The Nikon Z6 Mark II camera is one of the most popular Nikon full-frame cameras of 2021 and 2022, I know a lot of my subscribers, those who are also into wedding photography and video purchased the same camera along with the 27-70mm F4 Lens and some were able to grab the 28-75mm F2.8 Lens. And guess what we have amazing viltrox lenses too for shooting portraits and candids at weddings. Kindly note that even if ur a fashion, travel, or landscape shooter the camera does have amazing features and extensive manual controls to get the best out of the camera.
If you going to talk about the price vs specification of this camera then it is one of the best cameras in its price range. The other two competitors we have in this price range are Sony A7C and Sony A73,
Should You buy Nikon Z6 mark II 2023?
If you can wait you should, we have already discussed about the arrival of the Nikon Z6 Mark III in one of our posts here. If Nikon goes according to its scheduled arrival time we will have Z6 III in the year 2023
Do you really want the camera on an urgent basis then, of course, you go with Nikon Z6 Mark II camera. Otherwise if ur easy with waiting time then you should wait for the better version. Since, as per rumors it’s coming this year.
Panasonic S5 mark II camera features a newly developed 24MP Sensor with Phase detect AF points and support of DFD still there. The Max burst speed of the Panasonic S5 Mark II is 30fps with an electronic shutter and the expandable ISO range is 50-204800. Since it’s Panasonic’s first full-frame camera so, we are not expecting blazing-fast AF performance like Sony A7 IV, but at least we will get a more accurate and fast AF system compared to its predecessor the Panasonic S5.
Panasonic Announces Highly-Anticipated LUMIX S5II and S5IIX at Consumer Electronics Show 2023
The S5II and S5IIX utilize Phase Detection Auto-Focus (PDAF), satisfying the demand for the feature in LUMIX mirrorless cameras
Las Vegas, NV (January 4, 2023) – Panasonic is proud to announce two new hybrid full-frame mirrorless cameras, the LUMIX S5II and S5IIX, as the latest additions to its LUMIX S Series camera line-up. The LUMIX S5II and S5IIX are the first LUMIX mirrorless cameras to utilize Phase Detection Auto-Focus (PDAF) thanks to a newly developed 24.2-megapixel 35mm full-frame CMOS sensor and a new imaging engine. Developed under the L² Technology alliance formed by LEICA and LUMIX earlier this year, the new imaging engine provides high resolution, natural description, and approximately 2x higher-speed signal procession for high bit-rate video recording. To further the cameras’ PDAF capabilities and make them more dependable, Panasonic evolved the auto-focus system into Phase Hybrid Auto-Focus by increasing the AF points to 779 to significantly improve subject tracking. Once the S5II and S5IIX are locked on a subject, the auto-focus will continue to track the subject, even in adverse lighting conditions and when multiple objects are moving within the frame. Additionally, continuous AF during zooming*1, AF micro adjustments, and options to decrease the size of the AF area are available.
The LUMIX S5II and S5IIX have a powerful image stabilization system for wide-ranging shooting conditions and situations. The Body I.S. (5-axis) in the LUMIX S5II and S5IIX I and the O.I.S. (Optical Image Stabilizer, 2-axis) from the LUMIX S Series lens were combined to create the 5-axis Dual I.S. 2, maximizing the correction power to allow 6.5-stop slower shutter speed*2. The 5-axis Dual I.S. 2 works for both photo and video recording, including 4K. In addition, Active I.S. has been added for even more stable video recording. Active I.S. optimizes the horizontal, vertical, and rotational correction ratios by determining the status of the camera shake. As a result, the performance of the image stabilizer can account for a larger amount of camera shake at approximately 200%*3 compared to conventional image stabilization. This capability is highly beneficial in adverse situations, such as handheld filming or telephoto fixed-frame shots.
