Fuji X-H line created for dedicated cinema cameras. Fuji X-H1 cameras were one of the most popular APS-C cameras of Fuji.. And it was the first model to introduce IBIS in the Fuji Mirrorless system. As usual, we know Fuji never does incremental updates in their flagship APS-C cameras. That’s why due to lack of proper technology they have delayed the update of the Fuji X-H2 Mirrorless camera. Earlier, the Fuji X-H2 mirrorless camera was expected to arrive in 2021.
Before we discuss further, the possible set of specifications of the upcoming camera. Take a look at what did Fujifilm managers said during an interview about the Fuji X-H2 camera
Fujifilm X-H2 not so soon
Fujifilm continues to “investigate future X-H cameras”
X-T and X-H are two clearly different lines. What is the difference? “Difficult to say now; we need some sort of the breakthrough, probably.”
it’s not enough for the X-H2 to be an X-T4 with a bigger grip, “we have to have something more revolutionary.”
X-H2 is where new technology will enter the product line
It’s very clear from the interview they are talking about breakthrough technologies, They don’t want to put a regular update on the X-H line. Possibly once they have a supply of new High-Resolution APS-C Sensor from Sony, after that they will update the new X-H line..
Sony 43 and 32MP APS-C CMOS Sensor
We are one of the first websites in the world to publish a Sony list of Sensors that may get used in upcoming APS-C and FF cameras. Right now Sony has 32MP and 43 MP high-resolution APS-C CMOS sensors. it will be interesting to see which sensor does Fuji picks up for their X-H2 Camera. If they select the 32MP sensor then the X-H2 camera will remain limited to 6K and if they select the 43MP Sensor then we do have a high possibility of the presence of 8k video mode inside Fuji X-H2. Only time will tell.
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We are getting more confirmation of the Sony A6900 camera by rumor mills. The latest leaked specification suggests the Sony A6900 camera will carry a 32MP APS-C Sensor developed by Sony as we have told you earlier too. The camera will have the latest generation of Bionz X image processor and features continuous shooting speed up to 20FPS. The camera will have electronic shutter tech similar to the recently announced Sony A1 camera.
Keep in mind highly-trusted sources are still silent at this moment we will update you soon as we get any more information.
Yongnuo YN 85mm F1.8R DF DSM Auto Focus Lens Canon RF Mount Mirrorless Cameras finally here. So, finally, we have a lens from a third-party lens maker that features Autofocus for Canon Fullframe Mirrorless cameras. Take a look at the major specification of the lens
For full-frame mirrorless cameras with Canon RF mount
Aperture ratio: 1: 1.8-1: 16
Focal length: 85mm
Minimum focusing distance: 80 centimeters
Maximum magnification ratio 1: 7.7
Optical design: 9 elements in 8 groups, with 2 special optical elements. The circuit is new, not at all similar to the one used in the models for the Yongnuo 85mm 1: 1.8N and Yongnuo 85mm 1: 1.8 lenses. The same design is used by the Yn Lens YN85mm F1.8S DF DSM.
Autofocusing with DSM stepping motor (Digital Stepping Motor)
Aperture: 7 rounded blades
AF / MF focus mode switch, support FTM
Control ring , smooth or with clicks (optional), combined with focus ring (optional: focus / control / click)
Filter diameter: 58 mm
Programmable control button
Hood included
USB TYPE-C port for firmware upgrades and lens adjustments
Full specifications of Panasonic GH5 Mark II camera leaked today, the sensor and major video specs remain almost the same and we are not able to spot any major upgrade in Panasonic GH5 Mark II camera for photographers or cinematographers.
We are comparing Panasonic GH5 Mark II vs Panasonic GH5 with the set of available information here. Most of the major specification of the camera remains same. Take a look at the Major specs of the camera
Panasonic GH5 Mark II
Panasonic GH5
Sensor
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888)
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888)
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
ISO Sensitivity
Auto, 200 to 25600 (Extended: 100 to 25600)
Auto, 200 to 25600 (Extended: 100 to 25600)
Continuous Shooting
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Video
MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s] MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/180p [100 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p [20 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p [24 Mb/s] MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s] AVCHD
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Full HD (1920 x 1080) at 23.976p [24 Mb/s]
MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s] MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/180p [100 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p [20 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p [24 Mb/s] MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s] AVCHD
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Full HD (1920 x 1080) at 23.976p [24 Mb/s]
DMW-BLF19 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh
USB power supply, USB power charging, USB power delivery
NA
As you can see from the initial specification the camera is using the same sensor as Panasonic GH5, although they have upgraded EVF and battery from Panasonic S5.
