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By admin, on May 29th, 2019
According to latest rumors, Panasonic upcoming camera name will be Panasonic S1 H. The announcement is rumored to happen on May 31st 2019. Take a look at the detailed leaked specification of the upcoming camera
Panasonic S1 H Rumored Specification
- Panasonic Cine Lumix S1H
- New Full Frame sensors
- Records 6K24p and 4k60p
- Records 10bit 4:2:2 internal at 30p and external 60p
- 14 stops Dynamic Range
- Cinematography dream gear
- Slightly bigger than the S1-S1R for better heat dissipation
- full built-in log settings
- Expensive than the S1R
We will update you soon as we get any new information about the upcoming Panasonic S1H camera.
We have told you earlier that Panasonic is rumored to announce a new SL Mount camera for cinematographers
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By admin, on May 29th, 2019
Take a look at the list of Nikon upcoming Mirrorless camera for the year of 2019 – 2020. In the list we have flagship Nikon Z9 camera, a mid-range camera is also rumored to arrive and finally Nikon Z3 is also expected.
1. Nikon Z9
Nikon Z9 is rumored to be Nikon Pro Mirrorless camera with High-End specifications and a option to add Dual Card Slots. We can have its development announcement in next few months.
2. Nikon Z5
Nikon Z5 will carry almost same core specification as of Nikon of Nikon Z6 camera. With a 30-35MP Resolution FF Sensor to compete against Canon EOS R or 5D Mark IV. The camera is also rumored to feature Dual card slots (XQD and Micro SD).
3. Nikon Z3
Nikon Z3 is a entry level camera and rumored to announce in 2020 with a lower price tag, to reach out more consumer. To cut down cost of the camera said to feature fixed Display and, no EVF and single card slot.
4. Nikon DX format Mirrorless
Nikon is rumored to announce DX format mirrorless camera, we have seen patents of DX series mirrorless camera and expected to announce on 2020. The DX Format Mirrorless camera with Z Mount is rumored to arrive in 2020 with standard zoom lens and a tele-zoom or a standard zoom + a prime lens.
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By admin, on May 28th, 2019
Sony is not only limited to mainting #1 spot in mirrorless market, its camera business is also increasing. According to latest reports coming from Sony recent press conference, Sony claims they now have 24 percent of the global still camera market based on revenue.
Reports suggest, compact camera market of Sony increased from 26 percent to 29 percent in 2019. Moving them to the number one spot globally.
Sony proudly advertising 1 Mount for all for their mirrorless camera. Since, Fullframe and APS-C Mirrorless cameras are using the same E-Mount. Canon is lagging behind since they now have different mount for APS-C (EF-M) and fullframe cameras (RF-Mount). Nikon will be soon introducing their APS-C Mirrorless line-up. And we are waiting to see what type of mount they select ? same as of FF Mirrorless (Z-Mount) to maintain the versatility of DSLR era or they are going up with different mount just like Canon.
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By admin, on May 24th, 2019
Latest test report coming from Photons to Photos suggest that Sony A7R III camera have better dynamic range than of Panasonic S1R. While comparing the images of the two, reviewers found that Sony A7R III has an average of 1/2 stop advantage across the range compared to Panasonic S1R.
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By admin, on May 24th, 2019
Panasonic is expected to announce a new camera on May 31. Rumor mills says that it’s a L-series related announcement, but we are still waiting for confirmed set of news from trusted sources.
BTW, Panasonic GH6 is also rumored to announce at the end of 2019, let’s see what coming up next.
We will update you soon as we get any new information.
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By admin, on May 23rd, 2019
Fuji GFX100 Camera finally announced by Fujifilm officially. The camera features 102 Megapixel Medium Format CMOS sensor. Despite of having a Medium format sensor the camera also features In-body 5-axis image stabilization reduces shake by up to 5.5 stops according to CIPA.
The camera sensor is made on dual gain architecture, powered by a quad-core X-Processor 4 and offers a standard ISO range of 100-12,800. And expandable ISO range upto 50-102,400.