The new imaging engine provides the LUMIX S5II and S5IIX with high video performance comparable to the LUMIX S1H. They provide 4:2:0 10-bit 6K (3:2) / 5.9K (16:9), unlimited 4:2:2 10-bit C4K/4K recording capability*4. With a new heat-dispersion mechanism, there is no limit on recording time to avoid overheating*5. HFR (High Frame Rate) in C4K/4K (48p), FHD (120p), Slow & Quick motion in C4K/4K(1-60fps) / FHD(1-180fps) are also available. The LUMIX S5II and S5IIX contain 14+ stop V-Log/V-Gamut capture to deliver a high dynamic range and broad colors. Plus, a REAL TIME LUT function is provided to enable color grading on the compatible video and photo in the camera by applying the LUT(.VLT/.cube) saved in the SD memory card. Users can perform intended color grading on the spot without postproduction and share images online through social networking sites. This function can be used for live streaming.
Packing the essence of LUMIX S Series cameras into a compact, lightweight body, the LUMIX S5II and S5IIX have further evolved to meet the demands of all creators. The LUMIX S5II is $1,999.99 and will be available in January 2023. The LUMIX S5IIX is $2,199.99 and will be available in May 2023.
Professional-quality photo/video performance for unlimited expression
In addition to the PDAF capabilities mentioned above, the LUMIX S5II and S5IIX provide:
Dual Native ISO sensitivity minimizes noise generation by choosing an optimal circuit to use according to the sensitivity before gain processing. As a result, it allows a maximum ISO 51200 (Extended: 204800) high-sensitivity recording.
Increased capability of higher speed burst shooting at 9 (AFS) / 7 (AFC) fps with a mechanical shutter and 30 fps (AFS/AFC) with an electronic shutter in JPEG/RAW compared with LUMIX S5.
A variety of video functions and recording options
Alongside the recording capability, new heat dispersion mechanism and 14+ stop V Log/V Gamut capture mentioned above, the LUMIX S5II and LUMIX S5IIX feature unique shooting options such as the 4K60p interval shooting and 4K HDR video recording. In response to requests from professional users, video assist functions such as Waveform Monitor, Vector Scope and Zebra Pattern are available. Some features offered on the LUMIX S1H and LUMX GH6, like System Frequency (24.00Hz), Synchro Scan, Fan mode and redesigned control panel, which enables quick selection of menu, are also available on the LUMIX S5II and S5IIX.
48kHz/24bit audio can be recorded using a built-in microphone and external microphone for realistic sound recording. The use of the external microphone and XLR microphone allows high-res 96kHz/24bit audio recording.
The LUMIX S5IIX is capable of RAW video output and All-Intra, ProRes*8 recording on SSD. It also features a wired*9/wireless IP streaming function and USB tethering.
Excellent operability and functions to minimize workflow for one-man crew operation
Building upon the functionality of the LUMIX S5, a wealth of options was added to the LUMIX S5II and S5IIX to provide users with a superior shooting experience. AWB Lock maintains the white balance set in auto. Sheer Overlay can now be used in Creative Video mode making it easy to fix the frame through the footage sequence. The luminance level of 2100 Like (HLG) in Photo Style for video has an extended setting range from 64-940 to 0-1023, providing a sufficient amount of color grading resistance. In addition to FHD, it is now possible to output a 4K image with the live crop function. To support high-precision focusing, the LUMIX S5II and S5IIX provide practical options for manual focusing. While the focus is shifted with a variable amount according to the rotation speed of the focus ring for a non-linear setting, it is shifted with a designated amount according to the rotational quantum of the focus ring for a linear setting. Sensitivity (amount of focus shift per rotational quantum) can be selected from 90 to 1080 degrees to enable the intended focus operation. The MF Assist, which enables the focus point to be enlarged, is now available in both photo shooting and video recording*10.
The LUMIX S5II and S5IIX adopt a large, 3,680K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) that features a high magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent). A 3.0-inch free-angle touch-control monitor in 3:2 aspect with 1,840K-dot high resolution does not cause interference even when both the HDMI cable and USB cable are connected by adjusting the tilt/rotation angle of the monitor. There are improvements in external design, including a new easy-to-operate 8-directional joystick and the drive dial with an increased setting position for 96-megapixel High-Resolution Mode (JPEG/RAW).
