Tamron working on several prime lenses “30mm F1.4”, “35mm F1.4”, “40mm F1.4” and “50mm F1.4” for full-frame mirrorless cameras. Take a look at the details below
Overview
[Publication number] P2022162600
[Release date] 2022-10-25
[Title of Invention] Optical system and imaging device
As usual, not all patent turns into reality, let’s see how many of them turn into reality. In general, a patent roughly takes MAX 2 years of time to become an actual product, and so this will too.
Sony A7R V Teaser – Finally we have the Sony A7R V teaser. The official announcement is expected on October 26, 2022.
Sony A7R V Rumored Specification
Same 61MP sensor because all the power goes to the new processor.
TOTALLY New Autofocus system with AI deep learning
8k 24p (cropped)
4k60p 4k24p (full readout)
heat sink design of the Sony A7sIII (up to 30min 8K recording without overheating)
S cinetone is available
8 stop IBIS
Fully articulating LCD screen
The body looks like a mix between the Sony A7sIII and Sony A7IV.
Announcement October 26
First, we will see the 8k video recording capability in the A7R series camera. And not only that the camera also features a newly developed mechanical Image stabilization unit that compensates for camera shakes up to 8 Stops.
Not good news for compact lovers, during the DSLR to Mirrorless transition process Canon is keeping significantly less attention to the development and announcement of G series compact cameras. Although models like the Canon G7X (Mark II) were very popular among users, none of the G series models are getting proper updates and now Canon started to discontinue G series compacts. It is a clear indication that Canon focuses now on the development and sales of Mirrorless cameras only.
Same in the case of Pansonic, they are also in a transition phase and putting all their attention on the newly announced S series of system cameras and lenses. Not only compact camera’s entire M4/3 line-up is suffering from ignorance, the entire entry-level lineup of M4/3 format cameras now smashed and nothing left apart from an active Panny G100 series model.
Sony ZV Compact Vlogging Camera Announcement Soon – stay tuned for the official announcement – Take a look at the rumored specification we have published a while ago
Sony ZV Early Specifications
20.1MP 1″ Exmor RS BSI CMOS Sensor
UHD 4K30p
Full HD 240 FPS
HLG & S-Log3/2 Gammas
S-Cinetone profile
We will post an update soon as we have more information
Let’s compare the Sony FX30 camera with the Sony A7 IV camera. Do share your thoughts with us
Design-wise
Design-wise Sony A74 is more inclined towards photographers, with a LARGE handgrip design and a high res 3.6Millionb dot EVF, you easily able to shoot your subjects. The FX30 is made for cinematographers, look at the number of mounting threads we have on the FX30 body.
Imaging
Lens Mount
Sony E
Sony E
Sensor Resolution
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Sensor Type
23.3 x 15.5 mm (APS-C) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Camera Type
Video
Stills & Video [Hybrid]
Sony A7 IV is a Hybrid Camera and more Photography Oriented
The Sony A74 advantage
With the Sony A74 camera we are getting Sony’s latest 33MP Fullframe sensor. Undoubtedly with a full-frame sensor-based camera, you will get better results while shooting your subjects than with an APS-C sensor.
More for Photographers
Dynamic Range graph of Sony A74 – DR Boost at ISO 400 – Sony Fullframe cameras do carry a Dual Native ISO circuit for photography too… but Sony never talks about that officially.
The A7IV has a dual-gain for photos at ISO 400. So ISO 400 has more DR and should have slightly better noise than ISO 320 and ISO 250. ISO 250 is very close…just slightly below ISO 400. The only ISO to avoid is ISO 320
Via test when came to know about the boost for still photography. In the video as per a few expert’s options, the Boost is available @ ISO 1600 in A7 IV.
Less Rolling shutter with Mechanical Shutter
Sony A7 4 camera features a mechanical shutter and a TOP speed of 10 FPS, while ur using your camera in burst mode if u have mechanical shutter ON you will comparatively faceless rolling shutter than a camera that only uses an electronic shutter. either way, the Sony A7 IV is the best camera when we talk about shooting still subjects.
