Canon R7 Overheating test done by Josh Sattin, the test was done in North Carolina is a state in the Southeastern region of the United States. According to the reviewer, the temperature outside was 90 degrees Fahrenheit – 32.22 celsius. So, if ur are in the Asian region or near to earth’s equator then you have to be more careful.
The camera was set on 7k Oversampled mode / 4K Fine recording at 24fps and recorded video up to 1 Hour and 1 Minute before the shutdown. Although I am really impressed to see that the Camera is able to run for more than 1 hour in direct sunlight @ 90 degrees Fahrenheit
Canon R7 is weather sealed camera with dual card slots, an updated 32-megapixel CMOS sensor, and enhanced video core specification the overall core spec looks very promising. In the video mode, we have a log profile open for cinematographers and the option to record a 10-bit internal video. Canon has given whatever the best core specs possible, at this price point
Should you buy Canon R7 for Wedding Photography?
Everything looks so attractive when you see the core specs of the camera, but its coming at a higher price range. So, instead of getting Canon R7 camera kindly look at the alternatives, we have to help you.
1. The only thing that resists me from recommending Canon R7 camera to you is its price range
You are paying for features that you would never utilize as a wedding photographer. For example, 15 FPS or 30 FPS continuous shooting speed with animal eye or Bird eye AF will get never utilized.
2. If You are an Only a Photographer then we do have a better Canon Combo for you
3. We Know DSLRs are in Cannabilization mode
So, what that means is we should stop using our brains too, the only thing I would request to anyone who is reading this article is to make the decision consciously.
4. As a photographer what matters to me is the image quality
OR you can say the overall output, with 90D and 18-35mm Lens you will have the best APS-C combo in your hand.
5. The Canon Fullframe Advantage approx the Same price range
6. Other Fullframe options
Nikon Z6 Mark II, Sony A7C, and Sony A7 III cameras are available when you are able to slightly increase your budget
I know that in that price range Canon doesn’t have any NEW full-frame camera
So take a decision concisely based on your requirements and budget and pick the best camera you want to have for wedding photography.
As we know the Canon EOS R camera uses a 30MP Fullframe sensor and the Sony A7 IV was recently announced with a 33MP sensor. Similarly, If Nikon follows the same trend as Canon and Sony, we are sure they will do. The next Nikon update to Z6 may Bring a 30MP Fullframe Sensor inside.
Keep in mind the below specs, is a wish-list of TNC list not coming out from any source
Nikon Z6 Mark III Expected core specification
30-33MP FX-Format CMOS Sensor
EXPEED 7 Image Processor
5-Axis In-Body Vibration Reduction
UHD 4K60 uncropped Video; N-Log & 10-Bit internal
HDR (HLG), ProRes RAW
New AI-Based Subject Detection from Nikon Z9
Real-time Tracking and Real-time Eye AF
Dual Memory Card Slots
Announcement Aug-Oct 2022
Body price under $2500
Why a 30MP Sensor inside the Nikon Z6 Mark III Camera?
Both EOS R and Sony A7 4 camera, feature a 30 and 33 MP sensor respectively
We know that the Canon EOS R update is arriving, with a 30 MP sensor inside it. And the other competitor A74 already has inside it, Now Nikon has no other way left and they have to introduce the sensor of a 30 MP resolution inside the upcoming Nikon Z6 Mark 3 camera
Getting a 30MP Sensor from Sony isn’t easy, Since Sony already has an A74 with a 33MP Sensor on the market. Let’s see What Nikon will do now? Let’s hope for the best
Why Expeed 7 inside the Nikon Z6 Mark III Camera?
Nikon will use its Expeed 7 image processor inside the Nikon Z6 Mark 3 camera. As you can see nowadays even Canon Mid-Range APS-C Mirrorless cameras are using Digic X image processors, and the camera market is now becoming more competitive
With the introduction of a new image processor, the camera makers also introduce new image recording algorithms as well as new AI AF algorithms. If Nikon wants to follow up on the market competition they have to use Nikon Z9 Expeed 7 Image processor.
Nikon Z6 Mark III AutoFocus System ?
Nikon will introduce the Z9 AI AF system to the Nikon Z6 Mark III Camera. To improve the overall AF performance of the Nikon Z6 Series cameras.
Type of AF modes expected to arrive inside the Z6 Mark III – 9 types of simultaneous subject detection in both stills and videos. We will experience a big technological upgrade in the AF performance of the camera compared to the existing Z6 Mark II.
Before we put our expectations for the desired continuous shooting speed. We have to see what the competitors are offering right now
Canon R6 offers 14fps of Mech shutter speed and 20fps of elec. Shutter. Sony A7 IV Limite to 10FPS only. We are not expecting a faster burst speed in the Z6 Mark III camera, since this time we do also have a higher resolution to process.
