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By admin, on January 26th, 2021

Fuji finally announced the long-rumored Fuji GFX100s camera. The new camera features the same sensor as of Fuji GFX 100, a 100 MP Medium format sensor. Btw, you also use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. The camera also features IBIS units, so you can get hand-help sharp 100MP images. The five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction.
The AutoFocus system is also completely re-worked and the newly announced camera features an updated autofocus algorithm that brings subjects into focus as quickly as 0.16 sec, even in light levels as low as -5.5EV. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver screen.
Buy Fuji GFX100S Camera from B&H Store
Fuji GFX 100S Press Release
Ultimate Resolution, Dependable Processing
Powered by Fujifilm’s high-performance X-Processor 4 quadcore CPU, GFX 100S utilizes its 102MP, back-illuminated large format CMOS sensor to create truly stunning results. Create remarkably detailed still images that possess amazing color fidelity, and rich shadow detail, with enough dynamic range to allow for astonishing push and pull adjustments in post-production. Or, use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver screen.
Small, But Steady
Sitting at the heart of GFX 100S is a newly developed shutter and In-Body Image Stabilization (IBIS) system that helps ensure you always make the most of the extreme resolution of the camera’s 102MP imaging sensor. While reduced in size, compared to their counterparts in GFX 100, both elements offer incredible performance, with the new shutter capable of 5fps continuous shooting and the unique, five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction. With such outstanding performance, GFX 100S frees you from a tripod and lets you keep creating even when the light is low.
The Sharp End of AF Technology
With an advanced phase detection autofocus (AF) system, GFX 100S spearhead a whole new era of large format digital camera systems. An updated autofocus algorithm brings subjects into focus in as quickly as 0.16 sec, even in light levels as low as -5.5EV. This extraordinary performance is strengthened by the presence of phase-detect autofocus pixels across nearly 100% of the frame, resulting in complete precision regardless of where the subject is. Combined with responsive tracking and reliable Face/Eye Detection, GFX 100S lets large format photographers enjoy reliably accurate AF, even in low-contrast situations.
Large Format Has Never Felt Like This
The GFX system already has a strong reputation for taking high-resolution photography out of the studio and into the world, but GFX 100S takes it even further. Not only does it have a super-tough magnesium-alloy casing, but it is also made to operate in temperatures as low as -10ÅãC and to be dust- and weather-resistant for those off-road moments. At less than 900g, its compact body is comparable in size to many full-frame cameras, but it contains an incredible, 102MP sensor that’s almost twice the physical size of the typical full-frame sensor! Simply put, whether you are creating handheld portraits on location, or framing landscapes in the remote wilderness, GFX 100S will truly let you harness the extreme power of large format.
Iconic Color Made For You
Fujifilm’s expertise in color science is legendary among image-makers. For more than 86 years, Fujifilm has been responsible for some of the world’s most iconic photographs and movies. GFX 100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital color processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color, straight out of the camera. With a new Film Simulation mode to explore – Nostalgic Neg. – it may just be worth it to spend a little more time here than you originally thought.
Fuji GFX100S Full Specifications
By admin, on January 25th, 2021

Image of the upcoming Fuji GFX 100S camera. Take a look at the images of the to be announced GFX 100S camera. The successor of Fuji GFX 50S and features the same sensor as GFX100. camera.

We will post an update once we get the detailed specification of the upcoming camera
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By admin, on January 24th, 2021

It’s too early to say anything, but as per the latest rumors surfaced over the web that 24MP (Actual: 25.8 Megapixel, Effective: 24.1 Megapixel) APS-H sensors based cameras prototypes do exist with Canon latest RF Mount. But, all these are prototypes, Which prototype (APS-C or APS-H) gets approved for the final production line no one knows.
—–End of Rumor—–
Canon APS-H Sensor

Canon’s last commercial APS-H camera was Canon EOS-1D Mark IV but they continued to work with APS-H sensors even after that. In Sep 2015 they showed a 250MP APS-H Sensor-based prototype with Canon EF Mount.

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By admin, on January 15th, 2021

Canon’s latest report says they have managed to increase the total amount of Camera & lens sales compared to the sales projections for 2020. Canon EOS R5 and R6 model were very popular in 2020 and have a great impact on overall sales of the Canon interchangeable lens camera sales numbers.
In the manufacturing industry, earnings forecasts have been revised upward one after another. Canon announced on the 14th that it will raise its consolidated net income for the fiscal year ending December 2020 due to strong sales of digital cameras in China. The background is the economic recovery in China, and there is a difference between the non-manufacturing industry, whose business performance is declining due to the re-expansion of the new coronavirus infection, and the recovery. via nikkei.com
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source Nikki
By admin, on January 11th, 2021

Nikon Japan listed Nikon D5600 and Nikon D3500 as old products, what does that exactly mean? It’s a clear indication that the replacements are on their way. So, literally, Nikon have two options here,
Nikon DSLR vs Mirrorless in 2021?
Option #1 – Nikon will do a regular update As they did before. Nikon D5700 and Nikon D3600 will arrive in 2021
Option #2 – Nikon will release Nikon Z30 and cannibalizes Nikon’s entry-level DSLR line in favor of Mirrorless cameras.
The scheduled update time of Nikon D5600 was 2020, but Nikon skipped that year. let’s hot this year we will see a perfect replacement of Nikon D5600 as well as Nikon D3500 camera.

