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By admin, on October 18th, 2024
Updated information we do not have confirmation that the Sony A1 Mk II camera is coming on NOV 19-20, take a look at the latest set of information we have
The camera we are expecting to Arrive from Sony
- Sony A7 V [Early 2025 with a 44.5Mp sensor as per rumors]
- Sony FX3 II
- Sony A7S IV [Sony next announcement after A1 Mark II]
- Sony ALpha A II [Confirmed for Sony Nov 19 announcement ]
According to the latest, Sony is about to announce a brand new camera at the end of November. By the way, we told you about the NOV announcement back on September 11; check this out. So everyone is curious about “what it will be?” What we truly expect from Sony right now, at this very moment, is the announcement of the Sony A7 IV successor, the Sony A7 V camera.
After the Nikon Z6 Mark III announcement, we are also concerned that Canon’s R6 Mark III, with the R3-stacked sensor, will surely come next year as per rumor mills. So, a new generation of Sony A7 IV competitors either arrived or is about to arrive, and among all of Sony’s full-frame cameras right now, the Sony A7 IV is the most outdated Alpha Camera. Still waiting to get a dedicated AI chip, which even Sony A6700 has inside it, that upscales the overall still and video AF performance of the camera.
Even if we follow Sony’s announcement pattern, the A7 IV camera was announced back in October 2021, and since then, Sony has updated almost all the models in its current lineup. So here’s a list of cameras that we expect may arrive from Sony at the end of November or December, or maybe sometime in 2025. But out of all these cameras, we personally think the A7 V is the most important, and Sony should release it as soon as possible.
Let me know in the coments which camera you’re most excited to see ?
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
By admin, on October 17th, 2024
Compare the Sony ZV-E10 II camera against the recently announced Fuji X-M5. We will be comparing the 10 major differences between the two. Not only that, but these are the differences we have sorted out to make it a bit easier to understand instead of putting all comparisons in front of you in a single table. So we have distributed them into 10 different types of tables, so let’s begin.
See more comparisons – Fuji X-M5 vs Sony A6700
1. Camera Design Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Lens Mount |
Sony E |
FUJIFILM X |
| Built-In Flash |
No |
No |
| Display |
3″ Articulating Touchscreen LCD |
3″ 3-Way Tilting Touchscreen LCD |
| Body Material |
Plastic Body |
Magnesium Alloy |
In the first section, where we compare the camera design and all the details, you can see that the Fuji X-M5 is slightly smaller and a bit lighter than the Sony ZV-E10 II. The biggest advantage I see with the X-M5 is the weather-sealed design and a more durable body
2. Body Weight and Dimensions Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Body Weight (with battery & media) |
377 g |
355 g |
| Dimensions (W x H x D) |
114.8 x 67.5 x 54.2 mm |
111.9 x 66.6 x 38 mm |
3. Ports Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| HDMI Output |
Micro-HDMI |
Micro-HDMI |
| Audio Input |
1x 3.5mm Microphone Input |
1x 3.5mm Microphone Input |
| Audio Output |
1x 3.5mm Headphone Output |
1x 3.5mm Headphone Output |
| USB-C |
USB 3.2 Gen 1 (Data & Power) |
USB-C (Data) |
The next is the ports comparison. More or less, both have similar kinds of ports—micro HDMI input, headphone, and output port, so connectivity-wise both are quite similar to each other.
4. Camera Sensor Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Sensor Size |
APS-C (23.3 x 15.5 mm) |
APS-C (23.5 x 15.6 mm) |
| Effective Resolution |
26 MP |
26.1 MP |
| Sensor Crop Factor |
1.5x |
1.5x |
Let’s compare the internal core specifications of the cameras. We have the 26 MP X-Trans sensor on the Fuji side, while the Sony has a 24 MP Bayer pattern BSI CMOS sensor. More or less, we will get similar image quality from both cameras.
No, neither of the cameras has any mechanical stabilization inside them for stills, so you have to be careful while using these cameras.
