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By admin, on December 3rd, 2024
Nikon took more than 2 plus years to bring the Nikon Z30 after the arrival of the Nikon Z50 camera. The Nikon Z30 camera was announced in June 2022. Considering the time gap, it has already been 2 years since the announcement. For an entry-level model like the Nikon Z30, with recording limit limitations of 4K up to 30 min and a limited set of videography features, the camera looks outdated when we compare its features against the closest competitor Sony ZV-E10. Considering the current competition, we believe the Nikon Z30 Mark II might arrive in Q4 of 2025 or early Q1 of 2026, here is why… in more details
The market is volatile; competitors offer much more advanced features at the same price range. For example, we have the Sony ZV-10 camera, which arrives at the same price range and offers unlimited recording, a dedicated product showcase mode, electronic image stabilization, face exposure tracking, and a headphone jack — features the Nikon Z30 lacks.
Fortunately, Nikon has just overcome the time gap with their new Z50 II model, although it falls within the mid-range APS-C mirrorless camera tier. The latest Nikon Z50 Mark II camera model features a product review mode, 10-bit internal recording, NLog, RED LUTs, and waveforms. Additionally, we can record 4K at 60fps in crop mode with the help of the new Expeed 7 image processor. Moreover, video autofocus and 3D object tracking have been improved much more compared to the previous generation of Nikon Z DX cameras.
Now we come to the basic question: will Nikon take the same timeline or gap they took in the introduction of the Nikon Z30, or will they shorten the timeline between the introduction of entry-level models?
As we know, this technology will not remain limited to the Nikon Z50 Mark II camera. Most of the videography features that we see right now in the Z50 will be transferred to the Z30 Mark II after 7 to 8 months of gap. Why so? 7 to 8 months is considered to be the peak sales period of any camera, and once this period is over and the sales start falling, the camera makers generally introduce budget variants of the same to target a different group of users, ensuring they maintain their market presence.
Now, keeping all these things in mind let’s discuss the possible core specifications of the Nikon Z50 Mark II camera
Possible Specs of the Nikon Z30 Mark II
Imagine and Processor:
- 20.9MP DX-Format CMOS Sensor
- EXPEED 7 Image Processor
Video Specs:
- 125 Minutes Recording Time Limit in 4K
- UHD 4K60p Video Recording (with crop mode)
- Full HD 120fps Slow-Motion Recording
- Live Streaming at 60p
- Product Review mode
- 10 Bit Internal recording (Via HDMI)
Autofocus System:
- Hybrid AF with Improved Eye and Face Detection
- Subject Detection for 9 Types (animals, vehicles, etc.)
Screen and Viewfinder:
- 3″ 1.04m-Dot Free-Angle Touchscreen LCD (180° tilting for vlogging)
Audio and Connectivity:
- Built-In Stereo Mic with Wind Noise Reduction
- External Mic 3.5mm
- New Tally Lamp Design for Recording Indicator
- Wi-Fi and Bluetooth for Seamless Connectivity
Vlogging Features:
- Vlogging-Optimized Design
- Dedicated Selfie Controls
- Picture Control Button for Quick Adjustments
Shooting and Storage:
- ISO 100-51200
- Up to 11 fps Continuous Shooting
- Single SD Memory Card Slot
Excluded Features (To Protect Z50 II Sales):
- No electronic viewfinder (to keep the Z30 Mark II focused on vlogging and content creation)
- Photographic enhancements like burst shooting at 30 fps are reserved for Z50 II.
- Market Segmentation: Nikon will likely reserve 10-bit internal recording for the Nikon Z50 Mark II camera, to maintain its appeal to semi-professional users and protect its future sales.
- Target Audience: The Z30 series targets vloggers and casual content creators who don’t spend much time grading 10-bit videos, they give priority to ease of use and affordability over advanced video specifications. Offering a 10-bit recording might not align with this audience’s actual needs.
This spec list allows the Z30 Mark II to inherit the key video features of the Z50 Mark II while keeping advanced photographic capabilities exclusive to the Z50 Mark II, thus maintaining distinct positioning for both models.
.Nikon Z30 Mark II Arrival Date [Expected Timeline]
Based on Nikon’s product update trends and the typical lifecycle for entry-level models, the Nikon Z30 Mark II announcement is likely to happen around on Q4 of 2025 or Q1 of 2026.