Fuji GFX100 Major Specification
- 102MP 43.8 x 32.9mm BSI CMOS Sensor
- X-Processor 4 Image Processor
- Removable 5.76m-Dot OLED EVF
- 3.2″ 2.36m-Dot Tilting Touchscreen LCD
- DCI 4K30 Video; F-Log Gamma & 10-Bit Out
- 5-Axis Sensor-Shift Image Stabilization
- 3.76m-Point Phase-Detection Autofocus
- ISO 100-12800, Up to 5 fps Shooting
- 16-Bit Raw Output, Multi Aspect Ratios
- Built-In Battery Grip, 2 x SD Card Slots
With Rock Solid DSLR body the camera weights 1.4kg. Don’t get worried about the card slots, the camera features twin SD card slots with UHS-II support, GFX100 also features USB 3.2 (Type-C), an external mic and headphones, a wired remote, and HDMI.
On Specification sheet it’s the camera carry 3.76 million phase-detect pixels spread across nearly 100% of the frame.
According to the claims made by Fujifilm the camera AF speed is 210% Faster than Fuji GFX 50R camera.
Let’s tallk about the video capabilities of Fuji GFX 100 camera. It can capture DCI and UHD 4K video at bit rates up to 400Mbps, with your choice of H.265 or H.264 codecs. It supports Fujifilm’s Eterna Film Simulation mode and can output 10-bit 4:2:2 F-Log video to an external recorder.
The GFX 100 Price – $9999
Buy now Fuji GFX100 from B&H Store
Fuji GFX 100 Full Specification
Click here to download the Fuji GFX 100 full specification pdf
Press Release Fuji GFX 100
FUJIFILM INTRODUCES THE GFX100, A GAME CHANGER IN DIGITAL CAMERA TECHNOLOGY AND CAPABILITY
-100+ megapixel sensor in a 55mm diagonal length large format offers highest resolution in the history of mirrorless cameras
-Fast, accurate autofocus with the world’s first phase detection system, 4K video capability, and in-body image stabilization in a large sensor format1.
Valhalla, New York, May 23, 2019 – FUJIFILM Holdings America Corporation today announced the upcoming release of its flagship GFX100 mirrorless digital camera, incorporating a newly-developed 102 megapixel (MP), 55mm diagonal length large format image sensor that is designed to deliver image clarity and capability previously unheard of in the photography and video industries.
The GFX100 features several ‘world firsts’ for a large format camera with an image sensor larger than the 35mm (full-frame) format: including its 102MP back-side illuminated sensor (BSI), in body image stabilization (IBIS) and on-board phase detection hybrid auto-focus (AF) with near 100% coverage. In addition to pioneering features, the GFX100 is fully equipped with Fujifilm’s unparalleled color reproduction technology and film simulations. Resulting from years of research and technological innovations, the GFX100 will provide photographers with exceedingly high-quality imagery and best-in-class camera responsiveness for filmmaking and photography in a simple-to-use large format system with a growing selection of lenses.
Offering large-format video capability, the GFX100 is the world’s first mirrorless digital camera with an image sensor of this size to offer 4K, 30p video recording capability (4:2:2 10-bit). These groundbreaking features make the GFX100 a camera of unparalleled innovation and versatility, fulfilling photography’s intrinsic mission of capturing and recording precious moments that may never be repeated with the utmost image quality.
Resolution Redefined: World’s First 100 MP BSI CMOS Sensor in a Mirrorless Camera
The GFX100 pairs a newly-developed back-illuminated 102MP CMOS imaging sensor with Fujifilm’s blazingly fast X-Processor 4 processing engine to create a combination capable of outputting 16-bit images with amazing color fidelity, rich shadow detail, and incredible dynamic range. Its back-illuminated structure promotes crisp image quality by bringing the exposure plane in extremely close proximity to the color filter array, which results in ultra-low noise levels and a native ISO of ISO 100.