Internal Video Capture
Recording Modes
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC Proxy
Full HD (1920 x 1080)
HD (1280 x 720)
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [50 to 200 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [30 to 150 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [60 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
If we talk about the body desing of the FX30 camera which include ehnaced telly light, timecode input ports & dedicated fan for cooling camera body, if we talk about the Tile based Menu system that directly arrived from FX9 or FX3, Up to 16 user-created LUTs, Timecode funcintlaity or Quick Exposuer index mode for boosting up the perfomance of the Sony FX30 while shooting log or with S-Cinetone.
Even if they share the same codec range
XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality.
X-AVC HS (H.265 Long GOP)
X-AVC I (H.264 All-I)
X-AVC S (H.264 Long GOP)
It also highlights the key difference between what we now call Long GOP compression (smaller files, potentially lower quality) and All-Intra, or All-I compression (larger files, potentially better quality)
Exposure Index Mode and Dual Native ISO available in Sony FX30 Only
Base ISO
Upper gain step
Std color mode / HLG
ISO 100
ISO 320
S-Cinetone
ISO 125
ISO 400
S-Log3
ISO 800
ISO 2500
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded.
Two base ISO options are available for FX30 also as you can see in the table above, for low or high sensitivity. Choose a base ISO to suit the scene you are shooting.
Log shooting can be divided into three methods: “Flexible ISO,” “Cine EI,” and “Cine EI Quick.”
Item
Normal movie shooting
Log shooting: Flexible ISO
Log shooting: Cine EI
Log shooting: Cine EI Quick
Type of shooting
ITU709/BT.2020
Log
Log
Log
ISO sensitivity/EI (Exposure Index)
ISO sensitivity can be adjusted
ISO sensitivity can be adjusted
Shooting with EI
(The ISO sensitivity for recording is locked to Base ISO)
Shooting with EI
(The ISO sensitivity for recording is locked to Base ISO)
Base ISO
―
―
Setting is required
Set automatically according to the EI
Amount of freedom of color grading in post-production
Low
Middle
High
High
The above all clearly shows
You have amazing flexibility with the Sony FX30 camera if you are more into video rather than photography.
1/8000 to 30 Seconds in Photo Mode
1/8000 to 1/4 Second in Video Mode
1/8000 to 30 Seconds
ISO Sensitivity
100 to 32,000 (Extended: 50 to 102,400)
Photo
100 to 51,200 (Extended: 50 to 204,800) Video
100 to 51,200 (Extended: 100 to 102,400)
Advertised Dynamic Range
14 Stops (Log3)
White Balance
2500 to 9900K Presets: Auto, Cloudy, Color Temperature, Daylight, Fluorescent, Incandescent, Shade, Underwater
Presets: Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Video Resolution & Frame rate
4K 120 (1.6x / super 35mm look)
None
4k 60 (1.04x crop)
4K 60p (1.5x Crop)
4k 24, 30 fps
4k 24, 30 without crop
Full HD 240 FPS
Full HD 120 FPS
External Video Capture
Raw Output
HDMI In ProResRAW Mode:
4672 x 2628 16-Bit at 23.98/25/29.97/50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i 4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
None
IP Streaming
None
Autofocus System
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF, Touch AF & Shutter
Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Video
Phase Detection: 495
Phase Detection: 759
Contrast Detection: 425
Autofocus Sensitivity
-3 to +20 EV
-4 to +20 EV
General
Battery Type
Sony Z-Series
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 520 Shots)
Accessory Mount
1 x Intelligent Hot Shoe on Camera Body 5 x 1/4″-20 Female on Camera Body
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
1 x Hot Shoe Mount
Dimensions (W x H x D)
5.1 x 3.1 x 3.3″ / 129.7 x 77.8 x 84.5 mm
5.2 x 3.8 x 3.1″ / 131.3 x 96.4 x 79.8 mm
Weight
1.2 lb / 562 g (Body Only)
1.4 lb / 658 g (With Battery, Recording Media)
Conclusion
Budget means Limitations – But the limitations shouldn’t block your creativity – If you have a budget and looking for a cinema camera then go with FX3, the full-frame sensor cinema camera.
But at an Under $2000 body price if you are looking for a budget cinema solution then the Sony FX30 camera is best for you, Being an APAS-C sensor-based camera you can have sigma Trio lenses on the budget rather than investing in full-frame lenses.