Nikon Z6 Mark III Video Specs?
10-bit internal video recording, they have to introduce it, Nikon has no other way left. 4K 60p Oversampled file, 10 Bit internal Recording, and a Vari-angle display screen. Recording modes include NLog, NLog2, AppleProRes, HLG(HDR), and of course, H.265 carrier also included for 10 Bit MP4 files.
If you consider all the videography features that we are expecting here, then for sure we will have a major upgrade compared to the existing Nikon Z6 mark to camera
Fuji announced a new camera today, the camera features a 26 MP stacked CMOS sensor. AF / AE tracking improved vastly due to the 2X faster image processor included inside. The camera has the ability to shoot 40 frames per second with full-time AI AF support. The 40fps and a buffer that allows up to 184 JPEG or 175 Raw files at this fastest rate, and over 1000 JPEGs or 400 Raw images at 15fps using its mechanical shutter.
The camera has the ability to Capture 6K video with the help of a new 26Mp Sensor and a new 2X image processor. The X-H2S can capture DCI or UHD 4Kat up to 60p using the entire width of its sensor to give footage sampled from 6.2K width. It can also shoot 3:2 6.2K footage using its entire sensor area or 4K at up to 120p from a 1.29x cropped area. Footage can be recorded in a choice of 8-bit H.264, 10-bit H.625 or ProRes 422HQ, 422 or 422 LT with the option of ProRes Proxy capture in parallel. 4K at up to 120p can be output over HDMI or a Raw stream for encoding as ProRes RAW or BRaw using external recorders. Means a perfect Cinema camera for Fuji Lovers.
An 18-120mm F4 power zoom lens has been launched alongside the camera, as has a 150-600mm F5.6-8.0 super-tele zoom.The Fujifilm X-H2S will be available from early July at a recommended price of $2499.
Fuji X-H2S Press Release
Fujifilm Introduces X-H2S Mirrorless Digital Camera
New flagship camera features enhanced still and video capabilities
Valhalla, N.Y., May 31, 2022 – FUJIFILM North America Corporation today announced the launch of its next flagship X Series mirrorless digital camera, FUJIFILM X-H2S (X- H2S). The most advanced X Series mirrorless camera yet, X-H2S includes advanced features for both still photography and video. It is also the first APS-C digital camera of its kind to feature Fujifilm’s 26.16MP X-TransTM CMOS 5 HS imaging sensor, a stacked, back-side illuminated imaging sensor with a signal reading speed up to four times faster than Fujifilm’s previous X-TransTM CMOS 4*1.
X-TransTM CMOS 5, combined with the newly minted X-Processor 5 (which doubles the camera’s processing power compared to X-Processor 4), greatly enhances overall image fidelity at lower ISOs and reduces noise at higher ISOs. Subject-detection AF, which maximizes the tracking speed and accuracy of moving subjects is now made possible through the incorporation of an AI processor.
For video, X-Processor 5 enables the recording of 10-bit 4:2:2 video in resolutions up to 6.2K/30P and frame rates as fast as 4K/120P and FHD/240p. Support for professional codecs, like Apple ProRes HQ/ Pro Res 422/ Pro Res LT, provide incredible flexibility within post-production workflows, while also minimizing power consumption, thereby extending the camera’s maximum video recording time up to 240 minutes.
“The universal reaction to X-H2S has been, ‘This is exactly what I’ve been waiting for!’ The overwhelmingly enthusiastic response reinforces my belief that X-H2S will be the versatile, hybrid digital camera that can meet the diverse needs of photographers and motion production professionals,” said Victor Ha, vice president, Electronic Imaging and Optical Devices Divisions, FUJIFILM North America Corporation. “It’s fun to see so much enthusiasm for this camera, especially since the features it has aren’t normally found at a price point of only $2499.95.”
With these sensor and processor updates, X-H2S achieves substantial performance improvement over other digital camera models on the market, including:
Major boost to burst mode capability: X-H2S can apply AF / AE tracking in blackout-free continuous shooting conditions of up to 40 frames per second*2, and can create over 1,000 frames continuously with the high-speed burst shooting mode set to 30 frames per second (JPEG) or 20 frames per second (RAW)*3
Dramatically evolved autofocus (AF) performance: X-H2S’s high number of AF calculations performed per second improves overall AF accuracy and facilitates subject-detection AF. Developed with Deep Learning technology, subject-detection AF implements an advanced prediction algorithm to enhance the performance of Zone AF, by refining the camera’s ability to track moving subjects in low-contrast environments. Subject detection and tracking has also been expanded from the human face and eyes to now include animals, birds, cars, motorcycles, bicycles, airplanes and trains. X-H2S keeps targeted subjects consistently in focus, allowing users to concentrate on framing and critical image-making opportunities.
