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By admin, on March 11th, 2025
Best Budget Wildlife Lenses for Sony E-Mount in 2025: Native and Third-Party Options: Sony mirrorless cameras have actually revolutionized wildlife photography with their innovation, specifically in autofocus mechanisms, as well as lightweight design and the most important and expensive lens ecosystem, which is continuously expanding. So, if you shoot with full-frame cameras like the Sony Alpha A1, it’s kind of a powerhouse, or an APS-C camera like the Sony A6700, finding the right lens on a budget is really a tough job. Breaking a bank account while buying your favorite lenses is not always a good idea. So, we have selected the best budget wildlife lenses for Sony E-Mount that include Sony native offerings as well as the best third-party lens options for Sony E-Mount from Sigma, Tamron, and more. All these are updated for 2025. The lenses that we have selected are the best in their focal length and give you the maximum reach possible.
Wildlife photography generally demands longer focal length lenses. If you own a 300mm lens, then you can shoot sunset, sunrise, and big animals like elephants or hippopotamuses perfectly. But if you want to shoot birds or small animals, then either they have to be very close to you, or you have to buy lenses like 500mm or more. However, you don’t need to spend $10,000 on getting a Sony FE 600mm F4 GM lens to get professional-level results. What we have done is prioritized affordability as well as the performance of a lens, starting with lightweight options that fit the budget, like the Tamron 70-300mm F4.5-6.3 RXD, the lightest telephoto lens under $600. So, that’s just one example. Let’s dive into the top and best lenses for 2025, covering both full-frame and APS-C mounts.
Why Choose a Budget Wildlife Lens for Sony E-Mount?
Sony E-Mount system is heaven for wildlife photographers, thanks to the introduction of camera bodies with AI autofocus systems, starting from base models like the Sony A6700. Cameras with a 1.5x crop factor are perfectly fit for wildlife photography as well as bird photography since they give you extra reach. These lenses strike a balance between cost and capability, making them ideal for beginners or anyone looking to upgrade from the standard kit lens. So, here’s what to look for before picking your next lens:
- Focal Length: 300mm+ for capturing large animals, and 500mm+ for bird photography.
- Aperture: A wider aperture is always better (f/2.8–f/6.3) for low-light shooting, though budget options often lean toward f/5.6–f/6.7.
- Stabilization: Always look for Optical SteadyShot (OSS) or in-body stabilization (IBIS) helps with handheld shots.
- Weather Sealing: Essential for outdoor shoots in unpredictable conditions.
- Price: Pocket-friendly

1. Top Budget Wildlife Lenses for Sony E-Mount – Sony FE 200-600mm F5.6-6.3 G OSS
- Sony FE 200-600mm F5.6-6.3 G OSS
- Price: ~$1,998 [ B&H Store and Amazon.com ]
- Focal Length: 200-600mm
- Aperture: f/5.6–6.3
- Weight: 2,115g (74.7 oz)
- Best For: Full-frame versatility, wildlife action
Sony FE 200-600mm F5.6-6.3 G OSS is the gold standard for budget-conscious Sony wildlife photography shooters. This lens offers an impressive 200 to 600mm zoom range, which makes it perfect for large animals like elephants and hippopotamuses. If you are using APS-C cameras like the Sony a6700, you can also do bird photography flawlessly since the equivalent focal length you will be getting is approximately 900mm.
And since it’s a Sony lens, it also supports teleconverters like 1.4x and 2x. So, if you are using a 1.4x teleconverter on your APS-C camera, and since it’s a full-frame lens, the quality will remain the same, and you will get additional reach up to 1260mm while using the 1.4x teleconverter.
Now, let’s talk about the lens. At $1,998, it’s a steal deal compared to Sony’s other G Master prime lenses. Its internal zooming mechanism and very effective stabilization help you shoot handheld images perfectly. Although it’s not that lightweight to carry all day, you should keep a hybrid monopod along with you.
Pros:
- Exceptional reach with teleconverter compatibility (1.4x or 2.0x).
- Fast, silent autofocus powered by Sony’s Direct Drive SSM.
- Optical SteadyShot with three modes for static or panning shots.
- Weather-sealed for rugged outdoor use.
Cons:
- Variable aperture narrows to f/6.3 at 600mm, limiting low-light performance.
- Heavy for all-day carry without a tripod.
Why It’s Great:
With bodies like the Sony a6700, you get a built-in IBIS mechanism, and when paired with this lens, you get very smooth and stable footage and snaps, even when shooting handheld. At the same time, the focal length jumps to 300 to 900mm, which is an insane focal length for an under-$2000 price range.

