens for professional pre-wedding and post-wedding shoots.
Fashion and runway photographers will also love this lens.
Why the Sigma 200mm f/2.0 FE Can Be a Game-Changing Lens
Having this lens will redefine your professionalism to the next level. It’s a super-fast super telephoto prime lens with f/2.0 maximum aperture, so professionals will love it for shooting portraits and wildlife in action.
As we have discussed, having this lens will upskill the entire portrait photography game, and I do believe worldwide fashion and portrait photographers will get this lens without a doubt.
Hope you enjoyed reading this article, At TheNewCamera.com, we’re dedicated to keeping you informed about the latest camera news. The article “Sigma 200mm F2.0 FE Lens – Specs, Features, and Announcement Details for 2025” was published on 6:00 am, Wednesday, 13 August 2025, Greenwich Mean Time (GMT) by thenewcamera.com team | Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + see moreSony Alpha Rumor
TNC Exclusive – We are all waiting for the Sony A7V camera announcement, and not only that, we are also eagerly waiting for the Sony A7S IV. These two cameras need to be updated as soon as possible by Sony. As of August 10, 2025, an anonymous source has dropped some exclusive information into our mailbox at TheNewCamera.com, shedding light on the upcoming Sony A7V, FX3 Mark II, and potentially the Sony A7S IV camera, related to all these models. The insider provided a kind of detailed information related to the sensor and the video capabilities, and we have decided to publish it since it does look legitimate to us.
At the very same time, while these sorts of unverified rumors are subject to change from time to time, they do offer valuable insights to those who love to track the latest information related to the Sony A7V rumors, latest specifications, or information related to the Sony A7S IV camera. Below is the analysis and the quotation of the email, and we have done a sort of professional analysis to the content of the email — so let’s jump into it.
Insider email leak – Direct quote from the source on Sony A7V and A7S IV camera development
Today, on August 10, 2025, we have received this detailed message from a source which is quite familiar with Sony’s prototyping process:
“The new Sony A7V might be using the same sensor as Z8/Z9 modified and slightly cheaper, since the exclusivity use for the sensor will expire before announcement. 44 MP stacked not the same as Panasonic 44 MP not stacked. If they don’t go this route it might be completely new sensor. They have several prototypes at the moment. The 44 MP non stacked is faster than regular A7IV but slow in general. We will see. FX3II / A7S IV is 24 MP as far as I know, comes with a fully stacked sensor and with 2-layer transistors. Same sensor will be used in FX6 II, triple ISO around 800 – 4000 – 25600, night specialist. 6K open gate 120 no crop, 4K open gate 120 fps oversampled from 6K open gate 120fps no crop. That is all, release date this year or early next year if plans do not change. If they change, we will see.”
So this is intel highlighted that has been shared with us, so let’s break down the interesting set of information one by one.
Breaking down the Sony A7V rumor – sensor prototypes and performance upgrades
Let’s analyze the input according to the latest rumor. The Sony A7V camera has multiple prototypes, and this is quite common when we are talking about high-end or semi-professional cameras like the Sony A7V, before they finally enter a production line. The primary rumor centers on a modified 44-megapixel stacked sensor, which is almost the same as that used in the Nikon Z8 and Z9, but entirely adapted for the Sony ecosystem. The source has clearly mentioned that with Nikon’s exclusivity expiring soon, this could be a more cost-effective implementation, potentially putting the Sony A7V in direct competition with the existing Nikon Z8 — a kind of higher-resolution powerhouse for still photographers. The source has also said it has faster readout speeds to minimize rolling shutter in video, and it is a very clear indication the new 44MP sensor will break the Sony limitation barrier of continuous shooting abilities, as we have seen with the Sony A7IV camera, which is limited to 11 frames per second.
Alternatively, the source also mentions that a brand-new 44-megapixel non-stacked sensor exists, but it remains slow in general, suggesting it may help the Sony A7 series expand resolution-wise in stills and video but will keep the limits of continuous shooting speed or higher frame rates in video to protect higher-end model sales.
This set of information suggests that Sony is testing multiple prototypes of the Sony A7V camera with two different 44MP sensors. Yes, the AI chip is coming this year, which will further enhance the autofocus system of the A7 series cameras — possibly even better than the existing Canon offerings in their Canon R6 Mark II camera.