For Hybrids, those who are into photography, as well as Video Sony A7 IV, is the best camera. But for cinematography, FX30.
DJI Osmo Action 3 Finally announced by DJI – Son finally we have a new and very strong contender against the HERO 11. The new camera features DJI’s RockSteady 3.0 technology, which reduces camera shake in all directions with footage up to 4K/120p. HorizonBalancing and later more firmware updates will arrive to upscale the IS performance of the camera. The camera uses a 1/1.7 (7.4 x 5.6mm) sensor module that can capture 4K video at up to 120 frames per second (fps).
DJI Osmo Action 3 Press Release
DJI Unleashes Osmo Action 3 To Capture Moments Beyond the Edge
Osmo Action 3’s Extreme Battery and native support for vertical shooting empower users for their biggest adventures
September 14, 2022 – DJI, the world’s leader in civilian drones and creative camera technology, today introduces Osmo Action 3, the most powerful and content-friendly action camera DJI has ever made. With a battery that empowers users through the most extreme conditions and native vertical shooting for a new perspective of creative freedom, Osmo Action 3 is one of the most versatile, robust, and reliable action cameras available today.
“Ever since we released the original Osmo Action in 2019, we have been continuously inspired by the stunning footage captured with it,” said Paul Pan, Senior Product Line Manager at DJI. “As our users keep pushing further, moving faster, and diving deeper, our mission is to provide a device built to keep up with them. Every new feature made Osmo Action 3 the most reliable, tough, and easy-to-use action camera. We can’t wait to see what our users create when they push their limits with Osmo Action 3.”
A Battery for the Extreme, and More
Osmo Action 3 was designed as a single solution for capturing an active lifestyle, no matter how adventurous. This all starts with a 1770mAh Extreme Battery that lets the camera record for up to 160 minutes.¹ It also handles temperatures as low as -20° C (-4° F),² and charges from 0-80% in as little as 18 minutes and 0-100% in 50 minutes³, thanks to native fast-charging support, a first for action cameras. The Osmo Action 3 Extreme Battery comes with Osmo Action 3 by default; no separate purchase is required.
Adventures, Now Vertical
A world driven by social media needs a vertical-first way to capture compelling action – and Osmo Action 3 goes full send. The camera has a built-in mounting system that instantly and securely clips the camera to handlebars, helmets, and more, optimizing the quick-release system first seen in Action 2 by adding notches for a locked-in, impact-resistant hold. A new Horizontal-Vertical Protective Frame brings this quick-mounting technology in a vertical orientation, perfect for social media platforms.⁴ With a tight, reliable hold that withstands bumps, tumbles, and breaking waves, Osmo Action 3 keeps you and your most extreme moments in a perfect frame.
A Dynamic Imaging Powerhouse
Osmo Action 3 is packed with bleeding-edge hardware and software to keep up with your dynamic lifestyle. Its 1/1.7-inch imaging system shoots in 4K/120fps⁵, provides a 155° super-wide FOV, and films smooth footage with a world-class EIS suite. An improved heat management system enables continuous 4K/60fps recording until the battery runs out of power, solving the overheating issue common to many other action cameras.⁶ D-Cinelike Color Mode is available in video, slow-motion, and timelapse modes for those looking for more room to edit in post-production.⁷ And for those willing to dive deeper, Osmo Action 3 is waterproof at depths of up to 16 meters without needing any additional housing.
Steady and Smooth Footage with RockSteady
Osmo Action 3 builds on DJI’s legacy of innovative image stabilization that has transformed cinematography and aerial photography. For a multitude of dynamic shooting scenarios, Osmo Action 3 has three distinct electronic image stabilization options:
RockSteady 3.0 effectively eliminates camera shake in all directions. It works up to 4K/120fps, providing a stable and immersive first-person perspective. This is the ideal stabilization for sport-specific scenes like bike riding, and on-the-go handheld filming.
HorizonSteady helps to eliminate camera shake in all directions and even horizontally corrects tilt at any angle. That means footage can remain horizontally level, even through heavy bumps and 360° rotations, creating the effect of a perfect horizon without any post-production, even in off-kilter pursuits like surfing.
HorizonBalancing corrects the tilt horizontally within ±45° and supports recording stable 4K/60fps videos. A perfect middle ground between RockSteady and HorizonSteady, this mode is ideal when the priority is a smooth 4K picture in a dynamic environment, such as an FPV obstacle course run.