Exceptional video performance: X-H2S digital camera supports internal recording of 4:2:2, 10-bit Apple ProRes HQ/ ProRes 422/ ProRes LT and ProRes 422 Proxy at resolutions of up to 6.2K/30P and 4:2:2, 10-bit h.265video in frame rates as fast as 4K/120P and FHD/ 240p. The sensor’s readout speed of 1/180 seconds when recording video further assists in minimizing rolling shutter effects on moving subjects, or when the camera itself is moving. A heat-dissipating design brings the 4K/60P continuous video recording time to approximately 240 minutes, while the optional FAN-001 cooling fan accessory assists with maintaining similar levels of performance in high-temperature conditions.
Significant flexibility for external recording: X-H2S is the first X Series digital camera to contain F-Log2, which provides a dynamic range of up to 14+ stops, allowing for more creative possibilities both in production and post-productionworkflows.
Additional Product Features:
Best subject tracking in X Series history
X-H2S controls phase-detection pixels independently from image display when in burst mode. This triples the number of calculations in phase detection from the acclaimed FUJIFILM X-T4 and enables high-speed focusing even during high-speed continuous shooting.
X-H2S’s electronic viewfinder uses a high-resolution, 5.76-million-dot panel with a magnification of 0.8x. With a frame rate of approximately 120fps, the smooth viewfinder offers stellar visibility as a result of strong suppression of parallax and distortion (which commonly occurs when an eye position becomes displaced while using the viewfinder), thereby enabling accurate subject tracking.
Thoughtful design to enhance users’ content creation experience
The camera features an all-new five-axis, in-body image stabilization mechanism, which offers up to 7.0-stops of image stabilization*4. Users can comfortably choose to operate the camera handheld in active environments (e.g., sports) or in low-light conditions (e.g., nightscape).
X-H2S incorporates the popular design features of Fujifilm’s previous X-H1 model, such as a large grip that works well with large lenses, an LCD display on the top panel for users to check settings at any time, and a highly-robust body that withstands heavy professional use. Many additional improvements have also been included in the design and construction of X-H2S:
The shutter button’s overall feel has been adjusted to improve its operability when it is half-pressed. This allows users to release the shutter exactly when intended.
A standalone video recording button has been added to make the experience of recording video with the 1.62-million-dot, vari-angle LCD monitor a seamless experience.
From the fit and finish of the buttons and materials used in the construction of X-H2S to being able to map specific functions to the AF ON button, image-makers will find the experience of using X-H2S intuitive and familiar. Shutter durability has been optimized, withstanding 500,000 actuations during quality and performance testing.
The camera features dual memory card slots supporting one CFexpressTM Type B and one SD card*5. Users can draw out the full potential of X-H2S’s fast, continuous image-making and video performance with the high-speed data processing performance of CFexpressTM Type B memory cards.
X-H2S Accessories
Several new accessories are also being introduced to complement the launch of X- H2S. These optional accessories include:
Vertical battery grip (VG-XH)
Dust- and moisture–resistant and is designed to operate at temperatures as low as 14 degrees Fahrenheit (-10 degrees Celsius). It fits two FUJIFILM NP-W235 high-capacity batteries.
The grip’s button layout is designed to provide equal operability whether holding the camera vertically or horizontally.
File transmitter (FT-XH)
Features wired LAN connectivity and high-speed wireless communications capability, essential for in-studio tethered content creation or for creating sports/media content. It can also be used as a vertical grip using two FUJIFILM NP-W325 high-capacity batteries.
It can be combined with X-H2S to support the following communication specifications:
FTP transfer by wired LAN / wireless LAN / USB Smartphone tethering
Tethered shooting by wired LAN / wireless LAN
Remote recording function by wired LAN / wireless LAN; capable of controlling up to four X-H2S cameras from a browser at the same time
Cooling fan (FAN-001)
Specifically designed for the X-H2S to facilitate extended image creation and video recording in high temperatures.
The fan can be fitted to the rear of the camera body without a cable, supplying power, extending continuous video recording time at high temperature, and eliminating concerns of heat-related camera shutdown.
Cover kit (CVR-XH)
Protects various terminals on the camera. Items contained in this kit:
FUJIFILM X-2HS mirrorless digital camera is expected to be available in early July 2022 at the Manufacturer’s Suggested Retail Price of $2,499 USD and $3,200 CAD.
Pricing and expected availability for X-2HS accessories are as follows:
VG-XH Vertical Battery Grip: Available early July 2022 at a Manufacturer’s Suggested Retail Price of $399 USD and $515 CAD.
FT-XH File Transmitter: Available in September 2022 at a Manufacturer’s Suggested Retail Price of $999 USD and $1,280 CAD.