Reliable quality and performance for professional use and connectivity
Overheating is a fatal issue to continuous video recording, especially when the resolution and frame rates are increased. The LUMIX S5II and S5IIX adopt a new heat dispersion mechanism that combines a small fan and a high-efficiency heat sink. As a result, the LUMIX S5II and S5IIX achieve unlimited video recording time*11*12 and livestreaming*13 in C4K 60p while keeping the camera size compact. In case the camera stops while 4K video recording, the small fan operates separately to cool down the unit for quick recovery.
To withstand heavy field use, the LUMIX S5II and S5IIX are composed of a magnesium alloy full die-cast front / rear frame and are splash-resistant*14 and dust-resistant.
For the terminal, HDMI Type A is provided. Plus, a cable lock holder for the HDMI/USB cable is bundled to prevent issues such as unplugging on location. The LUMIX S5II and S5IIX support USB 3.2 Gen 2 for high-speed writing and readout. The LUMIX S5II and S5IIX are equipped with double card slots (UHS-II x 2). Users can choose the recording method from Relay Recording, Backup Recording, and Allocation Recording. For the external microphone, a Φ3.5mm stereo jack and a headphone jack are provided.
Wi-Fi 5 GHz (IEEE802.11ac)*15 and 2.4 GHz (IEEE802.11b/g/n) effectively provide a- secure and stable connection on smartphones, tablets, and other devices on location for smooth remote control. The transmission speed of photo/video data is also increased by using the 5 GHz bands. Compatibility with Bluetooth 5.0 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone or tablet with minimum power consumption. The settings of the LUMIX S5II and S5IIX cameras can be copied and transmitted wirelessly to other LUMIX S5II and S5IIX cameras when using multiple LUMIX S5II and S5IIX cameras. The LUMIX Sync application for iOS/Android devices allows remote control of the camera using a smartphone or a tablet via an easy wireless connection. In addition to wireless control via a Remote Shutter DMW-RS2 (sold separately), application software LUMIX Tether enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets them view the image on a large PC screen while shooting.
The camera’s 2200mAh high-capacity battery DMW-BLK22 can be recharged either via AC or USB according to the user’s convenience. It also complies with USB PD (Power Delivery) when the corresponding Battery Charger DMW-BTC15 (sold separately) is used. Battery Grip DMW-BGS5 (sold separately) can be used in common with LUMIX S5.
Dressed in an exceptional matte black profile, the LUMIX S5IIX boasts an exceptionally sleek, stylish design while the S5II takes on the authentic look as the predecessor.
The best assortment of S PRO /S full-frame lenses
The Panasonic LUMIX S Series boasts a total lineup of 14 lenses including the new LUMIX S 14-28mm F4-5.6 MACRO (S-R1428) according to the purpose. Moreover, the L-Mount system provides the best assortment of full-frame lenses to choose from, for the limitless spectrum of creative possibilities. Color shading correction helps improve image quality when other manufacturers’ lenses including old lenses are used with or without using a Mount Adaptor. Furthermore, LUMIX S5II and S5IIX memorize the name and its focal length of analog lenses such as anamorphic lenses or old lenses to provide a suitable setting of the camera’s in-body image stabilizer automatically when those lenses are used.
Future firmware update
To enhance the performance of LUMIX S5II and S5IIX, the functions below will be available with future firmware updates following the needs of customers.
RAW data output using Software Upgrade Key DMW-SFU2 (S5II)
Panasonic S5 Mark II full specification leaked. For the first time a Panasonic Camera that uses Phase detect AF system + DFD AF system. A Brand New Sensor able to record 6K videos and deliver 24MP Still, burst speed up to 30FPS in full resolution, and no issues related to overheating while recording videos since the camera feature active cooling tech, and look at the Dual Native ISO range we are getting with S5 Mark II Native ISO: 640, 4000 in Vlog. Amazing camera for sure.