But, it’s interesting he doesn’t talk about 33 MP stacked CMOS sensor, which was rumored earlier
Sony FX3 Mark II / Sony A7S IV rumors decoded – stacked sensors, triple ISO, and cinema-grade video
Now the sensor description of the Sony FX3 Mark II and the Sony A7S IV camera is quite a bit more complex than what we have discussed earlier for the Sony A7V. According to the source, the Sony FX3 Mark II camera or the A7S IV will feature a 24-megapixel fully stacked sensor, and the sensor will incorporate dual-layer transistors — a step up in the efficiency of light gathering as well as data processing capability.
This sensor is also stated to be used in the upcoming Sony FX6 Mark II camera, creating a cohesive ecosystem for professional videographers starting from the Sony A7S IV.
The triple base ISO, which is said to start from 800, 4000, and 25600, means it can easily be tagged as a low-light king or night specialist camera, promising superior low-light performance and a good update from the existing Sony A7S III’s ultra-low-light-sensitive 12MP sensor. Specification-wise, the sensor is able to record 6K open gate at 120 frames per second without any significant crop. This allows professional videographers to capture highly detailed data without any lag or crop.
If this information is true, the upcoming Sony A7S IV, FX3 Mark II, and FX6 Mark II cameras will revolutionize filmmaking with their ultra-high-speed 24MP sensors and amazing low-light performance. The Sony FX3 series as well as the A7S series have always remained a popular choice among filmmakers, and if the above specs are true, they will continue to dominate.
Sony A7 V – Sony A7S IV Release Timeline
The source mentions the release of the Sony cameras in late 2025 and early 2026 if they remain on schedule, if their plans remain unchanged. This suggested date aligns with Sony’s refresh cycle, which generally occurs in the fourth quarter of the year.
However, as we have discussed, a lot of camera specifications depend on beta testers’ reports — what they like and what they don’t like — so everything gets fine-tuned in the final production line version of the camera.
Sony A7V versus Sony FX3 Mark II / Sony A7S IV versus competitors – a quick specification comparison table based on the rumored information we have
To visualize the rumored advancements, here’s a professional comparison table pitting the leaks against benchmarks like the Nikon Z8:
Feature
Sony A7V (Rumored)
Sony FX3II/A7S IV (Rumored)
Current Competitors (e.g., Nikon Z8)
Sensor
44MP stacked (modified Z8/Z9-like) or new prototype; faster than A7IV
24MP fully stacked w/ 2-layer transistors; triple ISO (800/4000/25600)
45.7MP stacked CMOS
Video
Not specified in leak
6K open gate 120fps no crop; 4K 120fps oversampled
8K 60fps, 4K 120fps
Key Strengths
Affordable high-res, prototypes for flexibility
Night/low-light specialist, cinema-grade
High-speed readout, no blackout
Release
Late 2025 or early 2026
Late 2025 or early 2026
Already available
Price Speculation
Slightly cheaper than exclusives
Not specified
~$4,000
Final thoughts about Sony A7V and Sony A7S IV/FX3II rumors
We have decided to put the insider information directly in our post without altering it, to make everything as transparent as possible for you. At the same time, we have also added our analysis on what we think about this set of information. Stay tuned to TheNewCamera.com for more information related to upcoming cameras and lenses.
Hope you enjoyed reading this article, At TheNewCamera.com, we’re dedicated to keeping you informed about the latest camera news. The article “Kodak FZ45, FHD 44MP and Kodak FZ55 – Amazon UK Best Selling Compacts of 2025” was published on11:54 am, Sunday, 10 August 2025, Greenwich Mean Time (GMT) by thenewcamera.com team | Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + see moreSony Alpha Rumor
Philip Bloom is one of my favorite filmmakers and content creators. I started watching videos when he published the GH5 review few years back. Today he published the Sony FX2 Camera review in his channel and I loved watching the whole video, here are the come important parts of the video and pros and cons according to Philip Bloom
Sony FX2 Review: Pros, Cons, and Performance
I have mostly talked about the things it isn’t rather than what it is. Mainly because we’ve seen this camera before as it is an A74 combined with an FX3 and with features from the newer cameras like the A12. But that’s mostly a good thing. But it’s just really the A74 parts with the rolling shutter and the 4K 50p 60p crop that lets it down for me because otherwise it really is a lovely camera and it’s easy to forget that with all the negativity we’ve seen about it. Sony cameras have the best video autofocus, the most customizable buttons and menus for easy operation. They’re just so easy to use. Everything you need to operate it is just there without the need to stop recording and delve into the menus. When I use my Canon R52, for example, it drives me nuts because it’s really maddening to use. There’s so little that I can customize for video and with continued frustrations with things like not being able to hot swap memory cards without stopping recording. I haven’t used the latest Nikon and Lumix cameras to compare, but they do look very good. I would really love to try them. The Lumix S12 especially looks like a huge leap forward for them with excellent autofocus and no crop in 4K 50p and 60p. Although there is a crop when you go higher and lots more video features than we have in Sony cameras currently. But the problem is I just can’t get my hands on them to test sadly which is actually the case for most cameras these days. I have tried.
