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Firmware Update

Nikon Z7 Mark III Possible Specification

Here is an updated set of specs that we are expecting from the upcoming Nikon Z7 Mark III camera,  After the arrival of the Nikon Z8 camera, there is a strong possibility that we may see the Nikon Z7 Mark III with 61MP Sensor, take a look at the set of specification we are expecting from Nikon Z7 Mark III camera

Nikon Z7 Mark III Specification [Expected]

  • 61.2 Megapixel
  • 4k  60FPS (1.2x crop) | 4k  120FPS (1.5x crop) | 4k 30fps No Crop
  • HR Mode 240MP planned later after a firmware update
  • Continuous Shooting speed: 12 to 14.7 FPS
  • 5 axis is (6 stops of IBIS)
  • ISO 32 – 102400 (Expandable)
  • Q4 of 2023 (may get delayed further to Q1/Q2 of 2024)

So, let’s hope for the best. That’s what we expect from Nikon, from the upcoming Nikon Z7 Mark III camera. Let us know what u guys expect from Nikon Z7 Mark III.

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Canon Vlogging camera Coming on May 11 2023

Canon Japan teased a new image, a compact and vertically shaped camera under a curtain made for content creators that will arrive on 11 May 2023. We have a translated teaser image that says “Vlog new possibilities” on the extreme left side and on the right side, we have the date which is Thursday, May 11, 2023.

So, what’s under the curtain? As you can see, it’s an entirely new camera design which somehow looks vertical with a lens opening at its top (maybe a fixed lens compact camera ?). The shutter button is visible at the lower end of the extreme right side. It looks like a brand-new design from the camera maker and we are eagerly waiting for leaked images to have a glimpse of the camera

We do have some amazing Canon patents of Canon unique style vlogging cameras, but is the upcoming camera is same, or have a completely different design?

Canon already has cameras like the Canon R50 and Canon R10. Both of these cameras are capable of recording 10-bit HDR PQ videos.

Actually, the thing we miss in Canon is the open lens mount (yes I know I have published the new Canon open lens mount based on the information from the canon rumor mill, but when we tried to contact Meike over the same topic, they haven’t responded yet. So, it still looks fishy actually they have got some approval of it was a hoax created by the Canon rumor mill).  So, the real problem is We have very less lens options to select from, in the Canon APS-C lens range compared to other camera makers, like Sony or even Nikon, which now have huge support from third-party lens makers.

Now, from the above teaser, it’s very clear that Canon wants to make a separate vloggers series camera, just like the Sony ZV series. At the same time, I also think that Canon will not stop with just one camera announcement if they are in the mood to compete with Sony’s ZV series cameras. Soon they will add other variations to this range once the PEAK SALE period for cameras goes away, which is likely to be in 7 to 8 months.

As soon as we get the leaked images and specifications of the soon-to-be-announced camera, we will publish them.

Best lenses for Canon R50

Canon R10 vs Sony ZV-E10

Canon R10 vs Sony A6400

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source Canon Japan

 

More Confirmation to Our Specs: Sony A6700 Latest Rumors

Finally, we are getting more confirmation on the set of specs we shared back on April 26, 2023. You can take a look at the specs we shared back then below.

Sony A6700 Expected Core Specification

  • 26.1MP APS-C BSI CMOS Sensor
  • BIONZ XR & AI Processing Unit
  • AI-Based Real-Time Tracking AF System
  • UHD 4K up to 60p (uncropped)
  • S-Cinetone
  • S-Log3, 4:2:2 10 Bit internal
  •  5-Axis Image Stabilization
  •  updated Quad-VGA OLED Tru-Finder EVF 3.69m-dot resolution for bright, clear viewing in high detail

So these are the set of specs that we have for the upcoming Sony a6700 camera. One of my subscribers (at my YT channel asked me) asked me why Sony is releasing the same kind of core specs in the Sony a6700 camera body if they already have a camera in that price range.

The answer is very simple, The Sony FX30 camera is more cinematography-oriented and features Dual native ISO, compatibility with an XLR adaptor, and features built while keeping cinematographers’ requirements in mind.

The upcoming Sony a6700 camera is more photographer-oriented and will carry more features for photographers than for cinematographers. At the same time, it will also be appealing to content creators with a more advanced image stabilizer unit in combination with gyro unit stabilization, just like we have seen in the recently announced Sony ZV-E1 camera.

Stay tuned for more updates!

