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By admin, on December 11th, 2024
Nikon Z9 will get the Expeed 8 image processor. That means we will get a massive update in the processing power of the existing Z9 camera, which will directly affect the autofocusing algorithms, specifically 3D object tracking, continuous shooting speed, video recording resolution, and frame rate. So for sure, we will have a massive update in the camera’s core specifications. The camera is expected to arrive in the fourth quarter of 2025.
List of FX Bodies to be announced with Expeed 8 Image processor in the near future
- 2028 — Z50 III, Z6 IV
- 2027 — Zf II [Late 2026 or early 2027], Z8 II
- 2026 — Z30II [Q1 of 2026 or Late 2025]
- 2025 — Z9 II, ZfcII (bold indicates likely EXPEED8 cameras)
- overdue: Z5II, Z7III
If we closely study the announcement pattern of Nikon then after the Z9 II, the most eligible FX-format Mirrorless body is the Nikon Zf II waiting for an update.
Stay tuned will will bring more updates soon.
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By admin, on December 11th, 2024
Let’s talk about Nikon’s upcoming lens adapter, which features a built-in autofocus motor to properly enable autofocus with AF, and AF-D lenses that require a motor. Right now, none of the FTZ adapters are compatible with AF/ AF-D lenses.
These adapters will have a somewhat retro design and look fabulous when paired with the Nikon ZF camera. The adapter’s name is not confirmed yet; it might be called FTZ III, FTG SC, or something else, so we are not very sure about the name at this point.
When will it arrive?
The adapter is expected to arrive in the fourth quarter of 2025. Many people have been waiting for such an adapter for a long time. Some third-party Lens adapters are available (AF/AF-D to E Mount), but they don’t do the job perfectly.
stay tuned more updates coming
Also see – Nikon Z30 Mark II – Expected Specifications and Arrival Timeline
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The post “Nikon FTZ III / Nikon FTZ SE – Retro Style Adapter with AF Motor Coming in 2025” appeared first on thenewcamera.com
By admin, on December 3rd, 2024
Nikon took more than 2 plus years to bring the Nikon Z30 after the arrival of the Nikon Z50 camera. The Nikon Z30 camera was announced in June 2022. Considering the time gap, it has already been 2 years since the announcement. For an entry-level model like the Nikon Z30, with recording limit limitations of 4K up to 30 min and a limited set of videography features, the camera looks outdated when we compare its features against the closest competitor Sony ZV-E10. Considering the current competition, we believe the Nikon Z30 Mark II might arrive in Q4 of 2025 or early Q1 of 2026, here is why… in more details
The market is volatile; competitors offer much more advanced features at the same price range. For example, we have the Sony ZV-10 camera, which arrives at the same price range and offers unlimited recording, a dedicated product showcase mode, electronic image stabilization, face exposure tracking, and a headphone jack — features the Nikon Z30 lacks.
Fortunately, Nikon has just overcome the time gap with their new Z50 II model, although it falls within the mid-range APS-C mirrorless camera tier. The latest Nikon Z50 Mark II camera model features a product review mode, 10-bit internal recording, NLog, RED LUTs, and waveforms. Additionally, we can record 4K at 60fps in crop mode with the help of the new Expeed 7 image processor. Moreover, video autofocus and 3D object tracking have been improved much more compared to the previous generation of Nikon Z DX cameras.
Now we come to the basic question: will Nikon take the same timeline or gap they took in the introduction of the Nikon Z30, or will they shorten the timeline between the introduction of entry-level models?
As we know, this technology will not remain limited to the Nikon Z50 Mark II camera. Most of the videography features that we see right now in the Z50 will be transferred to the Z30 Mark II after 7 to 8 months of gap. Why so? 7 to 8 months is considered to be the peak sales period of any camera, and once this period is over and the sales start falling, the camera makers generally introduce budget variants of the same to target a different group of users, ensuring they maintain their market presence.
