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Olympus OM 1 vs OM System 1 Mark II | 7 Major Difference

Let’s compare the two cameras and find out the major difference between the two. Olympus OM 1 vs OM System 1 Mark II

1. The Olympus OM-1 Mark II camera has arrived and, as you can see, Olympus is trending with this camera. In the design part, it’s written at the camera’s center “OM System” instead of the Olympus logo, which is not good to see.

Specification Olympus OM-1 Olympus OM-1 Mark II
Image Processor TruePic X Same as OM-1, but redesigned
RAM Not specified Improved compared to OM-1
Autofocus Algorithms Not specified Updated for improved subject detection
Logo on Camera Olympus logo “OM System”

2. According to the camera maker, the Olympus OM-1 Mark II camera uses the same TruePic X image processor as the original model. Still, this image processor has been redesigned and they have improved the RAM space compared to the previous version. The company says that with the help of more RAM and updated autofocus algorithms, the camera can now have an improved subject detection mode.

3. Now, the camera also has a human detection mode which detects human body movement more precisely compared to the previous generation of cameras. This goes beyond face and eye detection, so now it is more reliable in tracking a human body compared to the previous generation of cameras.

Specification Olympus OM-1 Olympus OM-1 Mark II
Human Detection Mode Not specified Detects human body movement more precisely
Face and Eye Detection Available More reliable in tracking a human body
Autofocus Refresh Rate Not specified Improved, boosts performance in subject tracking mode and continuous focus tracking mode

4. The company says the autofocus refresh rate has been improved (although we don’t have the exact number of differences between the refresh rate of the predecessor and successor). This boosts the performance of the camera, specifically in the subject tracking mode or in the continuous focus tracking mode.

5. With the introduction of a new and improved image processor and artificial intelligence algorithms, the camera makers say they have also updated the image stabilization system of the camera up to 8.5 stops, earlier it was 8 stops in the original OM-1 camera.

Specification Olympus OM-1 Olympus OM-1 Mark II
Image Processor and AI Algorithms Original New and improved
Image Stabilization System 8 stops Up to 8.5 stops
Buffer Size 169 raw frames at 10 fps with a mechanical shutter, 108 raw frames at 20 fps with an electronic shutter Up to 256 raw frames at 50 FPS or 213 frames in a single continuous burst at the rate of 120 FPS
ND Filters Built-in ND filters Graduated ND filter with options of ND 2, ND 4, and ND 8

6. The Olympus OM-1 Mark II camera now has a bigger buffer and it can shoot up to 256 raw frames at 50 FPS or 213 frames in a single continuous burst at the rate of 120 FPS. These numbers are better compared to the Olympus OM-1 camera.

7. You already have the option of built-in ND filters in the Olympus OM-1 camera, but now we have a graduated ND filter. This is a unique type of filter generally used for landscape photography and now we have it in the Olympus OM-1 Mark II camera. Even in the graduated ND filter, we get options of ND 2, ND 4, and ND 8.

8. The New OM System Mark II camera features complete blackout-free shooting which was not possible with the Olympus OM – 1, that really a valuable improvement for wildlife and sports shooters.

Multi-shot Raw Mode 50-megapixel high-resolution mode 80-megapixel large image in-camera, with an additional raw mode | 50 Mp handheld also available
Battery BLX-1, gives around 500 shots per charge Same BLX-1 battery, but performance may drop slightly due to a more upscale image processor, estimated around 450-480 shots per charge

SO, these are the Major differences we have between the two cameras. The rest of the core specifications of both cameras remain the same.

Olympus OM 1 Mark II Camera at B&H Store

Pentax WG-90 Camera Available for Pre-order

If you want to shoot underwater as well as above it the best camera to have with you is the Petnax Latest Tough camera WG-90. The Camera Features a 16 MP  BSI CMOS Sensor and can capture Full HD Videos water (Naaa ? You want 4K Tough camera .. here it is the Pentax TG-6 with 4K Recording and Full HD up to 120 FPS)

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YONGNUO officially announces YN35mm F2R DF DSM for Canon

YONGNUO’s finally announced AF lens “YN35mm F2R DF DSM”, which looks works with Canon RF Mount without an issue. It will be sold for 2,600 yuan / $375. It is unknown whether it will be distributed domestically.

