E88_8888 which is very good and accurate in bringing out the latest camera registration information from the wireless certification agency, posted a prediction for the EOS R1 Mark II, that it will use a Global shutter sensor.. the prediction looks logical to me, and that why I have decided to publish. As global shutters are now being used by Sony in their professional A9 III camera which is made for sports and wildlife shooters, and Canon has a history of sensor innovation. But, the current Canon R1, launched in 2024, lacks a true global shutter, suggesting this could be a natural upgrade.
By comparing the information before and after the interview, EOS R3 was originally a product of manufacturing dissatisfaction with EOS R1 and turning to test all new functions.
EOS R3 has been well received by the professional market, but it has defined the product style of EOS R1: professional control, balancing the triangle of resolution, high sensitivity, and readout speed.
I personally predict that Canon’s next flagship EOS R1 II will focus on its own semiconductors and develop a global shutter with stacked voltage memory.
This solution is mature and reliable, and in line with Canon’s tone.
Canon R1 Flasghip is slow in front of the Sony A9 III camera
Since Sony now has the Global shutter sensor in their fastest camera and as we all know Canon isn’t into the Megapixel race, the nearest true competitor of Canon’s fastest flagship Canon R1 camera with 24MP Full-Frame Stacked BSI CMOS Sensor and Continuous Shooting Up to 40 fps at Maximum Resolution with AF/AE, and we have Sony A9 III with 24.6MP Full-Frame Global Shutter Sensor and the Sony offers Up to 120 fps at Maximum Resolution with AF/AE support.
Sony’s Competitive Edge
As you all know, Canon’s biggest competitor in the mirrorless domain right now is Sony, and Sony’s sensor research and development team is already using global shutter sensors in their Alpha A9 III. That makes Canon look weak in terms of being called a No.1 Camera brand, although they do have faster stack readout CMOS sensors in their flagship camera, they are completely lagging behind the competition when compared to Sony’s sensor A9 III technology.
Canon’s Focus on the R1 – Speed over Resolution
As we all know, in a recent interview, Canon Chief Tokura clearly stated that they are focusing on the high-speed Canon R1 camera only, and there will be no other variant of the flagship camera that will have a higher resolution. If someone wishes to have a higher-resolution sensor, then the best option is to go for the Canon R5 series.
“We consider the flagship to be at the pinnacle of our lineup, which means we’re not going to have two flagship models,” Tokura told PetaPixel. “We’ve put everything—the best performance and trust—into the EOS R1.”
So if Speed is a priority, then they have reached the max physical limits of the stacked CMOS sensor in the R1, and if they don’t migrate then after the announcement of the Sony A9 IV with 2nd generation of global shutter sensor in the next 2-3 years their Flagship will become completely obsolete in terms of technology. – thenewcamera
Again, global shutter sensors are not new to Canon. They had already introduced the EOS C700 GS camera back in 2016, but the price was $40,000. So, of course, the camera was not accessible to everyone, but what I want to say is that global shutter sensors are not new to Canon, and they developed working models of the global shutter sensors back in 2016. Also, take a look at the list of patents related to Canon Global Shutter and High-End Sensors
List of Canon Global Shutter and High-End Sensors:
Patent Number
Title
Publication Date
Filing Date
Relevance to Global Shutter
US10659706B2
Photoelectric conversion device and imaging system
May 19, 2020
April 17, 2018
Explicitly mentions global electronic shutter function
US20180233523A1
Solid-state imaging device and camera
August 16, 2018
February 13, 2018
A stacked sensor design likely enables a global shutter
US20180234605A1
Imaging element and imaging apparatus
August 16, 2018
February 13, 2018
Exposure control supports a high-speed global shutter
Announced Canon Global Shutter sensors:
Sensor Model
Type
Resolution
Readout
Application
LI5030SAI
Color/Near-Infrared
19MP
12-bit, 57.99 fps
Industrial, high-speed
LI5030SAN
No Microlens/Filter
19MP
12-bit, 57.99 fps
Industrial, high-speed
So, if Canon wants to introduce a global shutter full-frame CMOS sensor in its R1 series camera, it can do so since it already has the technological backing.