Nikon Z8 vs Canon R5

Nikon Z8 vs Canon R5 – Let’s compare the Nikon Z8 with Canon R5 – Nikon Z8 is a newly announced camera and features almost the same core specification that we have seen in the Nikon Z9, its better to say its a mini Nikon Z9. Due to its very competitive price range, the camera comes in direct competition with Canon’s most popular Canon R5 Camera. So, let’s start the comparison

10 Major Differences between Nikon Z8 vs Canon R5

We are here talking about the Major difference between the two and not about the similar features

1. Nikon Z8 without shutter

The Nikon Z8 camera completely eliminates the shutter, just like the Nikon Z9, but it is a welcome step since Nikon is using a stacked CMOS sensor with a readout speed of 3.7 milliseconds. Even if they eliminate the mechanical shutter from their camera, there will be no visible rolling shutter effect at high speeds.
Imaging

  Nikon Z8 Canon R5
Sensor Resolution Actual: 52.37 Megapixel
Effective: 45.7 Megapixel (8256 x 5504)
Actual: 47.1 Megapixel
Effective: 45 Megapixel (8192 x 5464)
Sensor Type 35.9 x 23.9 mm (Full-Frame) CMOS 36 x 24 mm (Full-Frame) CMOS
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis
Built-In ND Filter None None
Capture Type Stills & Video Stills & Video

2. Nikon 45 MP Stacked vs  Canon 45MP FSI

Both cameras feature a 45-megapixel full frame sensor but the core difference exists between their technology, Nikon camera uses the same sensor that Nikon first introduced in the Nikon Z9. The 45 Megapixel Stacked CMOS Sensor and due to the presence of stacked CMOS tech, the read-out speed of the Nikon Z8 camera sensor is 3.7ms which is way too fast compared to the sensor of Canon R5 with 16.7ms read out the speed.

Undoubtedly, one of the biggest advantages of the Nikon Z8 camera is the STACKED CMOS sensor used inside it. If you are shooting fast-moving subjects such as wildlife, sports, racing cars, or flying birds while tracking them at high speeds, there is a very low probability that the camera will capture the rolling shutter effect as badly as the Canon R5. The readout speed of R5 is 16.7ms which can result in some bad rolling shutter effects at the fastest shooting speed. Therefore, if you are into sports and wildlife photography and interested in shooting fast-moving subjects, the Nikon Z8 would be a better choice. However, if you are not interested in Nikon cameras, it’s better to go with the Canon R3 which has a stacked CMOS sensor, instead of the Canon R5.
Exposure Control

Nikon Z8 Canon R5
Shutter Type Electronic Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Electronic Shutter
1/32000 to 30 Seconds
0 to 900 Seconds in Manual Mode
Mechanical Shutter
1/8000 to 30 Seconds
Electronic Front Curtain Shutter
1/8000 to 30 Seconds
Electronic Shutter
1/8000 to 0.5 Seconds
Continuous Shooting Electronic Shutter
Up to 20 fps at 45.7 MP for up to 1000 Frames (Raw)
Up to 30 fps at 45.7 MP
Up to 120 fps at 11 MP
Mechanical Shutter
Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG)

3. AUTOFOCUS

Let’s start with the autofocusing system and the calculations done by the camera per second for focus accuracy. The Nikon Z9 sensor, which is now being used inside the Nikon Z8 camera, has a speed of 120 calculations per second. Now, if you pick Canon’s fastest camera, the Canon R3, the camera is limited to 60 calculations per second. However, the calculation speed per second of the Canon R5 camera isn’t clear since the camera uses a front-side illuminated sensor. Therefore, the calculation speed of the R5 is expected to be inferior compared to the Canon R3.
Focus table

Nikon Z8 Canon R5
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Phase Detection: 493 Phase Detection: 1053 (5k+ DPAF points)
Autofocus Sensitivity -8.5 to +20 EV -6 to +20 EV

Burst speed of both cameras. The MAX continuous shooting speed aka Brust speed of the Canon R5 is limited to 20 frames per second when using the electronic shutter and while using the mechanical shutter, it is limited to 12 frames per second. The mechanical shutter is recommended for those who do not want any kind of rolling shutter effect in their camera.

The MAX shooting speed of the Nikon Z8 camera reaches up to 120 frames per second but is limited to an 11-megapixel resolution. If you want to have a maximum speed at full resolution, then the camera allows you to shoot up to 30 frames per second in JPG mode. And if you like to shoot RAW images, then the camera limits you to 20 frames per second.