5. Autofocus Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Autofocus Points (Photo) |
759 Phase Detection |
425 Phase Detection |
| Autofocus Sensitivity |
-3 to +20 EV |
-7 to +7 EV |
| Autofocus Modes |
Auto, Continuous, Single, Manual |
Continuous, Single, Manual |
The autofocus system of both cameras is super awesome. Still, again, since Sony and Canon are leading in autofocus tracking, as well as if you compare the number of phase-detect autofocus points, the Sony ZV-E10 II has 759 AF points, while the X-M5 remains limited to 425. So, more or less, the tracking performance coming straight out of the Sony camera will be more usable and reliable compared to the Fuji X-M5.
6. Image Stabilization Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Image Stabilization (Photo) |
No |
No |
| Image Stabilization (Video) |
Digital, Active IS, Gyro |
Digital IS |
On the other side, we have better autofocus sensitivity in the Fuji X-M5, which means the ability to lock focus in backlit situations is better with the X-M5. But again, AF sensitivity doesn’t help much with tracking performance. So both are completely different in terms of tracking and sensitivity. Generally, we rely more on tracking performance rather than sensitivity.
7. Continuous Shooting Speed Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Max Continuous Shooting |
11 fps (Photo) |
30 fps (Photo with electronic shutter) |
| Max Frames in Burst |
59 (RAW) / 1000 (JPEG) |
23 (RAW) / 128 (JPEG) |
The X-M5 offers 30 fps continuous shooting with the electronic shutter but with some crop. If I select the uncropped mode, the speed drops to 20 fps, which is still better than the Sony ZV-E10 II’s 11 fps continuous shooting mode.
8. Video Resolution Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| 4K Video |
3840 x 2160 at 60 fps |
6240 x 4160 at 30 fps |
| Full HD Video |
1920 x 1080 at 120 fps |
1920 x 1080 at 240 fps |
| Video Bit Depth |
10-Bit |
10-Bit |
Before you come to a decision that you are going to buy a camera with 6.2K resolution, you must first look towards your own personal requirements. If your personal requirements fulfill with 4K recording up to 60 frames per second, then without a doubt, a camera with more than 60fps mode is enough for you. But if you are a short filmmaker or someone who likes to get an open gate video in F-Log2 mode and then later on edit in your editing software, then you should buy the Fuji X-M5 camera. Otherwise, if you are a YouTube content creator or create Instagram Reels, then there is no need to buy a camera with 6K open gate recording.
To be very clear, the Fuji X-M5 does not have the same autofocus tracking performance as the Sony ZV-E10 II.
9. Codecs and Bitrates Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Codecs |
H.264, H.265, XAVC S |
H.264, H.265, AVC-LongG |
| Bitrates |
100 to 600 Mb/s |
8 to 200 Mb/s |
10. Extra Video Features Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Log Profile |
Sony S-Log3, S-Cinetone |
FUJIFILM F-Log, F-Log 2 |
| Slow/Fast Motion |
Yes |
Yes |
| Recording Limit |
No Limit |
50 Minutes (4K) (Unlimited in 4k LP low Quality) |
Sony ZV-E10 Mark II camera, despite the fact that the camera doesn’t have a 6.2K open gate recording, gives you a bitrate option of 600 Mbps, whereas a Fuji X-M5 camera with 6.2K open gate recording limits the bitrate to 200 Mbps. So there is a very simple math calculation: more bitrate means more color coming into your footage.
Another big noticeable difference before we jump to the limitations we have to face with each of the cameras is that the Fuji X-M5 in 4K has a recording limit of 50 minutes. Now, the 50-minute recording can only be extended when you are using an LP mode in 4K, which degrades the quality of 4K recording, but it allows you to record for more than an hour. So you have to decide that if you are into podcasting, then select your camera wisely.