More Cameras with Global Shutter Sensors in the Next 3 to 4 Years
Nikon also got access to global sensors when they acquired RED and RED, of course, has a very close relationship with Tower Jazz, (Partnership with TowerJazz: RED partnered with TowerJazz for their cameras’ 20-megapixel global shutter Super 35mm sensors, ) which is one of the leading suppliers of global shutter sensors to RED’s camera system.
Additionally, Nikon also has a very good relationship with Sony’s imaging division. The sensor manufacturing unit and the imaging division are completely different from Sony’s Alpha division. So, if they wish to acquire the Alpha A1 sensor for their future Z9 II model, they can get it since they already have access to many Sony sensors.
As you can see where the competition is heading, in the next 4 to 5 years, camera makers will have multiple global shutter models in the flagship zone, and if Canon fails to do so, they will surely lag behind the competition.
Twitter account How to Fly said the Nikon Z5 II is coming in April, not March 2025. How to Fly, who has hit the mark on multiple pieces of information in the past, has released some information related to Nikon. The Z5II was rumored to be announced in May, but he stated it will be announced in April.
The Nikon Z5II will be announced in April (not May).
He has a high success rate when it comes to Tamron-related information, but he has also been correct in his predictions about Nikon-related information. Although it is unclear how he obtained this information, it may be promising.
Nikon Z5 Mark II Price
The price of the Nikon Z5 Mark II camera is expected to be around $1499 (approximate figure), and that is said to be the announcement price of the camera.
This is the information we have known so far. Now, let’s organize it in a table and list the specifications of the Nikon Z5 Mark II camera.
According to the latest rumor surfaced over the web, Canon will be announcing their Canon RV, Canon PowerShot V1, as well as Canon R50 V on or around March 26, 2025. Let’s explore the possible set of details we have related to these cameras.
1. Canon V1 Camera
The Canon V1 camera is a compact camera that is already announced in the Asian region. We already have the full core specifications and even a comparison with the Sony ZV-E10 camera. So, V1 is about to arrive officially in the USA and European region. Canon has already announced it in Asia, check details below
The image of the Canon RV camera was leaked a while ago, which gives a clear indication that the announcement is near. We have also analyzed the image of the leaked Canon RV camera. From the design, it looks like an entry-level interchangeable-lens mirrorless vlogging camera made for beginners. With its price and features, it will compete against the existing Sony ZV-E10 camera. Just like we have the Canon R100 camera in the entry-level zone for photographers, the Canon RV will be the beginner model for the vlogging mirrorless series.
3. Canon R50 V
Canon R50 V is also rumored to be announced on the same day, but we have the least information about this camera, and we are waiting for more details related to the same. So, we are very sure about two announcements—the first, which has already been announced in the Asian region, the Canon V1 compact camera, and the other, the Canon RV. As soon as I get more information, I will be updating you.
Just imagine a camera that fuses the soul of vintage photography with a higher resolution sensor, and yes, we are talking about the possibility of Nikon Z FR. We are actually waiting for the Nikon Z7 Mark III, but photographers are quite a bit excited about the next possible variation of the ultra-popular Nikon Z F camera. Leading to the success of ZF, there is a high probability that a higher-end variant of the existing ZFwill be introduced.
The Nikon ZFR concept was not created by us; the credit goes to one of my favorite photographers, Matt Irwin. He is a Nikon Z system camera user as well as very close with Nikon, and just before this article, we had published his predictions related to the upcoming Nikon RED Raptor camera announcement, which was 100% true. So now, let’s discuss what he has said in the video related to the Nikon ZFR camera.
To me, the way that you make this a killer camera is you do something that Nikon has done already and has been greatly successful, and we’re also seeing other manufacturers do it. That is this—you put that more advanced, let’s say roughly 60-megapixel sensor, into a retro body, a ZF-style body, and we could call it the ZFR. – Matt Irwin
Nikon ZFR Specification
60MP sensor
Retro ZF-style body
Higher-quality sensor (possibly 16-bit or improved dynamic range)
Aimed at photographers who don’t need high speed
Could be called the “ZFR”
Let’s Discuss the Speculated Nikon ZFR Specs: What’s Under the Hood?
A 60-megapixel full-frame sensor is not new; it has been in the camera industry for approximately the past 5 years, starting from Sony A7R IV. Then we have it in the Sigma FP camera; we also have it in the Sony A7R Mark V, so it is quite a commonly used sensor by many, and it’s a decent upgrade from Nikon Z7 II. So yes, it’s a very good possibility that either the upcoming Z7 Mark III or the ZFR camera may use the same 60MP sensor.