This prediction considers several factors [Already explained above in the article]:
- Product Lifecycle: Nikon released the Z30 in June 2022. Entry-level cameras typically follow a 2.5–3-year refresh cycle.
- Competition Pressure: With competitors like Sony aggressively updating models (e.g., ZV-E10 successors), Nikon may feel compelled to respond faster.
- Sales Strategy: Nikon may prioritize the peak sales period of the Z50 Mark II (expected earlier than Z30 Mark II) to maximize market presence before introducing the budget variant.
Thus, Q4 of 2025 to Q1 of 2026 is a reasonable estimate for the Z30 Mark II announcement.
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The post “Nikon Z30 Mark II – Expected Specifications and Arrival Timeline” appeared first on thenewcamera.com
By admin, on December 1st, 2024
After the phenomenal success of the Fuji X100 VI series cameras, Fuji will soon release a medium-format compact camera. The name of the upcoming Fuji Medium format compact camera Fuji is about to announce its medium format compact camera soon, so this will be the world’s first medium format compact camera ever announced by a camera maker.
Rumored Specs and Details of Fujifilm GFX100RF
- Camera Name: Fujifilm GFX100RF.
- Sensor: 100MP medium format sensor.
- Lens: Fixed GF35mm F4 lens (28mm equivalent in full-frame terms).
- Size: Compact for a medium-format camera, almost the size of the Fujifilm X-Pro3.
- No IBIS: Lack of in-body image stabilization to maintain compact size.
- Aperture Depth of Field: F3.2 equivalent depth of field in full-frame terms (actual aperture is F4 for the GFX sensor).
- Design Philosophy: Retro style and compact as loved by Fuji users
Arrival Date of the GFX100RF Camera
Expected in March 2025 (announcement or shipping date not confirmed).
One thing is for sure, Fuji is pushing the limits, and we should appreciate the effort made by them.
Stay tuned; we will post more updates as they become available to us!
Also, look at – Fuji Cinema Camera A Closer Look
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source – Fujirumors
By admin, on November 30th, 2024
Canon will add 4K 120fps video recording capability to Canon R6 III as well as Canon R7 Mark II in 2025. According to the latest rumors, Canon is testing out the Canon R7 Mark II camera body prototypes, here is what surfaced over the web a while ago. “Despite the tech. designed to maintain DR and low-light performance, the sensor readout speed is impressively fast. With the Digic accelerator, it supports 4K at 120 FPS, but cropping happens in HQ mode. However, is that when you enable pixel binning, you can record 4K at 120 FPS without any cropping.”
One thing, if the above is true then the Canon R7 Mark II, without a doubt a video beast, even Sony FX30 does crop at 4k 120fps.
Stay tuned we will update you as soon as we get any new information
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By admin, on November 29th, 2024
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By admin, on November 28th, 2024
Panasonic registered a new camera with the wireless certification agency, and its model code is P2307A. If we count a total of 4 models registered by Panasonic in 2024 the model codes are P2303A, P2302A, P2304A, and the P2307A
If we sum up the 2024 Mirrorless camera announcements then we have the Panasonic S5D, Panasonic GH7, and the Panasonic S9 already arrived.[see Product timeline Panasonic cameras]
What coming Next from Panasonic?
As for the latest set of rumors, Panasonic, in the near future, is about to announce the Panasonic S1H Mark II camera and there are also rumors about the arrival of Panasonic S5R. These two cameras are set to arrive in the near future, although the exact announcement date is not known.
Stay tuned! If we get any information related to the upcoming cameras, we will update this as soon as possible.
Panasonic S5D Press Release | Major Specification | S5D vs Panasonic S5
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source E888
By admin, on November 27th, 2024
According to the latest information on the web, Nikon engineers are working rigorously to bring out the next generation of Red cinema cameras under Nikon’s branding with 8K recording capability paired with the Z-mount / optional PL-Mount. The Working Prototypes of the cameras are under extensive testing, Design wise its inspired by the RED V-Raptor. The Camera is scheduled to arrive sometime in Q4 of 2025, but again, if it gets delayed due to issues occurring in the final production line model, then the announcement will get shifted to Q1 of 2026. So now we have the exact time frame for the next Nikon Red cinema camera.
Also see – Nikon KOMODO Z – What Can We Expect from Nikon?
