Join More Than 50,000+ Subscribers and get latest camera news and rumors

NEW CAMERA VIDEOS ON YOUTUBE

Download Our Android Appthenewcamera-app
NEW CAMERA LINKS
NEWS News about new camera
Hot at New Camera Hot Picks by New Camera

Camera Rumors List of all latest Camera Rumors on Web.
Canon Rumors Latest Canon Rumors.
Nikon Rumors Latest Nikon Rumors.
Sony Rumors Latest Sony Rumors.

Sample Images Click here to see New Camera Sample Images.
Sample Video Click here to see New Camera Sample Video.
Firmware Update

Canon R7 vs Sony A7 III

We are comparing these two cameras based on subscribers’ requests, Canon R7 is a recent announcement from Canon. The Canon R7 camera uses Canon RF Mount. The camera arrived with very impressive core specifications, for still shooters as well as video shooters.

The Sony A7 III camera was announced back in Feb 2018, it’s almost 4 years more. Sony A7 III was a very popular camera back in 2018, but A7 III sales were hit by the Nikon Z6 Mark II camera announcement. We have seen after the announcement of the Z6 Mark II camera, wedding photographers specifically in the Asian region now preferring up the Nikon Z6 Mark II combo with a 24-70mm F4 coverage lens and an 85mm F1.8 Prime.

The big issue is that Sony A7 IV arrived at a higher price slot and it’s not a true replacement for the Sony A73. We need a perfect replacement for the Sony A73 camera in the same price range.

Canon R7 camera now catching up to many photographers’ eyes, due to its high-resolution 32.5MP sensor, super fast DPAF 2nd generation AF system, and ability to record 40bit 4k 60p videos in CLog.

In this comparison, we will try to find out the best camera between the two, in terms of image quality, AF speed, and Video performance.

1. Sensor

So, we have two entirely different sensors here, the sensor sitting inside the Canon R7 camera is a 1.6X Crop sensor / APS-C Sensor and the Sony A73 camera has a full-frame BSI CMOS sensor. Despite being an APS-C Sensor the resolution is 32.5 MP, which is higher than of Sony A7 III full-frame sensor with a 24MP sensor.

In general, when we compare a full-frame sensor with an APS-C we do assume that since we have a Fullframe sensor on the other side so we will also have better low-light performance and better detail capturing ability from the full-frame, but here you have nothing to assume.

We will test both sensor performance at High ISO and as well as in base ISO for details. And then we will find out the best sensor for you.

image credit https://www.dpreview.com/reviews/image-comparison?

As you can see the detail(s) capturing ability of the Canon R7 is more compared to Sony A7 3 camera. At base ISO 100, Canon 32.5 MP APS-C CMOS Sensor is able to grasp more details in the image compared to Sony’s A7 III 24.2 MP Fullframe sensor.

At a high ISO test, you can clearly see the full frame advantage, with the Sony full-frame sensor we are getting roughly 1 stop of low-light advantage. So, if ur shooting mostly in a low-light environment Sony A7 III will be more helpful.

2. Fast AutoFocus

Both cameras feature an advanced autofocus system, the Canon R7 features  Dual Pixel CMOS AF II coming straight out from the Canon R3. The Canon R7 blazing fast AF system is capable to record 30FPS with will time AF/AE active. The Sony A7 III camera does have a fast AF system but lags behind Canon R7.

Sony A7 III Canon R7
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Phase Detection: 693
Contrast Detection: 425
Photo, Video
Phase Detection: 651 AF Zones
 In total, the EOS R7 offers 5,915 AF points for shooting stills and 4,823 in video mode.
continuous drive Up to 10 fps at 24.2 MP for up to 89 Frames (Raw) / 177 Frames (JPEG) Mechanical Shutter
Up to 15 fps at 32.5 MP for up to 224 Frames (JPEG) / 51 Frames (Raw)
Electronic Shutter
Up to 30 fps at 32.5 MP for up to 126 Frames (JPEG) / 42 Frames (Raw)
Autofocus Sensitivity -3 to +20 EV -5 to +20 EV

As you can see in the table above,   the Canon R7 features a massive number of 5K AF points which is grouped further into 651 AF zones, and 4.8K AF points of the R7 camera remain active when you shoot videos in 16:9 ratio. The AF sensitivity of the Canon R7 camera goes down to -5Ev, helpful to detect AF in low-light conditions. Among both, Only R7 has the possibility of performing focus stacking in the camera.

