Which camera is better for capturing images or recording content, the Nikon Z50 II or the Sony A6700? In this specification comparison, we will focus on the major differences between these two cameras. Besides the key feature differences, these cameras also vary in price, so when selecting your camera, consider all these factors before making a purchase.
Initially, in the design part, one thing I like about the Sony A6700 camera is its larger battery life. The Sony A6700 uses an NP-FZ100 battery, so you get approximately 2x battery life compared to the Nikon Z50 Mark II camera. However, the Z50 II has an upgraded Bluetooth antenna, which allows for faster transfer speeds. Another good feature introduced in the Z50 II is the silent transfer mode, enabling you to use your camera for shooting or capturing video while it silently transfers your images or videos in the background to your smartphone or PC. Although there aren’t many differences in the design patterns, both cameras are highly usable for photographers and content creators in terms of design and build
USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks
USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks
Memory Card Slot
Single SD/SDHC/SDXC (UHS-II)
Single SD/SDHC/SDXC (UHS-II)
Wireless
Wi-Fi 5, Bluetooth 5.0
Wi-Fi 5 (2.4/5 GHz), Bluetooth 4.2
GPS
Via Connected Smartphone
Via Connected Smartphone
In the imaging comparison, we have compared the two different sensors and their specs. The big advantage of the Nikon Z50 II camera’s sensor—and a major reason why Nikon continues using it in their mirrorless lineup—is its strong low-light performance. The sensor pixel area is larger than that of the A6700, so even without optical stabilization, it captures more detail in low-light environments. Additionally, the Z50 II has an expanded ISO range that offers one more stop than the A6700. With these core differences, it’s clear that the Nikon Z50 II will perform better in low-light or uncontrolled lighting environments compared to the A6700.
Resolution Advantage of Sony A6700:
Now, with the Sony A6700 camera, we are getting a resolution advantage, but will it work in actual conditions? We will test and find out that capturing images near the base ISO range will bring more details from Sony with OLPF or with a 20.9 MP sensor without OLPF (Optical low-pass filter).
Table 2: Imaging Comparison
Feature
Nikon Z50 II
Sony A6700
Sensor Resolution
Actual: 21.51 MP, Effective: 20.9 MP (5568 x 3712)
Actual: 27 MP, Effective: 26 MP (6192 x 4128)
Sensor Type
APS-C CMOS, 23.5 x 15.7 mm
APS-C CMOS, 23.3 x 15.5 mm
Sensor Pixel Area
4.22µ
3.76µ
Low pass Fiter
No
Yes
Sensor Crop Factor
1.5x, 1.2x in some video modes
1.5x, 1.6x in some video modes
Image Stabilization
Digital (Video Only)
Sensor-Shift, 5-Axis
ISO Range (Photo)
100 to 51,200 (Expandable: 100 to 204,800)
100 to 32,000 (Extended: 50 to 102,400)
ISO Range (Video)
100 to 25,600
100 to 32,000
Continuous Shooting Speed
Up to 11 fps (Raw) / 30 fps (JPEG)
Up to 11 fps (26 MP)
Pre- burst
Yes
No
White Balance Range
2500 to 10,000K
2500 to 9900K
Autofocus Points
231 Phase & Contrast Detection
759 Phase Detection (Photo), 495 (Video)
AF Sensitivity
-9 to +19 EV
-3 to +20 EV
Image File Format
HEIF, JPEG, Raw
HEIF, JPEG, Raw
Aspect Ratio Options
3:2, 1:1, 16:9
3:2, 4:3, 16:9, 1:1
Bit Depth
14-Bit
14-Bit
Continuous Shooting Speed:
Another significant difference is continuous shooting speed. Both cameras feature up to 11 fps with their mechanical shutters, but Nikon allows up to 30 fps with its electronic shutter. And in A6700 we don’t have the support of an Electronic shutter in Brust mode, so the maximum speed we are getting in A6700 is 11 Fps.
Buffer Memory and Pre-Burst Capture Mode:
Comparing buffer memory, the Z50 II can store up to 200 RAW files in a single shot, whereas the A6700 can store approximately 50. Now with the help of Pre Brust capture mode feature in the Z50 II is that it engages its buffer memory before shooting starts. This means that when you capture an image, the camera saves a stack of images even before the shutter is pressed, ensuring you don’t miss key moments.
Low-Light Autofocus Sensitivity:
Another strength is the Z50 II’s low-light AF sensitivity, which reaches -9 EV, compared to -3 EV on the Sony A6700.
Autofocus System:
The Sony A6700 has 759 phase-detect AF points for autofocus, while the Z50 II is limited to 231 points. This gives the A6700 a more advanced autofocus system, but Nikon has closed the gap by introducing similar AF algorithms to those seen in the Nikon Z8. So, while Sony may still have the edge in AF, the Z50 II’s performance now comes very close.