2. Sigma 150-600mm F5-6.3 DG DN OS Sports: Best Affordable Zoom Lens for Wildlife & Sports Photography
Sigma 150-600mm F5-6.3 DG DN OS Sports Price: ~$1,499 [ B&H Store and Amazon.com ] Focal Length: 150-600mm Aperture: f/5–6.3 Weight: 2,100g (74.1 oz) Best For: Maximum reach on a budget
Sigma 150-600 is a third-party powerhouse lens that has been considered a direct competitor to the Sony FE 200-600mm at a lower price. Technically, it’s one of the best third-party lenses available to date. If you use it on your APS-C body, the equivalent focal length that you will be getting is 225 to 900mm.
Pros:
- Longest 600mm reach with robust image stabilization
- Fast autofocus and four stops of optical image stabilization even at the tele end
- Durable, weather-sealed build
- Very sharp at the center throughout the zoom range when used on an APS-C body
Cons:
- We are not able to use teleconverters with third party lenses
- Heavy and bulky for handheld use
- Softer edges at 600mm when used with a full-frame sensor
Why It’s Great:
For just $1,499, you are getting an amazing lens at this price point, and literally, there is no competition for the Sigma 150-600mm at this price with its optical performance, making it a top-budget choice for distant subjects like raptors or safari animals.

3. Tamron 150-500mm F5-6.7 : Best Budget Super-Telephoto Lens by Tamron for Sony E-Mount
Tamron 150-500mm F5-6.7 Di III VC VXD Price: ~$1,199 [ B&H Store and Amazon.com ] Focal Length: 150-500mm Aperture: f/5–6.7 Weight: 1,725g (60.8 oz) Best For: Lightweight full-frame option, budget buyers
Tamron’s 150-500mm F5-6.7 Di III VC VXD, I think this is the best lens available at this focal length and at this price point, which is approximately $1,200 or less sometimes during deals and offers. This is one of the most reasonably priced super telephoto zoom lenses for the Sony mount, and it is more compact and easy to carry compared to the Sony 200-600mm. Although Sony is always number one with its native lenses, specifically when we are talking about lenses like the 200-600mm that support teleconverters, as well as its OIS being very, very effective. So, if you are not able to spend $2,000 on buying the Sony 200-600mm lens, then the next best investment in the low-budget range is the Tamron 150-500mm.
Pros:
- It’s the lightest super telephoto lens with a very effective optical image stabilizer
- Newly developed VXD autofocus motors act very fast
- Sharp across the zoom range with pleasing bokeh
- Weather-sealed with a zoom lock for travel
Cons:
- No teleconverter support (Sony restriction on third-party lenses)
- Slightly softer edges at 500mm compared to Sony G lenses
Why It’s Great:
For under $1,200, you get 150-500mm (225-750mm on APS-C), making it a fantastic budget pick for wildlife enthusiasts who prioritize portability over absolute reach.

4. Best Budget 300mm Lens? Tamron 70-300mm F4.5-6.3 for Sony APS-C & Full-Frame
Tamron 70-300mm F4.5-6.3 Di III RXD
- Price: ~$550 [ B&H Store and Amazon.com ]
- Focal Length: 70-300mm
- Aperture: f/4.5–6.3
- Weight: 545g (19.2 oz)
- Best For: Lightest full-frame telephoto under $600, budget portability
This is the cheapest third-party 300mm zoom lens available for Sony E-mount. The RXD motors offer fast autofocus, and while using an APS-C sensor-based camera, you get a range of up to 450mm. It’s a very good lens for wildlife photography, especially considering the price we have to pay and the focal range that we are getting with this lens. But at the same time, there is no optical image stabilization. If we are using this lens with an a6700 camera, then there is no need to worry. Although, for wildlife photography, I always recommend having a hybrid monopod with you to get super stable and sharp shots.
Pros:
- Featherlight at 545g—ideal for handheld shooting with IBIS bodies
- Affordable at $550, often dipping lower during sales
- Weather-sealed for outdoor reliability
- Sharp center performance with fast RXD autofocus
Cons:
- No optical stabilization (relies on IBIS)
- Softer edges at 300mm when used with full-frame sensors
Why It’s Great:
Wildlife shooters who are looking for great reach on a budget with their APS-C or full-frame bodies will find this the best budget wildlife photography lens made by Tamron for Sony E-mount. On APS-C, its 450mm equivalent rivals pricier lenses, making it a top budget pick for casual wildlife photography.