Panasonic S5 Mark II Full Specification
effective pixel 24.2 megapixels full-size CMOS sensor, AR coating
dust reduction is sensor-shift type
Video is 6K30p 4:2:0 10-bit, C4K 60p 4:2:2 10-bit, Full HD 120fps 4: 2:0 10-bit, full HD 60fps 4:2:2 10-bit
3.68 million dots organic EL EVF, magnification 0.78x, eyepoint 21mm, refresh rate 120fps/60fps
3-inch 1.84 million dots free-angle monitor, touch panel, aspect ratio 3:2
AF method phase-detection AF/contrast AF, DFD, EV -6 – 18, AF assist light
1728 zone multi-pattern metering, metering range EV0-18
ISO range 100-51200 (50-204800 with extension)
dual native ISO, Normal ISO 100 and 640, V-log 640 and 4000, HLG 400 and 2500
5-axis image stabilization, 5 steps effect (6.5 steps effect with dual IS 2)
Shutter 1/8000-60 seconds (mechanical), 1/ 2000-60 seconds (electronic front curtain), 1/8000-60 seconds (electronic)
, 1/250
second continuous shooting, 9 fps for AFS/MF, 7 fps for AFC
(electronic Shutter) is AFS/AFC/MF and up to 30 frames per second.
Buffer is 200 or more for RAW+JPEG, 200 or more for RAW, 300 or more for JPEG.
USB Type-C port (USB3.2 Gen2)
HDMI Type-A dual SD
card slot
Fan Auto/Auto 2/High speed/Normal/Slow/OFF
Wi-Fi, Bluetooth v5.0 Battery
life: 370 shots ), 657g (body only)
DC-S5M2X
24.2-megapixel full-size sensor
6K30P video (full size) / 4K60P video (APS-C size)
Supports Apple ProRes recording
IP streaming function (Wi-Fi, USB, wired LAN)
LUMIX S 14-28mm F4-5.6 MACRO
lens construction: 14 elements in 10 groups (1 aspherical ED lens, 1 aspherical lens, 3 ED lenses, 1 UHR lens)
Shortest shooting distance: 0.15m
Maximum magnification: 0.5x (at 28mm) / 0.25x (at 14mm)
Filter size: 77mm
Size: φ84 x 89.8mm
Weight :
345g
December 15, 2022, Commack, NY – Tamron announces a new firmware update available today for TAMRON 50-400mm F/4.5-6.3 Di III VC VXD (Model A067) and 150-500mm F/5-6.7 Di III VC VXD (Model A057) for Sony E-mount. With this new firmware update, the AF tracking performance is significantly improved, and will now maintain excellent tracking of moving subjects. AF Assist function during video recording is also now supported on both models as well as the 20-40mm F/2.8 Di III VXD (Model A062). Users can update to the new firmware by using the free Tamron Lens Utility™ software on Models A067 and A062 and through the camera body on Model A057.
Set of upcoming Nikon cameras that we will see in the year 2024 and 2025. We already have a credible announcement of the Nikon Z6 Mark III camera in the year 2024 and we are waiting for Nikon Z50 Mark II as well as P1000 Mark II.
1. Nikon Z50 Mark II
So far, we have an updated core specification of the upcoming Nikon Z50 Mark II camera, and as per the latest core specification, we may have the same 20 Megapixel CMOS sensor that we have seen in the original Z50.
Official announcement: soon (before the end of 2024)
The same 20.9MP DX-format CMOS sensor
The launch of the camera is expected sometime in September or October. We will update you when we get any new information related to the upcoming Z 50 Mark II camera.
If the rumored specification is true, then for sure Nikon will disappoint a lot of consumers out there. But at the same time, we do know that the Z50, as well as Nikon Z30, and we can also consider the Nikon Zfc here, are the best APS-C line of cameras in terms of low light performance. So, it’s a kind of choice that consumers have to make between having a Higher Resolution APS-C camera from a different brand or a camera that performs exceptionally well in low light.
