According to the latest rumors, the Canon R5 Mark II camera to arrive in February of 2024. The reason is quite simple. Canon has a habit of releasing its flagship / Pro Cameras just prior to the Olympic games. We have seen this pattern in the past as well.
So, in 2024, the Olympics are set to start in July. Therefore, there is a high probability that Canon will release the EOS R5 Mark II camera.
At the same time, we have heard rumors about the Canon EOS R1 flagship camera for the past year. If these rumors are true, then the timelines for the Canon EOS R5 Mark II camera and the Canon EOS R1 are pretty close to each other and both are expected to arrive before the 2024 Olympics.
So, we have to wait for further confirmation. But with the set of all the information we have, one thing is for sure: either the Canon R5 Mark II or the Canon EOS R1 will arrive before the Olympics of 2024.
The Panasonic GH7 is expected to arrive with a hybrid autofocus sensor. This technology started from the Panasonic S5 Mark II, then Panasonic implemented its first hybrid Micro Four Thirds CMOS sensor in the Panasonic G9 Mark II camera, and finally, we are expecting the same sensor to arrive inside the Panasonic GH7.
The camera is set to arrive in Q4 of 2024. This is not so soon. We will post an update as soon as more details become available.
Viltrox’s new AF20mm F2.8 FE image is not available online. It is a full-frame autofocus lens that can be used on Sony E-mount mirrorless cameras. It uses an optical structure of 10 elements in 8 groups and 7 aperture blades. Recently, with a Focusing distance 0.19m, 52mm filter interface, the lens features an STM focus motor, an internal focusing system, a lens size of approximately 64.8*59.5mm, a weight of less than 189 grams, priced at only $899, and is expected to be officially released in late October.
Canon’s latest firmware update for the Canon R6 Mark II camera, add compatibility of the RF 5.2mm F2.8 L Dual Fisheye. This update, available today, introduces RF5.2mm F2.8 L Dual Fisheye compatibility for the EOS R6 Mark II, marking a pivotal moment in the world of VR content creation. With these advancements, creators gain powerful tools to bring their artistic visions to life.
Matthew Celia, the renowned creative director at Light Sail VR, and filmmaker Sam Newton are your guides into this exciting world. They present the Canon EOS Software Update 1.3.0, taking you on a journey through the realm of VR filmmaking, showcasing how Canon’s latest innovations are set to revolutionize the industry and how this expansion of Canon’s ecosystem empowers creators to craft immersive experiences like never before.
In addition to extending compatibility to the EOS R6 Mark II, enhancing the already remarkable RF5.2mm F2.8 L Dual Fisheye lens, Canon introduces groundbreaking features in this update including, electronic image stabilization, enabling dynamic gimbal-assisted scenes while ensuring stability for clips exceeding 10 seconds, as well as 360° VR export capabilities with 180° support and a sharpness setting for RAW movie footage, allowing creators to enhance VR images by adjusting Sharpness Strength, Fineness, and Threshold parameters. These enhancements collectively provide creators with a comprehensive suite of tools to elevate their VR content creation to new heights.
The RF5.2mm F2.8 L Dual Fisheye VR App support for EOS R6 Mark II will be part of the firmware update scheduled for September 26, 2023.
Canon Press Release
Canon U.S.A., Inc. Media Alert
Expanding VR Filmmaking: Canon’s RF5.2mm F2.8 L Dual Fisheye VR Lens Adds Compatibility with EOS R6 Mark II
Canon, a leader in imaging technology, is thrilled to unveil a new development in virtual reality (VR) imaging with the introduction of the RF5.2mm F2.8 L Dual Fisheye compatibility for the EOS R6 Mark II, as well as other advancements, available with a new firmware update available September 26th. These developments usher in a new era of VR creativity and functionality, delivering tools that empower creators to realize their artistic visions.
New Compatibility with the EOS R6 Mark II
The RF5.2mm F2.8 L Dual Fisheye lens, renowned for its superb imaging capabilities, now extends its support to the EOS R6 Mark II, joining the ranks of the EOS R5 and R5 C as compatible camera bodies. Ideal for advanced amateurs and featuring user-friendly functions, the EOS R6 Mark II camera is a high-performance hybrid camera that’s designed to capture decisive moments in both photo and video formats.
Innovative Image Stabilization That Expands Shooting Scenes
One of the standout features of this update is the introduction of electronic image stabilization for EOS VR clips that can be applied through the EOS VR Utility. This update expands shooting scenes by allowing for shooting while walking with a gimbal. Previously, it was recommended that shooters employ a fixed tripod setting. With the update, the system’s electronic angle and blur correction work harmoniously to enhance the overall stability of VR imagery for clips longer than 10 seconds.
