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Canon EOS R5 vs Canon EOS R vs Canon EOS RP - Image Comparison

 

Side by side image comparison of Canon EOS R5, Canon EOS R, and Canon EOS RP. Take a look a the size comparison of all three cameras. The Canon EOS R5 looks slightly bulky and has more dipper handgrip compared to Canon EOS R. On, the rear side of the camera as you can see Canon removed the Toch navigation bar and instead of that they have added the joystick controller on the rear side of the camera.

 

We already have the Video spec of the camera, the official announcement of the camera may happen in May OR early June 2020.

Get Canon EOS R5 from B&H Store | Amazon.com

We will update you soon as we get any new information related to the upcoming cameras.

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Canon R6 Announcement in May 2020

According to the latest rumors we have Canon EOS R6 is rumored to arrive in the month of May 2020. So, we have a slight change in the announcement time, since earlier it was rumored to arrive in the month of June 2020. Take a look at the rumored specifications of the camera

Canon R6 Announcement

  • 20mp full-frame CMOS sensor
  • IBIS
  • 12fps mechanical and 20fps electronic.
  • 4K @ 60p
  • FullHD @ 120p
  • Dual card slots
  • No top-down screen
  • Lower resolution EVF than the EOS R5
  • Build quality not as good as the EOS R5
  • New battery
  • Expected arrival date – June 2020 May 2020

Sources of the rumor mill also suggest that the camera will not use the Canon 1DX Mark III sensor. So, literally we now have two options

  1. Sensor resolution is the same but the DPAF is of the new generation.
  2. Both the Sensor resolution and the DPAF system are new.

More or less, as we always say Canon always keeps several prototypes under test to create a perfect camera.

Also, see- Canon Upcoming Cameras 2020

We will bring more updates to you as we get any new information.

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Canon C300 Mark III Press Release

We have told you that Canon C300 Mark III is coming. The C300 Mark II is now official and Canon’s first Camera to feature Dual Gain Output (DGO) Sensor. Take a look at the major features of the camera

Canon C300 Mark III Major Features

Super 35mm Dual Gain Output (DGO) Sensor
4K 120p, 2K Crop 180p HDR
Cinema RAW Light and XF-AVC H.264 Codec
EF Lens Mount, DIG!C DV7 Image Processor
Dual Pixel CMOS AF and Face Detection
LM-V2 4.3″ LCD Touchscreen Monitor
12G-SDI and 4-Channel Audio Recording
2 x CFast Card Slots, Canon Log2 and 3
Electronic Image Stabilization
Proxy Recording, Anamorphic Lens Support

Get Canon EOS C300 Mark III from B&H Store

Canon C300 Mark III Press Release

With New Super 35mm Sensor and 4K Internal Recording, the Latest Addition to the Canon Cinema EOS Line Offers High Image Quality and a 15-stop Wide Dynamic Range

MELVILLE, N.Y., April 8, 2015 – Canon U.S.A. Inc., a leader in digital imaging solutions, is proud to introduce the new EOS C300 Mark II Digital Cinema Camerai for cinema, documentary, event and commercial videography. As the latest addition to the Canon Cinema EOS line of professional cameras, the EOS C300 Mark II features evolutionary updates including a new 8.85 Megapixel Super 35mm Cinema CMOS Sensor, new Dual DIGIC DV 5 Processors and a new Canon XF-AVC Codec that allows 10-bit 4:2:2 4K image data to be recorded internally, and an expanded dynamic range of up to 15 stops.

“Feedback from our customers is an invaluable asset that Canon takes very seriously in research and development,” said Yuichi Ishizuka, president and COO of Canon U.S.A., Inc. “Drawing on input from Canon’s global community of Cinema EOS camera users, the Company has improved upon capabilities of the EOS C300 cinema camera to now offer even higher image quality and a wider dynamic range, as well as improved operability, ruggedness and expandability.”

Enhanced Features & Benefits

To engineer the next evolutionary step up from the EOS C300 Cinema Camera, Canon has developed a new Super 35mm CMOS sensor that supports high-image-quality internal video recording from Full HD (1920×1080) and 2K DCI (2048×1080) to 4K UHD (3840×2160) and 4K DCI (4096×2160), utilizing Canon’s proprietary Over Sampling HD Processing to help meet the needs of multi-purpose productions. The new imaging sensor maximizes the amount of light that falls on each photosite through a wider pixel pitch, enhancing the EOS C300 Mark II camera’s sensitivity, while minimizing noise and supporting ISOs up to 102,400. The new sensor is also capable of twice the readout speed compared to the original, which in turn significantly reduces the occurrence of rolling shutter distortion.