5. Cheapest Wildlife Lens for Sony APS-C? Sony E 55-210mm
Sony E 55-210mm F4.5-6.3 OSS (APS-C)
- Price: ~$298 [ B&H Store and Amazon.com ]
- Focal Length: 55-210mm (82.5-315mm equivalent)
- Aperture: f/4.5–6.3
- Weight: 345g (12.2 oz)
- Best For: APS-C beginners, ultra-budget shooters
The cheapest lens for Sony E-mount, designed for entry-level APS-C users. This lens typically comes with the camera as part of a dual kit lens setup, but yes, you can also use this lens for shooting sunsets, sunrises, and birds sitting next to your window in a tree, provided they are in a location that allows for this. The lens is the cheapest wildlife photography lens available for Sony E-mount, offering a maximum equivalent reach of up to 315mm and is designed for APS-C sensors only. It’s an ideal deal for entry-level wildlife photography users.
Pros:
- Dirt-cheap price under $300
- Lightweight and portable
- OIS SteadyShot for steady shots
- Decent sharpness in good light
Cons:
- Narrow aperture limits low-light use
- Incompatible with full-frame bodies
Why It’s Great:
Pair it with an APS-C body for a 315mm reach—perfect for backyard birds or local parks on a shoestring budget.
Sony Native vs. Third-Party: Which Should You Choose?
- Sony mid-range lenses are, of course, of superior quality, specifically the G-series lenses, which are custom-tailored for performing seamlessly with Sony’s autofocus system. All these lenses support teleconverters, which is highly essential for wildlife photography. Other than that, basic lenses also offer OIS integration and fast AF motors. If your pocket allows, always go with the Sony native lenses.
- Third-party lenses are wonderful if you see their price tag. They are sometimes almost half the price of Sony lenses of the same focal length, and in wildlife photography, the most important thing is the reach—aka the range you are getting from your telephoto lens. Yes, there are some performance limitations, like not being able to use teleconverters, and some telephoto lenses exhibit soft corners at the tele-end when used with a full-frame sensor. But again, if you are limited to a certain budget, the best option is to buy third-party lens options and use an APS-C body like the Sony a6700 camera.
Verdict: If you prioritize autofocus speed and teleconverter options, go native. For budget savings and portability—like the Tamron 70-300mm’s lightweight edge—third-party lenses are unbeatable.
Budget Wildlife Photography Tips for Sony E-Mount Users
- Use of an APS-C body is highly recommended if you are into wildlife photography. It will not only boost your focal length by 1.5x but also reduce soft corner issues to a great extent by using the sharper center portion of the lens.
- Always have a hybrid monopod with you. Heavy lenses like the Sigma 150-600mm or Sony 200-600mm need the support of a very strong body or a hybrid monopod/tripod, so decide accordingly.
- Budget wildlife photography generally involves lenses with an aperture range of around f/5.6 to f/6.3, so try to position your subjects in direct sunlight.
- We now have software like Gigapixel AI at our disposal, along with significant advancements in recent Photoshop and Lightroom editions. So, try to learn the latest editing techniques to stay updated with the times.
Final Thoughts: The Best Budget Wildlife Lens for You
Sony FE 200-600mm F5.6-6.3 G OSS is our top budget pick for its amazing reach, versatility, native performance, and the ability to use a teleconverter—all these features under $2000. Now, the next best lens on our list is the Tamron 150-500mm F5-6.7 Di III VC VXD at $1,199 due to its portability and price, although it has 100mm less reach than the Sony 200-600mm and is not compatible with teleconverters.
And finally, the best entry-level lens, the Tamron 70-300mm F4.5-6.3 Di III RXD, steals the show as the lightest full-frame telephoto under $600. Now, if you are looking for some kind of super budget lens, then yes, you can start with the Sony E 55-210mm F4.5-6.3 OSS at $298.
So, from this article, it is very clear that no matter what your budget is or which camera body you are using, the lenses we have selected prove that you don’t need to spend a fortune or break your bank to capture breathtaking wildlife shots. Also, let me know which one is your favorite—drop a comment, share this article with your wildlife photography friends, and share your journey with us!
Updated March 10, 2025, by TheNewCamera.com Team
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By admin, on March 10th, 2025
If you are searching for the best budget wildlife lenses for Nikon Z1 in 2025, you have reached the right place, and believe me, you don’t need a fat wallet to capture amazing or jaw-dropping shots of a deer or an elephant with your Z camera.
See, it doesn’t actually depend on whether you are using a Nikon Z50 camera or even a Nikon Z30 or maybe a Z6 Mark II or Z9 camera. The affordable telephoto lenses that we have listed in this guide can deliver the reach as well as the sharpness you crave without paying the premium price tag.
This guide was updated on March 10, 2025, and carries all the best top budget-friendly Nikon Z-mount lenses for wildlife photography, which also includes the ultra-popular entry-level DX 50-250mm lens. It also includes the native Tamron 70-300mm lens and the long-reaching Tamron 150-500mm, plus a bonus spotlight for the Nikon 180-600mm. This is the ultimate guide for the Nikon Z wildlife lens lineup.