Now, keeping all these things in mind let’s discuss the possible core specifications of the Nikon Z50 Mark II camera
Possible Specs of the Nikon Z30 Mark II
Imagine and Processor:
- 20.9MP DX-Format CMOS Sensor
- EXPEED 7 Image Processor
Video Specs:
- 125 Minutes Recording Time Limit in 4K
- UHD 4K60p Video Recording (with crop mode)
- Full HD 120fps Slow-Motion Recording
- Live Streaming at 60p
- Product Review mode
- 10 Bit Internal recording (Via HDMI)
Autofocus System:
- Hybrid AF with Improved Eye and Face Detection
- Subject Detection for 9 Types (animals, vehicles, etc.)
Screen and Viewfinder:
- 3″ 1.04m-Dot Free-Angle Touchscreen LCD (180° tilting for vlogging)
Audio and Connectivity:
- Built-In Stereo Mic with Wind Noise Reduction
- External Mic 3.5mm
- New Tally Lamp Design for Recording Indicator
- Wi-Fi and Bluetooth for Seamless Connectivity
Vlogging Features:
- Vlogging-Optimized Design
- Dedicated Selfie Controls
- Picture Control Button for Quick Adjustments
Shooting and Storage:
- ISO 100-51200
- Up to 11 fps Continuous Shooting
- Single SD Memory Card Slot
Excluded Features (To Protect Z50 II Sales):
- No electronic viewfinder (to keep the Z30 Mark II focused on vlogging and content creation)
- Photographic enhancements like burst shooting at 30 fps are reserved for Z50 II.
- Market Segmentation: Nikon will likely reserve 10-bit internal recording for the Nikon Z50 Mark II camera, to maintain its appeal to semi-professional users and protect its future sales.
- Target Audience: The Z30 series targets vloggers and casual content creators who don’t spend much time grading 10-bit videos, they give priority to ease of use and affordability over advanced video specifications. Offering a 10-bit recording might not align with this audience’s actual needs.
This spec list allows the Z30 Mark II to inherit the key video features of the Z50 Mark II while keeping advanced photographic capabilities exclusive to the Z50 Mark II, thus maintaining distinct positioning for both models.
.Nikon Z30 Mark II Arrival Date [Expected Timeline]
Based on Nikon’s product update trends and the typical lifecycle for entry-level models, the Nikon Z30 Mark II announcement is likely to happen around on Q4 of 2025 or Q1 of 2026.
This prediction considers several factors [Already explained above in the article]:
- Product Lifecycle: Nikon released the Z30 in June 2022. Entry-level cameras typically follow a 2.5–3-year refresh cycle.
- Competition Pressure: With competitors like Sony aggressively updating models (e.g., ZV-E10 successors), Nikon may feel compelled to respond faster.
- Sales Strategy: Nikon may prioritize the peak sales period of the Z50 Mark II (expected earlier than Z30 Mark II) to maximize market presence before introducing the budget variant.
Thus, Q4 of 2025 to Q1 of 2026 is a reasonable estimate for the Z30 Mark II announcement.
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The post “Nikon Z30 Mark II – Expected Specifications and Arrival Timeline” appeared first on thenewcamera.com
By admin, on November 27th, 2024
According to the latest information on the web, Nikon engineers are working rigorously to bring out the next generation of Red cinema cameras under Nikon’s branding with 8K recording capability paired with the Z-mount / optional PL-Mount. The Working Prototypes of the cameras are under extensive testing, Design wise its inspired by the RED V-Raptor. The Camera is scheduled to arrive sometime in Q4 of 2025, but again, if it gets delayed due to issues occurring in the final production line model, then the announcement will get shifted to Q1 of 2026. So now we have the exact time frame for the next Nikon Red cinema camera.
Also see – Nikon KOMODO Z – What Can We Expect from Nikon?
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + Nikon Rumors 24X7.
The post “Nikon RED Cinema Camera Coming in Q4 2025 – Latest Rumor” appeared first on thenewcamera.com
By admin, on November 12th, 2024
Which camera is better for capturing images or recording content, the Nikon Z50 II or the Sony A6700? In this specification comparison, we will focus on the major differences between these two cameras. Besides the key feature differences, these cameras also vary in price, so when selecting your camera, consider all these factors before making a purchase.