The battery life of the Panasonic GH5 Mark II camera improved. The Panasonic GH5 Mark II uses the BLK22 battery of the Panasonic S5 camera. So, more or less.
The new Panasonic GH5 camera allows a USB power supply, USB power charging, USB power delivery which was not possible with the old GH5 camera.
More of less the Video and still specs of the camera remain the same which is really disappointing for those who are waiting for an upgrade.
Panasonic GH5 Mark II Major specification leaked, the camera will feature the same 20MP M4/3 sensor as GH5. Take a look at the Major Specs below
Panasonic GH5 Mark II Major Specification
Panasonic “LUMIX DC-GH5M2” has 20.33 million effective pixels,
4K60p video,
3.68 million dots
120fps compatible EVF,
DMW-BLK22 battery,
size 138.5x 98.1×87.4mm, weight 647g (main unit only),
US price It will cost $ 1697 ($ 2297 for the 12-60mm kit)
So, finally, we came to know the successor Panasonic GH5 is GH5 Mark II and not GH6. We will post more update as soon as we get more images and specifications.
The Pentax K-3 Mark III sensor is the same 26MP sensor as the X-T3 and X-T4, which are currently said to be the best in the APS-C market, and the details are very satisfying. The dynamic range has also improved and is wonderful. For high sensitivity, K-3 Mark III is very quiet and clear in comparison with RAW with Fuji X-T3,
The AF is completely new, and the tracking of moving objects has improved significantly compared to the previous Pentax machines, and the hit rate was excellent, but the Nikon D500 consistently had a higher hit rate. However, if you are a Pentax user who mainly shoots moving objects and wants to improve AF, the K-3 Mark III is the best camera.
Overall, I was satisfied with the AF speed and AF performance, but the buffer was insufficient and it quickly became clogged after the continuous shooting. The D500 can shoot continuously longer than the K-3 Mark III.
The battery is the same old as before, with a battery life of 800 and so on, but not as good as the D500.
The body is not lightweight, but it is not heavy and has a good balance.
The grip is very easy to hold and the thumb grip on the back is great, but to be honest the grip is a bit big in my hand. But I think it’s comfortable for most people. Overall, it feels really good when you hold it in your hand.
When it comes to button and dial placement, Pentax does a very good job.
The monitor is nicely sharp and nice, but unfortunately, it has the drawback of being fixed, which is inconvenient for low-angle live view shooting.
The viewfinder with a magnification of 1.05 is really wonderful with a beautiful view.
The previous Pentax menu had a lot of room for improvement, but the K-3 Mark III has a new menu system that makes it intuitive, very easy to use and a favorite. Overall, the menu has been greatly improved over previous Pentax machines.
If you’re looking for a video camera, there are better options, such as the X-T4 and Panasonic S5, for the same price range. 4K video is fairly clear, but the drawback is that the crop magnification is as large as 1.4 times, and the sensor size during recording is smaller than m4 / 3, which affects dark performance.
Camera shake correction is not top class, but it can remove small shakes and does a great job.
Nikon D500 vs Pentax K-3 Mark III
Which of the D500 and K-3 Mark III is the best APS-C SLR camera will depend on the user’s application. If AF is important, the D500 not only has a higher hit rate for moving objects but is also good for stationary portraits. The AF of the K-3 Mark III had a hard time focusing on the eyes. On the other hand, if image quality is important, I think the K-3 Mark III is better. The K-3 Mark III is a camera worth upgrading, but the downside is its high price.
The K-3 Mark III has been improved in all aspects such as AF, image quality, and operability, and it seems that it has greatly evolved from the K-3 Mark II. AF seems to be a little inferior to the D500, but it seems that the evolution from the past is big, so it seems worth upgrading for those who shoot moving objects.
Regarding image quality, RAW noise reduction seems to have pros and cons, but as a result, very good image quality is obtained, so this may be evaluated more.
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