Medium format cameras like Hasselblad X2D 100C and Fujifilm GFX 100 offer 16-bit RAW due to their larger sensor architecture. So at this point, I certainly disagree with Matt—16-bit color recording capability is only limited to medium-format sensors in the current generation. And if Matt is talking about utilizing the same 60MP sensor used in cameras like A7R IV or Sigma FP, it remains limited to 10-bit to 14-bit recording due to its semiconductor design, and there is no way to upscale it if Nikon uses the same variant of the 60MP sensor.
Now, there is a huge possibility, and if Matt is trying to hint that this camera can record 16-bitcolor depth, that indicates Nikon is working on a brand-new 60MP sensor, maybe with Towers Jazz or other semiconductor manufacturers. So there can be a possibility if it’s true. thenewcamera admin
Talking about the modest speed, 10 frames per second is more than enough for those who love to have a high-resolution body. And for those who need speed, yes, we do have cameras like Nikon Z8 and Z9. Without a doubt, they can go with these bodies.
8K video recording capability has now become the norm for professional full-frame mirrorless cameras.
Design is the main factor here. When you considerthe design, it is loved by many professional photographers, and it is one of the best-selling cameras from Nikon to date. The only thing that I would love is if Nikon’s Design Department is able to add a proper hand grip to the ZFdesign, since we currently have to buy one from SmallRig. If they are able to do so, that would be great.
Nikon ZFR Arrival Date
Now, here is the million-dollar question—when will the Nikon ZFRarrive? According to Matt, the camera is expected to arrive sometime in late 2026 or early 2027. That clearly indicates that the ZFR-style camera is still in the development phase, and a lot ofalpha and beta testing has to be done before it reaches a production model.
Final Thoughts: Is the Nikon ZFR Worth the Hype?
Nikon ZFR has a lot of potential just by its name alone. And once we heard about it, we thought, “Yeah, it is a huge possibility, and we have to cover this as soon as possible.”It actually shows Nikon’s vision of the future and how broad and versatile it is. And the good thing is, it’s not about replacing any existing prime cameras—it’s about creating a brand-new space for those who love to have a retro-style camera in their hands with a high-quality, full-frame sensor, which is still missing from the Fuji brand—either you have to pick anAPSC, or you have to jump into a medium-format zone.
Having said that, the camera world is evolving, and we would love to see the ZFR camera from Nikon.
Let us know what you think!Does the Nikon ZFR camera look attractive with these specs, or would you love to see a differentvariant with a higher-resolution sensor? Let us know in the comment section. Stay tuned to thenewcamera.com for the latest updates!
Article Update Log: The article “Nikon ZFR – Specification, Rumors, and Release Date” was first published by thenewcamera.com team on March 13th, 2025
Hasselblad X2D Mark II camera rumors started after the FCC registration HB 722, which has been surfaced by rumor mill in the past. Rumor mills suggest it is actually a potential upgrade or update to the existing flagship X2D 100C. The X2D 100C was released back in 2022, and it is due for an update.
This post was updated on March 18 – 2025
We now have confirmation that the announcement of Hasselblad X2D Mark II shipping will start in June 2025 and Official ANNOUNCEMENT WILL HAPPEN on APRIL 2025. thenewcamera team
Hasselblad X2D II Shipping in June 2025
The camera is expected to officially arrive in April 2025 and the shipping will start on June 2025. The camera was registered back in December 2024, and as per the FCC rules and regulations, the external photos and the manuals of the camera remain withheld for 180 days. So it suggests the public reveal will be done in June 2025. So that’s the month when Hasselblad will be obviously announcing the X2D Mark II Camera.
X2D 100C a Photographer’s Dream Camera
Now, what we have already seen in the predecessor, the X2D 100C, is a 100-megapixel BSI CMOS sensorpaired with 7 stops of built-in sensor-shift image stabilization and a 1 terabyte internal SSD drive, and it has been loved by professionals and Hasselblad users out there. But the autofocus speed and the video capabilities were the two major issues associated with the first generation of the X2D 100C camera.
Now, we expect the upcoming X2D Mark II camera will address those gaps and upsthe overall performance of the entire series to the next level.