10. Video Recording Time Limit and Known Limitations
| Feature/ Limitation |
Sony ZV-E10 II |
Fuji X-M5 |
| 4K Video Recording Time Limit |
No official time limit (subject to thermal control) |
No official time limit (4K) (4k Lp low-quality unlimited recording) |
| Full HD Video Time Limit |
No official time limit |
No official time limit |
| Thermal Management |
Auto shut-off based on temperature settings (standard or high) |
Thermal control to avoid overheating (cut-off) |
| Battery Life (Video) |
Approx. 80 minutes (continuous recording) |
Approx. 60 minutes (4K) |
| Overheating Issues |
Rare in typical conditions |
May occur during extended 4K recording sessions |
| Slow-Motion Recording Limit |
No official limit (depends on settings and battery life) |
Approx. 3 minutes (240 fps Full HD) |
| Continuous Autofocus in Video |
Yes, with Eye and Object Tracking |
Yes, with Eye Detection and Fast AF |
| Internal Recording Bit Depth |
10-Bit Internal recording |
10-Bit internal recording |
| External Recording |
4K 60fps via HDMI output (10-Bit) |
4K 30fps via HDMI output (10-Bit) |
| Rolling Shutter (4K) |
Moderate at 4K 30 fps |
Moderate at 4K 30 fps |
Conclusion and Recommendation
| Category |
Recommended Camera |
Reason |
| Content Creator |
Sony ZV-E10 II |
Fast autofocus and good video quality for engaging content. |
| Reels Creator |
Sony ZV-E10 II |
Ideal for quick, easy short-form video creation. |
| Short Filmmaker |
Fuji X-M5 |
Superior image quality and advanced features for cinematic films. |
| Daily Life Vlogger |
Sony ZV-E10 II |
Compact and user-friendly for spontaneous vlogging. |
For Photographers
You can buy any one you like since both of them missing EVF and feature the same resolution sensor, but the Sony ZV-E10 offers a better handgrip whereas the Fuji X-M5 is more vlogging-oriented, without a doubt the Sony ZV-E10 II AF tracking performance is better so you can consider that also, on the other side we have film-simulation modes from Fuji which is being loved by many photographers worldwide.
Fuji X-M5 Price
Fujifilm X-M5 Body: $799- B&H Store
Fujifilm X-M5 + XC 15-45 Kit: $799 – B&H Store
Sony ZV-E10 Price
Sony ZV-E10 Mark II $998 [body]- B&H Store – [$1098 with kit at Amazon] Amazon.com
Support us – Use an affiliate link Amazon.com | B&H Store for the next purchase u make – it helps us
Admin Notes: Comparison Updated on – October 2024
Correction log: Updated recording time limit of the Fuji X-M5
By admin, on October 15th, 2024
DJI announces the new DJI Air 3S dual-camera drone. Take a look at the new features inside this $1000 zone, which is said to be a minor refresh of the DJI Air 3.
The biggest upgrade we are able to witness in the new DJI Air 3 is the introduction of a large 1-inch sensor. The secondary camera has a 1/1.3-inch sensor for more flexible shooting. it uses a new Sony-made 50 MP 1-inch sensor, with a new panoramic mode of 13,000 x 6,500 pixels, providing ultra-detailed images of landscapes.
Now, this 1-inch sensor-based camera uses a 24mm equivalent focal length as the main camera, and the telephoto lens, which has 3x optical zoom or 72mm full-frame equivalent, uses a 1/1.3-inch sensor.
Another major update is the introduction of LiDAR for obstacle avoidance and 42 GB of internal storage. As we know, the predecessor Air 3 was limited to only 8 GB of internal storage, making this a welcome update.
Price and Availability
The DJI Air 3S is available to buy now,
DJI RC-N3 controller, costs $1,099. – B&H Store
Fly More kits cost $1,399 and $1,599
By admin, on October 8th, 2024
Panasonic has finally announced the Lumix S5D, the camera is actually a true successor or modified version of the original Panny S5. The camera retains the same 24.2MP sensor as the Panasonic S5, paired with the DFD (Depth from Defocus) contrast-detect autofocus system. This means the autofocus performance will remain slower and sluggish, aka less accurate than systems featuring phase-detect autofocus, unlike in the S5 II or S5 IIx models, where they have used the latest PHASE AF SENSORS.