Expansion of VR Environment
Canon is catering to the growing demands of immersive content creation with the introduction of 360°VR export, while in 180° for an even broader editing scope. This comprehensive support empowers creators to realize their visions within a 360° VR platform, while introducing both “Side by Side” and “Top Bottom” export options for a diverse editing experience.
Sharper VR Imagery
The new firmware update introduces a new sharpness setting for RAW movie footage. The sharpness detail option includes parameters for Sharpness Strength, Fineness, and Threshold, allowing creators to modify VR images by accentuating edges and reducing noise, resulting in a heightened sense of immersion.
Availability
The RF5.2mm F2.8 L Dual Fisheye VR App support for EOS R6 Mark II will be part of the firmware update scheduled for September 26, 2023.
More rumors related to the Sony A9 III camera are surfacing as the announcement date draws closer. We will soon have a confirmed set of specifications as well as images of the upcoming camera, but before that, let’s have a look at the set of rumors we have related to the A9 III camera.
According to the latest set of LATEST set of leaks, this camera will feature a 44-megapixel full-frame stacked CMOS sensor with the ability to record 8K video at 60 frames per second. Take a look at the major specs below.
Sony A9 III Specification [Latest Rumored]
44MP
8k60
4k120p
26fps
Although the mentioned specifications are slightly different from those we have shared in the past, we still believe that before announcing a flagship camera, the camera maker tests different types of prototypes in their lab. Maybe the recently mentioned 44MP-based model is one of the few prototypes of the A9 III camera.
Sony A9 III Specification [Rumored]
50MP Full-Frame Exmor RS BSI CMOS Sensor
Up to 60 fps Shooting, ISO 50-102400
8K 30p and 4K 120p Video in 10-Bit
3.7 m-Dot EVF (Blackout free)
759-Pt. Fast Hybrid AF, Real-time Eye AF
5-Axis SteadyShot Image Stabilization
Dual CFexpress Type A/SD Card Slots
We have to wait and see which camera bodies finally get approved for the production line.
As soon as we get any new information related to the A9 III camera, we will update you soon.
First, let’s look at the body design of the two cameras. The Nikon ZF features a retro body design with extensive manual controls. So, if you’re a photographer, the Nikon ZF is highly recommended, especially from a design perspective.
What I love about the Nikon ZF, apart from its extensive manual control, is the placement of the electronic viewfinder and its higher resolution. Not only does the EVF have a higher resolution, but the display of the camera also features a higher resolution compared to Sony’s A7 C Mark II.
You might feel that the hand grip isn’t as perfect as you’d expect in a modern camera. With the ZF, you can buy an external hand grip at a very reasonable price if you feel the need.
Unfortunately, the Sony A7 C Mark II features a single card slot. In contrast, the Nikon ZF has a MicroSD card slot along with a UHSII SD card slot. As a photographer, you get an extra slot to save your JPEG files if you wish to.
Both cameras lack a joystick, but in the Nikon ZF, you have the option to use your display screen as a touchpad for selecting or moving autofocus points while looking at the viewfinder.
That’s another interesting feature that we have inside the Nikon ZF camera. Overall, design-wise, I highly recommend that if you are a photographer, you should go with the Nikon ZF camera.
Lens Mount
Nikon Z
Sony E
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.5 Megapixel
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Image Sensor
35.9 x 23.9 mm (Full-Frame) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis | 8 Stops
Sensor-Shift, 5-Axis | 7 Stops
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
Now let’s look at the internal core specifications of both cameras:
1. 24 megapixels versus 33 megapixels
As we all know, the Nikon ZF camera uses a 24-megapixel APS-C sensor from the Nikon Z6 Mark II camera and the Sony Mark II camera uses the sensor from Sony’s A7 IV.
Does this resolution difference matter that much? Should we change our minds and forget about the design preferences that we are getting with the Nikon ZF camera?
To find out, we have compared images from the Nikon Z6 Mark II camera with those from the Sony A7 IV and tried to find out the difference between the two.
Side by Side Comparison
We are comparing two images side by side. On one side, we have the Nikon Z6 Mark II camera, and on the other, we have the Sony A7 IV. These two cameras were chosen for comparison because the Nikon ZF camera uses the same sensor as the Nikon Z6 Mark II, and the Sony A7C Mark II uses the same sensor as the Sony A7 IV.