Hasselblad X2D Mark II – The Next Evolution
The X2D Mark II is kind of the next evolution of the existing and popular X2D 100C. It has been loved by professionals. Now, Hasselblad is in the works to introduce a new camera. Let’s discuss the possible set of core specifications that we may see inside this camera.
What We Are Expecting in the Upcoming X2D II Camera
The camera is likely to use the same 100-megapixel sensor with 16-bit color depth and 15 stops of dynamic range.
Introduction of a new AI-based autofocus algorithm to upscale the overall tracking performance of the camera. The 294 autofocus zones are expected to remain the same.
Hasselblad will use the same image stabilization mechanism that we have already witnessed in the X2D. The five-axis 7 stops IBIS was a game changer in the X2D and loved by professionals. The same 7 stops of IBIS performance is expected in the upcoming X2D Mark II.
Image processor is the key, and we are expecting the introduction of a next-generation processor to boost the overall responsiveness of the camera, reduce lag (specifically visible in the EVF), and handle data transfer faster with the sensor. That will lead to a faster continuous shooting speed and the possibility to record 4K video from this camera. So if they introduce a new image processor, for sure, we will see a major improvement in the overall core specs of the camera.
We all know it is a Photographers camera, but due to the increasing demand for Videos among MF format users and to give a tough competition to GFX series cameras, the X200D Mark II is the best platform to introduce the Introduction of 4k 30 fps 10-bit Video, with H Log support.
The easiest upgrade they can do isto increase the storage from 1 terabyte to 2 terabytes SSD. So we are expecting a kind of a storage update in this camera too.
Body and Design: Iconic Scandinavian design needs minor tweaks. The introduction of a larger handgrip is much needed. Let’s hope for the best.
Conclusion
These Expected core specifications are more than enough to set the upcoming Hasselblad X2D Mark II camera apart from its predecessor.
One more thing I would love to add—Hasselblad users actually loved the Hasselblad Natural Colour Solution (HNCS) that decodes 16 BIT images perfectly with its true color tones, which was introduced in the original X2D 100C. And we would love to see it again in the upcoming X2D Mark II camera.
The X2D 100C was a masterpiece for still shooters, but it still has a lot of room for improvement, which includes the introduction of VIDEO mode, speed, autofocus performance, and overall versatility. The X2D Mark II camera could be Hasselblad’s answer to those critiques, blending its signature 16-bit image quality. We would love to witness how Hasselblad processes the upcoming medium-format camera’s specifications to the next level.
Article Update Log: The article “Hasselblad X2D II Coming on June 2025 – Latest Rumors and Updates” was first published by thenewcamera.com team on March 13th, 2025
If you’re into professional content creation or cinematography, then you have to take care of the Rolling shutter in your camera. Let’s talk about Panasonic’s Lumix S1R II, a camera packed with versatile modes and high-resolution potential. However, since the camera uses the 44.3MP Full-Frame CMOS Sensor, it’s a traditional sensor with a 25ms readout speed.
The question isn’t just “How bad is it?” but “How can you make it work for you?” In a recent hands-on test done by Tech Through the Lens channel and Gerlad Undone, they did a really extensive and very useful test, let’s find out the important details of the test
Beyond the Numbers: What Does Rolling Shutter Really Mean?
STacked vs Non-Stacked vs Global Shutter Sensor – We all know when we are working with stacked CMOS sensors we do not have to worry that much, that’s the reason why professional camera makers like RED mostly use Global shutter sensors. But, ARRI ALEXA cameras, including models like the ALEXA 35 and ALEXA Mini LF, primarily use rolling shutter technology, not global shutter. While ARRI is known for its high-quality image sensors, they currently lack a cinema camera with a global shutter, but thats a comletely different set of topic.
Average Sensor Readout Speed Table
Sensor Type
Typical Readout Speed Range
Notes & Examples
BSI CMOS
15–40 ms (1/50–1/25 sec)
Common in mid-tier cameras. Faster than traditional CMOS but slower than stacked designs. Sony A7 IV has a sensor readout speed of 26.8 milliseconds
Stacked CMOS
5–15 ms (1/200–1/66 sec)
Significantly faster due to integrated memory and processing. Example: Sony A1 (~4.8 ms at 50MP). Z9’s readout is 4ms.