1. Best Budget Native Zoom Lens: Nikkor Z DX 50-250mm f/4.5-6.3 VR
- Price: ~ $350 [ Amazon.com – B&H ]
- Focal Length: 50-250mm (75-375mm equivalent on APS-C)
- Aperture: f/4.5-6.3
- Weight: 405g (14.3 oz)
Why It’s the Top Budget Pick:The Nikkor DX 50-250mm f/4.5-6.3 VR is the king of budget wildlife photography lenses for the Nikon Z-mount APS-C cameras like the Nikon Z30, Z50 Mark II, or even the Zfc. The lens costs only $350, which is a steal, stretching to an effective focal length of 75-375mm when the 1.5x crop factor is applied. So with this budget lens over the Z50 body or the Zfc body, you are getting a 400mm equivalent reach of a full-frame camera.
This lens also features 5 stops of vibration reduction (VR) to ensure that the images you capture are tack-sharp even when shot while holding the camera in your hand. The overall handling experience is great since the weight of the lens is only 400 grams, helping you shoot for longer hours without experiencing physical strain.
However, after using it for a while, I can say that you may get soft corners at 250mm, but apart from that, its performance is outstanding. So, for beginner APS-C shooters who are seeking the best budget wildlife lens for Z-mount cameras, this is an unbeatable choice.

2. Best Budget Mid-Tier Native Lens: 70-300mm f/4.5-6.3 Di III RXD
- Price: ~$700 USD [B&H Store and Amazon.com]
- Focal Length: 70-300mm (105-450mm equivalent on APS-C)
- Aperture: f/4.5-6.3
- Weight: 545g (19.2 oz)
Why It’s a Steal Deal for You: The Tamron 70-300mm f/4.5-6.3 Di III RXD brings the benefits of a native Z-mount brilliance to wildlife photography for under $700.
We all know Tamron makes Nikkor-branded lenses, including the 28-75mm f/2.8 RXD, the ultra-popular lens for wedding photographers. That said, the 70-300mm lens operates very similarly to a native mount lens.
With a 70-300mm range, you are effectively getting a 105-450mm equivalent focal length on a DX-format body, making it ideal for capturing large animals and sometimes birds when they are close to you. The lens is weather-resistant but lacks inbuilt optical image stabilization. The overall weight of the lens is 545 grams, making it very portable.
If you are using this lens with your DX-format body, it’s highly recommended to have a hybrid monopod with you to get stable and clear shots. The biggest advantages of this lens are its minimal fringing and compatibility with full-frame cameras, making it a top contender among affordable Nikon Z wildlife lenses for both full-frame and APS-C cameras.

3. Best Budget 3rd Party Telephoto Lens: Tamron 150-500mm f/5-6.7 Di III VC VXD
- Price: ~$1,200 USD [ B&H Store | Amazon.com]
- Focal Length: 150-500mm (225-750mm equivalent on APS-C)
- Aperture: f/5-6.7
- Weight: 1,725g (60.8 oz)
Why It’s the Reach King: We have termed this lens as the “Reach King” since the Tamron 150-500mm f/5-6.7 Di III VC VXD is the best budget 3rd-party lens for Nikon Z-mount wildlife shooters who really need serious telephoto capability.
Just imagine—if you put this lens on a DX body, which costs approximately $1,200, it will give you an equivalent focal length of somewhere around 225-750mm. So, if you are into bird photography, this lens on a DX body will deliver phenomenal results.
The VXD autofocus locks on very fast, and the lens features 4 stops of vibration compensation, allowing you to take handheld shots at 500mm. In terms of sharpness, it is quite sharp throughout the zoom range, but the aperture demands a good low-light body, which we already have in the Z-mount lineup, starting from the Z50 to the Zfc.
Due to its construction, made for full-frame mounts, you can also use this lens on Nikon Z6II, Z7II, and Z8 bodies. The weather-sealed, tripod-ready lens weighs approximately 1.7 kg, making it a game-changing budget wildlife lens for Nikon Z-mount enthusiasts craving pro-level reach.