Be Seen and Heard, Loud and Clear
Osmo Action 3 is more than a rugged camera for high-intensity action; it’s also the perfect camera for vloggers and streamers alike. Osmo Action 3 is the first action camera with dual touchscreens, letting users access settings from any angle while keeping the camera in perfect position. Three-mic stereo recording reduces wind noise and boosts the audio quality of the footage. Wi-Fi Livestream supports 1080p/30fps, 720p/30fps and 480p/30fps, and pausing recording during the stream. UAC/UVC Webcam support offers high-quality video and audio for conference calls and livestreams.
Quick Switching Between Five Custom Modes gives access to user-created camera modes at the touch of a button.
Multifunctional Battery Case stores three batteries and two microSD cards, intelligently fast charges three batteries, and can be used together with those batteries as a power bank to charge other devices like your smartphone.
Voice Prompt informs users of current modes without needing to unmount the camera.
Voice Control recognizes voice commands with a high recognition rate to control the camera when hands are busy.⁸
InvisiStick for Skiing recognizes and digitally hides the selfie stick in snowsport situations.⁹
1.5m Drop Resistance from Corning Gorilla Glass for the touchscreens and lens cover.¹⁰
Timelapse with low-power consumption, preset for common scenarios (crowds, clouds, sunset), and dynamic timelapse video stabilization for smooth exposure and color temperature changes.
Digital Lens shoots in Standard (Dewarp), Wide, and Ultra-Wide for all shooting modes.
Digital Zoom of up to 4x can be adjusted while recording for better image composition.
DJI Mic Compatibility via the Type-C port, and external mics via 3.5mm to Type-C cable.
Loop Recording for continuous recording and overwriting according to a preset time.
DJI Mimo and LightCut: Two Ways to Create
Osmo Action 3 connects with the DJI Mimo smartphone app via Wi-Fi or Bluetooth for even more functionality, including a live feed of the camera, various story templates, quick in-app editing, and more.¹¹ In addition, the LightCut video editor app is thoroughly optimized for use with Action 3. It can automatically select clips and intelligently match them with exclusive templates to generate ready-to-share video edits.
Expand the Action with Dedicated Accessories
Osmo Action 3 was made to capture anything and everything. For every scenario, a suite of dedicated accessories helps you maximize all the possibilities of this action camera, including:¹²
Osmo Action 3 Waterproof Case¹³
Osmo Action 3 Extreme Battery
Osmo Action 3 Multifunctional Battery Case
Osmo Action 3 Adhesive Base Kit¹⁴
Osmo Action 3 Lens Protective Cover¹⁵
Osmo Action 3 1.5m Extension Rod Kit
Osmo Action 3 Magnetic Ball-Joint Adapter Mount
Osmo Action Chest Strap Mount
Osmo Action Handlebar Mount
Osmo Action Helmet Chin Mount
Osmo Action Suction Cup Mount¹⁶
Osmo Action Surfing Tether
Price and Availability
Osmo Action 3 is available today from store.dji.com and most authorized retail partners in several configurations. The Osmo Action 3 Standard Combo retails for $329 and includes Osmo Action 3, one Osmo Action 3 Extreme Battery, the Osmo Action 3 Horizontal-Vertical Protective Frame, the Osmo Action 3 Quick-Release Adapter Mount, and the Osmo Flat Adhesive Base. The Osmo Action 3 Adventure Combo retails for $439 and includes Osmo Action 3, three Osmo Action 3 Extreme Batteries, the Osmo Action 3 Horizontal-Vertical Protective Frame, two Osmo Action 3 Quick-Release Adapter Mounts, one Osmo Flat Adhesive Base, and the Osmo Action 3 Multifunctional Battery Case.
For more information on all the new features, accessories, and capabilities, please visit www.dji.com/OsmoAction3
DJI Care Refresh
DJI Care Refresh, the comprehensive protection plan for DJI products, is now available for Osmo Action 3. The replacement service covers accidental damage, including natural wear, collisions, and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.