Image Stabilization
Sony A6700 camera features sensor-shift Image stabilization as well as GYRO, so if you are shooting still images of video the Sony A6700 camera is more helpful to you compared to Nikon Z50 II without IBIS and normal E- VR mode.
Best Camera for Different Environments:
So, if you’re working in a controlled lighting environment, the Sony A6700 may be more useful. However, if you’re often in uncontrolled or outdoor environments—like wildlife photography where lighting and subject positions vary—then a camera that performs better in low-light conditions may be preferable, making the Z50 II a better choice.
Table 3: Video Comparison
Feature
Nikon Z50 II
Sony A6700
Internal Recording Modes
H.264/H.265 8/10-Bit
XAVC HS/S 4:2:2 10-Bit, XAVC S 8-Bit, XAVC S-I 10-Bit
Max Resolution & Frame Rate
UHD 4K 30p Uncropped
UHD 4K 30p Uncropped
UHD 4K 60p 1.5X Crop
UHD 4K 60p 1.04X Crop
NA
UHD 4k 120p 1.58x crop
High-Speed Recording
1920 x 1080 up to 120 fps
1080p up to 240 fps
External Recording
HDMI 4K (Unspecified Frame Rate)
HDMI 4K at up to 59.94 fps, HD up to 59.94 fps
Slow/Fast Motion
Slow Motion Only
Yes
Recording Limit
Up to 125 Minutes
Unlimited
Gamma Curve
HDR-HLG, Nikon N-Log
HDR-HLG, S Cinetone, S-Log 3
Waveform
Yes
No
Product showcase Mode
Yes
Yes
Auto Framing
No
Yes
Built-In Microphone
Stereo
Stereo
Image Stabilization
VR
IBIS / GYRO
Audio Recording Format
MOV: 24-Bit 48 kHz LPCM, MP4: 16-Bit 48 kHz AAC
XAVC: 2-Channel 16-Bit 48 kHz LPCM
Headphone & Mic Jacks
Yes (3.5 mm)
Yes (3.5 mm)
Video I/O
Micro-HDMI
Micro-HDMI
This side-by-side comparison should help you see each camera’s strengths and features in detail. Now its time for a recommendation
Sony A6700: Higher Frame Rates and Minimal Crop in 4K
In the video comparison tables above clearly shows that with the Sony A6700 camera, we are getting higher frame rates up to 120 fps in 4K.Although we have to face significant crop in that mode, at the same time, in the Nikon Z50 Mark II camera, even at 4K 60 fps, we have to face a 1.5X crop, whereas in the Sony A6700 camera, the crop at 4K 60p is minimal, at only 1.04x. So more or less, if we talk about the usability of frame rates, we are getting more advanced specifications in the Sony A6700 camera.
Sony A6700: Superior Gyro-Based Image Stabilization for On-the-Go Shooting
Another significant advantage of the Sony A6700 camera is the presence of a gyro-based image stabilization system, so if you are hand-holding the camera and creating content on the go, then the most suitable camera for you is again the Sony A6700 camera.
Sony A6700: High Frame Rate Options for Slow-Motion and Content Creation
Again, for dance videos or creating reels that need higher frame rates, the Sony A6700 camera allows you to capture full HD videos up to 240 fps for creating super slow-motion videos. So if you talk about frame rates or gyro-based image stabilization, you are getting all that in the Sony A6700 camera, which also supports 10-bit internal recording with S-Log2, S-Log3, and Hybrid Log Gamma, so you can extract as much detail as you require for a given scene.
Nikon Z50 II: Exceptional Low-Light Performance and Professional Cinematography Features
Now, when should you buy the Nikon Z50 Mark II camera? Since the Nikon Z50 II camera features an ultra-low-light-sensitive sensor, if you are a short filmmaker and need a camera that performs exceptionally well under uncontrolled lighting conditions along with support for professional cinematography using RAW LUTs that the camera includes,then new RAW LUTs with the Z50 II camera may be added with updates in the future. Above all, you are also getting waveform support that will help you precisely control exposure, allowing you to rearrange elements to achieve optimal exposure. So if you are professionally involved in creating short films under uncontrolled lighting conditions, then the most recommended camera is the Nikon Z50 II.
So in the latest update, we have that Nikon is currently working on the implementation of bird eye autofocus mode in the Nikon Z6 Mark III camera since the camera doesn’t have that particular mode, and many wildlife photographers are disappointed with this.
They have become more disappointed after the release of the Nikon Z50 II, which does have a birds-eye autofocus mode under the $1000 price range.