4. Bonus Budget Mega Zoom: Nikkor Z 180-600mm f/5.6-6.3 VR
- Price: ~$1,700 USD [B&H Store – Amazon.com]
- Focal Length: 180-600mm (270-900mm equivalent on APS-C)
- Aperture: f/5.6-6.3
- Weight: 1,955g (69 oz)
Why It’s Worth the Extra Cash?: If you want to stretch the budget, then we have an amazing option for you—the Nikkor Z 180-600mm f/5.6-6.3 VR, the ultimate wildlife lens for Z-mount in 2025. At $1,700, its price is higher, but still a steal compared to $3,000 lenses offering the same focal length.
Since we are making a budget guide, we are keeping the best possible lenses with a reasonable price tag and maximum focal length. When used with a DX crop body, this lens provides an effective focal length of 270-900mm.
The lens also features 5.5 stops of optical image stabilization, allowing you to take some handheld shots. Although the lens is quite heavy, it’s always recommended to have a tripod or monopod with you. The STM motors inside this lens work very fast and deliver blazing-fast autofocus.
The sharpness of this lens is excellent from end to end, and it is a weather-sealed internal zoom lens built for professional use. For Nikon Z shooters who are ready to invest in this lens, it truly redefines affordable wildlife photography with unmatched versatility.
Budget Nikon Z Wildlife Lens Comparison Table
Lens |
Price |
Focal Length (APS-C) |
Weight |
Best For |
Nikon Z DX 50-250mm VR |
$350 |
75-375mm |
405g |
APS-C, Beginners |
Tamron 70-300mm RXD |
$700 |
105-450mm |
545g |
Full-Frame, Mid-Tier |
Tamron 150-500mm VC VXD |
$1,200 |
225-750mm |
1,725g |
Long Reach, Hybrid |
Nikon Z 180-600mm VR (Bonus) |
$1,700 |
270-900mm |
1,955g |
Serious Enthusiasts |
Why These Are the Best Wildlife Lenses for Nikon Z-Mount
Unlike the costly options flooding list of other lists or websites, these handpicked lenses prioritize affordability without compromising on wildlife-ready features.
- Native Z-Mount Advantage: With all the lenses I have recommended here, no adapters are needed. These lenses, including the Tamron—are built for Z-mount, ensuring seamless integration with the mount and flawless autofocus with the camera.
- Reach Meets Value: Now, we have lenses ranging from 375mm to 900mm in full-frame equivalence, giving you incredible reach without breaking the bank.
- Real-World Tested: Each handpicked lens balances cost, portability, optical quality, and all the possible setup features that a user can get within this specific price range.
Which Budget Nikon Z Lens Should You Pick?
- Nikon Z DX 50-250mm f/4.5-6.3 VR ($350): This is best for APS-C beginners who need a cheap, lightweight starter.
- Tamron 70-300mm f/4.5-6.3 Di III RXD ($700): Perfect for full-frame as well as APS-C users wanting native versatility.
- Tamron 150-500mm f/5-6.7 Di III VC VXD ($1,200): Ideal for long-reach shooters / birdographers on a budget.
- Nikon Z 180-600mm f/5.6-6.3 VR ($1,700): The splurge for pros on a (relative) budget.
Beat the Premium Price Trap in 2025
Why spend $3,000 when these budget wildlife lenses for Nikon Z-mount are available and even deliver excellent results? You can pair these lenses with the Nikon Z50, the recently announced Nikon Z63, or the Z8 camera and shoot nature’s wonders flawlessly – without any major financial trouble.
This guide is updated for March 2025, and this list outshines broader guides by focusing on your wallet and wildlife goals.
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By admin, on March 8th, 2025

We’re are really thrilled to announce that New Camera (thenewcamera.com) has been recognized as one of the Top 90 Camera Blogs by FeedSpot, and we’re proud to be ranked 4th! This achievement reflects our commitment to delivering top-notch camera news, comparison, and buying guides to our readers.
What This Means for Us – FeedSpot is one of the most trusted platforms that curates and ranks blogs based on quality, engagement, and authority. Being listed, especially at 4th place, shows that our content stands out in the camera industry. It’s a testament to the hard work of our team and the support from all of you.
Explore More and Connect
We invite you to check out the full list of Top 90 Camera Blogs on FeedSpot at this link to discover other great resources. While you’re at it, follow us on social media for the latest updates:
Your engagement helps us grow, so let us know in the comments: What are your favorite camera blogs? We’d love to hear from you!
A Big Thank You
Thank you to FeedSpot for this recognition and to our readers for your continued support. We’re excited to keep bringing you insightful content and look forward to this journey together.
By admin, on March 7th, 2025
We have the first leaked image of the Canon RV camera. The Canon RV camera is Canon’s dedicated camera made for content creators. Just like we have the Sony ZV series, similarly, in Canon, we have the V series. In the V series, we already have a few compacts, and recently, Canon announced the V1 compact camera.