Recording Modes H.264/XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 100p/119.88p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 Mb/s]
AVCHD/H.264
Full HD (1920 x 1080) at 50i/59.94i [24 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 Mb/s]
H.265/MP4 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) up to 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) up to 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
Gamma Curve HDR-HLG, Sony S-Log 2, Sony S-Log 3 Canon Log 3, HDR-PQ
Recording Limit Up to 29 Minutes Unlimited
Video System NTSC/PAL NTSC/PAL
Built-In Microphone Type XAVC S: 2-Channel LPCM Audio
AVCHD: 2-Channel AC-3 Audio
MP4: 2-Channel AAC Audio
MP4: 2-Channel LPCM Audio

3. Video Specifications

Canon R7 is capable of recording 4K up to 60p and provides 10-bit 4:2:2 for internal recording. Sony A7 III remains limited to 8 bit recording and 4k video recording mode up to 30fps.  The Canon R7 with its 32.5 MP APS-C sensor can record 4K, without a crop, up to 30p, oversampling from a 7K area (due to the higher megapixel count on the sensor to start with). But also keep in mind

If you want 4K 50/60p on the R7, you have two options:

  • no crop, but the quality decreases since the Camera starts using the pixel binning / line-skipping method
  • record on a 3840×2160 – Full sensor readout mode, which translates into a more severe 1.8x crop. The latter means a small portion of the sensor is used to record the video.
Max Bit Rate
Canon R7 340 Mbps @ 10 bit (4k 60p HQ)
Sony A7 III 100 Mbps @ 8 bit (4k 30p)

10 Bit matters, as well as bit rates, the more bit rate ur getting from your camera, is directly proportional to the video quality.

4. Image Stabilization

Canon R7 features an advanced mechanical image stabilization unit,  R7 IBIS system corrects up to 7 stops of camera shake when shooting handheld. This 5-axis system can be also used in conjunction with OIS lenses to compensate for up to 8 stops of camera shake depending on the specific lens in use. Sony A7 III IBIS is effective up to 5 Stops.

5. Overheating in Canon R7?

As we all know that Sony A7 III is free from overheating under normal conditions.  If you watch Gordon Laing’s hands-on on YouTube, the video test shows even the Canon R7 is free from overheating as well and you can record up to an hour of 4k 30p high-quality videos without any issues.

6. Lenses ECO System

As we all know Sony has an open Lens ECO system, we have a lot of options from Sony as well as they are somehow affordable too. In, Canon we do have some limitations. Although you can use DSLR lenses with an EF to EOS R adapter. But, that’s not so recommended if ur a Sports shooter or cinematographer.

It depends upon you, if ur able to find out your own usable lenses under budget then it’s super awesome, otherwise better to shift to Sony.

But, don’t worry at all I have already written the best lenses for the Canon R10 guide, you can select any of these lenses for Canon R7 camera too. And also we have the Best lens guide for the Sony A73 camera.


Conclusion

Despite having sensor size limitations, Canon R7 does have the ability to capture more details, a better AF system, and also features advanced video recording modes with a 10-bit RAW recording option. On the other, we have a Sony A73 camera with 1 stop better low-light performance and open lens ECO system.

If ur is able to find ur lenses in Canon or even third-party lens makers for your work, and

Get Canon R7 from Amazon.com |

Get Sony A7III from B&H Store | Amazon.com

Support us – Use or affiliate link Amazon.com | B&H Store  for the next purchase u make – it helps uu

Also, see
Nikon Z30 vs Canon SL3 Canon 200D Mark II

Nikon Z30 vs Canon SL3 Canon 200D Mark II

We are getting lots of requests for this comparison from our subscribers, we are comparing the major differences between the two. Not only Major we will also include an image quality test. To find out the best camera between the two

We have the Nikon Mirrorless camera against the Canon DSLR, I do agree that Nikon Z30 is a Mirrorless camera but at the same time, the Canon 200D isn’t a traditional DSLR. It’s a Fusion of Mirrorless in a DSLR body.