1. First for a camera with image sensors larger than the 35mm full-frame format
Noteworthy Stability When It Matters: World’s First Five-axis IBIS in a Camera Featuring an Image Sensor Bigger than the 35mm Format
High-resolution image sensors require high-level stability to ensure image sharpness. With built-in 5-axis image stabilization, GFX100 users are reassured that vibrations won’t interrupt the capture process. The function offers up to 5.5-stop image stabilization (when using the GF63mmF2.8 R WR lens)2. The entire shutter unit is suspended with four springs to minimize the effect of shutter shock. This dramatically broadens the scope of situations where a user can hand-hold the camera and still enjoy the world of 100MP+ ultra-high resolution, pushing the boundaries of photographic expression.
Practical Auto-Focus for Large Format: World’s First On-Board Phase Detection Hybrid AF with approximately 100% Coverage
Compared to traditional medium format digital systems, the GFX100 raises the bar in AF performance by utilizing phase detection pixels across the sensor to help photographers obtain focus wherever they choose to position their subjects in the frame. With 3.76 million phase detection pixels, at approximately 100% coverage, near perfect auto-focus performance with speed and accuracy is now a reality for photographers needing optimum performance in subject tracking, face/eye detection and low-contrast environments. The effect is particularly notable when using fast prime lenses, achieving speed improvement of up to 210% over the conventional contrast AF system used in GFX 50R.
Pushing Creative Boundaries for Filmmakers: Large Format Camera with 4K video at 30p
With a sensor size of 43.9mm x 32.9mm, the GFX100 supports filmmakers in achieving their creative visions. The new sensor and processor combination support 4K video recording at 30p with a unique cinematic look. It’s now a breeze to explore shallow depth-of-field, wide tonal reproducibility and extra high ISO sensitivity, producing high- quality video footage with detailed textures while reproducing three-dimensional definitions and even capturing the atmosphere of the scene. With the ability to apply Fujifilm’s highly respected Film Simulations (including ETERNA cinema film simulation mode), record in F-Log Rec 2020, and capture 4:2:2 10-bit uncompressed footage through the HDMI port, GFX100 should certainly be coming soon to a screen near you.
Dust-resistant, Weather-resistant, Lightweight and Highly Robust Magnesium Alloy Body with Integrated Vertical Grip
Maximizing its use for even the toughest conditions, the GFX100 has weather sealing in 95 locations across the camera body and detachable EVF to ensure an exceptionally high level of dust and moisture resistance. Photographers will have the opportunity to capture moments in even the most remote locations as the GFX100 can maintain reliable operation even under tough natural conditions.
2. Based on CIPA standard. Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted.
Although it sports a large image sensor, the GFX100’s body is equivalent to that of a flagship 35mm full-frame DSLR camera in terms of dimensions (6.15” (W) x 6.44” (H) x 4.05” (D), measuring 1.93” at the thinnest part) and weight (approx. 3 lbs. including two batteries, memory card and EVF).
Designed for protection, the GFX100’s core imaging unit, consisting of the lens mount, image stabilization mechanism and image sensor, has been structured completely separate from the main body panels. This “double-structure” is designed to ensure a high level of precision and robustness while minimizing resolution degradation caused by external stress to the body. To maximize usability, the GFX100 incorporates a vertical grip, enabling effective use of in-body space.
Advanced Color Reproduction Technology, Delivering Astonishing Quality in Stills
The combination of the newly-developed image sensor and the fourth-generation X- Processor 4 processing engine means the camera supports the 16-bit RAW capture requested by many professional photographers seeking files that tolerate heavy post- processing. The GFX100 also features the newly-developed “Smooth Skin Effect” function, which automatically smooths the skin tone of the subjects, as is often performed in portraiture. It allows the photographer to skip a portion of post-processing work so that images captured with this function can be finished at an extremely high level of perfection, faster.
The GFX100 will be the flagship model of the GFX Series of mirrorless cameras, which have garnered strong praise from professional photographers and photo enthusiasts for their use of 55mm large format image sensor, measuring 55mm diagonally (43.8mm x 32.9mm) and providing approximately 1.7 times the area of the regular 35mm full-frame sensor.