Now it’s time for a mirrorless V series camera. These are going to compete directly against the Sony ZV10, ZV10 Mark II, or maybe the ZV E1—who knows soon?
Canon RV Mounting Options
From the leaked images, it is very clearly visible that the camera is mounted from the side of a grip. So we have two options to mount the camera: vertically and horizontally, depending on the type of content creation you require.
Top Features & Controls
On the top of the camera, we have a certain button that resembles the shutter button of the Sony ZV series camera. Along with that, we also have a power zoom lever. The lens attached to the Canon RV camera supports power zoom functionality, and we can see the designation of T and W, meaning it can be operated manually as well as via the lever. This allows for a very smooth cinematic zoom experience with the lens.
Control Dials for Customization
Just after the zoom lever and the video recording button, we have two Mode dials:
- One is dedicated to different modes.
- One is a custom dial that can be set to a preferred ISO, meaning it’s a custom zone for professional users.
Hot Shoe for Accessories
In the center of the Canon RV camera, at the very top, we have a multifunctional Canon hot shoe that can be used for Canon wireless microphones and other accessories made for the RV series camera.
Built-in Microphone & Audio Ports
On the extreme left side, we can see multiple vents for the microphone, which indicates a high-quality 3-capsule-style microphone setup inside the Canon RV body.
Connectivity & Ports
On the very extreme left side of the camera, we can clearly see multiple rubber compartments that Canon has sorted out beautifully. The ports include:
- Microphone and headphone port
- Micro HDMI port
- USB-C port (for data transfer and recharging the camera on the go)
Front Design & Branding
On the front of the camera, we can clearly see:
- A microphone button
- A lens release button
- Canon RV branding
- A tally lamp, just like in professional cinema cameras
Expected Sensor & Specifications
So that’s the analysis of the leaked image we have right now. Most probably, the camera will use the same 24-megapixel APS-C CMOS sensor that we have seen inside the Canon R50 and Canon R10 cameras.
Expected Announcement Date
Although we are waiting for the final specifications of the camera, since the image has been leaked, it is expected that the announcement of the camera is very near.
We will update you as soon as we get any details related to the Canon RV camera.
Canon RV Camera (Leaked Specifications)
Feature |
Details |
Camera Series |
Canon V Series (Mirrorless) |
Target Audience |
Content Creators |
Sensor |
24MP APS-C CMOS Sensor (Expected, similar to Canon R50 & R10) |
Mounting Options |
Vertical & Horizontal Mounting |
Lens Compatibility |
Supports Power Zoom Functionality |
Zoom Control |
T & W Designation (Manual & Lever Operation) |
Control Dials |
Two MODE Dials (One for Shooting style, one for custom settings like ISO) |
Hot Shoe |
Multifunctional Canon Hot Shoe (Supports Canon wireless microphones & accessories) |
Microphone |
High Quality / Similar to Sony 3 capsule design |
Ports |
– Microphone & Headphone Port
– Micro HDMI Port
– USB-C Port (Data Transfer & Charging) |
Shutter Button |
Similar to Sony ZV Series |
Tally Lamp |
Yes (Similar to professional cinema cameras) |
Video Recording |
Dedicated Video Recording Button |
Branding |
Canon RV Branding on Front |
Expected Announcement |
Soon (Based on leaked images) |
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image source MirrorlessRumors.com
By admin, on March 7th, 2025