1. Viewfinder

Design-wise both cameras are slightly different, although both of them have very deep handgrip. If ur photographer au will fell very comfortable with each of them. The main issue with Nikon Z30 is the absence of EVF / OVF. But, if you’re coming from the smartphone generation then you won’t miss the viewfinder of the camera, but if you’re a photographer who is using Viewfinder in their DSLR they may miss it.

2. Auto Focus system

Nikon Z30 AF system now supports continuous burst up to 11 FPS with full-time AF support. As usual Canon 200D, Mark II has a limited 5.5 FPS burst speed when ur using the EVF, and when you switch to a better AF system/sensor based / display is active then Canon 200D Mark II AF speed drops to 3 FPS.

Earlier when the Nikon Z50 camera was announced roughly two years back, the AF system of the Nikon Z50 was weak and slow. But, with constant firmware updates the AF system has been improved to the next level and now we are able also to track human eyes in the video, and animal eye AF is also enabled in firmware 2.0. With the same pre-loaded firmware the Nikon Z30 camera has arrived with the same image sensor and image processor. So, we are expecting an enhanced AF performance this time with the Nikon Z30 camera. And it’s not only on paper, if you look at the AF sensitivity range of the camera it is far better than that of the Canon 200D Mark II DSLR.
AF comparison table

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF Automatic, Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Photo, Video
Phase Detection: 209
Phase Detection: 9 (1 Cross-Type)
HYbrid AF 209 143 AF Zones / 3975 AF points
Autofocus Sensitivity -4.5 to +19 EV -0.5 to +18 EV

It doesn’t mean if Nikon Z30 is loaded with an enhanced AF algorithm, our Canon 200D Mark II DSLR becomes inferior at any point. The Canon 200D Mark II 143 AF zones (3975 AF points) are really very helpful in tracking the human eye and face. And at the time when the 200D Mark II was announced it was the only DSLR with a 3D AF object tracking mechanism even the Fuji X-T200 doesn’t have that. But, now Nikon Z30 have 3D object tracking mode in the still and video too.

Overall, if we count the AF sensitivity and burst speed of both the camera Nikon Z30 wins clearly.

Nikon Z30 Canon SL3 / 200D Mark II
Shutter Type Electronic Shutter, Mechanical Focal Plane Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter
1/4000 to 30 Seconds
Electronic Front Curtain Shutter
1/4000 to 30 Seconds
Electronic Shutter
1/4000 to 30 Seconds
Mechanical Shutter
1/4000 to 30 Seconds
Bulb/Time Mode Bulb Mode, Time Mode Bulb Mode
ISO Sensitivity Photo
100 to 51,200
Video
100 to 25,600
Photo
100 to 25,600 in Auto Mode (Extended: 100 to 51,200)
Video
100 to 12,800
Exposure Compensation -5 to +5 EV (1/3, 1/2 EV Steps) -5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range -4 to 17 EV 1 to 20 EV
White Balance 2500 to 10,000K
Presets: Auto, Cloudy, Color Temperature, Direct Sunlight, Flash, Fluorescent, Incandescent, Preset Manual, Shade
Presets: Auto, Cloudy, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting Up to 11 fps at 20.8 MP Up to 5 fps at 24.1 MP for up to 10 Frames (Raw) / Unlimited Frames (JPEG)
Interval Recording Yes Yes
Self-Timer 2/10-Second Delay 2/10-Second Delay

3. Image Quality

The Nikon Z30 uses the same 20MP sensor and Expeed 6 image processor we have seen in the Nikon Z50 camera, so we have decided to make a high ISO test between the Canon 200D mark II and the Nikon Z30, with a promise once the Z30 samples are available we will update this page too.

Initial High ISO test comparison, we can clearly notice that the Nikon Z50 / Z30 camera is able to preserve more details compared to the Canon 200D Mark II camera. So, we have added one more high ISO test image here @ISO 12800. In both, images it’s very clearly visible that Nikon 20MP sensor’s low-light performance is better than of Canon 24MP sensor used in the Canon 200D Mark II camera.

So, if you are working in an uncontrolled light environment then Nikon Z3 is best for you, otherwise, if you work with light / you work in the studio or always have portable lights with you then Canon 200D Mark II will also perform better.