Global Shutter CMOS
<1–5 ms (1/1000–1/200 sec)
Captures all pixels simultaneously, eliminating rolling shutter. Example: RED raptor, komodo, Sony A9 III (~1 ms or less, estimated), industrial sensors like Sony Pregius (~2–3 ms).
Lumix S1R II Sensor Readout speed
The Lumix S1R II’s wide range of shooting modes enables variable writing speed in the camera, the best part is now we have detailed information of the readout speed of each mode summarized in the table below
Panasonic S1R II Sensor Readout Speed Table
Mode/Resolution
Estimated Readout Speed
Notes
Open Gate (6.4K, DRE On)
~23 ms (1/43 sec)
“sloppy” at 23 ms, typical for high-res BSI CMOS mode.
4K 48p
~15 ms (1/66 sec)
significant jump to 15 ms with an 11% crop, faster readout mode. Since the readout pattern changed due to crop
4K 24p
~23–25 ms (1/43–1/40 sec)
Estimated based on slower baseline BSI CMOS performance (similar to Open Gate without crop trick).
4K 120p
~10–12 ms (1/100–1/83 sec)
Estimated as the fastest rolling shutter mode, but subsampled with trade-offs in quality.
8K 30p
~25–30 ms (1/40–1/33 sec)
Estimated for full-sensor 8K; slower due to higher data load, aligned with BSI CMOS limits.
Open Gate (8.1K, Future)
~25–30 ms (1/40–1/33 sec)
Projected based on 8K performance; firmware update expected to maintain similar readout.
Stills (44.3MP, Electronic)
~20–25 ms (1/50–1/40 sec)
(~1/50 sec) and typical BSI CMOS behavior for high-res stills.
The S1R II’s rolling shutter varies wildly depending on how you configure it, with this table we wanted to give shooters a practical sense of what’s usable—and what’s not.
The 48p Hack: Speed Without Sacrifice
That’s the best part of the test, during the test while Shooting in 4K or 5.9K at 48p (with the intention of dropping it onto a 24p timeline) unlocks a hidden gem. Yes, The camera does an 11% Crop in 16:9 recoding mode due to the crop, when the sensor readout area becomes less and maybe the camera is using slightly different readout pattern, a read speed that goes from 23ms to mind whopping 15ms. And there is no compromise with the AF system of the S1R Mark II camera in 4k 48p mode.
The camera is still able to deliver 11.9 stops of dynamic range in 4k 48p mode, don’t forget to keep on the Dynamic Range Expansion (DRE) while recording.
Use a 360-degree shutter, cut half the frames in editing, and you get a fast mode that avoids rolling shutter problems without ruining the picture. For filmmakers who care more about smooth motion than a full frame, this trick could be a big win.
Panasonic S1R II – 8k & 4k 120fps mode
The Panasonic S1R Mark II camera records 8K video recording internally at up to 30fps in 10-bit H.265 with 14 stops of dynamic range, well I think Camera processing power touches its limit while shooting 8K and that’s why subject detection of the camera gets disabled, A firmware update (expected later in 2025) that will address several issues regarding performance update. BTW, in almost the same price range we have Nikon Z8, was released back in May 2023, can record 8K 60fps internally with full-time AI AF in 12-bit N-RAW at a data rate of 722.5 MB/s.
Meanwhile, 4K 120p mode of the Camera doesn’t show any rolling shutter issues while recording high-speed videos due to its linked skipping readout mode that enables faster readout at a Higher Frame rate, but exposure isn’t proper, a significant amount of 1.5x crop, and since the processor is soaked up in processing 4k 120fps video the AF performance degrade. We are very sure in the upcoming Nov 2025 update Panasonic will fix most of the issues.
The Verdict: A Camera of Choices
The Panasonic S1R Mark II detailed test showed us how we can use this camera to its maximum potential, and during the entire test, the Camera never shut down due to overheating issues. but if you are confused between the Nikon Z8 OR Panasonic S1R II, we have done a short comparison that will help u decide which camera u should get between the two. So, overall the camera is made for professionals, kudos to Panasonic for putting their best innovation in the S line of Full-frame cameras.
Canon just dropped a bombshell—they have clearly said no to a pixel-packed version of the Canon R1 camera, neither R1X or any one, Canon said BIG No to High Res Fullframe Flasghip Camera. In an interview at CP+ in Yokohama, Japan, with the PetaPixel team, a Canon representative clearly said a big NO to a higher-resolution variant of the Canon R1 camera.
