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Sony A7C II Best Lenses

If you are looking for the best lenses for the Best lenses Sony A7C II camera, this article will help you select the right lens for all kinds of photography and cinematography.

These lenses are not only Sony native lenses. We are also including the best third-party lenses available for your camera. All the third-party lenses mentioned here are full-time autofocus lenses with excellent optics, available at an affordable price.

What are the best lenses for the Sony A7C II in 2023 – 2024?

We have selected some of the best lenses for the Sony A7C II camera for the years 2023 and 2024. These lenses, chosen by our expert editors, are capable of properly resolving the 33 MP resolution of the Sony A7C II camera. At the same time, there are AF sync issues when these lenses are used. These are the best lenses available for the Sony A7C II camera, from premium to budget alternatives we have all.

1. The best all-rounder Budget lens from Tamron

Tamron 28 to 75 mm f/2.8 G2. The new Tamron 28-75mm F2.8 G2 lens is much improved compared to the previous generation of Tamron 28 to 75 mm F2.8 lens. The center sharpness of this lens is amazing and it is made for the Sony A7 IV camera by Tamron engineers. As we know, the Sony A7C II camera uses the same 33-megapixel CMOS sensor as the A7 IV camera. It needs a proper lens to resolve the sensor resolution properly, and the Tamron 28 to 75 mm G2 is made for that.

The Tamron 28 to 75 mm f/2.8 is a premium lens under budget. It gives you a constant f/2.8 aperture throughout the zoom range and excellent bokeh. The autofocus is very fast, accurate, and silent. Overall, the lens performance is amazing.

The lens carries very little wide-angle distortion, and color fringing is also very minimal at wide open.

Overall, this lens’s performance is more than perfect at its price range and it’s the perfect all-rounder that will cover 90% of your shooting needs. I highly recommend you get the Tamron 28 to 75 mm f/2.8 lens for your Sony A7C II.

Pros Cons
  • Impressively sharp
  • Very multi-purposeful
  • Lightweight & compact
  • Extended Macro capability
  • Constant F2.8 Aperture
  •  Some vignetting wide-open
  •  Some color fringing

 

2. The All-rounder Lens from Sigma

Sigma 24-70mm f/2.8 DG OS HSM Art. – When compared to the previous generation of Tamron 28-75mm F2.8 Di III VXD G2 lens, the Sigma was way better in terms of corner sharpness.

When compared to the Tamron 28-75mm F2.8 Di III VXD G2 lens, the major advantage is the wide coverage we are getting: 24 versus 28. This difference seems very minimal, but it is certainly an advantage for those who want to capture a slightly wider scene. The 24 mm seems to be more beneficial.

Another advantage of having the Sigma 24-70mm f/2.8 DG OS HSM Art lens is a slightly smoother bokeh. However, this difference is only visible during the test environment, and in practical uses, the difference is almost negligible.

Now it depends upon a user when both of them are very similar to each other apart from the wider coverage we have in Sigma.

If you’re discussing the weight of these lenses, then the Sigma weighs 835 g and the Tamron weighs 540 g. For those who use their equipment for extended periods, the additional weight can significantly affect a photographer’s hands.

Pros Cons
  • sharpness & image quality
  • smooth bokeh
  •  Professional video quality
  • Constant F2.8 Aperture
  •  Pretty heavy

 

3. Best All-Rounder lens that money can buy

Sony FE 24-70mm F2.8 GM II  – This is a new version of Sony’s older generation FE 24-70mm F2.8 GM II lens. With the new version, Sony has made this lens 191 grams lighter than the previous one and 16 mm shorter, making it easier to carry. The overall volume of the lens has also been reduced by 18%, making it more compact and lightweight.

The overall autofocus performance has been considerably improved, and the optical formula is updated to match and support upcoming higher-resolution professional cameras from Sony.

If you are investing your hard-earned money on cameras like the Sony Alpha A1 or Sony a7r5, then without a second thought, you should invest in lenses like the FE 24-70mm F2.8 GM II.

The biggest issue with this lens is its price. It is ultra-expensive, but if budget isn’t an issue for you, this is the best lens your money can buy.