YONGNUO  YN35mm F2R DF DSM Specification

  • Uses an optical structure of 9 elements in 8 groups
  • Has 7 aperture blades
  • The minimum focusing distance is 0.35 meters
  • The maximum magnification is 0.13x
  • Uses a 52mm filter interface
  • Weighs 280g
  • Size: Φ67 × 72mm
  • The overseas price is $375, equivalent to about 2,600 yuan

We will ost an update once it available online.

Right now we have YONGNUO 85mm F1.8 R DSM Lens for Canon RF Mount at B&H Store, but due to limited supply and high demand the lens is at backorder mode.

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source – camerabeta

Canon Dual Fisheye 3D VR Lens for Canon R7 and Much More at CES 2024


Canon’s three concept models showcased at CES 2024 show Canon’s dedication to the cinema and content creation industry. The first model starting from the left, 001, features an APS-C VR lens, and the second model, 002, incorporates an APS-C 3D lens and third is 360° / 180° 3D VR Camera

Above you can see Canon R7 is using Canon’s latest prototype lenses to be announced in the near future

– Concept Model 001: APS-C 4D Dual Lens VR Lens (affordable version of RF 5.2mm ?)
– Concept Model 002: APS-C 3D Stereoscopic Lens

The first lens from the left looks very similar to the Canon RF 5.2mm F2.8 Lens without RED RING, The 5.2mm it is an existing VR lens in the RF mount series.  But the lens shown above looks like made for an APS-C Mount camera and does not come under L branding, so for sure it will be more affordable compared to the RF 5.2mm F2.

After looking at the images, I feel that Canon is putting more effort into developing APS-C-based lenses. For the first time, I saw an APS-C-based dedicated 3D Cinema Lens. Canon will surely not stop here. In the near future, we will have some dedicated cinema bodies similar to the C70 or Canon R7, which have Super 35mm / APS-C sensors.


– Concept Model 003: 360° / 180° 3D VR Camera

Canon hasn’t said much officially about these lenses, but we expect at least one to be commercialized. The specs for these lenses are unknown as they are kept away from the reach of visitors’ hand and Canon rep was not sharing much details about the future products.

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Best Lenses for Sony ZV-E10 in 2024

Sony ZV-E10 is one of the best Sony APS-C Mirrorless cameras Sony ever announced under budget. We have created this guide to let you know the names of the best lenses of the Sony ZV10 Mirrorless camera. The Best Lenses guide covers Best lenses for photography as well as vlogging. Not, only Bets Sony Lenses, we have also included the best third-party lenses for Sony ZV 10 Camera.

We have created this guide specifically for the Sony ZV-E10 camera, we have already created lenses best lenses for Sony A6400, Sony A6100, Sony A7 III, and Sony A7C camera.

What are the best lenses for Sony ZV-E10 in 2024?

  1. Tamron 17-70mm F2.8 Lens (Best all rounder lens for video and photo)
  2. Sony 50mm F1.8 Lens (best budget portrait lens)
  3. Sigma 16mm f/1.4 DC DN (the best lens for vlogging)
  4. Sony E PZ 18-105mm F4 G OSS (best alternative lens after 17-70mm)
  5. Tamron 11-20mm F2.8 Lens for Content Creators
  6. Sigma 30mm f/1.4 DC DN (Best for room portraits)
  7. Sigma 56mm f/1.4 DC DN (Best pro portrait lens)
  8. Sony FE 50mm F2.8 Macro (Macro Lens)
  9. Tamron 70-180mm f/2.8 Di III VXD Lens. (Best Telephoto Zoom Lens)
  10. Sony 18-135mm Lens