Initially, in the design part, one thing I like about the Sony A6700 camera is its larger battery life. The Sony A6700 uses an NP-FZ100 battery, so you get approximately 2x battery life compared to the Nikon Z50 Mark II camera. However, the Z50 II has an upgraded Bluetooth antenna, which allows for faster transfer speeds. Another good feature introduced in the Z50 II is the silent transfer mode, enabling you to use your camera for shooting or capturing video while it silently transfers your images or videos in the background to your smartphone or PC. Although there aren’t many differences in the design patterns, both cameras are highly usable for photographers and content creators in terms of design and build
Nikon Z50 II vs Canon R10
Table 1: Design Comparison
Feature |
Nikon Z50 II |
Sony A6700 |
Lens Mount |
Nikon Z |
Sony E |
Body Dimensions (W x H x D) |
5 x 3.8 x 2.6 in (127 x 96.8 x 66.5 mm) |
4.8 x 2.7 x 3 in (122 x 69 x 75.1 mm) |
Weight |
17.46 oz / 495 g (Body Only) |
1.1 lb / 493 g (With Battery, Recording Media) |
Material |
Magnesium Alloy |
Magnesium Alloy |
Battery Type |
EN-EL25a or EN-EL25 (Approx. 230 Shots) |
NP-FZ100 (Approx. 550 Shots) |
Weather-Sealing |
Yes |
Yes |
Operating Temperature |
32 to 104°F / 0 to 40°C |
32 to 104°F / 0 to 40°C |
Connectivity Ports |
USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks |
USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks |
Memory Card Slot |
Single SD/SDHC/SDXC (UHS-II) |
Single SD/SDHC/SDXC (UHS-II) |
Wireless |
Wi-Fi 5, Bluetooth 5.0 |
Wi-Fi 5 (2.4/5 GHz), Bluetooth 4.2 |
GPS |
Via Connected Smartphone |
Via Connected Smartphone |
In the imaging comparison, we have compared the two different sensors and their specs. The big advantage of the Nikon Z50 II camera’s sensor—and a major reason why Nikon continues using it in their mirrorless lineup—is its strong low-light performance. The sensor pixel area is larger than that of the A6700, so even without optical stabilization, it captures more detail in low-light environments. Additionally, the Z50 II has an expanded ISO range that offers one more stop than the A6700. With these core differences, it’s clear that the Nikon Z50 II will perform better in low-light or uncontrolled lighting environments compared to the A6700.
Resolution Advantage of Sony A6700:
Now, with the Sony A6700 camera, we are getting a resolution advantage, but will it work in actual conditions? We will test and find out that capturing images near the base ISO range will bring more details from Sony with OLPF or with a 20.9 MP sensor without OLPF (Optical low-pass filter).
Table 2: Imaging Comparison
Feature |
Nikon Z50 II |
Sony A6700 |
Sensor Resolution |
Actual: 21.51 MP, Effective: 20.9 MP (5568 x 3712) |
Actual: 27 MP, Effective: 26 MP (6192 x 4128) |
Sensor Type |
APS-C CMOS, 23.5 x 15.7 mm |
APS-C CMOS, 23.3 x 15.5 mm |
Sensor Pixel Area
|
4.22µ |
3.76µ |
Low pass Fiter
|
No |
Yes |
Sensor Crop Factor |
1.5x, 1.2x in some video modes |
1.5x, 1.6x in some video modes |
Image Stabilization |
Digital (Video Only) |
Sensor-Shift, 5-Axis |
ISO Range (Photo) |
100 to 51,200 (Expandable: 100 to 204,800) |
100 to 32,000 (Extended: 50 to 102,400) |
ISO Range (Video) |
100 to 25,600 |
100 to 32,000 |
Continuous Shooting Speed |
Up to 11 fps (Raw) / 30 fps (JPEG) |
Up to 11 fps (26 MP) |
Pre- burst
|
Yes |
No |
White Balance Range |
2500 to 10,000K |
2500 to 9900K |
Autofocus Points |
231 Phase & Contrast Detection |
759 Phase Detection (Photo), 495 (Video) |
AF Sensitivity |
-9 to +19 EV |
-3 to +20 EV |
Image File Format |
HEIF, JPEG, Raw |
HEIF, JPEG, Raw |
Aspect Ratio Options |
3:2, 1:1, 16:9 |
3:2, 4:3, 16:9, 1:1 |
Bit Depth |
14-Bit |
14-Bit |
Continuous Shooting Speed:
Another significant difference is continuous shooting speed. Both cameras feature up to 11 fps with their mechanical shutters, but Nikon allows up to 30 fps with its electronic shutter. And in A6700 we don’t have the support of an Electronic shutter in Brust mode, so the maximum speed we are getting in A6700 is 11 Fps.