So, what do you think? Is it a misstep or a masterstroke? Let’s discuss further.
Canon EOS R1: A Flagship Built for Speed, Not Pixels
Canon R1 is a camera made for speed and not pixels. It’s a custom-tailored camera specifically made for sports shooters and wildlife photographers—those who need lightning-fast performance from their camera.
As we all know, the Canon R1 camera features a 24.2MP sensor with a continuous shooting speed of 40 FPS in RAW, as well as Canon’s latest generation of AI autofocus. In fact, it’s a dream camera for many photographers out there.
But here’s the kicker—some photographers, or maybe even YOU, would love to have, or at least the option of, a higher-resolution Canon R1—something that uses a 45-megapixel stacked sensor and directly competes against the Nikon Z9 or Sony’s 50-megapixel monster, the Alpha 1 Mark II.
But it’s Canon’s decision, and the team led by Go Tokura, Executive Vice President and Head of the Imaging Group, has closed the doors on all possibilities of a high-resolution flagship camera.
“We consider the flagship to be at the pinnacle of our lineup, which means we’re not going to have two flagship models,” Tokura told PetaPixel. “We’ve put everything—the best performance and trust—into the EOS R1.”
Translation?
Canon is very clear about its flagship strategy. Right now, they believe speed doesn’t require high resolution. And if you want to shoot landscapes, architecture, or anything that demands a super high-resolution sensor, they have a clear message:
You can go for the R5 series. If you need more than that, you’re free to look elsewhere.
But I need your feedback—do you think Canon is right in their decision, or are they actually missing the mark? Drop your thoughts in the comments below.
Why No High-Res R1 or Canon R1X? The Science Behind the Decision
Let’s break it down and understand why Canon is thinking this way. First, we need to understand that Canon isn’t just being stubborn—it’s physics.
If you go for a higher-resolution sensor, it means smaller photodiodes, resulting in lower sensitivity, more noise at higher ISOs, and compromises in dynamic range. For a camera like the Canon R1, which is built to excel in both image quality and performance, Canon has to maintain a balance.
We also have to remember a key part of the interview, where Tokura said: “If we focus on just one aspect of performance—like resolution—it would destroy the balance. Our 5-series handles high resolution instead.”
So, we have to understand that the Canon R5 Mark II, with its 45MP sensor, is Canon’s answer for pixel lovers out there.
But here’s the catch—the Canon R5 Mark II lacks the R1’s rugged build, integrated grip, and flagship-level ergonomics that professionals love to have in a high-resolution camera. So Canon is very clear: you should either pick speed or resolution.
If you pick speed, you get the Canon R1. If you want a high-resolution sensor, you get the R5 II.
What do you think? Does this decision sit right with you, or does it feel outdated in 2025? Should Canon have at least considered a flagship-level solution with a high-resolution sensor, just like other camera makers have?
Back in the DSLR Days, They Had Two Flagships—Why Not Now?
Back in the DSLR days, Canon did split its flagship lineup into two flavors: the speed-focused 1D and the resolution-heavy 1Ds.
Canon has been making their 1-series cameras for decades—it’s nothing new. In the DSLR era, their research and development team was smart enough to offer two flagship models based on market demand and technological limitations at the time. They had the speed-focused 1D and the resolution-focused 1Ds.
So, if they already did it in the past—why not now?
Tokura’s take is clear: “We would probably never consider developing another model using the same body as the EOS R1.”
But let’s be real—times have changed. Technology now allows for a high-resolution flagship camera, just like the Nikon Z9 and the Sony Alpha 1 Mark II. And as I mentioned, Canon already had two different flagship models in the DSLR era—so why not now?
Yes, we do have alternatives like the R5 II, but that’s not a real solution for professionals who need a unified body like the R1.
The Bottom Line: Love It or Leave It
For professional photojournalists, wildlife photographers, and sports shooters who need a low-resolution, high-speed camera, the Canon R1 is a match made in heaven.
But for those who were craving a high-resolution flagship, sorry folks—Canon is not in the mood to create a high-res R1 / R1X or its equivalent anytime soon.
Yes, we do have the R5 II, at least in that series, but for now, a high-resolution flagship remains off the table
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