4. Video Quality

Nikon Z30 camera captures oversampled 4k 24, 30 fps video. Oversampled video means the Nikon Z30 camera is using the entire 20MP sensor each pixel to create Oversampled 6K Video, so the quality we get from the Nikon Z30 video is just phenomenal. The color, contrast output, and shadow details are very good and usable. On the other side, we have a Canon 200D Mark II camera that creates video by sub-sampling / line-skipping method, so the details are not coming through the entire sensor. Although I have used the Canon 200D Mark II as a video camera and the Full HD video quality looks good to me. Also, kindly note that now Nikon Z30 doesn’t have any 30min recording limit.

In the end, I have to mention that in Canon 200D Mark II / SL3 we have to face an excessive crop of 1.6X. So, we already have a 1.6X cropped sensor and over that again we have to face a 1.6X crop. And the worst part is the DPAF gets disabled when you use the 4K video mode of the Canon 200D mark II or SL3 camera. No, such issue i am able to find in the Nikon Z30 camera.

 Nikon Z30  Canon SL3 / 200D Mark II
Recording Modes H.264/MOV/MP4
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
MP4/H.264
UHD 4K (3840 x 2160) at 23.98p/25p [120 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p/50p/59.94p [12 to 60 Mb/s]
Recording Limit Up to 125 Minutes Up to 29 Minutes, 59 Seconds
Video System NTSC/PAL NTSC/PAL

Viewfinder and display

Nikon Z30 Canon SL3
Viewfinder No Yes, OVF
Size 3.0″ 3.0″
Resolution 1,040,000 Dot 1,040,000 Dot
Display Type Articulating Touchscreen LCD Articulating Touchscreen LCD

5. Verdict

If you are a photographer and want to get everything within budget, which includes Canon’s super affordable 50mm F1.8 lens, then you should go with SL3. Since the price and availability of lenses is the only factor where the Nikon Z30 fails to impress us. Otherwise, if we talk about sensor performance, Autofocus, or Video recording modes. Nikon Z30 is a clear winner.

Get Canon  200D Mark II from Amazon | B&H Store

Get Nikon Z30 From B&H Store | Amazon.com

Canon 200D Mark II / SL3 Best Lenses

Support us – Use or affiliate link Amazon.com | B&H Store  for the next purchase u make – it helps us

Canon R7 vs Canon 90D - More High ISO Test

Which is the best for you, ok this is not a very long specs-to-specs comparison between the two,  we already know that Canon R7 excels in the Video part since its able to oversample 7K video in 4k 30fps and with the help of pixel binning and line skipping algorithm you are able to capture videos up to 4K 60fps without any crop.

And this is not the first time we have compared the two, even a week ago I published a High ISO test between Canon R7 and Canon 90D.

Canon R7 samples are now available now


We have compared the first two images at base ISO. Even in the sample file above, you may be about to notice that the Canon R7 camera is able to capture more details compared to Canon 90D camera.

Things become more clear when you test Canon R7 and Canon 90D at ISO 12800. As you can clearly see that Canon R7 is preserving more details at a higher ISO range. So, as the Canon rep. said both Canon R10 and Canon R7 sensors have arrived with updated sensor microlenses was true, and now we can clearly see the difference between them.

Canon R7 Overheating Test

Canon R10 best lenses guide here

Use or affiliate link Amazon.com | B&H Store  for the next purchase u make – it helps us

Source and credit – dpreview image comparison

Best Lenses for the Canon R10

The best lenses for the Canon R10 Camera are here. The camera features redesigned Canon EOS m50 Mark II camera sensor and autofocus algorithm coming straight out of the Canon EOS R 3 camera. The camera features a blazing fast continuous shooting speed of 23 frames per second and with a mechanical shutter, you can shoot up to 15 frames per second. The Still Core specification of the camera is highly impressive as well as the video core specs, they literally allow you to record 10BIT videos internally in the camera card via HFRPQ mode.

In this post, we have selected the best available lenses for the Canon R10 camera. However, you can also use these lenses for the Canon R7 Camera too. We have selected the native RF and RF-S Lenses for the Canon R10 camera. And at the end of the article, we have also added third-party lenses for the Canon R10 camera.

We have also made some comparison which includes Canon R10 vs  Nikon Z50 and Canon R10 vs Sony A6400.