Buffer Memory and Pre-Burst Capture Mode:
Comparing buffer memory, the Z50 II can store up to 200 RAW files in a single shot, whereas the A6700 can store approximately 50. Now with the help of Pre Brust capture mode feature in the Z50 II is that it engages its buffer memory before shooting starts. This means that when you capture an image, the camera saves a stack of images even before the shutter is pressed, ensuring you don’t miss key moments.
Low-Light Autofocus Sensitivity:
Another strength is the Z50 II’s low-light AF sensitivity, which reaches -9 EV, compared to -3 EV on the Sony A6700.
Autofocus System:
The Sony A6700 has 759 phase-detect AF points for autofocus, while the Z50 II is limited to 231 points. This gives the A6700 a more advanced autofocus system, but Nikon has closed the gap by introducing similar AF algorithms to those seen in the Nikon Z8. So, while Sony may still have the edge in AF, the Z50 II’s performance now comes very close.
Image Stabilization
Sony A6700 camera features sensor-shift Image stabilization as well as GYRO, so if you are shooting still images of video the Sony A6700 camera is more helpful to you compared to Nikon Z50 II without IBIS and normal E- VR mode.
Best Camera for Different Environments:
So, if you’re working in a controlled lighting environment, the Sony A6700 may be more useful. However, if you’re often in uncontrolled or outdoor environments—like wildlife photography where lighting and subject positions vary—then a camera that performs better in low-light conditions may be preferable, making the Z50 II a better choice.
Table 3: Video Comparison
Feature |
Nikon Z50 II |
Sony A6700 |
Internal Recording Modes |
H.264/H.265 8/10-Bit |
XAVC HS/S 4:2:2 10-Bit, XAVC S 8-Bit, XAVC S-I 10-Bit |
Max Resolution & Frame Rate |
UHD 4K 30p Uncropped |
UHD 4K 30p Uncropped |
|
UHD 4K 60p 1.5X Crop |
UHD 4K 60p 1.04X Crop |
|
NA |
UHD 4k 120p 1.58x crop |
High-Speed Recording |
1920 x 1080 up to 120 fps |
1080p up to 240 fps |
External Recording |
HDMI 4K (Unspecified Frame Rate) |
HDMI 4K at up to 59.94 fps, HD up to 59.94 fps |
Slow/Fast Motion |
Slow Motion Only |
Yes |
Recording Limit |
Up to 125 Minutes |
Unlimited |
Gamma Curve |
HDR-HLG, Nikon N-Log |
HDR-HLG, S Cinetone, S-Log 3 |
Waveform
|
Yes |
No |
Product showcase Mode
|
Yes |
Yes |
Auto Framing
|
No |
Yes |
Built-In Microphone |
Stereo |
Stereo |
Image Stabilization
|
VR |
IBIS / GYRO |
Audio Recording Format |
MOV: 24-Bit 48 kHz LPCM, MP4: 16-Bit 48 kHz AAC |
XAVC: 2-Channel 16-Bit 48 kHz LPCM |
Headphone & Mic Jacks |
Yes (3.5 mm) |
Yes (3.5 mm) |
Video I/O |
Micro-HDMI |
Micro-HDMI |
This side-by-side comparison should help you see each camera’s strengths and features in detail. Now its time for a recommendation
Sony A6700: Higher Frame Rates and Minimal Crop in 4K
In the video comparison tables above clearly shows that with the Sony A6700 camera, we are getting higher frame rates up to 120 fps in 4K. Although we have to face significant crop in that mode, at the same time, in the Nikon Z50 Mark II camera, even at 4K 60 fps, we have to face a 1.5X crop, whereas in the Sony A6700 camera, the crop at 4K 60p is minimal, at only 1.04x. So more or less, if we talk about the usability of frame rates, we are getting more advanced specifications in the Sony A6700 camera.