But not to worry, since, as per the latest information coming out from @Jan Wegener’s YT Channel, Nikon Japan is listening to us, and very soon in upcoming firmware updates, they will add the bird eye AF feature in the Z6 III camera.
Nikon announced the long-awaited Nikon Z50 Mark II camera. If we talk about body design, we have a much-improved hand grip, which reminds us of DSLR cameras; they are very deep and very comfortable for professional hands. The other noticeable thing is a bright viewfinder of 1000 nits, despite having a 2.36 million resolution. Nikon has scaled the EVF. The other major improvement we can say in the design is the introduction of a vari-angle display screen on the rear side of the camera. As you can clearly remember, the Z50 had a tilting display screen, and now with the arrival of a vari-angle display as well as an additional audio port on the side of the camera, content creators can monitor their audio while recording videos.
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com – Est. Ship Date: Thu Nov 21, 2024
Overall Design Improvements
Overall, the camera is much improved compared to its predecessor. When we compare the designs, we see that we have a few extra controls and a newly added picture control button on top of the camera. The other noticeable advantage we have is the introduction of the EN-EL25a battery. Although it is very similar to the battery we have seen (EN-EL15) in the Z50, it has also been redesigned to run more efficiently.
Core Specifications
Now let’s talk about the internal core specifications of the camera. We have the same 20-megapixel sensor in the Nikon Z50 Mark II camera paired with the latest Expeed 7 image processor. Many users out there are disappointed with the resolution of the camera since it is the same sensor we have seen in the D500, Z30, and ZFC. All these cameras have the same, but the most interesting part of this particular sensor is its low-light performance, similar or even better to the recent current generation of higher-end APS-C cameras.
Resolution and Low-Light Performance
That said, resolution may be a completely personal choice, but having an excellent low-light-performing BSI CMOS sensor under a $1,000 budget is really impressive. I love to see the same sensor again in the Z50 Mark II body.
Advanced Autofocus
Now, with the introduction of the Expeed 7 image processor, we have an advanced autofocus algorithm inside the Z50 Mark II camera, which comes directly from the Nikon Z6 III and Nikon Z8 bodies. But kindly remember that Nikon’s higher-end cameras, or even the Nikon Z6 Mark III, have a partially stacked sensor, whereas the Z50 II does not have that. So the response of the AF algorithm present inside those cameras acts differently. But again, having advanced AF algorithms inside the Z50 Mark II camera enhances the autofocusing performance to the next level. The 3D auto-tracking performance keeps tracking the subject regardless of the subject or the camera movement. The other big advantage we have is the introduction of 9 different types of autofocus tracking modes. So, if we talk about the autofocus performance, the Z50 Mark II has now become one of the most advanced Nikon APS-C cameras Nikon ever announced.
Continuous Shooting Speed
The continuous shooting speed of the camera has been upscaled, and now you can shoot up to 30 frames per second with the electronic shutter. With the mechanical shutter, you can do continuous shooting up to 11 frames per second. We all know that the 20 MP BSI CMOS sensor is not a stacked CMOS sensor, so those who don’t want any kind of rolling shutter effect can select the mechanical shutter.
Picture Control / Profile Button and Cloud Integration
Now we have a dedicated picture profile button on the top of the camera, and with this button, you have a world of possibilities. You can browse all the presets and different kinds of picture profiles available to you through Nikon’s cloud system. Once you connect your camera with the NX software, it opens up multiple picture profiles being used by Nikon ambassadors worldwide while shooting images. So you can select any of these picture profiles for your camera and have some fun.
Video Features and Enhancements
Let’s talk about the video part of the camera. Nikon has done a lot for the video side of the camera. Starting from the design, Nikon has introduced a vari-angle display screen and a headphone port to monitor audio. Now, internally with the Expeed 7 image processor, we have an advanced 3D autofocus system for videos.
10-Bit Video Recording and Waveform
The Nikon Z50 Mark II now supports 10-bit video recording. You can record videos in 10-bit format and apply various colour profiles, including some introduced recently in Nikon’s professional cameras. Professionals will love this camera for the introduction of the waveform; now you can see the waveform functionality on the back of the camera, which helps set the exposure for the entire scene more accurately than the histogram.
Image Stabilization Drawbacks
The only thing that disappoints me is the presence of electronic image stabilization, which is not very effective in the Z50 Mark II. With VR lenses, you can achieve some stability, but it is not as good as we have seen in the Sony ZV-E10 or ZV-E10 Mark II cameras.
Here’s a straightforward table summarizing the pros and cons of the Nikon Z50 II:
Conclusion / Early Verdict
Pros
Cons
Improved Grip Design: Deep, DSLR-style grip for comfortable handling.
Electronic Image Stabilization (EIS) Limitation: EIS is present but not as effective as IBIS or advanced stabilization systems in other brands.