4. Best Sony Lens Lens for Traditional Wedding Photography

SONY FE 24–105mm F4 G OSS Lens – If you’re looking to buy a lens for wedding photography and don’t have the budget for lenses like the 24-70mm f/2.8, and you don’t want to buy Third Party Lenses like Tamron or Sigma lenses, you might consider a Sony-made lens for your camera. A budget-friendly option could be the FE 24–105mm F4 G OSS Lens. The “OSS” stands for Optical SteadyShot, which is Sony’s image stabilization system.

The positive side of this lens it’s made by Sony, and it delivers top-notch professional image quality due to the types of optics used inside. The sharpness from the center to the edge of the lens is amazing, and this sharpness is maintained throughout the zoom range, starting from 24mm and going up to 105mm.

The lens feels rock solid in your hands, and the focus speed is very fast and accurate. The lens uses a hybrid stepping drive motor for silent and fast autofocus. Whether you want to shoot portraits or landscapes, this lens is very versatile.

However, there are a few downsides to this lens. Since it is limited to an F4 aperture, it may not be suitable for extremely low light conditions. At the same time, you won’t get the amount of background blur that you generally get from a 2.8 aperture lens.

Even though it’s an F4 lens, it’s not very cheap. If you don’t mind buying third-party lenses, it’s recommended to get the Tamron 28-75mm f/2.8 lens over this one. If you’re not interested in the Tamron brand, you can go with the Sigma 24-70mm f/2.8. Either of these two will give you better background blur and lowlight performance compared to the 24-105mm F4 lens.

Pros Cons
  • Super versatile & useful focal range
  • Premium-level image quality
  • Extremely sturdy & weather-sealed
  • Pretty lightweight for its focal range
  • Not superb in low light
  • Not cheap

5. Best Everyday Zoom Lens for Sony A7C II

The Tamron 28-200mm F2.8-5.6 is a perfect lens for travel photographers who want an all-in-one solution for the Sony A7C Mark II camera. If you need a lens that covers the entire range and you don’t want to change your lenses frequently, then the Tamron 28-200mm lens is made for you.

This lens is highly recommended for beginners. If you want to shoot portraits, wildlife, landscapes, and even macro photography, this lens has you covered. It’s a kind of all-in-one lens that meets 99% of your shooting needs or requirements you have from your camera. It’s a great choice for those starting in photography.

The Tamron 28-200mm F2.8-5.6 Di III RXD lens features an RXD stepping drive autofocus motor inside it, and the lens also has a Dust and Moist resistance design, so you can use the lens in adverse weather. Overall, the performance of this lens is very impressive, especially considering its wide aperture.

This lens is specifically designed for travel photographers who do not want to carry multiple lenses like the Tamron 28-75mm or 70-180mm.

The only visible drawback of this lens is that it doesn’t have a fixed aperture. At 28mm, you are getting up to F2.8, but this changes as you zoom in. Despite this, it is still a quite decent lens for photographers who want an all-in-one solution.

Pros Cons
  • Impressively sharp image quality
  • Lightweight & travel-friendly
  • Super multi-purposeful & versatile
  • Very reasonably priced – top value
  • ·Aperture isn’t fixed, So not good for Video
  • Not Recommended for Low-Light Photography

 

6. Best Ultra Wide Zoom Lens  For Sony A7C II

Sony 16-35 F2.8 GM II –  If you’re seeking a professional-quality wide-angle lens and the price isn’t a concern, then the Sony 16-35mm  F2.8 is indeed one of the best options your money can buy for your Sony A7C camera.

We all know that Sony 16 to 35 mm is part of a g master series and the G master series of lenses is known for delivering exceptional image quality without any issues at the same time G master lenses are typically weather saved so you can use them in adverse weather condition without having a second thought in your mind

The other most important feature of this lens is the constant of 2.8 maximum aperture throughout the focal length with the help of f2. 8you can use this less in extremely breast low light conditions to get and perfect output at the same time to resolve super high resolution sensor the lens is designed with 2x extreme aspherical lens elements

Pros Cons
  • Razor-sharp from edge to edge
  • Very fast & accurate autofocus
  • Stunning & smooth bokeh
  • Great low-light performance
  • High Price

 

7. Ultra Wide Zoom Lens   For Sony A7C II

Sigma 14-24mm F2.8 The Sigma 14-24mm F2.8 is one of the most popular lenses for Sony cameras, even more popular than the Sony 16-35mm F2.8 due to its price range and the types of optical performance. One thing you’ll notice is that the coverage provided by Sigma at the wider end is more than that of Sony. You’re getting 14mm to 24mm, which is far superior and better than Sony’s 16-35mm coverage, and you’re getting it at a 00 lower price tag.