The GFX100 digital camera body will be available on June 30, 2019 at a suggested retail price of USD $9,999.95 and CAD $13,299.99.
By admin, on May 21st, 2019
In an interview Canon representatives, clearly told photo.ru the real reason behind the 4K cropped mode of the Canon cameras and much more…
Major Points of the interview
1. Reason Behind Canon Cropped 4K video mode in Canon Cameras
Canon do not want Kill their Cinema Lineup by putting class leading video specs in DSLR or Mirrorless.
We can put 4K from a full frame in the SLR and mirrorless, but we do not want to “cannibalize” our own video segment.
2. Why Canon 200D II / SL3 / 250D have a weak video mode, cropped 4K without DPAF support ?
Canon entry level users can’t afford 4K editing software and hardware like Macbook Pro preferably with Adobe Premiere by subscription. So, they want to treat the 4K video mode as marketing feature only.
3. In next 5 years, they have a plan to announce High Resolution Mirrorless camera.
4. No clear answer given when asked about Canon announcement before Olympics
5. When asked about built-in image stabilization inside Camera Body
We already have three patents on IBIS – on a mobile matrix and stabilization, Canon is currently developing a matrix stabilization technology – it will be coming soon. Other companies had a huge amount of problems with this. They test it essentially on users.
Fortunately here at thenewcamera.com we have published three different patents of Canon working in built-in image stabilization system See patent 1 | patent 2 | patent 3
Detailed Part – Translated Interview
….do not digest the marketing policy of the company. Why, for example, in one of the new C anon cameras – neither in the flagship, nor the middle or entry level, is it not possible to record 4K video without a crop? The company is technologically unable to carry out this task?
– We did not set such a function intentionally. We have a series of Cinema EOS – movie cameras. Canon separates EOS R and Cinema EOS from each other. This series is aimed at shooting a professional video. Camera Canon C700 – there certainly is 4K from the whole frame.
We can put 4K from a full frame in the SLR and mirrorless, but we do not want to “cannibalize” our own video segment.
………
The new Canon 250 D camera couldn’t be able to drag Cinema EOS users to yourself if you gave it Dual Pixel autofocus in 4K and at the same time read it without an additional matrix.
– 250D is an Entry segment camera. We all know that in order to process 4K, on the one hand, in addition to the camera that can shoot it, there must be a computer that will be able to live through it, mount it and render it. Macbook Pro preferably with Adobe Premiere by subscription for 1500 rubles per month. How many entry-level camera users have this extra equipment? Probably not enough. Negligible. Therefore, I would treat 4K in the Entry segment as a marketing feature, which is nice to see with the eye on the box, on the price tag, and buy a 4K camera and never use it.
What is the resolution of the RF lenses?
– We learn in 5 years.
Could it be that the company is already testing a new camera, which will later be announced, for example, before the Olympiad?
“I’m sure Canon is already developing next-generation cameras, because testing usually starts at least a year before the camera enters the market.”
And when does testing end?
– A few months before the camera announcement. We have a very serious program of ambassadors, a very tough selection. Canon has the whole EMEA region – the whole of Europe, the whole of Africa, the Middle East and Russia – only 40 people. These are people with publications, participants of professional exhibitions of various genres, people who have really proved their professionalism, and we are working with them on testing
Why is the matrix stabilization not developed yet?
– We already have three patents on IBIS – on a mobile matrix and stabilization,
but we continue to work on them. Canon never uses technology that has not yet been tested. It took us so much time, because the technology itself requires a very detailed study, because the moving matrix is good, on the one hand. On the other hand, go to any service and ask how many cameras they have there with broken moving dies. The stabilization system is a very fragile thing.
Canon is currently developing a matrix stabilization technology – it will be coming soon. Other companies had a huge amount of problems with this. They test it essentially on users. Why do they have stabilization on almost all lenses? Because the matrix is not very effective.
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