Best camera for Sports and Wildlife photography – if you want to track and shoot a moving subject like a flying bird, in that scenario Nikon z8 is more suitable for you due to its nature of construction. The Nikon Z8 camera allows you to use burst speed of up to 30 frames per second at full resolution and a maximum speed of up to 120 FPS when you are using 11 MP images. So technically, if we compare the specs of both cameras and the type of sensor technology used inside, the Nikon z8 camera is advanced compared to the Canon R5. WE HIGHLY RECOMMEND NIKON Z8 CAMERA for sports and wildlife. And if you do not want to go with a Nikon camera, as I said earlier, go with the Canon r3.

4. Core Difference in Sensor Tech

ISO Z9 R5
Photos (normal) 64-25,600 100-51200
Photos (extended) 32-102,400 50-204,800
Video (normal) 64-25,600 100-25600
Video (extended) 64-102,400 100-51200

I like the Way the Nikon Z8 camera pushes the BASE ISO 1 stop more than of the Canon R5, resulting in a better Dynamic range. Which is highly essential for High Resolution based camera like this.

Nikon Z8 and Nikon Z9 Sensor are the same | Hence we have selected the sensor of Nikon Z9 against the Canon R5. Let’s do a high-ISO image comparison between the two

As you can notice the difference in the ISO range of both the camera. The Canon R5 has a more extended (HIGH) ISO range and with Nikon Z8 you can push the ISO up to 32.

5. HIGH ISO TEST between CANON R5 and NIKON Z8

At ISO A6400 you can clearly see the capturing ability of the Nikon Z8 Stacked CMOS sensor, The Canon R5 camera image file looks slightly faded when compared to the Nikon Z8/Z9 45 MP stacked CMOS sensor

6. Best Camera for Video

As we know, the Nikon z8 camera is able to shoot 8K videos up to 30 frames per second, and the Canon r5 has the same capability. But the biggest advantage of the Nikon z8 is that you are able to record 8K videos in Apple ProRes 422 high-quality mode

The overheating issue of the Canon R5 camera is very well-known to us without a doubt, and that’s why we have included it in this comparison despite the massive effort done by Canon with firmware updates. The issue remains unresolved, and the camera tends to overheat quickly if used in hot and humid weather conditions and when recording at high settings such as 4K high-quality mode.

Both cameras are capable of recording 4K videos up to 120 frames per second and offer 8K 12-bit RAW video recording. Both of them also perform oversampling when creating 4K videos. However, if you select the Canon R5 high-quality aka oversampling mode, it may overheat quickly. In such cases, it is highly recommended to select the standard mode, where the camera uses pixel binning or line-skipping technology to create the 4K video.

Internal Recording Modes H.265 4:2:2 10-Bit
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/ fps
ProRes 422 HQ 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
H.265 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
H.264 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
1920 x 1080p at 23.98/25/29.97/50/59.94/100/ fps
Raw 12-Bit
7680 x 4320 at 59.94 fps
H.265 4:2:2 10-Bit
DCI 8K (8192 x 4320) at 23.98/24.00/25/29.97 fps [680 to 1300 Mb/s]
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [680 to 1300 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100 fps [170 to 1880 Mb/s]
H.264 4:2:0 8-Bit
DCI 8K (8192 x 4320) at 23.98/24.00/25/29.97 fps [470 to 1300 Mb/s]
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [470 to 1300 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100 fps [120 to 1880 Mb/s]
Raw 12-Bit
8192 x 4320 at 23.98/24.00/25/29.97 fps [2600 Mb/s]
Codec ProRes 422 HQ*
H.265/HEVC
H.264/AVC
H.265/HEVC
H.264/AVC
ALL-I
Sensor Crop Modes Super35 / APS-C
4K (3840 x 2160)
1080p (1920 x 1080)
Super35 / APS-C
4K
Gamma Curve HDR-HLG Canon Log, Canon Log 3
Recording Limit None Up to 30 Minutes
Broadcast Output NTSC/PAL NTSC/PAL
IP Streaming None Yes
Built-In Microphone Type Stereo Stereo
Audio Recording 2-Channel LPCM Audio
2-Channel AAC Audio
AAC Audio
LPCM Audio

7. Image Stabilization System

Image stabilization of Canon is always better since R5 features IBIS up to 8 stops. However, remember that the 8th stops of image stabilization is not always effective on all the lenses you use with the R5. In the Nikon Z8, we have 5-axis stabilization up to 6 stops, so when comparing the two for handheld shooting, the Canon R5 is more recommended.

But at the same time, if you are a handheld wildlife photographer or sports shooter, then instead of giving priority to the sensor’s shift image stabilization system’s extra 3 stops, you have to give priority to the stacked CMOS sensor with 5 to 6x faster readout speed.

If you are a fashion and portrait photographer, then having 8 Stops IBIS will help you more for getting ur perfect shot. So, if all depends on your shooting style, preference, requirements, and budget.