Pros of Sony FX2:
Has the best autofocus, including animal autofocus for video, effective for birds and cats.
Best video autofocus used on any camera.
Cheapest full-frame cinema line FX camera at £2,700.
Microphone and headphone jacks are at the bottom of the left side, not behind doors.
Two 1/4-20 holes for mounting tripod plates.
Includes an EVF, which tilts for shooting in different positions.
33-megapixel sensor, better for photos than the FX3’s 12-megapixel sensor.
Works like a true Alpha stills camera, with easy switching between video and stills modes.
SNQ setting replaced with fixed and variable frame rate mode, selectable from the main menu or big six menu screen.
Big six menu screen from Sony Venice for quick access to key settings (frame rate, ISO, shutter angle/speed, aperture, picture profile, white balance).
Shot mark button can create a JPEG of a frame.
Easy to use without needing to stop recording to access menus.
Cons of Sony FX2:
Very controversial and unexpected release, not what people wanted.
Uses the same sensor as the A74, with poor rolling shutter performance and 1.5x crop for 4K 50p/60p.
1/4-20 holes for accessories are awkwardly placed, requiring a cage for proper accessory mounting.
EVF tilt gets in the way of accessories due to diopter placement; screen doesn’t tilt, only flips out, causing issues when shooting low.
Vent near the EVF can emit an electrical smell when heated.
LCD screen is the old flip-out, low-resolution panel, lagging behind competitors.
No true 24p recording, unlike FX3 and FX30.
Joystick placement is awkward, especially when using the EVF, and too flush for easy use.
No XAVC-HS support for 25p and 30p recording.
HDMI output in log modes is limited to 1080p; no clean 4K output in dedicated log modes.
Histogram measures viewing LUT or camera assist, not log recording.
Cleaner video display screen doesn’t indicate face priority autofocus mode.
HDMI output set to camera display is windowed, not full screen, and turns off LCD/EVF, disabling touch tracking.
Essentially a combination of A74 and FX3, with A74’s outdated sensor limitations.
No 32-bit float audio as hyped before the announcement
Sony FX2 Future Upgrades and EVF Insights
I really hope that the EVF on the FX2 isn’t an aberration and future FX mirrorless style cameras like this have it as well, just a refined version of it. One that can tilt fully without getting way of accessories. So, yeah, diapter on the other side and maybe removable. The camera itself, it’s a very good camera. It’s not a great camera. It’s just it does feel like the life of it isn’t as long as it could have been had they put in a newer sensor because having a camera that crops for 4K 50 and 60 in 2025 for that amount of money just it just doesn’t feel right. But uh other than that it’s really nice and I’m going to miss it mostly. I’m going to miss the EVF.
So finally, we have some sample images of the Sony RX1R III camera. These are not the higher resolution images we are waiting for, but these images do give us a glimpse of the Sony RX1R III camera’s capability, where you can see the zoomed-in details at 100% level.
Although a 61-megapixel sensor is not new inside Sony, the sensor is already being used inside the Sony A7CR camera and the Sony A7R IVA camera. We already know the level of detail the sensor is able to produce, but again, since the Sony RX1R III camera uses ZEISS 35mm T* lens, expectations rise a bit more that we may see more detail and higher quality lens performance compared to the others.
Sony RX1R III: Available from July 25, 2025, via retailers like B&H Photo and Amazon.com
We will update this post soon as we get sample images of the Sony RX1R III camera.
Buy Canon Lenses, Buy Music CD or Digital Camera at amazon it helps this site, and you do not pay anything extra, it is just a way to help support this site.
New Camera Website, we list all type of new camera information, price review and all type camera rumors, subscribe us or follow us via twitter or facebook.
Disclaimer: We have attempted to select useful information to include on New Camera, and to ensure that the resources we have included on the site -- as well as the way we have described them -- are accurate, fair, and balanced. However, we make no claims, warranties, or other representations concerning the accuracy, completeness, or utility of the information provided, or concerning the abilities or performance of the organizations, agencies, companies, and other resources presented through New Camera
BOX for Latest NEWS and Rumors