The image quality of this lens is outstanding. Throughout its zoom range, you get amazing sharpness, and the lens becomes extremely sharp when you stop down to F4.

This lens is highly recommended for astrophotography purposes, and due to its ability to resolve even higher resolution sensors perfectly, you can also use this lens for content creation purposes due to its wide coverage. It can also be used for landscape, architecture, and wedding photography.

If you wish to buy an ultra-wide-angle zoom lens, then my recommendation would be to get the Sigma 14-24mm lens instead of the Sony 16-35mm. Why would you want to spend more money and get less range when the optical performance of both lenses is quite phenomenal? Instead of getting a shorter focal length by paying a higher price, consider the Sigma lens.

Pros Cons
  • Incredibly sharp even wide-open
  • Great for astrophotography too
  • ·None

8. Best Budget Ultra Wide Zoom  For Sony A7C II

Tamron 17-28mm F2.8 Lens for Sony When it comes to the most sold ultra-wide-angle lens for Sony cameras, without a doubt, it’s the Tamron 17-28mm F2.8. It’s clear from its price why it’s so popular among Sony users.

One thing you must understand is that it’s not only popular for its price, but the optical performance it offers is also very good. If you’re using cameras like the Sony A7C II, you won’t face any resolving power issues with this lens. If you’re planning to buy a Sony A7R series camera shortly or any high-resolution Sony body, then it’s recommended to go with the Sigma 14-24mm since it’s optically more mature and exhibits exceptional resolving power.

If you want to create content with this lens, it’s one of the best lenses available for creating vlogs with the A7C II camera. At the same time, due to its F2.8 aperture, the background blur is also very smooth.

Overall, this lens is the most-sold Sony ultra-wide-angle zoom lens from a third-party maker, not only due to its price. Keep in mind, it’s also due to its optical performance at this price range. So overall, if you’re looking for a budget ultra-wide-angle zoom lens, this one is made for you.

9. Best Ultra Wide Prime Lens for Sony A7C II

Sony 14mm F1.8 (B&H Store | amazon.com) – If you’re considering purchasing the Sony 14mm F1.8 lens for your A7 C Mark II camera, this is undoubtedly the lens you need. However, keep in mind that it’s part of the Sony G Master series, which means it’s quite expensive. Without a doubt, this is the best 14mm prime lens available for your A7 C2 camera, but it comes with a hefty price tag. In the next paragraph, we’ll discuss the budget alternatives for this lens. If you’re on a tight budget, we’ll explore the best options for you. But before that, let’s discuss the applications of this lens.

The 14mm prime lens is highly recommended for content creators who often hold the camera in their hands. This is the best ultra-wide-angle prime lens designed specifically for content creators. It can also be used for astrophotography due to its sharpness. Additionally, this lens is suitable for architectural photography or capturing creative wide-angle shots during weddings. However, if you’re a high-profile content creator who doesn’t worry about budget and focuses on quality output for daily lifestyle vlogs, this is the perfect lens for you.

Pros Cons

The smallest and lightest 14mm

Ultra-sharp edge-to-edge

Stunning low-light performance

Practically optically flawless

None

 

10. Best Budget Ultra Wide Prime Lens for Sony A7C II

Let’s discuss a budget alternative to the Sony 14mm F1.8 GM lens. The best budget alternative to the 14mm Sony lens is the Rokinon AF 14mm F2.8 lens, which is available for only $499 (amazon.com). However, supply at this price is very limited.

The most noticeable difference between the two lenses is the price. With the Rokinon lens, you’re saving more than a thousand dollars. Another difference is that the Rokinon 14mm lens features an F2.8 aperture, while the Sony lens has a brighter F1.8 aperture. However, with wide-angle lenses, you won’t notice much difference in terms of aperture.

14mm F2.8 Lens is Highly Recommended for Content Creators those who are looking for an budget handheld ultra-wide prime lens

In terms of sharpness, the image quality of the Rokinon lens is very good when used with the Sony A7 III or A7 IV camera. It resolves 33 MP resolutions perfectly. So, if you use this lens with the Sony A7 C2 camera, you’ll get very good results. However, if you have a camera like the Sony A7R V, which has more than 60-megapixel resolution, you might need the Sony 14mm F1.8 lens to resolve the resolution properly. Up to 33 megapixels, this lens works perfectly well. The images are very clear and the distortion of this lens is very well controlled. Considering its price, this is one of the best lenses available for your camera.