Buy Tamron 17-70mm F2.8 Lens fro m Amazon.com | B&H Store

1. Best All in One Lens for Sony ZV-E10

At $799  you are getting a pro lens, Tamron 17-70mm f/2.8 Di III-A VC RXD is a 25.5-105mm-equivalent lens for APS-C-format Sony E-mount mirrorless cameras. It’s an engineering masterpiece, incredibly versatile everyday zoom ideal for everyday shooting, and the fast f/2.8 constant maximum aperture suits working in difficult lighting conditions and offer improved control over depth of field. This lens delivers outstanding image quality even when shooting wide open, it is beautifully sharp throughout the frame.

The lens features built-in IS, which helps you to shoot with slower shutter speeds in low-light conditions without adding any motion blur or camera shake to your image. Altought the F2.8 aperture helps a lot while shooting in low-light.

Autofocus is very fast, accurate, and silent. For video users, there is almost no focus breathing throughout the range and focus pulls look incredible. VC of course makes handheld shots very smooth. And the controls on the lens are very smooth and do allow you to rather cleanly zoom in and out.

This lens is awesome. For many shooters and videographers, this could be a one-and-done lens. The only downside, there are no physical controls on this lens for stabilization or focus modes, so you’ll have to change them through the menu system in your camera.


Captured from Tamron 17-70mm F2.8

Now our next recommendation of a portrait lens.

2. Best Budget portrait Lens for Sony ZV-E10

The best portrait prime lens ever made for Sony APS-C Mirrorless cameras. The lens features Optical SteadyShot image stabilization, so you can get sharper imagery when shooting handheld with slower shutter speeds. The OSS helps really a lot while shooting in low-ligh conditions.

The little guy uses 50mm lens that will offer users a 75mm equivalent focal length, making it ideal for portraiture and other short telephoto applications. The fast f/1.8 maximum aperture. Even when shooting at f/1.8, this lens is sharp, especially in the center of the frame.

One of the only portrait prime lens that features built-in OSS

An internal focus mechanism is really fast and responsive, with a minimum focus distance of 1.3′, and easier handling as the lens does not change in length during use. So, you can use this lens very easily with gimbals also.

The only downside, this lens isn’t weather-sealed, but also keep in mind the lens is made for an APS-C Mirrorless camera and not a Full frame camera. If you use it with a camera like Sony A7 III, the camera will work in DX mode and you will get a 10MP file.

3. Best Vlogging Lens for Sony ZV-E10

Buy this lens from Amazon.com | B&H Store

The Sigma 16mm F1.4 Lens is a wide-angle prime lens and is highly popular among video bloggers. The prime is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 24mm equivalent focal length. A perfect focal length for hand-held vlogging.

The best part of the lens is the F1.4 aperture, Bright f/1.4 maximum aperture excels in low-light conditions. Shooting at Night and create  Nigh-Life Vlogs now very easy with F1.4 aperture. And as usual, it also affords increased control over depth of field for achieving selective focus effects.

Best vlogging lens available for Sony ZV-E10 Camera

The AF is very fast and the Sigma used stepping AF motor optimized for both photographers and videographers with its fast, precise, and near-silent performance.

The lens is an amazing bargain – super sharp, very fast, beautiful bokeh, and auto-focus. There is pretty much nothing not to like. The construction is rock solid and rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.

4. Best Ultra Wide VLogging Lens for Travel Vloggers

Check the Latest Price of Viltrox 13mm F1.4 lens at Amazon | B&H Store

Viltrox 13mm F1.4 Specification: The Viltrox 13mm F1.4 lens has a focal length of 13mm, maximum aperture of f/1.4, minimum focus distance of 0.22m, maximum magnification ratio of 0.1x, filter size of 67mm, dimensions of 74x90mm, and weighs 420g.