1. The most affordable zoom lens 18-45mm IS STM

The body of the Canon R10 cost $1099 with the 18-45mm kit lens and without the lens, the cost of the camera body is $979. The actual cost of the lens $269 when purchased separately from B&H. You are actually saving more than $149 on the kit lens which is a super deal at the beginning.

I know the kit lens quality is bad, but the 18-45mm IS STM Lens from Canon is really versatile. The focal length you are getting is perfect for landscape, nature, and family-friends photography.

You can also click some portraits when used at 50mm. The actual advantage is the price factor and the compactness. And at this price ur also get the Image stabilization (OIS) and STM motors which is useful for both photography and videography.

Image stabilization in the 18-45mm Lens works very effectively. As we know the Canon R10 camera doesn’t have a built-in sensor-shift image stabilization system, so this lens will help you with its Optical Image stabilization feature. up to 4 stops of shake correction or up to 6 stops of Coordinated IS with a compatible camera body

The RF-S18-45mm f/4.5-6.3 IS STM has a Center Focus Macro function that captures close-up images with up to 0.26x magnification at 45mm (MF) Achieve up to 0.16x magnification at 45mm focal length with autofocus. When you are using the lens at Manual Focus mode  At 35mm focal length it gives a maximum magnification of 0.59x.

.The Lens also features Canon STM Motor,  which is extremely helpful while shooting videos, the STM motors generate minimal noise.

2. Canon RF 18-150mm Lens 

The Canon has recently announced the 8.3x APS-C zoom Lens for Canon R10 that packs in a useful 29-240mm (35mm equiv.) focal length range. It’s ideal for travel, wedding photography,  landscapes, garden wildlife, and sports.

This lens is an all-in-one lens for the Canon R10 camera. Perfect those who don’t want to change the lens every time need an all-in-one solution. The Lens also acts as a coverage lens when you are into wedding photography and helps you a lot when u are in travel, covers a wide range of 18mm to tele-end 150mm.

The lens features an STM motor, steeping drive motors are fast as well as silent. Perfect for recording videos and shooting still images too. The OIS in this lens is highly effective and works up to 4.5 Stops, or up to 6.5 stops with Coordinated IS when paired with a compatible camera. Making it a perfect choice for shooting sharp images in low light.

The price of this lens is $499 (B&H Store and Amazon.com) You can use this lens as a default lens for your Canon R10 camera.

3. Canon RF 24mm F1.8 Macro IS STM Lens

I would say the 24mm F1.8 Macro STM lens is the most usable prime lens for a photographer with an APS-C Sensor based body like Canon R10. The eqv focal length of this lens is 38mm which is near the standard focal length of 35mm. The wide angle is ideal for landscape and street photography. This 24mm lens can be used for shooting family and friends’ portraits in a home in a low-light environment. Also perfect for capturing macro images due to its 1:2 magnification ratio and close-up shooting distance of 5.5 inches.

Perfect lens for YouTubers: You can also use this lens for your office and room vlogs, also perfect for food photography or vlogs with this lens. You have to just maintain 3 to 5 feet distance from your camera/rest your camera on a tripod,  make a 3 to 5 feet distance from the camera and start making your online content with excellent sharpness and creamy bokeh in the background.

The 24mm Lens also features OIS (Optical image stabilization), for the first time I have seen Canon giving us OIS features in Prime lenses like 24mm. The OIS is effective up to 5 stops, or 6.5 stops with coordinated IS, to better enable working handheld in low-light conditions and with slower shutter speeds. Whether you are creating videos with the lens or shooting still images the OIS help all the time.

The lens is available at $499 (B&H Store and Amazon.com) You will feel the price is high. But also think twice that it’s a Fullframe lens and will remain compatible with your camera even if you upgrade your camera to full frame. And despite being a 24mm Prime lens, the lens also features OIS and macro Capability, none of such features are available even in competitors’ lenses.

4. Canon RF 35mm F1.8 Macro IS STM

Perfect for professional-quality portraits with a Canon R10 camera. The Canon RF 35mm F1.8 when paired with Canon R10 gives you an equivalent focal length of 50mm Lens in full-frame format. So it actually will act as a 50mm F1.8 with optical image stabilization and macro capability.