The EOS C300 Mark II uses Canon’s new XF-AVC codec that compresses the camera’s 4K image data at a high level of quality for internal recording using CFast 2.0 memory cards. The EOS C300 Mark II can also output its signal simultaneously through built-in 3G-SDI ports for full uncompressed RAW recording to an external recorder.

The EOS C300 Mark II features a new log gamma tone curve – Canon Log Gamma 2 – which was designed specifically to help maximize the recording capabilities of the camera. The log format files can be ideal for post-production allowing users to apply processes where corrections, color matching and grading are applied, providing users with a high level of creative freedom in post-production without substantially degrading the image quality.

The EOS C300 Mark II camera supports both ACES and REC .2020 workflows, and utilizes the Material Exchange Format (MXF) for its file structure. MXF is an internationally standardized container format for the exchange of video and audio material. Using the MXF format, video and audio can be wrapped into a single file along with important metadata. With MXF, the EOS C300 Mark II camera can benefit from both the highest level of compatibility with popular non-linear editing systems, and also with high-end network systems used by many networks and production studios.

The Dual DIGIC DV 5 processors on the EOS C300 Mark II camera work hand-in-hand with the new Super 35 Canon CMOS sensor to enable a wide variety of image quality and feature improvements including 15 stops of dynamic range, bit rates up to 410 Mbps, Canon Log Gamma 2, XF-AVC Codec, Dual Pixel CMOS AF, simultaneous 4K and HD Proxy recording and 2K/FHD frame rates up to 120 frames per second. 10-bit recording with 4:2:2 color sampling is available at all resolution settings, but the 2K and Full HD resolutions also support 12-bit recording at 4:4:4 color sampling for maximum color fidelity.

The EOS C300 Mark II camera features the newest generation in Canon Dual Pixel CMOS AF technology that expands selection of the autofocusing area to approximately 80 percent (vertically) x 80 percent (horizontally) of the total image area. The EOS C300 Mark II camera is now capable of face detection AF with EF lenses in addition to existing Canon stepping motor (STM) lenses. Additionally, users can adjust the speed, tracking sensitivity, and specific size and location of the focusing area to help maximize creative control, and a new feature called AF-Boosted MF, which offers increased autofocusing stability. A super-imposed graphic interface called the Dual Pixel Focus Guide can also be added as a visual aid for autofocusing or to assist with the focusing of manual, cinema-style lenses.

In response to feedback provided by current EOS C300 Cinema Camera users, the EOS C300 Mark II builds on the innovative and efficient ergonomic design of the original camera by adding several redesigned features to help maximize shooting comfort and improve usability. For example, the new camera features a built-in microphone for scratch audio as well as dual CFast 2.0 card slots for MXF recording and an SD card slot for 8-bit 4:2:0 Full HD proxy recordings. The EOS C300 Mark II camera’s modular design allows different components to be added or removed as needed, not only to meet the demands of a particular shooting environment, but also to help maximize camera operator comfort. In addition to the core EOS C300 camera body, the new EOS C300 Mark II camera body comes with a removable hand grip and an improved low angle camera handle extension which features new additional attachment points, plus a removable LCD monitor with detachable cables, and control panel with XLR inputs. The EOS C300 Mark II camera is equipped with either a standard EF or PL lens mount, but can be modified at a later point in time for a fee by authorized Canon Cinema EOS service centers for users who prefer either locking EF mount or PL mount.

Pricing and Availability

The Canon EOS C300 Mark II Digital Cinema Camera is expected to be available in September 2015 for an estimated list price of $20,000.00, and will be available with either EF or PL mount. For more information please visit: http://usa.canon.com/nab2015

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and to Latin America and the Caribbean (excluding Mexico) markets. With approximately $31 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents granted in 2014† and is one of Fortune Magazine’s World’s Most Admired Companies in 2015. In 2014, Canon U.S.A. has received the PCMag.com Readers’ Choice Award for Service and Reliability in the digital camera and printer categories for the 11th consecutive year. Canon U.S.A. is committed to the highest level of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. In 2014, the Canon Americas Headquarters secured LEED® Gold certification, a recognition for the design, construction, operations and maintenance of high-performance green buildings. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss and follow us on Twitter @CanonUSA. For media inquiries, please contact pr@cusa.canon.com

Canon EOS M Camera with Sensor Shift Image Stabilization

According to the latest rumors coming from rumor mills, Canon is working on a High-End Mirrorless camera with built-in sensor-shift IS (Image stabilization. Now, the rumor mill doesn’t have any clue about the camera body name or the rest of the core specification.