According to the latest rumors surfaced on the web by a reputed rumor mill, the Nikon Z5 II will be released in May 2025.
From our previous information, the Nikon Z5 II camera is coming in the Summer months of 2025. Now we have a bit more clarity over that. According to the rumor from NikonRumors.com, the camera is coming in the month of May 2025.
What we know so far about the Nikon Z5 Mark II
- First of all, the camera comes with the Nikon Zf 24.5-megapixel full-frame BSI CMOS sensor and Expeed 7 image processor, with improved video recording downsampled from full resolution at 4K 30 FPS, 4K 60 FPS in DX mode, and full HD video recording up to 120 frames per second.
- It has also been suggested that it will have an upscaled 5-axis image stabilization system.
- Now, what we have already seen in the Nikon Z5 is that we will be getting a professional body with a good and large hand grip, all the professional controls that we have already enjoyed in the original Nikon Z5 version, as well as the presence of dual card slots (UHS-II SD).
- Apart from all these features, the Nikon Z5 Mark II camera will also gain USB charging capabilities so you can charge on the go, while also enhancing Bluetooth and Wi-Fi connectivity, as well as live streaming capability for the convenience of modern-day users.
Nikon Z5 Mark II Price
- The price of the Nikon Z5 Mark II camera is expected to be around $1499 (approximate figure), and that is said to be the announcement price of the camera.
This is the information we have known so far. Now, let’s organize it in a table and list the specifications of the Nikon Z5 Mark II camera.
Nikon Z5 Mark II Specifications
Feature |
Specification |
Sensor |
24.5MP Full-Frame BSI CMOS Sensor |
Processor |
Expeed 7 Image Processor |
Video Recording |
4K UHD 30p / Full HD 120p, 1.5x 60p with crop |
Autofocus |
273-Point Hybrid AF with Eye and Animal Detection |
Image Stabilization |
5-Axis In-Body Image Stabilization |
Viewfinder |
Bright 3.69M-Dot OLED Electronic Viewfinder |
Display |
3.2″ Tilting Touchscreen LCD |
Memory Card Slots |
Dual UHS-II SD Card Slots |
Connectivity |
Built-In Wi-Fi and Bluetooth Connectivity |
Charging |
USB-C Charging and Power Delivery Support |
Nikon Z5 vs. Nikon Z5 Mark II (Early Comparison)
It is still an early comparison, but it is exciting to see the new features we will be getting.
Feature |
Nikon Z5 (Official) |
Nikon Z5 II (Rumored) |
Sensor |
24 MP, full-frame, non-BSI CMOS |
24.5 MP, full-frame, BSI CMOS |
Processor |
Expeed 6 |
Expeed 7 |
ISO Range |
Auto, 100-51200 (expands to 50-102400) |
100 to 51,200 (Extended: 50 to 204,800) |
Image Stabilization |
5-axis sensor-shift |
5-axis sensor-shift |
Autofocus |
273-point hybrid AF, eye and animal detection |
273-point hybrid AF, eye and animal detection |
Continuous Drive |
4.5 fps |
Not specified, likely to be improved |
Video Capabilities |
4K30p with 1.7x crop, Full HD 60p/50p/30p/25p/24p, MPEG-4, H.264 |
4K30p, 4K60p with 1.5x crop, Full HD 120p, N-Log, 10-bit HDMI out |
Viewfinder |
3.69M-dot OLED |
3.69M-dot OLED (assumed, no change rumored) |
Screen |
3.2″ tilting touch panel, 1.1 million dots |
3.2″ tilting screen (assumed, no change rumored) |
Storage |
Dual UHS-II SD card slots |
Dual UHS-II SD card slots |
Connectivity |
Built-in Wi-Fi and Bluetooth |
Built-in Wi-Fi and Bluetooth (improved) |
Metering Modes |
Multi, Center-weighted, Highlight-weighted, Spot |
Not specified, likely similar |
Exposure Compensation |
±5 (at 1/3 EV, 1/2 EV steps) |
Not specified, likely similar |
Uncompressed Format |
RAW |
RAW (assumed, no change rumored) |
JPEG Quality Levels |
Fine, normal, basic |
Not specified, likely similar |
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source – NR.com
this post was updated on March 25, 2025 – By thenewcamera.com team
By admin, on March 5th, 2025

Panasonic Camera Registrations in 2025 – Upcoming Camera Model codes of Panasonic full-frame and Micro four third format cameras, take a look below at the key points of the article
Key points of the article
- From the beginning of the year, Panasonic has registered approximately four cameras in the wireless application agency P2307, P2303A, P2305A, and P2306A
- It seems like the registered model code P2307 is the Panasonic S1R Mark II camera.
- After doing a little bit of research, we have found that the Panasonic P2303A could be the upcoming Panasonic S1H Mark II camera.
The registered model codes Panasonic P2305A and P2306A are less certain in terms of being a full-frame camera, so it can be any of the models, including the Lumix LX100 Mark III or a G series model.
Panasonic P2303A – The Panasonic S1 H II
Panasonic registered the P2303AA camera in DEC 2024. It is believed that the 2303A is the S1H Mark II camera, the camera is dedicated to SPEED and not Resolution, just like we have the A7 series in Sony, and we have already seen the high-resolution sensor update from Panasonic the S1R II recently, now it is time for the S1 H Mark II.
Panasonic Confirms they are working on S1H Mark II
Now, in a recent post, we have published an acknowledgment from the Panasonic developer team that they are working on the S1H Mark II camera. After the announcement of the Panasonic S1R Mark II, the next full-frame camera to be announced is the S1H Mark II.