FAN-001 Cooling Fan: Available early July 2022 at a Manufacturer’s Suggested Retail Price of $199 USD and $260 CAD.
CVR-XH Cover Kit: Available early July 2022 at a Manufacturer’s Suggested Retail Price of $19.99 USD and $26 CAD.
AE Bracketing
AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to +/-3EV steps)
Film simulation bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%)
ISO sensitivity Bracketing ( +/-1/3EV, +/-2/3EV, +/-1EV)
White Balance Bracketing ( +/-1, +/-2, +/-3)
Focus Bracketing (AUTO, MANUAL)
Multiple Exposure Yes (Max. 9 frames)Additive, Average, Bright, Dark HDR Mode (AUTO, 200%, 400%, 800%, 800%+)
Advanced filter Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple
Focus Mode
Single AF/ Continuous AF/ MF
Focus Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Focus Low-Light Performance Contrast: -4.0EV
Phase Detection: -7.0EV AF Frame Selection
Single point AF: 13 x9/ 25 x17 (Changeable size of AF frame) Zone AF: 3 x3/ 5 x5/ 7 x7 from 117 areas on 13 x9 grid Wide/Tracking AF AF-S: Wide/ AF-C: Tracking, All
White Balance
Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1 – 3/ Color temperature selection (2500K-10000K)/ Preset Daylight, Shade, Fluorescent Light-1, Fluorescent Light-2, Fluorescent Light-3, Incandescent Light, Underwater
Self-Timer 10sec./2sec.
Interval Timer Shooting
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash Mode
TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF Shoe Mount Flash TTL (TTL AUTO) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI
Hot Shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder EVF
0.5″ approx. 5.76 million dots OLED Color Viewfinder
Coverage of viewing area vs. capturing area: approx. 100%
Eyepoint: approx. 24mm (from the Rear End of the camera’s Eyepiece) Diopter adjustment: -5-+3m-1
Magnification: 0.80 x with 50mm lens (35mm equivalent) at infinity and Diopter set to -1.0m-1
Diagonal angle of view: approx. 40 Degree (Horizontal angle of view: approx. 32 Degree ) Built-in eye sensor
LCD Monitor
3.0″ vari-angle Touch Screen Color LCD Monitor Aspect Ratio 3:2
Resolution: Approx. 1.62 million dots
Touch Screen Shooting Mode
Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting
Film Simulation Mode
19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Clarity Setting +/-5 steps
Monochromatic Color Yes
Grain Effect
Roughness STRONG, WEAK, OFF, Size LARGE, SMALL
Color Chrome Effect STRONG, WEAK, OFF
Color Chrome Blue STRONG, WEAK, OFF
Dynamic Range Setting
AUTO, 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
Dynamic Range Setting (Movie) 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%:
ISO640 or more) Wireless Transmitter Standard
IEEE802.11a/b/g/n/ac (standard wireless protocol) Wireless Transmitter Encryption
WEP/WPA/WPA2 mixed mode Wireless Transmitter Access Mode
Infrastructure Bluetooth Standard
Bluetooth Ver. 4.2 (Bluetooth low energy)
Bluetooth Operating Frequency 2402 – 2480MHz
Terminal – Digital Interface
USB Type-C (USB3.2 Gen2x1)
Terminal – Hdmi Output
HDMI connector (Type A)
Terminal – Others
3.5mm, stereo mini connector (Microphone), 3.5mm, stereo mini connector (Headphone), 2.5mm, Remote Release Connector, Hot shoe, Synchronized terminal
Power Supply
NP-W235 Li-ion battery (included)
Battery Life For Still Images
Economy Mode Approx. 720 frames, Normal Mode Approx. 580 frames
Actual Battery Life For Movie Capture
6.2K Approx. 90min. (29.97p),4K Approx. 70min. (59.94p), Approx. 60min (120p),Full HD Approx. 95min. (59.94p)
Continuance Battery Life
6.2K Approx. 120min. (29.97p),4K Approx. 105min. (59.94p),Full HD Approx. 165min. (59.94p)
Operating Temperature
-10 Degree C-40 Degree C
Operating Humidity
10% – 80% (no condensation)
Starting Up Period Approx. 0.49sec.
Battery Info
Required, included
Battery Material Lithium ion
Battery Type NP-W235
Battery Quantity 1
Dimensions (W x H x D)
External: 136.3 x 92.9 x 84.6-42.8mm
Weight
Including Battery and Memory Card: Approx. 660g Excluding Battery and Memory Card: Approx. 579g
It’s time to see the Canon R7 images at 100% scale, as you can see the image below is captured by a Canon R7 camera paired up with an 18-150mm kit lens. The sharpness level of the lens is just amazing even when captured at 100% scale.
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