Panasonic’s decision not to upgrade to a phase-detect autofocus system was likely to keep the price lower. To counter this, the S5D is compatible with DJI’s LiDAR system, which allows the latest Panny S5 camera to achieve faster and more precise autofocus. However, to use this feature, you must mount the camera on a DJI RS3 Pro or RS4 Pro stabilizer via a USB connection. Btw, with a little more effort and manul settings, u can use LiDAR even in Panasonic S5.
When considering the cost of adding a DJI RS3 Pro or RS4 Pro to this setup, it might be more practical to invest in the S5 II or S5 IIx, which already come with advanced autofocus systems built-in. The S5D feels more like a refresh of an older model, perhaps aimed at boosting sales of DJI stabilizers rather than offering groundbreaking improvements.
Panasonic S5D Major Specification
- 24.2MP Full-Frame CMOS Sensor
- Low pass filter : no
- Processor : Venus Engine
- Mount L
- Electronic viewfinder: OLED, 0.74 inch, 2.36 Mpts
- LCD screen : 3.2 inches, 1.84 Mpts
- Autofocus: DFD contrast detection
- Number of AF points : 225
- AF coverage : 100% (auto selection), 100×90% (manual selection)
- Automatic detection and tracking: Humans (head, eye), Animals
- AF range: -6 to 20 EV
- Sensitivity : ISO 100-51,200 (expandable from ISO 50 to 204,800)
- Burst (with mechanical shutter and AF tracking): up to 5 fps
- Burst (with electronic shutter and AF tracking): up to 5 fps
- Shutter speed: 60 to 1/8000 s
- Buffer : 24 JPEG + RAW; + 999 JPEGs
- Video: 4K 60p (with crop), 4K 30 fps, Full HD 60p, Slow motion Full HD 180p
- Storage: 1 x SD UHS-I + 1 x SD UHS-II^
- Wireless connectivity: Wi-Fi 5, Bluetooth 4.2
- Battery life: 450 images via LCD, 430 images via EVF
- USB charging: Yes, USB-C
- Tropicalization: Yes
- Dimensions: 132.6 x 97.1 x 81.9 mm
- Weight : 714 g
- Launch price : €1,599 (as a kit)
Panasonic S5D Press Release
Panasonic Unveils the Lumix S5D: A Powerhouse for Photographers and Videographers
October 8, 2024 – TheNewCamera.com
Panasonic has just introduced the latest addition to its full-frame mirrorless camera lineup, the Lumix S5D. Designed to cater to both photography enthusiasts and professional videographers, the S5D maintains the best features of its predecessor while adding some important upgrades.
The S5D comes equipped with a 24.2MP full-frame sensor—the same as the original S5—offering Dual Native ISO technology. This allows for better performance in low-light conditions, along with the ability to capture stunning detail and dynamic range with over 14 stops. The maximum ISO of 51,200 ensures the camera can handle even the toughest lighting conditions.
For advanced video creators, the recently announced Panasonic S5D supports 4K 60p/50p 4:2:0 10-bit internal recording, with 5.9K external recording option when paired with an Atomos recorder. This specific feature makes it ideal for hybrid shooters needing high-quality output for photos and videos or even pro cinematographer can opt it. Built-in Stabilization is also a standout feature, we have the same 5-axis in-body image stabilization (IBIS) as we have seen in S5 II, which can work in rythm with compatible lenses to provide up to 6.5 stops of shake reduction.
Panasonic will offer two different kit options for the Pannsonic S5D at launch: a kit with the newly announced 18-40mm f/4.5-6.3 lens, and another with the versatile 28-200mm f/4-7.1 zoom lens. Prices for the kits will start at €1599, making the S5D an attractive option for creators looking to enter the full-frame market without breaking the bank.
Expect availability by the end of October 2024. As always, stay tuned for more updates right here at TheNewCamera.com!