From the two images, it is quite clear that the Sony A7 IV camera’s 33-megapixel sensor captures slightly more detail. Therefore, those who are using the Sony A7 Mark II camera will certainly observe more detail compared to the Nikon Z6 Mark II.
2. Multi-Shot 96 MP High-Resolution Images
One of the major key differences between the two is that the recently announced Nikon ZF camera can capture 96-megapixel high-resolution images. However, these images should be taken with a tripod. Once the shot is done, it should be uploaded to the Nikon NX software to merge all the images. This means that the camera will not merge the images; it will only capture them. It’s also not recommended to use a handheld when capturing 96-megapixel resolution images.
Before we jump in and discuss the different aspects of the auto-focusing system or perhaps the continuous burst speed of a camera, it’s a fact of the matter, and it’s also visible from the comparisons that we have done with the images, that the Sony A7C Mark II camera is able to capture slightly more details compared to the Nikon ZF.
The Nikon ZF does offer 96-megapixel images, but with the condition that you have to use your camera on a tripod. This means that if you are a studio photographer, the Nikon ZF camera will undoubtedly be of great help to you. However, for general purpose photography, the Sony A7 will capture slightly more detail compared to the Nikon ZF. This is the difference between the two.
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Full-Time Servo, Manual Focus, Single-Servo AF, Touch AF & Shutter
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Contrast Detection, Phase Detection: 273
Photo
Contrast Detection, Phase Detection: 759 Video
Phase Detection: 627
Autofocus Sensitivity
-10 to +19 EV
-4 to +20 EV
3. Auto Focusing
Let’s discuss the auto-focusing system of both cameras. For the first time, we are seeing the auto-focusing algorithms of the Nikon Z8 and Nikon Z9 in a camera under $2000.
If we compare the auto-focusing points, on one side we have 759 in the Sony A7C Mark II, and on the other side, in the Nikon ZF, we have only 273. At the same time, being a Sony camera, we have no doubt about the focusing capabilities of the Sony A7C Mark II.
The Nikon ZF’s auto-focusing has very much improved and now has the ability to track 9 different types of subjects or objects in its tracking mode. So more or less, both cameras are the best in their own class.
Mechanical Shutter
1/8000 Up to 30 Seconds in Manual Mode
1/8000 Up to 4 Seconds in Shutter Priority Mode Electronic Shutter
1/8000 to 30 Seconds in Manual Mode
1/8000 to 4 Seconds in Shutter Priority Mode
Mechanical Shutter
1/4000 to 30 Seconds Electronic Shutter
1/8000 to 30 Seconds
1/8000 to 1 Second in Movie Mode
Bulb/Time Mode
Bulb Mode, Time Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 64,000 in Manual Mode (Extended: 5 0 to 204,800) Video
100 to 51,200 in Manual Mode (Extended: 204,800)
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
Up to 10 fps for up to 44 Frames (Raw) / 1000 Frames (JPEG)
4. Burst Speed
The continuous burst speed of both cameras is quite different. The Nikon ZF is able to shoot up to 15 frames per second with a mechanical shutter, and while shooting with the mechanical shutter, you will not have any rolling effect with the camera up to 15 FPS. After 15 FPS, the electronic shutter gets activated and now with the electronic shutter, you can shoot up to 30 frames per second.
With the Sony A7C Mark II camera, the maximum burst speed of the camera is limited to 11 frames per second with a mechanical shutter. Although you do get a higher resolution sensor at 33MP, if you are a wildlife photographer, then without a doubt, I would recommend you to go with the Nikon ZF camera since you have two options: one is a faster mechanical shutter with 15 FPS and the other is the electronic shutter with a speed up to 30 frames per second.
5. Upto – 10 EV AF sensitivity in Nikon ZF
One key factor to consider before making a decision is the low-light focusing capability of the cameras. The Nikon ZF camera is able to focus up to -10 EV at an aperture of f1.2, making its focusing capability in near-dark situations best in its class. On the other hand, the Sony A7C Mark II camera has an auto-focus sensitivity of -2 EV. This information could be crucial depending on your photography needs.
6. Nikon Zf uses a Touchscreen as a Touchpad
Another advantage of the Nikon ZF camera is that you can use your touchscreen as a trackpad while looking through the viewfinder. This means you can focus on your subject while looking at the electronic EVF, and at the same time, you can use your touchscreen display as a trackpad to move your auto-focusing points. With the Sony A7C Mark II camera, this is not possible as it neither has the touch and track capability of the Nikon ZF nor a joystick controller on the rear side of the camera.
