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According to the latest rumors surfaced over the web, after the Pansonic GH7 update now Panasonic will revive the “S” series of full-frame cameras. The Panasonic S1H Mark II is said to be one of the announcement pipelines, expected to arrive in Q4 of 2024. Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumor
Take a look at the list of Sony’s Upcoming Camera and Lenses Updated List below, we have selected the name of camera and lenses expected to arrive in next few months from Sony,
What else we are also expecting – Sony A7 V is set to be released in Q4 of 2024 is everything goes on schedule, the camera will have an uploadable LUT option, a dedicated AI chip for AI Auto framing, and an upscaled AF performance, the user will notice a Major upscaling in the Video performance of the camera. Sony FX6 Mark II in the wild – Sony FX6 Mark II prototypes are in the wild and the announcement will happen in Q4 of 2024 if everything goes under schedule. The Sony FX6 was announced back in November 2020 and was one of Sony’s most popular cinema line cameras. Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Camera News and Sony Alpha Rumor
One of the most trusted sources Just share this, not able to configure what does this exactly mean
Let me know in the comments if u guys able to crack this Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news + Canon rumors 24X7 source E8M_8888
As you can see in the table below, the Z6 Mark III camera features a newly developed 24.5 BSI FX-format full-frame Partially Stacked CMOS sensor with an upscaled design that enhances low-light performance and improved dynamic range compared to the sensor we have in the Nikon Zf/ Z6 II. The readout speed of the sensor also improved and Dual Expeed 7 image processor: Inside the Nikon Z6 Mark 3 camera, with the help of the new dual Expeed 7 image processor able to extract 6K video resolution up to 60 frames per second in 12-bit N-RAW format. Additionally, you can also shoot continuously up to 120 frames per second in DX crop mode, all due to the fabrication of the dual Expeed 7 image processor inside the Z6 Mark 3 camera body. Sensor Readout Speed – Nikon Z6 III vs Nikon ZFRecently announced Nikon Z6 Mark 3 camera with its Partially stacked CMOS sensor is approximately 2.34x faster than the Nikon ZF 24 megapixel FX format sensor. So we are not commenting on the image quality here; of course, we will compare the image quality when the samples of the camera come out. But at the very same time, based on the readout speed of both cameras, the overall calculation that we are getting is that the Z6 Mark 3 camera is at least 2.34x faster than the ZF sensor, resulting in less rolling shutter effect in motion pictures and images.
The readout speed of the Nikon Z6 Mark 3 camera while capturing 4K 60p video in 10-bit mode is approximately 9.4 milliseconds, whereas the readout speed of Nikon ZF camera while capturing 4K videos at 4k 30p Video in 10 bit is approximately 22 milliseconds, which is approximately 2.34x more than the Z6 Mark 3 camera. As shown in the calculation above. As we know, Nikon cameras are not able to capture 6kps Raw videos, so the readout speed is not available for that specific set of data.
5.76 million-dot electronic viewfinder: This helps photographers capture perfect decisive moments with a single click. It provides the vision and accuracy needed by professional photographers. No one else in the competition uses such a high-resolution electronic viewfinder in their cameras. Continuous Shooting Speed14 FPS mechanical shutter and 20 FPS electronic shutter in full resolution: When shooting in NRAW, the maximum continuous shooting speed is 14 frames per second with the mechanical shutter and up to 20 frames per second with the electronic shutter. The maximum shooting speed can be obtained is 120 frames per second with the electronic shutter in DX mode. The camera will feature the same artificial intelligence image stabilization algorithms as seen in the Nikon ZF camera, The IBIS center moves along with the AF point of the camera, so you get a true 8 Stops of IBIS from your camera. So, Nikon Z6 Mark 3 camera exhibits a class-leading image stabilization system that no competitor offers at this present time. The autofocus is said to be much improved compared to the existing Nikon Z8 autofocus tracking algorithms. The autofocus coverage on the sensor is approximately 100%, which is not even possible with the latest Nikon ZF camera, which has a coverage of approximately 90% of the frame. The Z6 Mark 3 camera’s autofocus tracking mechanism has been upscaled to match the performance of competitors like Sony and Canon. In terms of video resolution, the camera is able to record 6K videos up to 60 frames per second in N-RAW format internally on CFexpress Type B cards. For everything recorded in RAW, it is recommended to use CFexpress Type B cards. 4K recording up to 120 frames per second is available in DX mode. Price-wise, the camera costs more than the Nikon ZF, so it’s now decision time. If the extended set of features, such as enhanced video core specifications or the maximum burst speed of up to 120 frames per second, matter to you, then you should invest in the Z6 Mark 3 camera. Otherwise, the Nikon ZF is still a good option with extensive manual control.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live news + Nikon Rumors 24X7.