Quick Guide Best Budget lenses for Sony A7C II

The Budget best all-in-one lens for the Sony A7C II

Tamron 28 to 75 mm f/2.8. This lens offers excellent center sharpness, and the new G2 version upscales the overall quality of the lens to a next level. Whether you are shooting portraits, landscapes, or architecture, this is the best lens made for your A7C II camera.

Now, let’s talk about the best zoom lens for the Sony A7C II camera.

The best zoom lens for travel photography

Tamron 28 to 200 mm f/2.8 to 5.6. If you do not want to change your lens every time and want a lens that covers a perfect focal range, allowing you to zoom and capture distant objects, then this lens is perfect for you.

This is a budget zoom lens with excellent optical performance and is a perfect companion for travel photographers.

The best budget portrait lens for the Sony A7C II

SONY 50 mm f/1.8. You might wonder why I am recommending a 50 mm lens instead of an 85 mm lens. If you have a larger budget and require the perfect focal length of an 85 mm portrait lens, then you can certainly opt for the 85 mm. However, in today’s environment where we often work in closer spaces such as offices, clients’ homes, or studios, the 50 mm f/1.8 lens is more practical for portrait shoots than an 85 mm lens.

Insta360 Action Camera Coming on Nov 21st 2023

UPDATE THE CAMERA IS NOW ANNOUNCED – Insta360 ACE PRO Announced

Insta360 Action camera coming on Nov 21st, 2023. The teasers are out and very soon we will see an official announcement. Earlier as per the information the camera was said to be Insta RS2 Action camera.

Action Camera now has a front Display and back 180 panel to smoothly create VLOGS on the go. The Leica brand name can be seen written on the action camera lens. The camera is equipped with a 1/1.3-inch base, a Leica SUMMARIT lens, and a focal length equivalent to 16mm.

Stay tuned for the latest Camera news and rumors.

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The Next Big Thing in Photography: Sony’s Global Shutter Sensors for Future Cameras

Although Sony has used a 24.6 megapixel full-frame CMOS sensor in their Sony A9 Mark 3 camera, they already have a variety of global shutter sensors in their lab for several years. These range from the M4/3 format sensor to APS-C, and medium format. In all these categories, they have CMOS sensors. Currently, these are labeled for industrial use, but if they decide to use them in commercial cameras, they can simply make them ready.

1. Sony’s IMX661 – 127 Mp Medium Format Global Shutter Sensor

Sony’s IMX661 is indeed a large format CMOS image sensor with a global shutter function and the industry’s highest effective pixel count of 127.68 megapixels. It has a diagonal size of 56.73mm, making it even larger than the medium format sensor. This sensor is currently labeled for industrial use, but Sony can use it in consumer cameras if they decide to do so, yes few tweaks are needed.

More Details about IMX 661 in this PDF

2. Sony IMX342 APS-C 31Mp Global Shutter Sensor

We have spotted the Sony 31 MP Sensor with a global shutter back in 2018.  The Sony IMX342 is a 31.49 megapixel APS-C CMOS active pixel type solid-state image sensor with a square pixel array. This chip features a global shutter with variable charge-integration time. It operates with analog 3.3 V, digital 1.2 V, and interface 1.8 V triple power supply, and has low power consumption.

Currently, this sensor is being used in Atlas10 industrial cameras. If Sony decides to use it in commercial cameras, they can simply make it ready. The maximum frame rate that this sensor allows is 35 frames per second, which is indeed very decent compared to the existing cameras of today.

More Details about IMX 342 in this PDF

3. IMX492 M4/3 format 47Mp  Sensor

The Sony IMX492 is a Micro Four Thirds format Global Shutter CMOS sensor with 47 megapixels. Here are some key details about this sensor.

  • It uses 2.315µm pixels
  • The sensor can run up to 24 frames per second in 10 bit over the SLVS-EC interface or  13.7 frames per second  with MIPI (CSI-2).
  • It is available in both color (IMX492LQJ) and monochrome (IMX492LLJ)*versions.
  • The monochrome version of the sensor has a Quad-Pixel Binning HDR function.The sensor supports both SLVS-EC with up to 8 serial data output or CSI-2 with 2 or 4 serial data output per channel.