Verdict – Best Camera for Photographers
If you consider all factors, not only image quality but also body design, higher resolution, and the advanced features of the Nikon Z8 and Nikon Z9 cameras, such as the out-of-focus system with -10ev autofocus sensitivity, the ability to use the touchscreen as a touchpad for shifting autofocus points, and the ability to shoot at a continuous speed of up to 15 frames per second with a mechanical shutter and up to 30 frames per second with an electronic shutter, then without a doubt, the Nikon Z8 and Z9 are better cameras compared to the Sony Alpha 7C mark II.
If image quality is your primary concern and other factors such as the design, focusing part of the camera, or the dual card slot are less important to you, and you desire a camera that provides slightly more detail, then the Sony Alpha 7C Mark II is highly recommended. This camera is known for its exceptional image quality, boasting a 33.0MP full-frame Exmor R back-illuminated CMOS sensor. It also offers excellent autofocus and is compact in size. However, it’s always important to consider all aspects of a camera before making a decision.
Internal Recording Modes
UHD 4K (3840 x 2160) at 23.98/25/30.00 fps
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps
XAVC HS 4:2:2/4:2:0 10-Bit
3840 x 2160 at 23.98/50/59.94 fps [30 to 200 Mb/s] XAVC S 4:2:2/4:2:0 8/10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [60 to 200 Mb/s] XAVC S-I 4:2:2 10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
External Recording Modes
None
4:2:2 8/10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
Recording Limit
Up to 125 Minutes
None
IP Streaming
Yes
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
7. Best Camera for Video
When comparing the video capabilities of the Nikon ZF and Sony Alpha 7C Mark II, both cameras can record oversampled 4K videos at 24 and 30 fps. However, the Sony Alpha 7C Mark II, with its 33-megapixel full-frame sensor, is expected to provide slightly more detail in video quality.
In the 4K 60 fps video mode, both cameras crop at 1.5x, meaning that the 4K 60fps is recorded in APS-C format.
The recording time limit for the Sony Alpha 7C Mark II is unlimited, while the Nikon ZF has a recording time limit of 125 minutes in 4K. This is more than sufficient unless you plan to use your mirrorless camera as a security camera.
Both cameras are capable of recording 10-bit videos internally.
The Nikon ZF has a pre-shooting buffer that you can set to timings like 30 seconds, 1 minute, or 1 minute and 30 seconds.
The Sony Alpha 7C Mark II has some videography features absent in the Nikon ZF, such as AI auto framing and a gyroscopic image stabilization mechanism. These features make the Sony Alpha 7C Mark II more helpful for content creators due to its AI autofocusing and auto-framing techniques.
Both cameras feature very angle-displays, making them suitable for professional-level content creation.
Verdict – Best Camera for Video
In terms of video resolution, both cameras capture the same video resolution. So, if you’re a photographer as well as a content creator, it might be better to go with the Nikon ZF. However, if you’re solely focused on content creation and prefer a Sony camera, then the Sony Alpha 7C Mark II would be a good choice.
1 x 1/8″ / 3.5 mm TRS Stereo Microphone (Plug-in Power) Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body
Power I/O
None
1 x USB-C Input/Output
Other I/O
1 x USB-C Input/Output
1 x USB-C Data Input/Output (Shared with Power Input)
Mobile App Compatible
Yes: Android & iOS *As of September 2023: Check with the manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Adjust Settings, Remote Control *As of August 2023: Check with the manufacturer for the most up-to-date compatibility
One of the most important things that you will notice is that the camera is able to have two SD card slots, one is micro SDHC and the other is UHS-II standard.
Display Size
3.2″
3″
Resolution
2,100,000 Dot
1,036,800 Dot
Display Type
Articulating Touchscreen LCD
Tilting Touchscreen LCD
One of the good things associated with the Nikon ZF camera is that you will get a higher resolution display as well as a higher resolution that really helps a photographer if they would like to have a better experience and better shooting experience with a camera.