Finally, we have the updated core specifications of the Nikon Z6 Mark III camera. The camera is rumored to feature upscaled video core specifications and the ability to record 6K video in 12-bit NRAW. The camera will also have Dual Expeed 7 Image processor to maximize the still and video performance of the camera Nikon Z6 III SpecificationsModel: N2214 Video Capabilities:
Viewfinder and Screen:
Shooting Performance:
Autofocus:
Stabilization:
Storage and Battery:
Design and Ergonomics:
Cooling: New cooling design Other Features:
Pricing and Availability:
Kit Options:
Above, we have some new information about the Z6III, and it looks like it will be a high-performance machine with improvements in all areas, including video mode, continuous recording time, continuous shooting speed, EVF resolution, and AF performance. It has been stated that the Z6III will be the best camera in its class, and it certainly looks like it will be a fairly high-spec model for the mid-range. However, one thing that concerns me is the price, 3,000 euros (the Zf is 2,550 euros on Amazon Germany), which is a bit high for a mid-range device. Btw., lets wait and see what happend next, if we get any new information we will post an update. Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live news + Nikon Rumors 24X7. source – NR.com
Panasonic GH7 Press ReleasePanasonic is proud to introduce the new LUMIX GH7 – the latest flagship model of the Micro Four Thirds mirrorless LUMIX G Series. The LUMIX GH7 delivers outstanding video performance, wide dynamic range with a newly developed 25.2MP BSI CMOS sensor and improved AF performance with PDAF (Phase Detection Auto-Focus). To support the efficient workflow required in professional production environments, it is now newly equipped with Apple ProRes RAW*1 internal recording and a World’s first 32-bit float recording*2, which eliminates the need to adjust sound recording levels during shooting. With the rapid increase in demand for video content in recent years, the number of small teams of video creators is increasing along with the demand for further improvement in the quality of mirrorless cameras with excellent video performance and portability. Since its release in 2009, our LUMIX GH series has developed a strong reputation among creators and video production teams, as a model renowned for its shooting performance, innovative features and reliability. The LUMIX GH7 is a next-generation mirrorless camera that meets the needs of creators, whatever their creative field may be. Main Features
Canon Announces New EOS C400 6K Full-Frame RF Mount Cinema Camera and RF-Mount CINE-SERVO Lens, take a look at the Major specifications of the camera, price, and press release. Get Canon C400 from B&H Store Canon C400 Pricing and AvailabilityThe Canon Cinema EOS C400 Full-Frame RF Mount Camera is scheduled to be available in September 2024 for an estimated retail price of $7,999.00*. The CINE-SERVO 17-120mm will be available in October 2024 for an estimated retail price of $23,850.00*. The MOUNT ADAPTER PL-RF will be Canon EOS C400 Camera Specifications
New Canon CINE-SERVO Lens
New Accessory
Canon C400 Press ReleaseNew EOS C400 Camera Features a 6K Full-Frame, Back-Illuminated CMOS Sensor, With Triple-Base ISO; New CINE-SERVO Lens Compatible with RF Mount Cinema Cameras MELVILLE, N.Y., June 5, 2024 —Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new Canon EOS C400 cinema camera, with a native RF-mount and full-frame, back- illuminated stacked CMOS sensor, designed with the film and live production markets in mind. Canon is also proud to announce the company’s first MOUNT ADAPTER PL-RF, and an RF-mount version of the popular and award-winning CINE-SERVO 17-120mm cinema lens. “Canon is proud to provide filmmakers and videographers with a variety of tools to capture high-quality and visually stunning images,” said Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc. “The new camera and lens strengthen Canon’s already impressive lineup of cinema products.” EOS C400 Camera Back-Illuminated Stacked Sensor An additional benefit of the EOS C400 camera’s sensor is the support for the next generation of Canon’s Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked positioning offers better light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers faster readout speed, as well as better 4K image quality from 6K oversampling. EOS C400 Camera Recording Options Other recording options include the Canon-developed, industry standard XF-AVC codec which can be recorded in 10-bit 4:2:2 with oversampling from the 6K sensor, helping to create rich detail and smooth imagery, at frame rates up to 120P, without the need for cropping the image from the sensor. Canon is also introducing two new recording codecs into the EOS C400 camera, XF-AVC S and XF-HEVC S. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata. All of these options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available to the SD Card slot, which allows for simultaneous recording even when shooting RAW. EOS C400 Camera Production Options The EOS C400 camera can also provide frame-by-frame metadata in real-time and post-production to support virtual production workflows. Ready for 180-degree VR shooting, the EOS C400 camera has built-in compatibility with the Canon RF5.2mm F2.8 L dual fisheye lens. CINE-SERVO 17-120mm Cinema Lens The lens’ new e-Xs V servo drive unit helps to improve its focus and iris speed, enables focus breathing compensation, and includes a USB-C connector for copying drive unit configurations. PL to RF Mount Adaptor
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