Pros:

  • Impressive performance
  • Solid metal casing
  • Good handling
  • Fast and accurate autofocus
  • Affordable

Cons:

  • No AF/MF focus mode switch

The Viltrox 13mm F1.4: If you are a content creator who creates most of your videos in an office or home setting, then you should consider the 16mm F1.4 lens. However, if you want extra coverage of your surroundings, for example, if you want a super-wide view or if you want to capture everything around you, especially for travel bloggers who want a bit more coverage than normal, then in that specific situation, I would suggest you go with the Viltrox 13mm F1.4 lens for the E-mount.

In terms of build quality, the lens is made up of a solid metal casing and has multiple weather seals, which makes it perfect to carry around in adverse weather conditions. The cherry on top is that you get a large manual focus ring which you can easily use to provide a smooth focusing experience. You can also do manual override while using autofocus.

The lens features an F1.4 aperture which makes it an ideal ultra-wide-angle prime lens to capture videos and even images in extremely low light conditions. The lens can also be used for astrophotography due to the nature of its high-grade optics.

A lot of effort has been put into optimizing this lens to perform perfectly while shooting videos. The lens features an STM motor, also known as a stepping drive motor, which helps to focus quickly without creating any noise.

If you are a travel blogger and want to have super-wide coverage with a 13mm lens, you can go with this one

Viltrox 13mm F1.4 wide coverage sample Image

Now let’s talk about, the 18-105mm coverage lens.

Buy this Lens from Amazon.com | B&H Store

5. Best Budget Video Lens – 18-105mm F4

If you don’t have the budget for Tamron 17-70mm F2.8 Lens, you should go with this lens as your general-purpose kit lens for photography and video. The 18-105mm F4 is an excellent lens with a constant F4 Aperture.

The lens also features  Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for a while shooting still images or creating a cinematic video. This stabilization system can also be combined with a select camera’s sensor-shift type image stabilization for more effective control of camera blur.

Clearly, as this lens is aimed at video shooters, but you can take excellent still images too

Specifically for video, the lens features a power-zoom button for smooth cinematic zoom. AAninternal focus design contributes to fast autofocus speeds ahe minimum focus distance of 1.5′ and easier handling as the lens maintains its overall length. So, you can easily use this lens with gimbals too.

Its zoom range makes it an ideal choice for Video, portraits, and also for street photography, architectural features, art, sculpture, and buildings. The constant F4 aperture provides excellent depth of field control and makes the most of whatever ambient light is available. 

6. Tamron 11-20 mm F2.8

The Tamron 11-20mm F2.8 is an APS-C lens with a constant F2.8 aperture. This lens is designed for content creators, covering a vital range from 11mm to 20mm. It can go super wide and then up to a normal wide mode which is 20mm. So, if you want to cover the entire environment, you can adjust the lens up to 11mm and depending on your set of requirements and taste, you can adjust its focal length. It’s not a prime lens, so you don’t have to worry about buying a 13mm lens or 16mm lens. It covers from 11mm to 20mm with a constant F2.8 aperture and is built with RXD motors, so the autofocus is super fast and silent.

The lens features a steel construction and lightweight design, so you don’t have to worry about handling it for a long time. You can also use this lens in adverse weather conditions.

 

Get the Sigma 30mm F1.4 Lens from Amazon.com | B&H Sore

7. Best Lens for Room Portraits and Vlogs

Sigma 30mm is one of the best lenses to have in your camera all the time, it mimics the 35mm classic focal length range.  Perfect portrait and general photography prime lens. HIGHLY recommend. Great for low light, nice bokeh, easy to focus, FAST, and accurate AF. Lens and price are great for beginners’ general-purpose photography, you can create amazing videos too with this lens in your room or office. A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance. The rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Best lens for Room Portrait / Video Shoot

The perfect lens makes available light photography as well as video a true reality, even when shooting on city streets at night. You will get crisp images and noise-free videos even when used with available light during the night.  The 30mm is one of the sharpest lenses available for Sony E-mount. Highly Recommended.