Source also suggest the Canon EOS M5 II doesn’t have IBIS. It’s a bit usual since if Canon M50 Mk II arrives with IBIS then for sure it will someway cannibalize the sales Canon M6 II.

We will update you soon as we get any new information about the upcoming camera.

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Panasonic Upcoming Mirrorless Cameras to feature AI Sound Effects

Panasonic working on improving user experience by putting Artificial intelligence. The camera will auto-disable or lower the sound effects like shutter sound, beep when the user is using the viewfinder of the camera. So, the upcoming Panasonic GH6 or Panasonic S2 series camera may have these features.

Patent Details

Priority to JPxxxxxxxxx3 – 2019-06-10
Application filed by —  -2019-12-26
Publication of WO2019244695A1

An imaging apparatus (100) is provided with a first display device (31), a second display device (33), a speaker (21) which outputs a sound effect on a predetermined manipulation, and a control unit (15) which controls the output of the sound effect from the speaker. The control unit outputs a sound effect with a first frequency characteristic on the predetermined manipulation from the speaker when the first display device is set to be operable, and outputs a sound effect with a second frequency characteristic different from the first frequency characteristic on the predetermined manipulation from the speaker when the second display device is set to be operable.

http://thenewcamera.com/panasonic-gh6-coming-with-new-af-sensor-on-aug-sep-2020-rumor/

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Fuji X-H2 Coming [Rumor]

Fuji X-H series isn’t dead yet, Fujifilm UK Manager Andreas Georghiades denied the reports that Fuji X-H series is dead. Take a look what he said in a podcast published at Fujicast website

About Future of X-H Line

  • Fujifilm X-H line is not dead
  • There is a need in the market for a bigger camera and more durability
  • there is not one camera for everything. There are different cameras for different needs, but with same image quality
  • there is space for an X-H line

Use of Sony 32MP Sensor in Future Cameras (Fuji X-TH2 / Fuji X-T5)

While talking about the quality of lenses he told

  • current lenses are good for about 32 megapixel
  • if future Fuji sensors will have more megapixel, then there will be a need for new lenses

We do know Fuji will be getting Sony 32MP OR 43MP sensors for their future cameras from Sony soon. Both of them are commercially un-available at the Sony sensor website. Take a look at the list of Sony sensors to be used in upcoming wolrdwide cameras. 

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source – FujiCast

 

Olympus Working on Advance Hybrid AF Sensor

The sensor is designed by a camera manufacturer but outsourced for fabrication to a third party, it is not quite the same as using a sensor from a third party, right? So, most of the camera makers including Fuji, Nikon and now even Canon does the same. In the New patent, Olympus is working to improve the Autofocusing system of the Hybrid sensors. The patent was granted on Feb of this year. We do hope and expect we will see a new generation of Hybrid AF Sensors in Upcoming Olympus Flagship cameras.

Patent Details

Application JP219A events
Application filed by  Olympus Corp – 2019-01-10
Priority to JP19A – 2019-06-06
Publication of JP289A – 2020-02-26
Application granted – 2020-02-26
Publication of JPB2 – 2020-04-12
Application status is Active –
Anticipated expiration – 2034-06-19

Patent Details (Translated)

In an imaging device having a plurality of imaging pixels and a plurality of focus detection pixels in which the position of the opening of the light receiving unit is shifted relative to the imaging pixels,
The focus detection pixels of the first focus detection pixel group including a plurality of focus detection pixels having different positions of the openings, which are shifted in the first direction, correspond to the first color filters of the imaging pixels. Are arranged at the first pixel pitch in the first direction for each focus detection pixel where the position of the opening is different,
The focus detection pixels of a second focus detection pixel group including a plurality of focus detection pixels whose openings are shifted in a second direction different from the first direction and whose positions of the openings are different from the first detection pixels of the imaging pixels. At positions corresponding to second color filters different in color from color filters of 1, each of the focus detection pixels with different positions of the apertures is arranged at the second pixel pitch in the second direction.

We will update you soon as we get any new information.

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