Type
Built-In Electronic
Built-in electronic (OLED)
Size
0.5″
0.39″
Resolution
3,690,000 Dot
2,359,296 Dot
Eye Point
21 mm
22 mm
Coverage
100%
Approx. 0.7x
Magnification
Approx. 0.8x
-4 to +3
Flash
Built-In Flash/Light
No
No
Maximum Sync Speed
1/250 Second
1/160 Second
Flash Compensation
-3 to +1 EV (1/3 EV Steps)
-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System
iTTL
Shoe Mount
General
Battery Type
1 x EN-EL15c Rechargeable Lithium-Ion
1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 530 Shots)
Shoe Mount
1 x Hot Shoe
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.7 x 4.1 x 1.9″ / 144 x 103 x 49 mm
4.9 x 2.8 x 2.5″ / 124 x 71.1 x 63.4 mm
Weight
22.2 oz / 630 g (Body Only)
1.1 lb / 514 g (With Battery, Recording Media)
15.1 oz / 429 g (Body Only)
Finally, the Nikon ZF camera has arrived at almost the same announcement price as the Z6 Mark II. For those who were waiting for the Z6 Mark 3 camera update, this can be a perfect replacement for the Z6 Mark II camera.
The sensor isn’t new; it is the same sensor that we have seen in the Nikon Z6 Mark II camera. However, we do have a brand new image processor that enables many new features that we have seen in the Nikon Z8 or Z9 camera.
10 Brand New Features of Nikon Z8 Camera
Ability to create 100-megapixel images from the pixel shift mode: With the large full-frame sensor and amazing low light capability, the camera also features a pixel shift shooting mode. However, unlike Panasonic, Nikon doesn’t claim it’s a handheld pixel shift shooting mode, so you have to use it carefully with the help of a tripod or a monopod. Also, you have to merge them in NX Software, once the images are shot.
Upto 8 stops of image stabilization mechanism: The Nikon ZF is one of the first Nikon mirrorless cameras under the $2000 price range that offers an image stabilization mechanism of 8 stops, which is now on par with the Canon R6 Mark II camera and better than the recently announced Sony A7 C2. But, it’s more advanced since, The IBIS center can be shifted with the AF point in the Photo Mode. Traditionally all the cameras IBIS is most effective in the center of the image and not in the corners.
With the introduction of the Expeed 7 image processor and a new artificial intelligence autofocus system, the camera is now able to track 9 different types of subjects with its improved 3D tracking mechanism. The AF system is directly coming from Nikon Z8 and Nikon Z9.
Now, with the help of a new image processor and improved image recording algorithms, noise is much more controlled, and you can expand the camera’s ISO range up to 20,4800. The standard ISO range goes up to 64,000.
The high-efficiency compression format is now added to the Nikon ZF camera that was first introduced in the Nikon Z9.
Burst rate or continuous shooting speed: With the help of a mechanical shutter, you can get up to 15 frames per second, and with an electronic shutter, you get 30 frames per second limited to Jpeg. One more thing to be added is that the camera now supports pre-burst options. In JPG-only C30 mode, the camera uses a video stream to capture 30 frames per second images to store pre-burst data inside the camera. Since the sensor is same as the Nikon Z6 II we recommend you keep yourself limited to a Mechanical shutter to avoid the rolling shutter effect.
Highly detailed black and white mode: This gives you a chance to select mono profiles including a low contrast flat mono profile as well as a deep tone mono. The deep tone mono enhances the red color details in the scene. BW mode can be quickly selected from the top dial of the camera.
The camera can shoot 4K videos up to 60 frames per second but in crop mode of 1.5 X (that is in DX mode). When you are recording 4K videos up to 24 frames per second or 30 frames per second, the camera uses a 6K oversampled file to generate 4K videos up to 30 fps. So you will get highly detailed video footage from your camera if you are using your camera up to 4K at 30 FPS.
The first Nikon Camera Under $2000 Range to have a 2.1 Million dot Full articulating Display screen, Content creators now can easily buy this camera without having a second thought in their brains.
First Nikon Camera Under the $2000 Price range to have AF sensitivity up to – 10 Stops @ F1.2 Aperture, so literally you Lock AF in near about dark environment with bright aperture-based lenses.
During initial tests, Digital Photography Review team members found that the rolling shutter of the Nikon ZF camera is at 22 milliseconds in 4K at 30p capture which is exactly similar to Panasonic S5 Mark II camera. One thing to note is that it’s not only a coincidence; Panasonic also shoots 4K at 60fps video in crop mode (that is in 1.5 x DX crop mode).
The Nikon ZF camera has a body design similar to the Nikon FM2, with extensive manual control and a small LCD on top to show the current aperture value. The camera looks extremely amazing from its design perspective. Since it’s an FM2 design-based camera, technically you don’t get a hand grip. A Micro SD card slot was added to make it more compact and also to give photographers dual cars slot option, so you have one USH II SD and one USH I Micro SD card slot.
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