2. Nikon Z7 Mark III
The next rumored camera is the Nikon Z7 Mark III. Why are we talking about the Nikon Z7 Mark III camera? Since the Z6 Mark III already arrived, it’s obvious that the Z7 Mark III is in the announcement pipeline. The other thing that is supporting the framework of the rumor is a massive discount going on for the Z7 Mark II camera body. You can look at it in the store, and it’s giving more than $1000 discount on the body of the Z7 Mark II camera at the time when I am writing this article.
Nikon Z7 Mark II Camera Specification
61.2 MP FX-Format BSI CMOS Sensor
Dual EXPEED 7 Image Processors
We expect a 60-megapixel BSI full-frame sensor in the Nikon Z7 Mark III camera body. At the very same time, we are also expecting 8K video recording capability, as we have already seen in the Nikon Z8 as well as Nikon Z9. Let’s hope for the best and wait for the upcoming Z7 Mark III.
3. Nikon Z90 / Z70
Nikon D500 camera replacement or you can also call it, Nikon Z90 Z70. (name not confirmed yet) is expected to arrive in the year 2023. The only details we have related to the upcoming Nikon APS-C flagship camera is
Nikon Z90 – APS-C flagship| Stacked APS-C Sensor| Built in IBIS | 6K | Arrival date unknown
So, yes we are waiting for the Nikon Z90 and lets hope we will see it soon.
5. Nikon Z5 Mark II
Nikon Z5 Mark II update was expected to arrive in 2023, but unfortunately, the camera has been delayed. The Nikon Z5 was announced back in July 2020. So, its overdue for an update
The Nikon Z9S is rumored to arrive sometime in Q4 of 2025. The name is not confirmed yet, but there was a tip that Project Z9S has been started. The camera is coming to directly compete against the existing Canon R3 as well as Canon R1, with flagship capabilities and ultra-fast shooting speed, with a kind of lower resolution sensor similar to what we have seen in the Nikon Z6 Mark III.
But keep in mind Nikon is very smart with their moves; they have added a partially developed stacked CMOS sensor in their Z6 Mark III camera, not the fully stacked sensor, and the big reason was to save it for a future flagship model. So, yes, a 24 MP fully developed stacked CMOS sensor is still under development, and we will soon see it in the Z9S camera body.
According to the latest rumors surfaced via Camera Beta weibo ( Chinese social media page name), take a look at the part of the translated text
Recently, the news of Panasonic’s new camera “LUMIX S5 Mark II” has begun to spread. And we just got some new information. The S5 series seems to go with two lines, and the Mark II that appears this time is positioned and priced higher than the current model, and may be a high-end route (replacing the S1).
The update of the LUMIX S1, which has been out for some time, should be the top priority, and according to the information, it is scheduled to be released in Q3 2023.
the latest rumors Panasonic S5 Mark II Camera will arrive in Q3 of 2023. The New camera will carry a higher price tag than the existing Panasonic S5 [B&H Store | Amazon] , OR WE CAN ALSO SAY the upcoming camera will have a price similar to Panasonic S1 (or Sony A7 IV or Canon R6 Mark II). It looks logical and is not a surprise, yes we can expect a higher price tag if Panasonic S5 Mark II carries a Hybrid Sensor and class-leading video core specs.
We will post an update soon if we get more information about this
Canon EOS R1 isn’t a rumor actually, Canon has confirmed several times in interviews they are working on a flagship mirrorless camera. Earlier we expected that camera to arrive at the end of 2022, but its looks like the announcement are being delayed this time.
This is the set of most authentic information(s) we have related to the Canon EOS R1
45+ megapixels, 8K video recording at various framerates
and one more rumored specs
Met a fellow photographer today who “was” a Canon Explorer” and he just got back from Japan.
His exact words were, “I spoke to a friend of mine at Canon while I was in Japan and the R1 is shooting for 85MP at 24fps in RAW with over 15 stops of dynamic range,”.
Now we wait and see….. If he’s right or should I say his friend is right… That is exactly double the resolution of the 1DXMKIII and 40% more than the NIkon Z9.