The size of this lens is slightly larger than the 24mm F1.8, It measures  74.4 x 62.8 mm and weighs 305g. However, this is still relatively light and compact. The lens pairs very comfortably with the canon R10 camera and has a sleek look and feel. There is a focus switch on the side of the lens,  the lens does support full-time manual focus. That is, you can manually focus the lens by adjusting the focus ring even when the camera is set to autofocus.

The 35mm Lens allows you to set the MAX aperture to F1.8, which enables the lens to capture amazing low-light images in any conditions and generate pleasant, creamy bokeh-filled backgrounds. The lens features Super Spectra coating that has been applied to individual elements to reduce the ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.

$499 (Amazon.com | B&H Store) is the price of a 35mm F1.8 IS STM Macro lens, this is a very reasonable price lens if you look at its features. The lens is a Fullframe lens and features Macro capability as well as optical image stabilization. We highly recommend this lens for the Canon R10 camera.

5. Canon RF 50mm F1.8 STM Lens

If you are into portrait photography and looking for an affordable option the Canon RF50mm F1.8 Lens is best for you. The RF 50mm lens is equivalent to 85mm when paired with a Crop sensor camera like Canon R10.

The telephoto prime lens measures 69 x 40 mm and weighs 160 g. This makes it the lightest lens on our list, , balancing well with the weight of the camera. To suppresses spherical aberrations Canon has introduced   One precision-molded (PMo) aspherical element inside this lens, it also upscaled the sharpness and accurate subject rendering.

The overall image quality is fantastic. You’ll love how easy it is to snap incredibly sharp, beautiful photos using this lens, and your subjects will love it even more. Although the lens has a limited Macro capability of 50cm, so if you want a better macro performing lens you have to buy the other two primes (24mm and 35mm) mentioned above in the list.

With a price tag of $199 (B&H Store | amazon.com) Canon RF 50mm, F1.8 STM Lens is the most affordable prime lens in RF lineup. The reason behind that is the lens doesn’t have the OIS like the other prime lenses as well as macro capability.

6. Canon 85mm F2 IS STM Macro

Canon 85mm F2 Macro  Lens features optical image stabilization as well as a stepping drive motor. The equivalent focal length of 85mm lens on the Canon R10 body will be 136mm. It reminds me of Canon’s popular 100mm F2.8 Macro Lens. The lens can be used effectively when you want to capture wildlife beauty without disturbing them. 85mm (136mm on R10) will allow you to work from a distance and also Optical Image stabilization within. So, you can also take some amazing macro shots or portraits of models handheld.

The telephoto prime lens measures 78 x 90.5 mm and weighs 500 g. This makes it the largest and the heaviest lens on our list, Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. The rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

The lens creates creamy bokeh at F2 and is perfect for portraits, I have used this lens with a Canon R5 camera and at F3.5 to 5.6 the lens produces razor-sharp images with an exceptional amount of details resolved through the sensor. With its macro capability, the lens is able to do 1:2 maximum magnification along with a minimum focusing distance of 1.15. And the Configurable Control Ring on this lens can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.

The price tag $549 (B&H Store | amazon.com) price makes this lens one of the most costly prime lenses on our list. although with Optical image stabilization, Macro capability, Steeping drive motor, and rounded nine-blade diaphragm make this lens the perfect choice for professional photographers.

7. Canon RF 100-400mm f/5.6-8 USM

Prime lenses do give the best quality possible since they have minimal moving lens elements inside them optimized for best performance. However, zoom lenses like the 100-400 are also a worthwhile investment.

With prime lenses, if you want to have an optical crop you have to physically move toward your subject. This isn’t always possible depending on what or where you’re shooting. So, we have lenses like the 100-400mm (equivalent focal length  160mm – 640mm).

The resolving power of this lens is just amazing even when paired with the Canon R5 camera, lens features Max magnification up to .41X @ 400mm. So, it’s worthwhile to say the lens also has macro capability. To reduce the chromatic aberrations and color fringing throughout the zoom range the lens has One Ultra-Low Dispersion element. The lens features a built-in optical image stabilization system effective up to 4 stops when used with R10, and up to 6 stops of camera shake and Nano USM AF to promote faster focusing performance.