Buy 56mm lens from Amazon.com | B&H Store

8. Best professional PortraitLens for ZV-E10 camera

If you have ba ig space for a portrait shoot (aka studio or outdoor), then go with a 56mm F1.4 lens. The lens eq. focal length is 84mm. Best for getting professional-quality results from your camera. Tac sharp. Superfast autofocus. Most have in your kit if you do Portraits. The bokeh is smooth.
Bright f/1.4 maximum aperture excels in low-light conditions and also affords increased control over depth of field for achieving selective focus effects. Very wwell-controlledcolor fringing and chromatic aberrations itoachieve greater clarity and color accuracy.

The AF mechanism of this lens is also just awesome,  A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance.  The lens feels rock-solid in the hands and features a dust- and splash-resistant design. An excellent lens for outdoors.

Get 50mm F2.8 Macro Lens from Amazon.com | B&H Store

9. Best Macro Lens

Sony FE 50mm F2.8 Macro G OSS is designed for full-frame E-mount cameras, this telephoto macro can also be used on APS-C systems where it provides a 75mm equivalent focal length.

The lens is affordable and perfect for APS-C Mirrorless cameras, this is a true 1:1 Macro Lens so you will be getting life-size images from the lens. Later on, once you have upgraded you can use this lens on the A7 series camera too.

The true macro design affords a life-size, 1:1 magnification ratio along with a 6.3″ minimum focusing distance for working with close-up subjects. A focusing distance and magnification scale are also printed on the top of the lens to aid in more technical applications.

One extra-low dispersion element is featured in the lens design and helps to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.

10. Best telephoto zoom

One of the best investments for APS-C users, it is a full-frame Tamron  70-180mm F2.8 VXD G2 lens so you will get a 105-270mm equivalent focal length range. The best lens when you do have some flans of getting a Sony full-frame camera.sue to fast aperture and being a full-frame lens the overall quality of this lens is just amazing.

Bright constant f/2.8 maximum aperture affords consistent brightness throughout the zoom range and offers improved control over depth of field. Two VXD (Voice-coil eXtreme-torque Drive) linear motors deliver impressively quiet, quick, and precise focusing performance to suit both stills and video applications. This focusing system offers a minimum focusing distance of 2.8′ at all focal lengths, and a 1:4.6 maximum magnification at the 180mm focal length for working with close-up subjects. Full-time manual focus override is also possible, and it is compatible with Sony’s Direct Manual Focus function or fine-tuned manual control.

We highly recommend you tet the Tamron 70-180mm lens, so will get max output from your camera, and later on ,you can use this lens for your future full-frame cameras.

Viltrox AF27mm F1.2 Pro Now available for Sony and Nikon Mount

Earlier, Viltrox announced the Viltrox AF27mm F1.2 Pro lens for the Fuji X Mount. Now, they are planning to announce the same lens for the Sony E mount as well as the Nikon Z mount. The lens will become available for sale from January 2024.

Viltrox AF27mm F1.2 Pro

  • Nikon Z mount lens parameters and specifications:
  • Focal length: 27mm
  • equivalent full frame about 40.5mm Angle of view
  • Optical structure: 11 groups of 15
  • aperture blades: 11 blades
  • Minimum focusing distance: 0.28m

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Canon R1 and Canon R5 Mark II Are Safe from Global Shutter Sensor Syndrome

According to the latest news we have from the rumor mill, Canon’s upcoming cameras, which include the flagship mirrorless Canon R1 and the Canon R5 Mark 2, will not use the Global Shutter sensor. The Global Shutter sensor is still far from being included in Canon bodies; it’s not coming soon inside them as per the latest setup information.

And as we all know, even Sony’s A9 Mark III camera is struggling with low-light performance issues. We don’t think Canon will take that risk with their flagship camera body or even the R5 Mark 2 camera.

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source CR