As usual, a camera maker tests several prototypes before the final announcement of any flagship camera. These two sets of specs are the knowledge to us, let’s wait for further confirmation about the same
Canon R5 mark II camera expected to arrive before Q3 of 2023. The camera is rumored to feature a new 61 MP Fullframe BSI CMOS sensor developed by Canon. R5 Mark II camera also has the capability to record 8K Oversampled video up to 60FPS. With an advanced, heat sink unit the camera is able to record videos up to 4K 60p up to 60min without overheating and u can also record 4k videos @ 120fps. Take a look at the rumored specification of the upcoming Canon R5 Mark II camera.
The Canon R50 is said to be the true sensor of the Canon M50 Mark II and 200D Mark II cameras. As per the initial set of specifications we have the Canon R50 is actually a budget Canon R10 camera with a compact body similar to Sony ZV-E10 or Nikon Z30.
Canon EOS R100 Rumored specification
24.2MP APS-C CMOS Sensor (Same as Canon R10) (Confirmed)
4k 24, 30fps (Limited to 8 bit) (Confirmed)
No HDRPQ mode like Canon R10
14 FPS burst mode (un-Confirmed)
3.0″ 1.04m-Dot Vari-Angle Touchscreen (Confirmed)
Coming in Q1-Q2 2023
The initial set of rumors suggests Canon R10 will share the same 24MP Sensor as the Canon R50 Camera. But, we will have limitations in Video frame rates (No 4k 60fps) and limited burst Mode.
The camera is expected to arrive sometime in Q1 or Q2 of 2023.
4. Canon R7C
Canon R7C or Canon C7 ? – a compact cinema mirrorless camera with RF Mount and APS-C CMOS Sensor ? is a cheaper alternative to the Canon C70 and an FX30 perfect competitor ?, rumors start drooling out more and more after the announcement of the Sony FX30 camera.
So, we do have a high possibility, that we may have a Canon compact cinema camera like an FX30 camera, with a 32.5MP Dual gain Sensor including BNC Timecode and Mini-XLR Audio Inputs.
We do expect its announcement Q3/Q4 of 2023. Stay tuned we will publish more updates soon as it become available to us.
The Canon EOS R Mark II or Canon R8 ? the name of the camera isn’t confirmed yet, but both Canon R8 and R9 are reserved for Canon upcoming cameras and we do expect the EOS R Mark II will have an R8 Name.
Canon EOS R successor is yet to arrive with a redesigned 30.3MP Full-Frame CMOS DPAF 2 Sensor with updated processing for more improved AF, and impressive uncropped 4K videos.
More Rumored specs of Canon R8 / Canon EOS R Mark II
NEW 24 MP Sensor
DIGIC X Image Processor
AI AF Algo same as of Canon R3
Sensor shift IS up to 7.5 to 8 Stops
UHD 4K 30 FPS Oversampled and uncropped
UHD 4k 60 FPS Cropped [Uncropped optional]
Multi-Function Shoe, Wi-Fi, and Bluetooth
Dual UHS-II Memory Card Slots
The Camera will arrive in the summer of 2023 if everything goes on schedule inside Canon.
6. Canon R5S
A very Less and unreliable set of information is available about the Canon R5S. Most likely the rumor is false.
7. Canon EOS Rp or Canon R9 Camera
Rumor mills are completely silent about the Canon Rp update, so as soon as we will get any information related to the Canon Rp update we will update here too.
8. Canon G7X Mark IV or something else…?
We have been told Canon will announce 1 compact camera next year, either we will have a Canon G7X Mark IV or a Canon G1X Mark IV. The camera will be more vloggers-centric with some sort of surprise inside it. That’s all information available about Canon compacts right now
9. Canon’s upcoming Lenses
List of Canon RF Mount lenses expected to arrive in the year 2023
Buy Canon Lenses, Buy Music CD or Digital Camera at amazon it helps this site, and you do not pay anything extra, it is just a way to help support this site.
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