You have to pay $599 (B&H Store | Amazon.com) to get this lens, It may look pricy to you. But the sharpness, OIS, Bokeh, and AF performance are highly impressive. Equivalent to equivalent focal length  160mm – 640mm when used with APS-C body and 100-400 when used with Fullframe.

Casio Compact Camera with Camera Modules - Patent Spotted

Casio is working on a new compact camera with multiple smartphone camera modules. Although this is not the first time,  actually when people think about Casio, they get images of watches (G-shock) and calculators in their mind. But, Casio was always a huge innovator in digital photography, creating features that would become standard on cameras introduced years later.

The QV-700 camera from Casio

So, you have to understand li this, like kodak was the first to develop a digital camera, but they failed while others have done their film to Digital transition successfully. In the same way, Casio was the first to introduce a compact camera in 1994 with a LIVE view display and a 0.25 MP sensor and the name of the camera was QV-10. But later on, Canon, Sony, and Nikon become very popular with their compacts worldwide, even now we have dedicated compact cameras for vloggers from Canon and Sony.

Now, Casio is creating a device that may literally kill the smartphones of today, this concept camera uses various camera modules of different sizes as you can see in the image.


As you can see from the rear side of the camera we have minimal controls for beginners and a 180 degree tilting display unit for selfies and Vlogs.

We will soon post an update if we have new information on upcoming cameras, stay tuned

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM

Tamron New Zoom Lens for Sony - Tamron 50-400mm

New Tamrom 50-400mm Zoom lens with variable aperture  F / 4.5-6.3 Di III VC VXD coming in the Sony block. The announcement is expected very soon. We will post an update on the official announcement stay tuned.

  • TAMRON 50-400mm F / 4.5-6.3 Di III VC VXD
    / Sony E mount
    / Full size compatible
    / model A067

We already have the Sigma 100-400mm F5-6.3 DGDN OS Contemporary E-Mount @ $799 at amazon.com. But, with Tamron now we have a bit wider reach.

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor

source – Digicam

Fuji X-T5 Rumors Update

According to the latest rumors surfaced over the web, the Fuji X-H2 camera coming in Q4 of 2022. With a brand new 40MP BSI CMOS sensor, the recently announced X-H2s use a 40Mp stacked CMOS sensor. It’s really very good news. But what will happen to X-T5?, let’s discuss

But, if Fuji X-H2 Comes in Q4 of 2022, then we have two possibilities left for X-T5

1. Fuji will announce an X-T5 camera in 2022, with a subtle upgrade. (I don’t think so)

2. or they will delay the announcement to 2023

Fuji will protect the sales of Fuji X-H2s and X-H2 cameras, In general camera, makers keep a few months of the gap in between two cameras announcement with similar price ranges/tags to avoid the inner sales cannibalization

If Fuji Wants to announce both Fuji X-T5 and X-H2 cameras at the end of 2022, they have to keep significant amount of difference in core spec of at least the X-H2 and X-T5 camera. So, that they that can preserve the pride & Sales of the XT series flasghip camera and also allow an affordable option for beginner cinematographers with X-H2.

Fuji will never take the risk of announcing two different models (Fuji X-H2 and X-T5) with almost 90% same core specs in the same time frame. They will eat up each other’s sales. That’s what we call it self product cannibalization / a marketing blunder.

As per rumors, the X-H2 camera is coming with 40Mp BSI CMOS sensor. Now, the only option left for Fuji is to delay the X-T5 announcement for few months (a smart move that we are expecting).

Fuji X-T5 Coming in 2023?

Yes, we may see Fuji X-T5 in Feb of 2023 (or in the later part of 2023). Fuji has two options, either cripple the core specs of one camera out of two or delay the announcement of the X-T5. And I do believe Fuji will select the 2nd option.

It all started with the Fuji X-T1 16mp X-Trans sensor – and now we are expecting Fuji X-T 5 camera arrives with a 40MP Sensor. But, when?

Camera model name Year of arrival
Fuji X-T1 2015 (Aug)
Fuji X-T2 2016 (July)
2017
Fuji X-T3 2018 (Sep)
2019
Fuji X-T4 2020 (Feb)
2021
2022
 Fuji X-T5 2023 (Feb)

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM,  –> See More Fuji Rumors Or subscribe us via Email