Sony A6700: Superior Gyro-Based Image Stabilization for On-the-Go Shooting
Another significant advantage of the Sony A6700 camera is the presence of a gyro-based image stabilization system, so if you are hand-holding the camera and creating content on the go, then the most suitable camera for you is again the Sony A6700 camera.
Sony A6700: High Frame Rate Options for Slow-Motion and Content Creation
Again, for dance videos or creating reels that need higher frame rates, the Sony A6700 camera allows you to capture full HD videos up to 240 fps for creating super slow-motion videos. So if you talk about frame rates or gyro-based image stabilization, you are getting all that in the Sony A6700 camera, which also supports 10-bit internal recording with S-Log2, S-Log3, and Hybrid Log Gamma, so you can extract as much detail as you require for a given scene.
Nikon Z50 II: Exceptional Low-Light Performance and Professional Cinematography Features
Now, when should you buy the Nikon Z50 Mark II camera? Since the Nikon Z50 II camera features an ultra-low-light-sensitive sensor, if you are a short filmmaker and need a camera that performs exceptionally well under uncontrolled lighting conditions along with support for professional cinematography using RAW LUTs that the camera includes, then new RAW LUTs with the Z50 II camera may be added with updates in the future. Above all, you are also getting waveform support that will help you precisely control exposure, allowing you to rearrange elements to achieve optimal exposure. So if you are professionally involved in creating short films under uncontrolled lighting conditions, then the most recommended camera is the Nikon Z50 II.
Get a Sony A6700 Camera from B&H Store and Amazon.com
Sony A6700 Recommended for:
- Portrait Photography
- Landscape Photography
- Street Photography
- Event Photography
- Sports Photography
- Vlogging
- YouTube Content Creation
- Product Photography
- Cinematic Videography (with high frame rates)
- Casual Travel Videography
- Action/Adventure Videography
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com
Nikon Z50 II Recommended for:
- Low-Light Photography
- Wildlife Photography
- Documentary Videography
- Cinematic Filmmaking (low light)
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By admin, on November 11th, 2024
So in the latest update, we have that Nikon is currently working on the implementation of bird eye autofocus mode in the Nikon Z6 Mark III camera since the camera doesn’t have that particular mode, and many wildlife photographers are disappointed with this.
They have become more disappointed after the release of the Nikon Z50 II, which does have a birds-eye autofocus mode under the $1000 price range.
But not to worry, since, as per the latest information coming out from @Jan Wegener’s YT Channel, Nikon Japan is listening to us, and very soon in upcoming firmware updates, they will add the bird eye AF feature in the Z6 III camera.
Best Lenses for Nikon Z6 III
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By admin, on November 7th, 2024
Nikon announced the long-awaited Nikon Z50 Mark II camera. If we talk about body design, we have a much-improved hand grip, which reminds us of DSLR cameras; they are very deep and very comfortable for professional hands. The other noticeable thing is a bright viewfinder of 1000 nits, despite having a 2.36 million resolution. Nikon has scaled the EVF. The other major improvement we can say in the design is the introduction of a vari-angle display screen on the rear side of the camera. As you can clearly remember, the Z50 had a tilting display screen, and now with the arrival of a vari-angle display as well as an additional audio port on the side of the camera, content creators can monitor their audio while recording videos.
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com – Est. Ship Date: Thu Nov 21, 2024
Overall Design Improvements
Overall, the camera is much improved compared to its predecessor. When we compare the designs, we see that we have a few extra controls and a newly added picture control button on top of the camera. The other noticeable advantage we have is the introduction of the EN-EL25a battery. Although it is very similar to the battery we have seen (EN-EL15) in the Z50, it has also been redesigned to run more efficiently.
Core Specifications
Now let’s talk about the internal core specifications of the camera. We have the same 20-megapixel sensor in the Nikon Z50 Mark II camera paired with the latest Expeed 7 image processor. Many users out there are disappointed with the resolution of the camera since it is the same sensor we have seen in the D500, Z30, and ZFC. All these cameras have the same, but the most interesting part of this particular sensor is its low-light performance, similar or even better to the recent current generation of higher-end APS-C cameras.