8. Display and Electronic View-finder

The electronic viewfinder of Canon r5 is really very impressive with 5.76 million dots resolution. Nikon’s camera is using a 3.69 million electronic viewfinder, which is not recommended for a professional camera like this.

But at the same time, Nikon claims that the Nikon z8 camera’s viewfinder is one of the brightest in the market, with a 3000 nits display unit and 60Hz refresh rate.

The display screen resolution of both cameras is almost the same, and both cameras have a vari- angle display screen for compositional freedom.

9. Design tidbits

The Z8 and the R5 are very robust cameras and build like a tank by DSLR makers, with weather sealing and a mag alloy frame. The dimensions are very similar, but the Nikon is slightly heavier.

Tripod Mounting Thread 1 x 1/4″-20 Female (Bottom) 1 x 1/4″-20 Female (Bottom)
Accessory Mount 1 x Hot Shoe Mount 1 x Hot Shoe Mount
Material of Construction Mag alloy Magnesium Alloy
Dimensions (W x H x D) 5.6×4.6×3.2 | 144×118×83mm | 5.43 x 3.84 x 3.46″ / 138 x 97.5 x 88 mm
Weight 2.2 lb / 1040 g (With Battery, Recording Media) 1.62 lb / 738 g (With Battery, Recording Media)

Each camera has its own button layout and controls, but both of them are very simplified and easy to use. Both cameras can cover the sensor when powered off to protect it. While the R5 uses the curtains of the mechanical shutter, the Z8 has a mechanism design only for this purpose, which should also be more robust.

10. Cards and interface

The Z8 works with two cards, and they are both the CFexpress Type B standard. The R5 also has two slots, but one for CFexpress cards and one for SD UHS-II cards. Both cameras have USB Type C, microphone input, headphone output and HDMI socket. (in R5 we have mini and in Z8 we have full size)

Canon R5 at B&H Store

Nikon Z8 at B&H Store

We are updating this post regularly to make essential corrections

DJI Hasselblad to Expand Mirrorless System Cameras [Rumor]

According to the latest rumors surfaced over the web, DJI may enter direct competition with Sony, Nikon, and Canon in the Mirrorless market with its own DL-Mount Mirrorless system camera range which will include APS-C and Fullframe camera sensor-based cameras. If everything goes as per scheduled then the expansion/introduction of the range will start in Q1/Q2 of 2024.

On January 2017 DJI acquired Hasselblad, DJI reportedly bought a majority stake in the classic Swedish photography brand Hasselblad. after that, the DJI Drones cameras were re-branded with the Hasselblad name and we have seen a new level of advancement in aerial camera technology.

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Leica Q3 Leaked Specs, Announcement on May 2023

According to the latest rumors surfaced over the web Leica Q3 camera is coming in the last week of May 2023.

  • The sensor will be 60MP Full-Frame BSI CMOS Sensor
  • Q3 New 60MP sensor is AF enabled, fabricated with HYBRID AF points.
  • Some algorithmic updates in the image stabilization however the mechanical part is similar to the Lacia Q2 (IBIS will remain almost similar as of Q2)
  • The Q3 camera also has built-in memory and supports SD UHS-II Slot
  •  USB charging and wireless charging is also supported
  • Q3 is the first q series camera that features a Dynamic Display, earlier leaked specs suggest the camera may have a movable display unit.
  • 4K video recording mode, no rumors about the introduction of 8K videos in Q3

And the finish is similar to the M11 monochrome edition, stay tuned more details coming

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source LR.com

Good News: RED Loses Battle Against Nikon

Good News: RED Loses Battle Against Nikon, Back in MAY 2022 RED sued Nikon for infringing its video compression patents. This happened just after when Nikon added an internal lossless video compression update to the Nikon Z9 camera with a firmware 2.0

And the most interesting part was red sued Nikon, based on their patent(s) and not on any Existential technology, on the other side Nikon has implemented a similar kind of technology to the Nikon Z9 camera For recording RAW videos internally.

Now in September 2022, Nikon challenged back and started its own set of legal proceedings against RED. But today news arrived from petapixel, that the case has been dismissed against Nikon by the court as per rule 41.

And the most interesting part is this according to rule 41 the case was dismissed on a kind of agreement by both parties, they mutually agreed to dissolve the case and that’s why the case has been dismissed and RED lost the battle intentionally without having a proper fight with Nikon

Maybe Nikon has paid a good amount of money to buy the license fees OR they have paid some remuneration fees for the loss, its not very clear since none of them are coming in public to address this specific issue.

See all updates related to Nikon Z8

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