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source Nikon
By admin, on January 7th, 2021

Sony A7R IV Camera specs making round on web, prediction of these specs done by semorg a preview forum Contributing Member with Posts: 961 pos. (that means the member is genuine). Now, if you have less time let me summarize for you
Sony A7R V Specifications (prediction by SAM)
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- 61MP Full-Frame Exmor Sensor
- BIONZ XR image processor
- DCI / UHD 4K 60p/30p Video
- 8K at 30fps
- 4K 120FPS and Full HD 240 FPS by using pixel binning algo and slight crop to save up from overheating
- Upto 6 Stop of IBIS
- Dual CFExpress A
- Full Size HDMI like A7S III
Sony A7R V AKA nail in the coffin of Canon.
Seeing many YT influencers (I agree they are not all real working pros) talk about how they are considering switching from Canon to Sony after using A7SIII, I can see Sony going for the jugular of Canon and make a canon 5R without overheating.
It safe to say, it’ll take Canon 2 years to resign their body to deal with the heat issue. Canon’s best bet is to take the 5R and put it inside their cinema camera with ample fan and cooling and call it Cinema R 500. Or keep the EF mount and call it EOS C400 and offer it at a reasonable price to keep their base from jumping ship to Sony. They still have the dual gain system in their new C500 that is designed close the gap with Alexa. So they can differentiate pricing and products but at the same time save face a bit with their 8K PR nightmare.
1. 61 MP. Same sensor as A7R IV.
We have seen Sony alternate between image sensor update and processing update. With A7RIV we saw a new sensor, with A7R V will get a new processor.
2. Bionz XR Same processor(s) as A7SIII
This update cycle of the A7Rx is with the image processor. Sony’s new image processor is designed to handle high volume data processing (4K @ 120 fps) and probably room for more.
It’s safe to assume outside of the upcoming A5/A6 which probably will be a crippled A7III (Sony’s answer to Nikon Z5) the future full frame Sony systems will use the new Bionz XR.
3. 8K Video at 30 FPS
It’s safe to assume if the new processor can churn through 120 FPS @4k it can handle 8K at 30 FPS.
We also know the A7R IV sensor is probably able to have a readout of 1/30 if not more, https://blog.kasson.com/a7riv/how-fast-is-the-sony-a7riv-silent-shutter/
The new CFExpress A can handle that kind of bandwidth. Taking 4k 30 All-I H.264 at 300 Mbs. We can assume a 1200 Mbs for 8K All-I. Remember the new Sony Tough Cards are claiming 5600 Mbs (700 MBs). So potentially the could even handle 8K at 120FPS one day.
Sony has figured out how to dissipate heat and will basically release a competitive “halo” product to Canon’s 5R without the heating PR nightmare.
4. 1.1-1.3x crop.
We can assume there will be a slight crop (1.1 ~ 1.3) for 8K (for D and U). This crop will probably allow for a better stabilization by combining IBIS and electronic.
5. 4K HQ at 30 FPS (possibly 60 FPS)
This is the 8K image downsized to 4K. 30 Is probably doable, 60 probably is and to match Canon with specs Sony might just include it.
6. 120FPS (4k pixel binned, APSC or HD)
Just like the Sony A7RIV we’ll have a 120FPS option. With a new processor Sony should be able to have a better 120FPS video but we shall see. Minimum will be HD it’s possible they can do a crop 4K 120 FPS.
7. 5.5 ~ 6 Stops IBIS
It’s possible Sony might need to have a crop option (1.1 ~ 1.2) for even stronger IBIS to match Canon’s or they could just keep what they have.
8. Dual CFExpress A
So long as other manufactures are late to the game, you can view CFExpress card as a bit like the printer cartridge business. For a pro who need to buy 4-5 cards (maybe even more) it grantees additional revenue stream to Sony.
Copied from A7SIII – View finder (for a large pixel camera they’ll keep a high resolution viewfinder), LCD screen, AF system, menu system (this is obviously the menu going forward), color science (we might assume Sony has reached the peak of their color science).
9. Full-size HDMI ?
Unclear if Sony wants to differentiate between S and the R model and not include a full HDMI cable. I have a feeling Sony is going to go for the jugular of Canon and probably offer full HDMI.
10. 16bit linear RAW?
Sony/Atomos might be working on some kind of a recorder to keep all the 16 bit linear for external recording. Atomos Ninja has been upgrading well, but I’m wondering if an upgrade is in the works. I think the A7RV is going to be a canon 5R killer and Sony will probably won’t hold back.
11. What about Sony A7IV?
This is going to be even more of an anticipated wait. A7IV is coming (October/November?). It must be based on the Bionz XR so very possible it’ll be the camera that will dominate the full-frame market in 2021. We could expect a 6K raw camera that will go head to head with Panasonic S1H. It might not have all the video functions like S1H but image quality will be similar to a really good and functioning AF.
What are your thoughts?
Source – dpreview
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By admin, on December 29th, 2020

Leica CL2 Specification Leaked, the Leica CL series. The Leica CL is an APS-C mirrorless system camera announced by Leica in November 2017. Now after a long gap, they are about to announce the new CL2 camera with the same 26MP BSI CMOS Sony sensor that we have seen in almost all Fuji Camera.s.
Leica CL2 Major Specification
- 26MP BSI sensor (probably from Sony)
- OLED screen with 3.6 million dots
- Image stabilization
- Weather sealing
- New/updated camera design/style
- Joystick controller
- Expected shipping: April 2020
- Expected price: around €2,700 (over $3,00)
Undoublyt from the core specification, it’s clearly visible that the new Leica CL2 camera coming with a major upgrade. We will bring more updates which include images of the camera as well as detailed core specifications.
See more Leica CL Cameras at B&H Store
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