Resolution and Low-Light Performance
That said, resolution may be a completely personal choice, but having an excellent low-light-performing BSI CMOS sensor under a $1,000 budget is really impressive. I love to see the same sensor again in the Z50 Mark II body.
Advanced Autofocus
Now, with the introduction of the Expeed 7 image processor, we have an advanced autofocus algorithm inside the Z50 Mark II camera, which comes directly from the Nikon Z6 III and Nikon Z8 bodies. But kindly remember that Nikon’s higher-end cameras, or even the Nikon Z6 Mark III, have a partially stacked sensor, whereas the Z50 II does not have that. So the response of the AF algorithm present inside those cameras acts differently. But again, having advanced AF algorithms inside the Z50 Mark II camera enhances the autofocusing performance to the next level. The 3D auto-tracking performance keeps tracking the subject regardless of the subject or the camera movement. The other big advantage we have is the introduction of 9 different types of autofocus tracking modes. So, if we talk about the autofocus performance, the Z50 Mark II has now become one of the most advanced Nikon APS-C cameras Nikon ever announced.
Continuous Shooting Speed
The continuous shooting speed of the camera has been upscaled, and now you can shoot up to 30 frames per second with the electronic shutter. With the mechanical shutter, you can do continuous shooting up to 11 frames per second. We all know that the 20 MP BSI CMOS sensor is not a stacked CMOS sensor, so those who don’t want any kind of rolling shutter effect can select the mechanical shutter.
Picture Control / Profile Button and Cloud Integration
Now we have a dedicated picture profile button on the top of the camera, and with this button, you have a world of possibilities. You can browse all the presets and different kinds of picture profiles available to you through Nikon’s cloud system. Once you connect your camera with the NX software, it opens up multiple picture profiles being used by Nikon ambassadors worldwide while shooting images. So you can select any of these picture profiles for your camera and have some fun.
Video Features and Enhancements
Let’s talk about the video part of the camera. Nikon has done a lot for the video side of the camera. Starting from the design, Nikon has introduced a vari-angle display screen and a headphone port to monitor audio. Now, internally with the Expeed 7 image processor, we have an advanced 3D autofocus system for videos.
10-Bit Video Recording and Waveform
The Nikon Z50 Mark II now supports 10-bit video recording. You can record videos in 10-bit format and apply various colour profiles, including some introduced recently in Nikon’s professional cameras. Professionals will love this camera for the introduction of the waveform; now you can see the waveform functionality on the back of the camera, which helps set the exposure for the entire scene more accurately than the histogram.
Image Stabilization Drawbacks
The only thing that disappoints me is the presence of electronic image stabilization, which is not very effective in the Z50 Mark II. With VR lenses, you can achieve some stability, but it is not as good as we have seen in the Sony ZV-E10 or ZV-E10 Mark II cameras.
Here’s a straightforward table summarizing the pros and cons of the Nikon Z50 II:
Conclusion / Early Verdict
Pros |
Cons |
Improved Grip Design: Deep, DSLR-style grip for comfortable handling. |
Electronic Image Stabilization (EIS) Limitation: EIS is present but not as effective as IBIS or advanced stabilization systems in other brands. |
High-Quality Vari-Angle Display: Versatile screen for flexible shooting angles, great for vlogging. |
Same 20 MP Sensor: Uses the same 20 MP sensor as its predecessor, which may disappoint users looking for higher resolution. |
Advanced Autofocus with 3D Tracking: Enhanced AF algorithms with 9 AF tracking modes and better 3D tracking from Expeed 7 processor. |
No Significant Increase in Frame Rate for Mechanical Shutter: Mechanical shutter limited to 11 fps, which may fall short for some action photographers. |
10-Bit Internal Video Recording: Adds professional video quality options with 10-bit color profiles. |
|
Enhanced Low-Light Performance: BSI CMOS sensor provides strong low-light capability for the APS-C segment. |
|
Dedicated Picture Profile Button: Conveniently browse and apply custom profiles from Nikon’s cloud library. |
|
Improved Battery Efficiency: Redesigned EN-EL25a battery for better performance compared to the previous Z50. |
|
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