Panasonic S5D vs Panasonic S5 – Specification Comparison
Here is a comparison table of the Panasonic S5D and the original Panasonic S5 based on their major specifications:
| Specification |
Panasonic S5D |
Original Panasonic S5 |
| Sensor |
24.2MP Full-Frame CMOS |
24.2MP Full-Frame CMOS |
| Low Pass Filter |
No |
No |
| Processor |
Venus Engine |
Venus Engine |
| Mount |
L Mount |
L Mount |
| Electronic Viewfinder |
OLED, 0.74 inch, 2.36 Mpts |
OLED, 0.74 inch, 2.36 Mpts |
| LCD Screen |
3.2 inches, 1.84 Mpts |
3.0 inches, 1.84 Mpts |
| Autofocus System |
DFD contrast detection |
DFD contrast detection |
| AF Points |
225 |
225 |
| AF Coverage |
100% auto selection, 100×90% manual selection |
100% auto selection, 100×90% manual selection |
| Subject Detection |
Humans (head, eye), Animals |
Humans (head, eye), Animals |
| AF Range |
-6 to 20 EV |
-6 to 20 EV |
| ISO Sensitivity |
ISO 100-51,200 (expandable to ISO 50-204,800) |
ISO 100-51,200 (expandable to ISO 50-204,800) |
| Mechanical Shutter Burst |
Up to 5 fps |
Up to 7 fps |
| Electronic Shutter Burst |
Up to 5 fps |
Up to 7 fps |
| Shutter Speed |
60 to 1/8000 s |
60 to 1/8000 s |
| Buffer |
24 JPEG + RAW; + 999 JPEGs |
24 JPEG + RAW |
| Video Recording |
4K 60p (with crop), 4K 30p, Full HD 60p, Slow motion Full HD 180p |
4K 60p(with crop), 4K 30p, Full HD 60p |
| Storage |
1 x SD UHS-I + 1 x SD UHS-II |
1 x SD UHS-I + 1 x SD UHS-II |
| Wireless Connectivity |
Wi-Fi 5, Bluetooth 4.2 |
Wi-Fi 5, Bluetooth 4.2 |
| Battery Life |
450 images (LCD), 430 images (EVF) |
440 images (LCD), 470 images (EVF) |
| USB Charging |
Yes, USB-C |
Yes, USB-C |
| Tropicalization |
Yes |
Yes |
| Dimensions |
132.6 x 97.1 x 81.9 mm |
132.6 x 97.1 x 81.9 mm |
| Weight |
714 g |
714 g |
| Launch Price |
€1,599 (with kit lens) |
$1,997 (body only) |
Key Differences between the new Panasonic S5D and the Panasonic S5:
- The first noticeable advantage in the body is the Panasonic S5D has a slightly larger LCD screen (3.2 inches vs. 3.0 inches on the S5).
- Burst speed or Continuous shooting speed with both the mechanical and electronic shutters is lower on the S5D (5 fps) compared to the original S5 (7 fps). So we don’t know the exact reason why Panasonic decided to keep it slow in the new model.
- The New Panasonic S5D offers compatibility with DJI’s LiDAR system for improved autofocus when paired with a stabilizer like the DJI RS3 Pro, which is not an official feature on the original S5, but yes you can use it if you wish to.
- Video recording capabilities are similar as Panny original S5, but the S5D now officially supports slow-motion Full HD at 180p.
Overall, the Panasonic S5D is almost a copy of the original S5, with subtle updates like LiDAR compatibility and a slightly larger screen, though it retains the same sensor and processor.
TNC Take – I was expecting a proper announcement from Panasonic but its an just an refresh which can be done with a firmware update too, even with the older Panasonic S5 bodies.
By admin, on October 7th, 2024
According to the latest rumor, the Panasonic S5D camera may arrive on October 8, 2024. It has been reported that the camera will be a slightly updated version of the Panasonic S5. It will feature a new OLED electronic viewfinder, and the price with the kit lens will be somewhere around $1599.