High-Quality Vari-Angle Display: Versatile screen for flexible shooting angles, great for vlogging.
Same 20 MP Sensor: Uses the same 20 MP sensor as its predecessor, which may disappoint users looking for higher resolution.
Advanced Autofocus with 3D Tracking: Enhanced AF algorithms with 9 AF tracking modes and better 3D tracking from Expeed 7 processor.
No Significant Increase in Frame Rate for Mechanical Shutter: Mechanical shutter limited to 11 fps, which may fall short for some action photographers.
10-Bit Internal Video Recording: Adds professional video quality options with 10-bit color profiles.
Enhanced Low-Light Performance: BSI CMOS sensor provides strong low-light capability for the APS-C segment.
Dedicated Picture Profile Button: Conveniently browse and apply custom profiles from Nikon’s cloud library.
Improved Battery Efficiency: Redesigned EN-EL25a battery for better performance compared to the previous Z50.
Nikon Z5 Mark II is rumored to arrive in Q1 of 2025, while there may be confusion (from our side) in understanding the shipping and announcement date, but yes the arrival of the Z5 II is certain, as per the latest rumors surfaced over the web. Take a look at the initial set of rumored specs of the Nikon Z5 Mark II camera
Nikon Z5 Mark II Rumored Specification
24.5MP FX-Format BSI CMOS Sensor
EXPEED 7 Image Processor
UHD 4K30 Video; 1.5x 60p with crop N-Log & 10-Bit HDMI Out
5-Axis Sensor-Shift Vibration Reduction
Built-In Wi-Fi and Bluetooth
Dual SD UHS-II Card Slots
This statement is coming out from Nikon President Masaaki Tokunari, Yomiuri Shimbun (Japanese publisher) has published an interview with the Nikon President recently.
Take a look at the summary
Chinese Wealthy People and Indian Wedding Photographers Preferring Nikon
Our decision to focus on mid to high-end models, professional models, and mirrorless cameras in the 2020s has worked better than expected. The Chinese market is a typical example. Sales are high because the wealthy are looking for cameras rather than smartphones. India is also growing. The country has a large population, but there is also a large demand for weddings.
Nikon President Masaaki Tokunari also thinks that the saturation point has now arrived, now both smartphone and Mirrorless cameras can co-exist together
We are now in an age where smartphones and digital cameras can coexist. Global sales of digital cameras have fallen to one-twentieth of their peak. However, domestic companies are doing well. What is going on? As I understand it, the act of taking photos has spread with the spread of smartphones. In the days of film cameras, you had to develop the film, but with digital cameras, that’s unnecessary. Nowadays, you can post photos online right away, and there are social networking sites like Instagram and Facebook. I think smartphones have broadened the base. As a result, our high-end models, which are at the top of the camera pyramid, are selling well.
It’s hard to capture the decisive moment with a smartphone. Smartphones have taught us the joy of sharing our shooting with the public, and the number of people using them has increased. For this reason, interchangeable lens cameras, including those from other companies, are doing well compared to compact digital cameras and cameras with non-interchangeable lenses.
More of the interview – about the future and RED acquisition
(Regarding the review of production bases) The purpose is to improve production capacity. To make high-precision lenses. We will invest 100 billion yen and gradually renovate our factories by 2030. First in Tochigi. Many of our lenses are made in Thailand, and high-performance lenses are produced in Tochigi.
We have acquired Red, a US camera manufacturer. The Z mount is expected to be used in filming as well. We would like to use our channels to promote it in India, a major film country. There is no doubt that this field is an area where market expansion is expected.
This is Nikon’s first move after the acquisition of RED Camera. Initially, they introduced a LUT (Look-Up Table) that exhibits a color profile similar to RED Cinema cameras for their Nikon mirrorless system cameras, specifically those capable of recording in log format. However, this is just a small step towards a major announcement ?, the btw, we have already shared our wishlist for Nikon next RED Komodo camera with Z Mount – Nikon KOMODO Z – What Can We Expect from Nikon?
The Digital Photography Review team has recorded videos with all new LUTs and has demonstrated them beautifully, allowing you to see the color differences, contrast types, and dynamic range each lens provides.
We have some strong hints from Nikon Rumor Mill, that Nikon’s Z50 Mark II camera is coming, But before we begin to discuss the core specifications, the most disappointing thing we learned is that the camera will have the same 20-megapixel sensor.
Nikon Z50 II Rumored Specs
Updated body design
Expeed 7
A vari-angle screen like the Z6 III
USB-C
Will use the same Nikon EN-EL25 battery
Official announcement: soon (before the end of 2024)
The same 20.9MP DX-format CMOS sensor
The launch of the camera is expected sometime in September or October. We will update you when we get any new information related to the upcoming Z 50 Mark II camera.
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