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The post “Nikon RED Cinema Camera Coming in Q4 2025 – Latest Rumor” appeared first on thenewcamera.com
By admin, on November 27th, 2024
TAMRON Announces the Launch of Its First CANON RF mount Lens The compact, lightweight, fast-aperture F2.8 ultra wide-angle zoom 11-20mm F/2.8 Di III-A RXD (Model B060)
Commack, NY, November 26, 2024 – Tamron announces the launch of TAMRON’s first CANON RF mount lens, 11-20mm F/2.8 Di III-A RXD (Model B060)1, an ultra wide-angle zoom lens for APS-C mirrorless cameras at $659 USD / $899 CAD on December 12, 2024.
Available at B&H Store
The 11-20mm F2.8 is a fast-aperture zoom lens covering a focal length range from ultra-wide-angle 11mm to 20mm2, with a maximum aperture of F2.8 across its full range of focal lengths. With a surprisingly compact and lightweight design for a fast ultra-wide-angle zoom lens, the lens feels well balanced when attached to a compact APS-C mirrorless camera body, making it ideal for daily use.
Despite its small, lightweight design, the lens delivers high-level imaging power with its uncompromising optical design. Wide macro shooting is possible at 11mm with an MOD (Minimum Object Distance) of 5.9″ (0.15m) and maximum magnification ratio of 1:4, and its stunning close-range shooting performance enables creative use of perspective at the wide end.
The lens also incorporates an AF drive system with an RXD (Rapid-eXtra-silent stepping Drive) stepping motor unit that is remarkably quiet. The lens accurately captures not only still images but also video. It is highly practical, with Moisture-Resistant Construction, Fluorine Coating, and other features designed for outdoor shooting, letting users easily enjoy the high image quality of this ultra wide-angle fast -aperture F2.8 lens under a range of conditions.
1 Di III-A: For APS-C format mirrorless interchangeable-lens cameras
2 The full-frame equivalent of 17.6-32mm.
PRODUCT HIGHLIGHTS
1. Fast-aperture ultra wide-angle zoom lens
The 11-20mm F2.8 (full-frame equivalent of 17.6-32mm) allows for the capture of landscapes and architecture with the dynamic perspective unique to ultra wide-angle lenses. It is also well-suited for indoor group portraits and real estate photography by leveraging its wide-angle focal lengths. At the telephoto end, it supports everyday snapshots with its natural field of view close to one’s view, all while delivering soft and beautiful bokeh with its F2.8 aperture.
2. Compact and lightweight
Designed with APS-C mirrorless cameras in mind, the 11-20mm F2.8 provides a compact and lightweight form, measuring just 3.3″ (84.2mm) in length and weighing 12 oz. (340g), allowing you to shoot without worrying about weight. When used with a compatible APS-C mirrorless camera body, you’ll enjoy handheld shooting of still images and find it comfortable to shoot video even when using a compact tripod or gimbal.
3. AF/MF Switch and TAMRON Lens Utility Compatibility
The CANON RF mount includes an AF/MF switch. Additionally, the lens features a Connector Port for users to easily update the lens to the latest firmware via TAMRON Lens Utility™ software.
4. Outstanding optical performance
The optical construction uses 12 elements in 10 groups including two GM (Glass Molded Aspherical) lens elements to maintain high resolution across the entire image area. It also incorporates one XLD (eXtra Low Dispersion) and two LD (Low Dispersion) lens elements to effectively suppress aberrations, ensuring clear image quality. Additionally, the BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating minimizes ghosting and flare, faithfully rendering details even in backlit conditions.
5. MOD of 5.9″ (0.15m) and maximum magnification ratio of 1:4
With an MOD of 5.9″ (0.15m) at 11mm and a maximum magnification ratio of 1:4, the 11-20mm F2.8 surpasses traditional ultra wide-angle zoom lenses in its close-up capabilities. This allows for wide-angle macro photography and creative shallow depth of field effects, enhancing subject prominence against blurred backgrounds.
6. High performance autofocus system for both still and video use
Equipped with TAMRON’s proprietary RXD motor unit, the autofocus system delivers high-speed and high-precision focusing. It accurately captures moving subjects and is suitable for both still photography and video. Its quiet RXD stepping motor is ideal for capturing moments where noise may be a concern, or silence is required.
7. High convenience and protective features
—Ø67mm filter size, same as most other TAMRON lenses for mirrorless
—Enhanced overall lens design for user-friendly operation
—Moisture-Resistant Construction
—Fluorine Coating
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