Panasonic S5D initial specification
- Slightly updated S5 camera
- New Oled EVF
- Price with kit lens is 1599 Euro
- Lens Panasonic Lumix S 18-40mm f/4.5-6.3 Lens
There are also strong rumors about the Panasonic S1 H Mark II camera and Panasonic S5R camera
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumor
source – Lrumors
By admin, on October 7th, 2024
Finally, the day arrived when Fuji started teasing the announcement of the Fuji X-M5 camera. Finally, after a long gap of Fuji X-S20, we will have a dedicated vlogging camera from Fujifilm. Let’s celebrate its arrival 🙂
Announcement will happen on X Summit CLAY Studio 2024 on October 14, 9AM EDT (6AM PDT / 7AM MDT).
Leaked Image of the Fuji X-M5 By Fuji Rumor Mill
Fuji X-M5 Specification
- 26.1MP APS-C X-Trans BSI CMOS 4 Sensor
- X-Processor 5 Image Processor
- DCI/UHD 4K at 60 fps [4k 120 fps with crop]
- Dedicated Vlog Mode for Content Creators
- 425-Point Hybrid AF System
- Frame.io Camera to Cloud Integration
- 20 Film Simulation Modes
- 3.0″ 1.62m-Dot Vari-Angle Touchscreen
- Bluetooth and Wi-Fi Connectivity
- Announcement October 14, 2024
- Arrival: On or before Nov 2024 [may get delayed]
Stay tuned more updates coming
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source of images – Fujifrumors.com
By admin, on October 5th, 2024
Canon R5C Mark II Early specifications surfaced over the web, there is a high probability these specs are of one of the EARLY PROTOTYPE of the upcoming camera, in genral a camera maker tests several prototypes of a high-end camera before the finalize the production line version. Take a look at the set of specs, of the upcoming Canon R5C Mark II camera
Canon R5C Mark II Rumored Specification
- Dual System Design with Active Cooling:
The Canon R5C Mark II will continue the “dual system” setup as we have seen in the original Canon R5C, where the camera can function as both a high-performance stills camera (like the R5) and a cinema camera (for video production). The mention of a “square, thickened active cooling body” indicates that the upcoming R5C II will have an enhanced thermal management system, likely allowing uninterrupted recording in every ALL available resolution of the camera.
- Introduction of SDI Interface: Now, that’s the most important part of the rumored specs we have read so far, the Canon R5C Mark II upcoming camera will use or have an SDI port. Again as per the source, the camera maker may swipe the HDMI in favour of SDI, or they may keep both as an option to the user. SDI is typically more reliable and provides better signal quality over longer distances, which is a common requirement in professional video setups.
- The 4K RAW Video Changes: No lower quality 4K SRAW (which was a lower-resolution form of RAW), but instead will feature a higher-resolution format: 4096×4320 pixels. This is a sub-pixel merging technique, which effectively produces a more detailed “native” 4K output by using higher-resolution data and downsampling it intelligently. This likely improves image quality in terms of sharpness and color accuracy.
- The 4K/24-60p YUV Video: Introduction of Custom Sensor READOUT speed pattern as per user requirement
The R5C II offers a YUV video format in 4K resolution, with two modes:
- High-Quality Mode (8192×4320 Sampling): Here, the camera samples from an 8K resolution (8192×4320) to produce a very detailed 4K output.
- High-Speed Mode (4096×4320 Sampling): This mode uses 4K footage but samples it horizontally rather than vertically. This adjustment could be aimed at optimizing performance while maintaining good color depth and resolution in YUV422 format (commonly used in professional video work).
Overall, if we look at the rumored set of core specifications, the Canon R5 Mark II camera features enhanced core specifications compared to the original Canon R5C, especially in terms of resolution and video output options.
Stay tuned more updates are coming
Also, see – Canon Selling 2X More Cameras than Sony in China
Get Canon Latest 28-70mm F2.8 Lens from Amazon.com – B&H Store – Support this website
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source – E8M_8888
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