This sensor is currently being used in industrial cameras, but Sony can use it in consumer cameras if they decide to do so. I wish one of the upcoming Panasonic microphone third format cameras should have this sensor inside it.

4. IMX540 M4/3 format 24.5Mp  Sensor

Sony also has another Micro Four Thirds format-based sensor with a global shutter. Its resolution is slightly lower at 24.5 MP, so we can expect its low-light performance to be better than the 47 MP M4/3 format sensor, the IMX492. Let’s look at some details about this sensor:

– It is a 24.55-megapixel sensor
– The sensor has a diagonal size of 19.3mm (Type 1.2)
– It uses 2.74µm pixels
– The sensor can run up to 23 to 34 frames per second
– It features a global shutter function with variable charge integration time
– It operates with analog 3.3, 2.9V, digital 1.1V, and interface 1.8V quadruple power supply
– It is designed for high-end FA and ITS cameras using high-speed bandwidth.

This sensor is currently being used in industrial cameras, But I wish to see the IMX 540 in Panasonic M4/3 formt-based GH series camera. Let’s see.

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Canon 4 NEW L Series Mirorless Prime Lenses Coming in 2024

According to the latest rumors, Canon will announce four new L series prime lenses in the first half of 2024.

These are the set of four L-series lenses:

  • Canon RF 14mm f/1.4L USM
  • Canon RF 24mm f/1.4L IS USM
  • Canon RF 28mm f/1.4L IS USM
  • Canon RF 35mm f/1.4L IS USM

According to the source, all these four new lenses will have completely new technology inside them. At this moment, info about the new tech  not available, but very soon we may have more details about these upcoming lenses.

Stay tuned and stay updated!

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news + Canon rumors 24X7

source TCI.com

 

Canon Game-Changer: Ultra-High-Res Sensor with Unmatched Low-Light Capability

In Canon’s latest patent, we can see that Canon is working to improve the low-light sensitivity of their sensors, specifically with dense photodiode architecture. This becomes particularly important when pixel sizes decrease and pixel count increases, as is the case with higher-resolution sensors. It’s a significant challenge for camera makers to maintain proper low-light sensitivity under these conditions. To overcome this, Canon is developing new technology to enhance the performance of its sensors.

Canon Latest Patent Summary

  1. Introducing a light shielding layer in the optical waveguide around each pixel to prevent light leakage and color mixing between pixels, and to preserve phase difference information.
  2. Forming an optical waveguide from near the surface of a photoelectric conversion unit to the upper end of an insulating film to prevent light scattering and absorption by wiring inside the pixel.
  3. Adjusting the refractive index of a non-reflective film on the bottom surface of the optical waveguide of a pixel corresponding to each color to manage variations in light receiving sensitivity between colors.

Patent Details

Application ID available on request – 2023-08-10
Application filed by Canon Inc – 2023-10-31
Status – Pending

See more Canon patent
Canon Patent Tilting Viewfinder
Canon Patent Modular Assembly Camera

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Canon R1 and Canon R5 Mark II Are Safe from Global Shutter Sensor Syndrome

According to the latest news we have from the rumor mill, Canon’s upcoming cameras, which include the flagship mirrorless Canon R1 and the Canon R5 Mark 2, will not use the Global Shutter sensor. The Global Shutter sensor is still far from being included in Canon bodies; it’s not coming soon inside them as per the latest setup information.

And as we all know, even Sony’s A9 Mark III camera is struggling with low-light performance issues. We don’t think Canon will take that risk with their flagship camera body or even the R5 Mark 2 camera.

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news + Canon rumors 24X7

source CR

Nikon Z9H Camera Coming With Global Shutter

According to the latest rumors, Nikon may announce a Nikon Z9H camera with a global shutter. The name is not confirmed yet, but there is a strong possibility that they will offer a high-speed shooting machine from Nikon, paired with a global shutter, before the Olympics which is in the first quarter of 2024.

One thing to be added is that this particular information was received by the rumor mill before the announcement of the Sony A9 Mark 3 camera, which indicates that Nikon already has access to global shutter sensors. So, more or less, they will soon use them in their upcoming full-frame cameras for sure.

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Source NR.Com