Panasonic P2306A and P2305A – LX100 III and more…
We are confirmed by the nature of product registration that both of the model codes are mentioned. the P2306A and the P2305A are MFT sensor-based updates, potentially one of them is the LX100 Mark II successor, the LX100 III camera expected to feature 25.2MP Live HYBRID MOS Micro Four Thirds Sensor from the G9 Mark II & GH7 camera. The other model could be a major update to the Panasonic entry-level line, the G100 II, so we have a huge range of possibilities let’s cross our fingers and wait for good news.
Here is a table summarizing the Panasonic camera model codes based on the provided information:
Model Code |
Camera Model |
Sensor Type |
Status |
Expected Features / Notes |
P2307 |
Panasonic S1R Mark II |
44.3MP Full-Frame |
Announced |
High-resolution full-frame camera |
P2303A |
Panasonic S1H Mark II |
24MP Full-Frame |
Confirmed |
High-end video-centric full-frame camera |
P2305A |
Panasonic LX100 III |
25.2MP MFT (Live Hybrid MOS) |
Confirmed |
Successor to LX100 II, likely compact MFT |
P2306A |
Panasonic G100 II / Entry-Level Model |
MFT Sensor |
Unconfirmed |
Potential update to G100 series |
Conclusion
So, if we sum up all the information, then the Panasonic P2307 is the S1R Mark II camera, which has already been announced and features a 44.3-megapixel full-frame sensor. Now, the next camera on the list is the P2303A, which is expected to be the Panasonic S1H Mark II camera with a 24-megapixel sensor. These two models are almost confirmed. Apart from these two, we do have confirmation from Panasonic itself that they are working on a fixed-lens MFT model camera.
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source E888
By admin, on March 5th, 2025

Panasonic LX100 Mark III and Panasonic S1H Mark II camera are coming, as well as a telephoto lens is also coming, so let’s explore the type of information we have related to all these, starting from the key points of this article.
Key points of this article
- Panasonic Confirms Development of a Fixed-Lens Compact Camera
- Panasonic is Developing New Telephoto Lenses
- Successor of the Panasonic S1H Camera in Development
The Lumix LX100 series was started by Panasonic in 2014, and it has been one of the most favorite cameras among professional photographers. It offers a 24-75mm equivalent Leica high-quality lens. The LX100 Mark II camera was released in 2018 with a 17-megapixel Micro Four Thirds format sensor.
As per reports, the LX100 II series line was discontinued by Panasonic Japan back in 2022 [source]. The reports at that time suggested that Panasonic was shifting its entire focus toward the development and announcement of mirrorless cameras.
Panasonic LX100 III Confirmation
The interviews, conducted with Panasonic managers , By a Chinese photography site, siad they are working on fixed lens compact camera, highlight the company’s response to a recovering fixed-lens camera market.
Now, as of March 4, 2025, based on recent interviews with Panasonic representatives, without specifically taking the name of the LX100 Mark II camera successor, they have confirmed in the interview that they are working on a fixed-lens compact camera, and it is under development.
Panasonic S1H Mark II
An interview video with Panasonic’s Matt Frazer has been released on the CineD YouTube channel. The interview itself confirms the development of the Panasonic S1 H II camera
(What about the Lumix S1HII?)
The successor to the S1H will come out eventually, but there is a development order to it, and it made sense to start with the successor to the S1R, since the sensor was already ready.
(Will there be more LUMIX products this year?)
Of course, we are working on future camera developments, and new products will be released in the future. I can’t really comment on the specific timeline, but I believe that many people will be satisfied with the new products that Panasonic will release. source CINED
Panasonic Confirms High-End L-Mount Telephoto Lenses
Upcoming L-mount lenses will have a focal length exceeding 300mm. That’s a clear indication that more and more high-end L-mount lenses are coming alongside the announcement of the S1H Mark II camera, which is focused on speed over resolution.
Rumors of a Panasonic Camera Inspired by Leica Q3
Prior to CP+ 2025, there were some rumors that Panasonic may announce a camera that is very similar to Leica Q3, possibly inspired by its design while having almost the same core specifications. However, at the same time, we cannot deny the possibility of a full-frame compact camera from Panasonic.
Upcoming Cameras and Lenses Confirmed by Panasonic
To organize the findings, here’s a table summarizing key points:
Aspect |
Details |
Fixed-Lens Cameras |
Confirmed in development, possibly an LX100 successor, with no specific release date. |
Telephoto Lenses |
Need to be acknowledged, R&D increased, focus on full-frame >300mm, L-mount alliance collaboration. |
S1H Successor |
In development, targeting professional video, potential 8K features, no launch date. |
Market Insight |
Fixed-lens market recovering, young interest in retro CCD style noted. |
Conclusion: Panasonic’s Future Developments
So, the conclusion is that, based on the CP+ 2025 interviews, Panasonic is very actively working on the research and development of a fixed-lens compact camera as well as the Panasonic S1H Mark II camera. They are also focusing on high-quality L-mount telephoto lenses with enhanced video capabilities. We will update you as soon as we get any new information related to these developments.
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