DJI Care Refresh (1-Year Plan) includes up to two replacements in one year. DJI Care Refresh (2-Year Plan) includes up to three replacements in two years and extends the original warranty up to two years from the date of purchase. Other services of DJI Care Refresh include free shipping. For a complete list of details, please visit: www.dji.com/service/djicare-refresh
Hasselblad X2D vs Fuji GFX100 – Let’s compare these two cameras – We do know the camera Hasselblad X2D cost $8199 and the GFX100 cost $9999. So, roughly 2K is more costly than the X2D camera.
Both Cameras use the same 100MP BSI CMOS. Fuji GFX100S Image processor is more powerful hence we are able to have a slightly wider ISO range in the GFX100 camera as well as the GFX100 is able to process continuous shooting speed up to 5fps.
Once the samples become available we will also publish a High ISO test between the two.
Hasselblad is limited to still photography only, with no video options available in the camera. Although, at the price point where both of them are available to us it actually doesn’t matter if the camera is able to shoot video or not if you are a still photographer. Since, if you have that budget and in cinematography, you will prefer cinema cameras like FX3 or C70 or maybe even better them both.
Electronic Shutter
1/6000 Up to 4080 Seconds Mechanical Shutter
1/4000 Up to 4080 Seconds
Mechanical Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode Electronic Shutter
1/16000 to 3600 Seconds
1/16000 to 4 Seconds in Program Mode
1/16000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode Electronic Front Curtain Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
1/4000 to 1/24 Second in Movie Mode
Bulb/Time Mode
None
Bulb Mode
ISO Sensitivity
Photo
64 to 25,600 in Manual, Auto Mode
Photo
100 to 12,800 in Auto Mode (Extended: 50 to 102,400) Video
200 to 12,800 (Extended: 200 to 25,600)
Mechanical Shutter
Up to 5 fps at 102 MP for up to 16 Frames (Raw) / 42 Frames (JPEG)
Up to 2 fps at 102 MP for up to 45 Frames (Raw) / Unlimited Frames (JPEG) Electronic Shutter
Up to 2.9 fps at 102 MP for up to 23 Frames (Raw) / 64 Frames (JPEG)
Interval Recording
Yes
Internal Memory with Hasselblad – The camera has arrived with a massive 1Tb internal memory, built-in 1TB SSD – 4004 Raw+JPEG images, 5331 Raw files, or 16,000 JPEGs. and you also get an option to use CF express type B cards.
Interface
Media/Memory Card Slot
Single Slot: CFexpress Type B (CFexpress 2.0) [512 GB Maximum]
Dual Slot: SD/SDHC/SDXC (UHS-II)
Internal Memory
1 TB
None
Other I/O
1 x USB Type-C (Camera Interface) Data Input/Output (Shared with Power Input)
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O
1 x USB Type-C Input
1 x USB Type-C Input/Output
Wireless
Wi-Fi 5 (802.11ac), Wi-Fi 4 (802.11n), Wi-Fi (802.11b/g), Wi-Fi Control
1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input) 1 x 2.5 mm Sub-Mini Control Input 1 x PC Sync Socket Input
Global Positioning (GPS, GLONASS, etc.)
Wi-Fi, Bluetooth
Monitor
Size
3.6″
3.2″
Resolution
2,360,000 Dot
2,360,000 Dot
Display Type
Tilting Touchscreen LCD
3-Way Tilting Touchscreen LCD
Secondary Display
Top: Status Display
Top: Status Display
Overall Buy Fuji GFX100 still looks impressive in the Still Photography part, and you can shoot 4K videos too with a 100MP medium format sensor with the GFX100, that’s not possible with the X2D. At the end of the day you will be getting the same image quality from both camera, so decide is wisely which camera is best for you.
Buy Canon Lenses, Buy Music CD or Digital Camera at amazon it helps this site, and you do not pay anything extra, it is just a way to help support this site.
New Camera Website, we list all type of new camera information, price review and all type camera rumors, subscribe us or follow us via twitter or facebook.
Disclaimer: We have attempted to select useful information to include on New Camera, and to ensure that the resources we have included on the site -- as well as the way we have described them -- are accurate, fair, and balanced. However, we make no claims, warranties, or other representations concerning the accuracy, completeness, or utility of the information provided, or concerning the abilities or performance of the organizations, agencies, companies, and other resources presented through New Camera